Canaletto
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Canaletto
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He ...
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Canaletto - The Entrance To The Grand Canal, Venice - Google Art Project
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He w ...
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Canaletto - The Stonemason's Yard
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He w ...
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The Stonemason's Yard
''The Stonemason's Yard'' (formally known as ''Campo S. Vidal and Santa Maria della Carità'') is an early oil painting by Giovanni Antonio Canal, better known as Canaletto. It depicts an informal scene in Venice, looking over a temporary stonemason's yard in the Campo San Vidal set up for the construction of Andrea Tirali's facade of the church of San Vidal, and across the Grand Canal towards the church of Santa Maria della Carità. Painted in the mid to late 1720s, it is now in the collection of the National Gallery in London and is considered one of Canaletto's finest works.Canaletto, ''The Stonemason's Yard''
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Joseph Smith (1682–1770)
Joseph Smith (c. 1682 – Venice, 6 November 1770), often known as Consul Smith, was the British consul at Venice from 1744 to 1760. Dates given in the ''London Gazette'' prior to 1752 are old style, by modern standards, with the year beginning on 1 January, rather than 25 March, this date falls in 1744 He was a patron of artists, most notably Canaletto, a collector and connoisseur, banker to the British community at Venice, and a major draw on the British Grand Tour. His collection of drawings was bought for George III of Great Britain and forms a nucleus of the Royal Collection of drawings in the Print Room at Windsor Castle. Smith the collector Joseph Smith, a man of obscure origins, was educated at Westminster School before travelling to Venice. He took up residence there in 1700 in the import-export trade and merchant banking house of Thomas Williams, the British consul at that time. Smith eventually headed the partnership of Williams and Smith and made a modest fortune. S ...
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Warwick Castle
Warwick Castle is a medieval castle developed from a wooden fort, originally built by William the Conqueror during 1068. Warwick is the county town of Warwickshire, England, situated on a meander of the River Avon. The original wooden motte-and-bailey castle was rebuilt in stone during the 12th century. During the Hundred Years War, the facade opposite the town was refortified, resulting in one of the most recognisable examples of 14th-century military architecture. It was used as a stronghold until the early 17th century, when it was granted to Sir Fulke Greville by James I in 1604. Greville converted it to a country house, and it was owned by the Greville family (who became Earls of Warwick in 1759) until 1978, when it was bought by the Tussauds Group. In 2007, the Tussauds Group was purchased by the Blackstone Group, which merged it with Merlin Entertainments. Warwick Castle was then sold to Nick Leslau's investment firm, Prestbury Group, under a sale and leaseback agreem ...
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Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ...
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Venetian School (art)
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.Gardner, p. 679. By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended ...
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Vedute
A ''veduta'' (Italian for "view"; plural ''vedute'') is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of ''vedute'' are referred to as ''vedutisti''. Origins This genre of landscape originated in Flanders, where artists such as Paul Bril painted ''vedute'' as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is Johannes Vermeer's ''View of Delft''. The Ghent architect, draughtsman and engraver Lieven Cruyl (1640–1720) contributed to the development of the ''vedute'' during his residence in Rome in the late 17th century. Cruyl’s drawings reproduce the topographical aspects of the urban landscape. 18th century As the itinerary of the Grand Tour became somewhat standardized, ''vedute'' of familiar scenes like the Roman ...
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Luca Carlevarijs
Luca Carlevarijs or Carlevaris (20 January 1663 – 12 February 1730) was an Italian painter and engraver working mainly in Venice. He pioneered the genre of the cityscapes (''vedute'') of Venice, a genre that was later widely followed by artists such as Canaletto and Francesco Guardi. Life and work Carlevarijs was born in Udine. He was also known as 'Luca Casanobrio' or 'Luca di Ca Zenobri', for his patronage by the latter family. He worked principally in Venice, where he also died. His daughter, Marianna Carlevarijs (1703 - 1750) learned the art of pastel portraiture from Rosalba Carriera. Carlevarijs visited Rome. Here he was influenced by the Dutch painter Caspar van Wittel (often called Vanvitelli), who was a long-term resident of Rome. Van Wittel was the pioneer of the genre of vedute of Rome. Carlevarijs then started to create ''vedute'' of Venice, which are among the earliest Baroque depictions of the city. He painted landscapes, sea-pieces and perspective views. ...
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Luca Carlevaris
Luca Carlevarijs or Carlevaris (20 January 1663 – 12 February 1730) was an Italian painter and engraver working mainly in Venice. He pioneered the genre of the cityscapes (''vedute'') of Venice, a genre that was later widely followed by artists such as Canaletto and Francesco Guardi. Life and work Carlevarijs was born in Udine. He was also known as 'Luca Casanobrio' or 'Luca di Ca Zenobri', for his patronage by the latter family. He worked principally in Venice, where he also died. His daughter, Marianna Carlevarijs (1703 - 1750) learned the art of pastel portraiture from Rosalba Carriera. Carlevarijs visited Rome. Here he was influenced by the Dutch painter Caspar van Wittel (often called Vanvitelli), who was a long-term resident of Rome. Van Wittel was the pioneer of the genre of vedute of Rome. Carlevarijs then started to create ''vedute'' of Venice, which are among the earliest Baroque depictions of the city. He painted landscapes, sea-pieces and perspective views. ...
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Bernardo Canal
Bernardo Canal (1664, Venice - 1744, Venice) was an Italian painter; father of the famous painter, Giovanni Antonio Canal, known as Canaletto. Although he earned his living as a theatrical scene painter, he is best known for his vedute; created under the direct inspiration of his contemporary, Luca Carlevarijs. Biography In 1695, he married Artemisia Barbieri (c.1670-?), about whom little is known.Delneri, Annalia; ''Da Canaletto a Zuccarelli: il paesaggio veneto del Settecento'', 2003, Provincia di Udine, Assessorato alla Cultura In 1717, he made his first appearance on the list of members of the Venetian painters' guild and was recognized therein as a member of the College of Painters. That organization awarded him the title of "Prior" in 1739. During his life, he was best known as a painter of theatrical sets for works by Antonio Vivaldi, Fortunato Chelleri, Carlo Francesco Pollarolo and Giuseppe Maria Orlandini at the Teatro San Angelo and the Teatro San Cassiano The Teat ...
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Cityscape
In the visual arts, a cityscape (urban landscape) is an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape. ''Townscape'' is roughly synonymous with ''cityscape,'' though it implies the same difference in urban size and density (and even modernity) implicit in the difference between the words ''city'' and ''town''. In urban design the terms refer to the configuration of built forms and interstitial space. History of cityscapes in art From the first century A.D. dates a fresco at the Baths of Trajan in Rome depicting a bird's eye view of an ancient city.Eugenio la Rocca: "The Newly Discovered City Fresco from Trajan's Baths, Rome." ''Imago Mundi'' Vol. 53 (2001), pp. 121–124. In the Middle Ages, cityscapes appeared as a background for portraits and biblical themes. From the 16th up to the 18th century numerous copperplate prints and etchings were made showi ...
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