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Jan Lievens
Jan Lievens (24 October 1607 – 4 June 1674) was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter Lastman in Amsterdam, where they shared a studio for about five years until 1631. Like Rembrandt he painted both portraits and history paintings, but unlike him Lievens' career took him away from Amsterdam to London, Antwerp, The Hague and Berlin. Biography According to Arnold Houbraken, Jan was the son of Lieven Hendriksze, an embroiderer (''borduurwerker''), and was trained by Joris Verschoten. He was sent to Pieter Lastman in Amsterdam at ''about the age of 10'' for two full years. After that he began his career as an independent artist, at ''about the age of 12'' in Leiden. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leiden
Leiden (; in English and archaic Dutch also Leyden) is a city and municipality in the province of South Holland, Netherlands. The municipality of Leiden has a population of 119,713, but the city forms one densely connected agglomeration with its suburbs Oegstgeest, Leiderdorp, Voorschoten and Zoeterwoude with 206,647 inhabitants. The Netherlands Central Bureau of Statistics (CBS) further includes Katwijk in the agglomeration which makes the total population of the Leiden urban agglomeration 270,879, and in the larger Leiden urban area also Teylingen, Noordwijk, and Noordwijkerhout are included with in total 348,868 inhabitants. Leiden is located on the Oude Rijn, at a distance of some from The Hague to its south and some from Amsterdam to its north. The recreational area of the Kaag Lakes ( Kagerplassen) lies just to the northeast of Leiden. A university city since 1575, Leiden has been one of Europe's most prominent scientific centres for more than four centuries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James I Of England
James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the Scottish and English crowns on 24 March 1603 until his death in 1625. The kingdoms of Scotland and England were individual sovereign states, with their own parliaments, judiciaries, and laws, though both were ruled by James in personal union. James was the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII, King of England and Lord of Ireland, and thus a potential successor to all three thrones. He succeeded to the Scottish throne at the age of thirteen months, after his mother was compelled to abdicate in his favour. Four different regents governed during his minority, which ended officially in 1578, though he did not gain full control of his government until 1583. In 1603, he succeeded Elizabeth I, the last Tudor monarch of England and Ireland, who died childless. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Howard, 21st Earl Of Arundel
Thomas Howard, 14th Earl of Arundel KG, (7 July 1585 – 4 October 1646) was a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector rather than as a politician. When he died he possessed 700 paintings, along with large collections of sculptures, books, prints, drawings, and antique jewellery. Most of his collection of marble carvings, known as the Arundel marbles, was eventually left to the University of Oxford. He is sometimes referred to as the 21st Earl of Arundel, ignoring the supposed second creation of 1289, or the 2nd Earl of Arundel, the latter numbering depending on whether one views the earldom obtained by his father as a new creation or not. He was also 2nd or 4th Earl of Surrey; and was later created 1st Earl of Norfolk (5th creation). He is also known as "the Collector Earl". Early life and restoration to titles Arundel was born in relative penury, at Finchingfield in Essex o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Lievens- King Guy Of Lusignan And King Saladin
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * '' Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantijn Huygens
Sir Constantijn Huygens, Lord of Zuilichem ( , , ; 4 September 159628 March 1687), was a Dutch Golden Age poet and composer. He was also secretary to two Princes of Orange: Frederick Henry and William II, and the father of the scientist Christiaan Huygens. Biography Constantijn Huygens was born in The Hague, the second son of Christiaan Huygens (senior), secretary of the Council of State, and Susanna Hoefnagel, niece of the Antwerp painter Joris Hoefnagel. Education Constantijn was a gifted child in his youth. His brother Maurits and he were educated partly by their father and partly by carefully instructed governors. When he was five years old, Constantijn and his brother received their first musical education. Music education They started with singing lessons, and they learned their notes using gold-coloured buttons on their jackets. It is striking that Christiaan senior imparted the "modern" system of 7 note names to the boys, instead of the traditional, but much more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as ''The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt Van Rijn
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Van Veen
Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius (1556 – 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for running a large studio in Antwerp, producing several emblem books, and for being, from 1594 or 1595 until 1598, Peter Paul Rubens' teacher. His role as a classically educated humanist artist (a ''pictor doctus''), reflected in the Latin name by which he is often known, Octavius Vaenius, was influential on the young Rubens, who would take on that role himself. Life Van Veen was born around 1556 in Leiden, where his father, Cornelis Jansz. van Veen (1519–1591), had been Burgomaster.Van de Velde. He probably was a pupil of Isaac Claesz van Swanenburg until October 1572, when the Catholic family moved to Antwerp, and then to Liège. He studied for a time under Dominicus Lampsonius and Jean Ramey, before traveling to Rome around 1574 or 157 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cananefates
The Cananefates, or Canninefates, Caninefates, or Canenefatae, meaning "leek masters", were a Germanic tribe, who lived in the Rhine delta, in western Batavia (later Betuwe), in the Roman province of '' Germania Inferior'' (now in the Dutch province of South Holland), before and during the Roman conquest. Apparently, the name had its origins in the Cananefates living on sandy soils that were considered excellent for growing Alliums such as leeks and onions. At the beginning of the Batavian rebellion under Gaius Julius Civilis in the year 69, the Batavians sent envoys to the Canninefates to urge a common policy. "This is a tribe," says Tacitus (''Histories'' Book iv) "which inhabits part of the island, and closely resembles the Batavians in their origins, languages, and in their courageous character, but is inferior in numbers." This would imply a similar descent as the Batavians from the Chatti. In the failed uprising that followed, the Canninefates were led by their chieftai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brinno
Brinno was leader of the Canninefates when they joined in the Batavian rebellion at the mouth of the Rhine in AD 70. According to Tacitus, his father had been hostile towards the Romans during the reign of Caligula. Therefore, Brinno was chosen to lead the Canninefates against Rome, and was ceremoniously raised on a shield. His first move as commander was to attack Roman winter camps by sea with the help of the Frisii, in which he was successful due to the unprepared enemy. Tacitus, ''Histories'' 4.15 One of the camps destroyed has been identified at Praetorium Agrippinae Praetorium Agrippinae was a Roman settlement in the province of Lower Germania, in the area of the Cananefates, located in modern-day Valkenburg, Netherlands. It was an army encampment (Lat.: ''castellum'') on the Old Rhine (at the time the m .... Brinno then threatened to advance on the Roman forts in the region, leading the Romans to burn these forts down with the fear of being unable to defend them, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amsterdams Historisch Museum
The Amsterdam Museum, known until 2010 as the Amsterdam Historical Museum, is an Amsterdam-based museum dedicated to the city's past and present. Due to the renovation of its main location, the museum is temporarily located in the building the Amstelhof on the Amstel River, together with the Hermitage Amsterdam and the dependence of the Museum van de Geest. History The museum opened in 1926 in the Waag, one of Amsterdam's 15th-century city gates. It has been located since 1975 in a former convent that was used from 1581 onwards as Amsterdam's municipal orphanage. The building was extended by Hendrick and his son Pieter de Keyser, then rebuilt by Jacob van Campen in 1634. The orphanage operated in this building until 1960.` Collection The museum exhibits various items related to the history of Amsterdam, from the Middle Ages to the present time. Many of the original furnishings of the city orphanage are on display, as are artifacts relating to the ''Rasp house'', the former hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
