Musée Du Petit Palais
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Musée Du Petit Palais
The Petit Palais (; en, Small Palace) is an art museum in the 8th arrondissement of Paris, France. Built for the 1900 Exposition Universelle ("universal exhibition"), it now houses the City of Paris Museum of Fine Arts (''Musée des beaux-arts de la ville de Paris''). The Petit Palais is located across from the Grand Palais on the former Avenue Nicolas II, today Avenue Winston-Churchill. The other façades of the building face the Seine and Avenue des Champs-Élysées. The Petit Palais is one of fourteen museums of the City of Paris that have been incorporated since 1 January 2013 in the public corporation Paris Musées. It has been listed since 1975 as a ''monument historique'' by the Ministry of Culture. Petit Palais, actuellement musée des Beaux-Arts de la Ville de Paris History Design competition In 1894 a competition was held for the 1900 Exhibition area. The Palais de l'Industrie from the 1855 World’s Fair was considered unfitting and was to be replaced by something n ...
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Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the '' Grande Roue de Paris'' ferris wheel, the ''Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), ...
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Monument Historique
''Monument historique'' () is a designation given to some national heritage sites in France. It may also refer to the state procedure in France by which National Heritage protection is extended to a building, a specific part of a building, a collection of buildings, a garden, a bridge, or other structure, because of their importance to France's architectural and historical cultural heritage. Both public and privately owned structures may be listed in this way, as well as movable objects. As of 2012 there were 44,236 monuments listed. The term "classification" is reserved for designation performed by the French Ministry of Culture for a monument of national-level significance. Monuments of lesser significance may be "inscribed" by various regional entities. Buildings may be given the classification (or inscription) for either their exteriors or interiors. A monument's designation could be for a building's décor, its furniture, a single room, or even a staircase. An example is ...
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Gate Petit Palais Paris
A gate or gateway is a point of entry to or from a space enclosed by walls. The word derived from old Norse "gat" meaning road or path; But other terms include ''yett and port''. The concept originally referred to the gap or hole in the wall or fence, rather than a barrier which closed it. Gates may prevent or control the entry or exit of individuals, or they may be merely decorative. The moving part or parts of a gateway may be considered "doors", as they are fixed at one side whilst opening and closing like one. A gate may have a latch that can be raised and lowered to both open a gate or prevent it from swinging. Locks are also used on gates to increase the security. Larger gates can be used for a whole building, such as a castle or fortified town. Actual doors can also be considered gates when they are used to block entry as prevalent within a gatehouse. Today, many gate doors are opened by an automated gate operator. Purpose-specific types of gate * Baby gate a safe ...
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Jean Antoine Injalbert
Jean-Antoine Injalbert (1845–1933) was a much-decorated French sculptor, born in Béziers. Life The son of a stonemason, Injalbert was a pupil of Augustin-Alexandre Dumont and won the prestigious Prix de Rome in 1874. At the Exposition Universelle of 1889 he won the Grand Prix, and in 1900 was a member of the jury. On the day of the inauguration of the Pont Mirabeau in Paris, Injalbert was made an officer of the Légion d'honneur. In 1905 he was made a member of the Institut de France, and in 1910 promoted to Commander of the Légion d'honneur. His work shows powerful imagination and strong personality, as well as great knowledge. From about 1915 onwards he became influential as a teacher, at the Académie Colarossi and as chief instructor at the École des Beaux Arts. Among his many students were Prague sculptor František Bílek, Alfred Janniot, Fernand Guignier, Gleb W. Derujinsky and the American sculptor Edward McCartan, and Aaron Goodelman. Many of his works a ...
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Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ...
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Les Invalides
The Hôtel des Invalides ( en, "house of invalids"), commonly called Les Invalides (), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the , the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon. History Louis XIV initiated the project by an order dated 24 November 1670, as a home and hospital for aged and disabled () soldiers. The initial ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure pas ...
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Beaux-Arts Architecture
Beaux-Arts architecture ( , ) was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Renaissance and Baroque elements, and used modern materials, such as iron and glass. It was an important style in France until the end of the 19th century. History The Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI. French architectural styles before the French Revolution were governed by Académie royale d'architecture (1671–1793), then, following the French Revolution, by the Architecture section of the Académie des Beaux-Arts. The Academy held the competition for the Grand Prix de Rome in architecture, which offered prize winners a chance to study the classical architecture of antiquity in Rome. The formal neoclass ...
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Chantilly, Oise
Chantilly ( , ) is a commune in the Oise department in the Valley of the Nonette in the Hauts-de-France region of Northern France. Surrounded by Chantilly Forest, the town of 10,863 inhabitants (2017) falls within the metropolitan area of Paris. It lies 38.4 km (23.9 miles) north-northeast of the centre of Paris and together with six neighbouring communes forms an urban area of 37,254 inhabitants (2018). Intimately tied to the House of Montmorency in the 15th to 17th centuries, the Château de Chantilly was home to the Princes of Condé, cousins of the Kings of France, from the 17th to the 19th centuries. It now houses the Musée Condé. Chantilly is also known for its horse racing track, Chantilly Racecourse, where prestigious races are held for the Prix du Jockey Club and Prix de Diane. Chantilly and the surrounding communities are home to the largest racehorse-training community in France. Chantilly is also home to the Living Museum of the Horse, with stables b ...
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