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State (printmaking)
In printmaking, a state is a different form of a print, caused by a deliberate and permanent change to a matrix such as a copper plate (for engravings etc.) or woodblock (for woodcut). Artists often take prints from a plate (or block, etc.) and then do further work on the plate before printing more impressions (copies). Sometimes two states may be printed on the same day, sometimes several years may elapse between them. States are usually numbered in Roman numerals: I, II, III ..., and often as e.g.: "I/III", to indicate the first of three recorded states. Some recent scholars refine the work of their predecessors, without wishing to create a confusing new numbering, by identifying states such as "IIa", "IVb" and so forth. A print with no different states known is catalogued as "only state". Most authorities do not count accidental damage to a plate – usually scratches on a metal plate or cracks in a woodcut block – as constituting different states, partly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt The Three Crosses 1653
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist's Proof
An artist's proof is an impression of a print taken in the printmaking process to see the current printing state of a plate while the plate (or stone, or woodblock) is being worked on by the artist. A proof may show a clearly incomplete image, often called a ''working proof'' or ''trial impression'', but in modern practice is usually used to describe an impression of the finished work that is identical to the numbered copies.Prints and Printmaking, Antony Griffiths, British Museum Press (in UK),2nd edn, 1996 There can also be ''printer's proofs'' which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep; but normally the term "artist's proof" would cover both cases. Artist's proofs are not included in the count of a limited edition, and sometimes the number of artist's proofs, which belong to the artist, can be twenty or more. By convention, the artist is not supposed to sell these at once. However, some artists use it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Collecting
Book collecting is the collecting of books, including seeking, locating, acquiring, organizing, cataloging, displaying, storing, and maintaining whatever books are of interest to a given collector. The love of books is ''bibliophilia'', and someone who loves to read, admire, and a person who collects books is often called a '' bibliophile'' but can also be known as an ''bibliolater'', meaning being overly devoted to books, or a ''bookman'' which is another term for a person who has a love of books. Book collecting can be easy and inexpensive: there are millions of new and used books which are available in brick and mortar bookstores as well as online bookstores. Large book sellers include AbeBooks, Alibris, Amazon, and Biblio.com, and there are independent booksellers that can be found online by searching key words such as: books, books for sale, bookseller, bookstore, rare books, collectibles, etc. Books traditionally were only printed on paper and then pages were bound toge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Young Cameron
Sir David Young Cameron (28 June 1865 – 16 September 1945) was a Scottish painter and, with greater success, etcher, mostly of townscapes and landscapes in both cases. He was a leading figure in the final decades of the Etching Revival. Life Cameron was the son of the Rev. Robert Cameron and was born in Glasgow, Scotland. He was educated at The Glasgow Academy. From around 1881 he studied at the Glasgow School of Art and in 1885 enrolled at the Edinburgh Schools of Art. Cameron became a skilled etcher making a name for himself in this medium and gaining international recognition by the 1890s. He was elected associate of the Royal Society of Painter-Etchers (RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903. His subjects included architectural studies, of which he produced a number of popular 'sets' and landscapes. He received various medals and awards for his etchings. It was d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching Revival
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the most sought-after artists achieving very high prices. This came to an abrupt end after the 1929 Wall Street crash wrecked what had become a very strong market among collectors, at a time when the typical style of the movement, still based on 19th-century developments, was becoming outdated. According to Bamber Gascoigne, the "most visible characteristic of he movement.. was an obsession with surface tone", created by deliberately not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. This and other characteristics reflected the influence of Rembrandt, whose reputation had by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzotint
Mezzotint is a monochrome printmaking process of the '' intaglio'' family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print. ''Mezzotint'' is often combined with other ''intaglio'' techniques, usually etching and engraving. The process was especially widely used in England from the eighteenth century, to reproduce portraits and other paintings. It was somewhat in competition with the other main tonal technique of the day, aquatint. Since the mid-nineteenth century it has been relatively little used, as lithography and other techniques produced comparable results more eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Van Ruisdael
Jacob Isaackszoon van Ruisdael (; 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher. He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular. Prolific and versatile, Ruisdael depicted a wide variety of landscape subjects. From 1646 he painted Dutch countryside scenes of remarkable quality for a young man. After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls. Ruisdael's only registered pupil was Meindert Hobbema, one of several artists who painted figures in his landscapes. Hobbema's work has at times been confused with Ruisdael's. Ruisdae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forest Marsh With Travellers On A Bank
''Forest Marsh with Travellers on a Bank'' (1640s-1650s), also known as ''The Travellers'', is an etching by the Dutch Golden Age artist Jacob van Ruisdael. A few copies are known, including those in the collections of the British Museum, Metropolitan Museum of Art in New York, the Rijksprentenkabinet of the Rijksmuseum Amsterdam, and Museum Boymans-van Beuningen in Rotterdam. The cumulus clouds in the late states of the etching have been added later and are not by Ruisdael himself. Etching expert Georges Duplessis singled out ''The Travellers'' and ''The Cornfield'' as unrivalled illustrations of Ruisdael's genius. Ruisdael's pupil Meindert Hobbema Meindert Lubbertszoon Hobbema (bapt. 31 October 1638 – 7 December 1709) was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, '' The Avenue at Middelharnis'' (1689, National Galle ... painted two copies of this etching. One, dated 1662, is in the National Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Schongauer
Martin Schongauer (c. 1450–53, Colmar – 2 February 1491, Breisach), also known as Martin Schön ("Martin beautiful") or Hübsch Martin ("pretty Martin") by his contemporaries, was an Alsatian engraver and painter. He was the most important printmaker north of the Alps before Albrecht Dürer, a younger artist who collected his work. Schongauer is the first German painter to be a significant engraver, although he seems to have had the family background and training in goldsmithing which was usual for early engravers. The bulk of Schongauer's surviving production is 116 engravings, all with his monogram but none dated, which were well known not only in Germany, but also in Italy and even made their way to England and Spain. Vasari says that Michelangelo copied one of his engravings, in the '' Trial of Saint Anthony''. His style shows no trace of Italian influence, but a very clear and organised Gothic, which draws from both German and Early Netherlandish painting. Recent sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of acid, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Hopfer
Daniel Hopfer (circa 1470 in Kaufbeuren – 1536 in Augsburg) was a German artist who is widely believed to have been the first to use etching in printmaking, at the end of the fifteenth century. He also worked in woodcut. Although his etchings were widely ignored by art historians for years, more recent scholarship is crediting him and his work with "single-handedly establishing the salability of etchings" and introducing the print publisher business model. Unlike most later prints, etched on copper plates, Hopfer's printed etching continued to use the iron plates he was used to working with in steel plate armour, the material he was trained in, and with which he continued to work. Life The son of Bartholomäus Hopfer, a painter, and his wife Anna Sendlerin, Daniel moved to Augsburg early in his life, and acquired citizenship there in 1493. In 1497 he married Justina Grimm, sister of the Augsburg publisher, physician and druggist Sigismund Grimm. The couple had three sons, Jörg, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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