''Graha Bhedam'' in
Carnatic music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
is the process (or result of the process) of shifting the
Tonic note (''
śruti
''Shruti'' ( sa, श्रुति, , ) in Sanskrit means "that which is heard" and refers to the body of most authoritative, ancient religious texts comprising the central canon of Hinduism. Manusmriti states: ''Śrutistu vedo vijñeyaḥ'' ( ...
'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in
Hindustani classical music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...
is called a ''murchhana''. Expressed in
Western music theory terms, this is the process of arriving at a different scale by shifting to another mode in the key.
''Graha'' literally means ''position'' and ''Bhedam'' means ''change''. Since the position of the ''śruti'' is changed (pitch of the base note or
drone
Drone most commonly refers to:
* Drone (bee), a male bee, from an unfertilized egg
* Unmanned aerial vehicle
* Unmanned surface vehicle, watercraft
* Unmanned underwater vehicle or underwater drone
Drone, drones or The Drones may also refer to:
...
), it is also sometimes called ''Swara Bhedam'' or ''Śruti Bhedam'' though ''Śruti Bhedam'' and ''Graha Bhedam'' have some technical differences.
Lecture Demonstration on Graha bhedam
/ref>
Definition
Modal shift of the Tonic note to higher notes of a rāgam, while retaining the note's positions (swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
sthānas – sthāna means position/ pitch), results in different rāgams. This is called ''Graha Bhedam''.
Practical demo
A simple practical demonstration of ''Graha Bhedam'' can be taken up by playing the structure of a rāgam with the drone set to Sa (''Shadjamam''). Then if we keep playing the same keys/ notes, while shifting the drone to another note in the rāgam, to form the new śruti/ tonic note, the result is a different rāgam.
Example Illustration
When ''Graha bhedam'' is applied on Shankarabharanam's notes, it yields 5 other major ''Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgams, namely, '' Kalyani'', ''Hanumatodi
Hanumatodi, more popularly known as Todi (pronounced hanumatōdi and tōdi), is a rāgam (musical scale) in Carnatic music. It is the 8th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. This is sung very often in concer ...
'', ''Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system.
Natabhaira ...
'', ''Kharaharapriya
Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...
'' and ''Harikambhoji
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system.
One of the first scales employed b ...
''.
Notes on above table
*C as the base for ''Shankarabharanam'' is chosen for above illustration only for convenience, as Carnatic music does not enforce ''strict'' frequency/pitch structure. The ''Shadjam'' (S) is fixed by the artist as per the vocal range or the instrument's tonic note. All the other ''swarams'' are relative to this ''Shadjam'', falling into a Geometric progression-like frequency pattern. This note is applicable to all tables that are illustrated further below in this page.
*The 6th ''Graha Bhedam'' of ''Shankarabharanam'' has both ''Madhyamams'' (Ma) and no ''Panchamam'' (Pa) and hence will not be considered a valid ''Melakarta'' (ragam having all 7 swarams and only 1 of each). This is only a classification issue with respect to ''Melakarta'', while this structure could be theoretically used well to create good music. Hindustani classical raga Lalit has 2 Ma and no Pa, however it has different Ga and Ni than this structure
*The gaps in the above table are for the missing ''swara'' positions in these ragams, which happens to be the Sharp / Flat notes in western music.
*The 6 Melakarta ragams in above table in graha bhedam are equivalent to the western Major Scale
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double i ...
(Ionian mode) and it's 5 consequent modes with the exception of 7th mode (Locrian) as it doesn't correspond to any valid Melakarta ragam.
Melakarta Rāgams
''Graha Bhedam'' can be applied on most ''Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgams to yield other ''Melakarta'' rāgams (16 of the 72 do not yield any valid ''Melakarta'' scale). When applying such modal shift of tonic note, some results are not valid Melakarta rāgams (rules of the definition of Melakarta are violated). Example scenarios are missing ''Panchamam'' (Pa) or two of particular note (''Rishabham'' (Ri), ''Gandharam'' (Ga), ''Madhyamam'' (Ma), ''Dhaivatam'' (Da) or ''Nishadam'' (Ni)).
''Shankarabharanam''
See Example Illustration in previous section.
''Kanakangi''
The ''Graha Bhedam'' derivative of ''Kanakangi
Kanakangi (pronounced kanakāngi, meaning ''the golden bodied one'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 1st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is ...
'' is ''Kamavardhini
Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a ragam in Carnatic music (musical scale of South Indian classical mu ...
'' and vice versa.
''Mayamalavagowla''
The ''Graha Bhedam'' derivatives of ''Mayamalavagowla
Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th ''melakarta'' raga under Venkatamakhin's ''melakarta'' system. Originally known as ''malavagowla'', "maya" was pref ...
'' are ''Rasikapriya
Rasikapriya is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the last (72nd) ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Rasamanjari in Muthuswami Dikshitar schoo ...
'' and ''Simhendramadhyamam
Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school ...
''.
''Ragavardhini''
The ''Graha Bhedam'' derivative of ''Ragavardhini
Ragavardhini (pronounced rāgavardini) has two separate meanings in Indian classical music:
* a major part of the alapana of a raga. The performer gives a step-by-step elaboration of the raga, pausing at each major note or swara.
* the 32nd ...
'' is ''Varunapriya
Varunapriya (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 24th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Viravasantam; in Muth ...
'' and vice versa.
''Vachaspati''
The ''Graha Bhedam'' derivatives of '' Vachaspati'' are ''Charukesi
Charukesi (pronounced chārukēśi) is a rāga in Carnatic music (musical scale of South Indian classical music). It is the 26th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Tarangini in Muthuswam ...
'', ''Gourimanohari
Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 23rd ''melakarta'' rāgam as per Muthu ...
'' and ''Natakapriya
Natakapriya, (pronounced nāţakapriya, meaning ''the one dear to theatre'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 10th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. A ...
''.
''Shanmukhapriya''
The ''Graha Bhedam'' derivatives of ''Shanmukhapriya
Shanmukhapriya is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 56th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Diksh ...
'' are ''Shoolini
Shulini (pronounced shūlini) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 35th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is also spelled as ''Sulini'', ''Shoolin ...
'', ''Dhenuka
In Hindu mythology, Dhenuka, also known as Dhenukasura, is an asura (demon) killed by Balarama, the elder brother of Krishna.
The ''Harivamsa'' states that Dhenuka, with his host of attendant demons, all in the form of donkeys, as ruled over a for ...
'' and ''Chitrambari
Chitrambari (pronounced ''chitrāmbari'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 66th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chaturangini''Sri ...
''.
''Keeravani''
The ''Graha Bhedam'' derivatives of ''Keeravani
Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st ''melakarta'' rāgam as per Muthuswami D ...
'' are '' Hemavati'', ''Vakulabharanam
Vakulabharanam (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 14th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Dhātivasantabhairavi''Ragas in C ...
'' and ''Kosalam
Kosalam (pronounced kōsalam) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 71st '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music and is the ''prati madhyamam'' equivalent ...
''.
''Ratnangi''
The ''Graha Bhedam'' derivatives of ''Ratnangi
Ratnangi (pronounced ratnāngi, meaning ''the one with a gem-like body'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 2nd '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system o ...
'' are ''Gamanashrama
Gamanashrama (pronounced gamanāshrama''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai) is a ragam in Carnatic music (musical scale of South Indian classical music). It is ...
'' and ''Jhankaradhwani
Jhankaradhvani or Jhankaradhwani (pronounced jhankāradhvani) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 19th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.
It is ca ...
''.
''Ganamurti''
The ''Graha Bhedam'' derivatives of '' Ganamurti'' are '' Vishwambari'' and '' Shamalangi''.
''Vanaspati''
The ''Graha Bhedam'' derivative of ''Vanaspati
Vanaspati (Devanagari: ) is the Sanskrit word that now refers to the entire plant kingdom. However, according to ''Charaka Samhitā'' and '' Sushruta Samhita'' medical texts and the '' Vaisesikas'' school of philosophy, "vanaspati" is limited to p ...
'' is ''Mararanjani
Mararanjani (pronounced māraranjani) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 25th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sharāvati in Muthuswam ...
'' and vice versa.
''Manavati''
The ''Graha Bhedam'' derivative of ''Manavati
Manavati (pronounced mānavati, meaning the bride) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 5th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. In Muthuswami Dikshitar ...
'' is ''Kantamani
Kantamani (pronounced ) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 61st '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Kuntalam in Muthuswami Dikshitar sc ...
'' and vice versa.
''Sooryakantam''
The ''Graha Bhedam'' derivatives of ''Sooryakantam
Suryakantam or Sooryakantam (pronounced sūryakāntam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 17th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. ...
'' are ''Senavati
Senavati (pronounced sēnāvati) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 7th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Senāgrani ...
'' and ''Latangi
Latangi (pronounced latāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 63rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Geetapriya or Gitapriya in th ...
''.
''Kokilapriya''
The ''Graha Bhedam'' derivative of ''Kokilapriya
Kokilapriya (''The one dear to the koel'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 11th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 11th rāgam in Muthusw ...
'' is ''Rishabhapriya
Rishabhapriya is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 62nd '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is the ''prati madhyamam'' equivalent o ...
'' and vice versa.
''Gayakapriya''
The ''Graha Bhedam'' derivative of ''Gayakapriya
Gayakapriya (pronounced gāyakapriya) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 13th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music.
It is called Geyahejjujji in Muth ...
'' is ''Dhatuvardani
Dhatuvardhani (pronounced Dhātuvardhani) is a ragam in Carnatic music (musical scale of South Indian classical music). ''Dhatuvardhani'' is the 69th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called D ...
'' and vice versa.
''Dharmavati''
The ''Graha Bhedam'' derivatives of ''Dharmavati
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school o ...
'' are '' Chakravakam'' and ''Sarasangi
Sarasangi (pronounced sarasāngi) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 27th '' melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sowrasena ...
''.
''Hatakambari''
The ''Graha Bhedam'' derivative of ''Hatakambari
Hatakambari (pronounced Hātakāmbari''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai) is a ragam in Carnatic music (musical scale of South Indian classical music). It is t ...
'' is ''Gavambhodi
Gavambodhi (pronounced gavāmbōdhi, meanin ''The teacher of the cows'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 43rd '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. ...
'' and vice versa.
''Naganandini''
The ''graha bhedam'' derivatives of '' Naganandini'' are '' Bhavapriya'' and '' Vagadheeshwari''.
''Gangeyabhooshani''
The ''graha bhedam'' derivative of '' Gangeyabhooshani'' is '' Neetimati'' and vice versa.
''Chalanata''
The ''graha bhedam'' derivative of ''Chalanata
Chalanata (pronounced chalanāta) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 36th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is one of the few rāgams referred ...
'' is ''Shubhapantuvarali
Shubhapantuvarali (pronounced , meaning ''the auspicious moon'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 45th '' melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is ...
'' and vice versa.
''Shadvidamargini''
The ''graha bhedam'' derivative of ''Shadvidamargini
Shadvidamargini (pronounced , meaning ''the one with the road to a hundred forms of knowledge'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 46th '' melakarta'' rāgam (parent scale) in the 72 ''mela ...
'' is '' Nasikabhooshani'' and vice versa.
''Janya rāgams''
''Graha bhedam'' can be applied to some of the ''janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
'' rāgams to yield other ''janya'' rāgams. Unlike ''Melakarta'' rāgams, where strict rules are adhered to, in terms of which ''swara
Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...
s'' can be chosen in a rāgam, ''janya'' rāgams do not have such rules. Hence, such modal shift of tonic note is valid on all ''swaras'', but may not have been chosen as a rāgam, experimented, elaborated and composed. Hence they lead to theoretical rāgams, which have not yet been discovered (all combinations of notes exist, but no one has composed using a particular combination or experimented/ exposed to the world at large).
''Mohanam''
''Mohanam
Mohanam is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a ''janya'' rāga of Harikamboji (28th Melakartha Raga). ...
'' rāgam and its ''graha bhedam'' derivatives are one of the key scales in use all over the world, especially East and South Asia. The other four derivatives are ''Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the sev ...
'', ''Shuddha Saveri
Shuddha Saveri or śuddha sāveri is a ragam in Carnatic music (musical scale of South Indian classical music) and Yakshagana music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a '' janya'' rāgam (derive ...
'', ''Udayaravichandrika
Udayaravichandrika is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale ). It is a ''janya'' rāgam (derived scale), as it does not have all the ...
'' (also known as ''Shuddha Dhanyasi'') and ''Madhyamavathi
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). ...
''.
Notes on above table
*C as the base for ''Mohanam'' is chosen for above illustration only for convenience, as Carnatic music does not enforce ''strict'' frequency/note structure. The ''Shadjam'' (S) is fixed by the artist as per the vocal range or the instrument's tonic note. All the other ''swarams'' are relative to this ''Shadjam'', falling into a Geometric progression-like frequency pattern. This note is applicable to all tables that are illustrated further below.
*The gaps in the above table are for the missing ''swara'' positions in these ragams, which happens to be the Sharp and Flat notes along with F and B notes, in western music.
*If a Sharp / Flat key is chosen as tonic note and ONLY the black keys are played in a piano/ organ/ keyboard/ harmonium, then these 5 are the ragams played successively. That is if you have only black keys, with tonic note from C#, it is ''Shuddha Saveri''. From D# it is ''Udayaravichandrika'', from F# it is ''Mohanam'', from A-flat it is ''Madhyamavathi'' and from B-Flat it is ''Hindolam''.
*This statement is true for simplified ragam structure only. Ragams though are more complex in that there are phrases to use and phrases to avoid, '' gamakas'', elongation of notes, a specific mood/ bhava/ '' rasa'' to be evoked while singing/ playing, etc. These cannot be captured well in scientific notations.
''Shivaranjani''
''Shivaranjani
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava ...
'' rāgam and its ''Graha Bhedam'' derivatives are ''Revati
Revati (रेवती) is a goddess featured in Hindu scriptures. She is the daughter of King Kakudmi and the consort of Balarama, the elder brother of Krishna, and one of the Dashavatara. Her account is given within a number of Hindu texts su ...
'' and '' Sunadavinodini''.
Notes on above table
*The difference between this set and ''Mohanam'' set shown above it, is that the 3rd note differs between E and D# (reference note purpose only). Hence, ''Shivaranjani'' differs from ''Mohanam'' by one note – G2 in place of G3, ''Revati'' differs from ''Madhyamavati'' by one note – R1 in place of R2, while ''Sunadavinodini'' differs from ''Hindolam'' in all notes other than S (as that step is equivalent of shifting down tonic note, Sa, by one note while retaining all other notes of ''Hindolam'').
''Hamsadhwani''
''Hamsadhwani
Hamsadhvani (meaning "the cry of the swan"), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāga, meaning pentatonic scale). It is a ''janya'' rāga of th ...
'' rāgam and its ''graha bhedam'' derivative is '' Nagasvaravali''.
''Abhogi''
''Abhogi
Abhogi () is a raga in Carnatic music and has been adapted to Hindustani music. It is a pentatonic scale, an ''audava'' raga. It is a derived scale (''janya'' raga), as it does not have all the seven ''swaras'' (musical notes). ''Ābhōgi'' has ...
'' rāgam and its ''graha bhedam'' derivative is '' Valaji''.
''Amritavarshini''
''Amritavarshini
Amr̥tavarṣiṇi is a rāgam in Carnatic music (musical scale of South Indian classical music), created in the early nineteenth century by Muthuswami Dikshitar. It is an ''audava'' rāgam (meaning pentatonic scale) in which only five of the ...
'' rāgam and its ''graha bhedam'' derivative is ''Karnataka Shuddha Saveri
Karnataka Shuddha Saveri is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have a ...
''.
''Gambhiranata''
''Gambhiranata
Gambhiranata is a rāga in Carnatic music (musical scale of South Indian classical music) and Yakshagana where it is called Naati. It is an ''audava'' rāgam (or ''owdava'' rāga, meaning pentatonic scale). It is a ''janya'' rāga (derived sca ...
'' rāgam and its ''graha bhedam'' derivative is ''Bhupalam
Bhupalam (pronounced ''bhūpalam'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (''audava'' rāgam or ''owdava'' rāgam). It is a ''janya'' rāgam (derived scale), as it does not have ...
''.
See also
* Melakartha ragas
Mēḷakartā is a collection of fundamental musical scales (ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melaka ...
References
{{Reflist
*
Janya ragas