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Shivaranjani
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava (''audava'' meaning 'of 5') resulting in 5 notes in the Arohanam and 5 in the Avarohanam. Hindustani scale The Hindustani rāga ''Shivaranjani'' belongs to the '' Kaafi thaat'' in terms of classification of the scale.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its structure is as follows: * : * : The ''komal''(soft) ''gandhar''(g) in place of ''shuddh gandhar'' (G) is the difference between this rāga and the global musical scale of '' Bhoop''. Borrowed into Carnatic music In Karnatic Music, this is a ''janya'' rāga (derived scale) from 22nd mela-kartha raga Kharaharapriya. It is a ''audava-audava'' rāgam in Carnatic music classification (i.e., a ragam that has five notes in both its arohana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shivaranjani Scale
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava (''audava'' meaning 'of 5') resulting in 5 notes in the Arohanam and 5 in the Avarohanam. Hindustani scale The Hindustani rāga ''Shivaranjani'' belongs to the ''Kafi raga, Kaafi thaat'' in terms of classification of the scale.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Its structure is as follows: * Arohana, : * Avarohana, : The ''komal''(soft) ''gandhar''(g) in place of ''shuddh gandhar'' (G) is the difference between this rāga and the global musical scale of ''Raga Bhopali, Bhoop''. Borrowed into Carnatic music In Karnatic Music, this is a ''janya'' rāga (derived scale) from 22nd mela-kartha raga Kharaharapriya. It is a ''audava-audava'' rāgam in Carnatic music classification (i.e., a raga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga Bhopali
Bhoopali, also known as ''Bhoop'', ''Bhopali,'' or ''Bhupali'', is a Hindustani classical raga. Bhupālī, is a raag in Kalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale). Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas. The same raga in Carnatic music is known as Mohanam. Raga Bhoopali, Raga Yaman, and Raga Bhairav tend to be the three basic ragas of Hindustani music, learned first by its students. Theory Karhade (2011) explains that raga Bhopali consists of just 5 notes - सा रे ग प ध (sa, re, ga, pa and dha). It does not use Ma (also called Madhyam) and Ni (also called Nishadh). It is said that the absence of Ni (representative of physical pleasure) and Ma (representative of loving) means this raga is about non-attachment. The Introduction consists of two parts – ''Aaroh'' आरोह (where the notes are simply recited on an ascending scale) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thillana Mohanambal
''Thillana Mohanambal'' () is a 1968 Indian Tamil-language musical drama film written, directed and produced by A. P. Nagarajan. The film stars Sivaji Ganesan, Padmini and T. S. Balaiah, with A. V. M. Rajan, Nagesh and Manorama in supporting roles. It tells the story of Shanmugasundaram, a ''nadaswaram'' player who falls in love with Mohanambal, a ''Bharatanatyam'' dancer who reciprocates his feelings, but unfortunate circumstances and their egoistic nature prevents them from confessing their love for one another. How they overcome their self-created obstacles and those created by the people around them forms the rest of the story. The film was adapted from Kothamangalam Subbu's novel of the same name, which was serialised in the Tamil magazine ''Ananda Vikatan'' in 1957–58. The film was mostly shot in Thanjavur, Thiruvarur and Madurai. Its original soundtrack was composed by K. V. Mahadevan, and songs like "Nalandhana", "Maraindhirundhu" and "Pandian Naanirukka" became i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annamacharya
Tallapaka Annamacharya (Telugu : తాళ్ళపాక అన్నమాచార్య) ( IAST: taḷḷapāka annamācārya; 22 May 1408 – 4 April 1503), also popularly known as Annamayya, was a 15th-century Hindu saint and the earliest known Indian musician to compose songs called ''sankirtanas'' in praise of the Venkateswara, a form of Vishnu. The musical form of the keertana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. Jackson (1999), p. 216. Annamacharya is remembered for his saintly life, and is honoured as a great devotee of Vishnu by devotees and saintly singers. Jackson (1999), p. 265. He is believed to have been the avatar of Nandaka, the sword of Vishnu. He is widely regarded as the Andhra Pada kavitā Pitāmaha (Grandfather of Telugu song-writing). Personal life Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuzhandaiyum Deivamum
''Kuzhandaiyum Deivamum'' () is a 1965 Indian Tamil-language children's film directed by Krishnan–Panju. It is based on the American film '' The Parent Trap'' (1961) which in turn was based on Erich Kästner's 1949 German novel ''Lisa and Lottie'' (german: Das doppelte Lottchen). The film stars Jaishankar and Jamuna, with Nagesh, Sundarrajan, G. Varalakshmi, Santha, Kutty Padmini, M. S. S. Bhagayam and V. R. Thilagam in supporting roles. It tells the story of twin sisters attempting to reunite their separated parents. The film, produced by AVM Productions and featuring music by M. S. Viswanathan, was released on 19 November 1965. It was a commercial success, and won the National Film Award for Best Feature Film in Tamil. Krishnan–Panju remade the film twice; in Telugu as '' Leta Manasulu'' (1966) and in Hindi as ''Do Kaliyaan'' (1967). It was also remade in Malayalam as '' Sethubandhanam'' (1974) and in Kannada as ''Makkala Bhagya'' (1976). Plot Twins Lalitha and Padmin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oli Vilakku
''Oli Vilakku'' () is a 1968 Indian Tamil-language action film, directed by Tapi Chanakya and produced by S. S. Vasan. It is a remake of the Hindi-language film ''Phool Aur Patthar'' (1966). The film stars M. G. Ramachandran (in his 100th film), Jayalalithaa and Sowcar Janaki, with S. A. Ashokan, Manohar, Cho and V. S. Raghavan in supporting roles. It was released on 20 September 1968, and was one of the most successful Tamil films of the year, and became a turning point in Ramachandran's career. Plot Muthu is a career criminal who works for Master Jambu along with his girlfriend Geetha. Who becomes friends with Kadri, another petty thief. Due to his repetitive crimes, the court orders him to stay in a small town for six months. But, two days before his release, he escapes. Master Jambu gives him another job to rob a safe full of gold from the rich. When a plague empties Maanggudi of its inhabitants; Muthu takes the opportunity to burgle a house. He finds nothing except Sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasantha Maligai
''Vasantha Maligai'' () is a 1972 Indian Tamil-language romance film directed by K. S. Prakash Rao and produced by D. Ramanaidu. The film stars Sivaji Ganesan and Vanisri, and is the Tamil remake of the 1971 Telugu film '' Prema Nagar''. ''Vasantha Maligai'' was released on 29 September 1972 and became a major commercial success, running at the box office for nearly 750 days. A digitally restored version of the film was released on 8 March 2013, and another one on 21 June 2019 and it also completed 100 days. Plot Anand is a rich playboy and alcoholic. Aboard an aeroplane, he meets Latha, an air hostess. Latha lives with her father, mother, two brothers, and a sister. Her elder brother resides at home with his wife, but Latha is the highest earning member of the family. Latha's mother objects to her being an air hostess; she begs her to change profession so that she can be home at more decent hours. While Anand is celebrating his birthday in a pub near his home, Latha arriv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aathi Parasakthi
''Aathi Parasakthi'' () is a 1971 Indian Tamil-language Hindu mythological film directed by K. S. Gopalakrishnan and produced by Chitra Productions. It stars Gemini Ganesan and Jayalalithaa. The film was dubbed in Hindi as ''Jai Jagat Janani'' (1976). Cast *Gemini Ganesan as Shiva *Jayalalithaa as Adi Parashakti, Sati, Parvati, Meenakshi * Padmini as Village lady who gives eyesight to Petersbury and later shows him divine vision as Kamakshi, Visalakshi, Meenakshi, Mariamman and Sakthi *R. Muthuraman *S. V. Ranga Rao as Daksha *Vanisri as Mohini * M. N. Nambiar *Rajasree as Lakshmi * Venniradai Nirmala *Shylashri *Sridevi as Kartikeya *S. Varalakshmi as Adi Parashakti, Mariamman, Durga * V. Gopalakrishnan * Major Sundarrajan as the foreigner * Suruli Rajan as the fisherman * S. V. Subbaiah as Abirami Pattar * S. V. Sahasranamam * A. Karunanidhi * O. A. K. Thevar *E. R. Sahadevan Soundtrack The music was composed by K. V. Mahadevan. The song "Naan Aatchi" is set in Anan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idhu Sathiyam
''Idhu Sathiyam'' () is a 1963 Indian Tamil-language drama film directed by K. Shankar. The film stars S. A. Ashokan and K. Chandrakantha. It was released on 30 August 1963. The film was remade in Hindi as ''Shehzada'' (1972). Plot Cast List adapted from ''Thiraikkalanjiyam – Part 2''. ;Male cast * S. A. Ashokan *T. S. Balaiah *T. S. Durairaj *Nagayya *G.K. Nagesh *S. V. Ramadas *A. Veerappan ;Female cast *K. Chandrakantha *P. Kannamba * Sri Ranjani * Manorama *Sivakami *Mathavi * Hema Malini (special appearance in the song "Singari") Production The film was produced by G. N. Velumani under his own banner Saravana Pictures and was directed by K. Shankar. The story was written by Ra. Ki. Rangarajan. Screenplay and dialogues were written by Ma. Lakshmanan. Cinematography was handled by Thambu while the editing was done by K. Narayanan. Balu was in charge of art direction while the choreography was done by S. M. Rajkumar. R. P. Sarathy did the still photography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kafi (thaat)
Kafi () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga ( Kharaharapriya) within this thaat. Description Kafi thaat makes use of the Komal Gandhara and Komal Nishad. So basically it adds Komal Gandhara to the Khamaj thaat. The Kafi raga is one of the oldest ragas and its intervals are described as the basic scale of the Natyashastra. Thus in ancient and medieval times, Kafi was considered as natural scale. Kafi is a late evening raga and said to convey the mood of springtime. Ragas Ragas in Kafi thaat include: * Abhogi * Bageshri * Bageshri-Ang Chandrakauns * Bahar * Barwa * Bhimpalasi * Brindavani Sarang * Dhani * Hanskinkini * Jog * Kafi * Megh * Malhar * Nayaki Kanada * Patdeep * Pilu * Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical '' raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viswanathan–Ramamoorthy
Viswanathan–Ramamoorthy were an Indian music composing duo composed of M. S. Viswanathan and T. K. Ramamoorthy. They worked together on over 100 films, from 1952's '' Panam'' to 1965's '' Aayirathil Oruvan''. After their split, Ramamoorthy worked on 16 films between 1966 and 1986. He and Viswanathan reunited in 1995 for ''Engirundho Vandhan''. Early lives Ramamoorthy Ramamoorthy, born into a well-known musical family in Trichy, was a capable violinist at an early age. His father (Krishnasamy Pillai) and grandfather, Malaikottai Govindasamy Pillai, were noted violinists in Trichy. As a child, Ramamoorthy performed several times with his father. During the early 1940s he worked for Saraswathi Stores (in which AVM Productions owner Avichi Meiyappa Chettiar was a partner), and played violin for AVM composer R. Sudharsanam in several films. Ramamoorthy became friendly with P. S. Diwakar, the pianist-composer of Malayalam cinema, and roomed with P. S. Diwakar. C. R. Subburaman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghantasala (musician)
Ghantasala Venkateswararao (4 December 1922 – 11 February 1974), known mononymously by his surname as Ghantasala, was an Indian playback singer and film composer known for his works predominantly in Telugu and Kannada cinema and also in Tamil, Malayalam, Tulu and Hindi language films. He is considered as one of the greatest singers of Telugu cinema. In 1970, he received the Padma Shri award, India's fourth highest civilian award for his contribution to Indian cinema. According to ''The Hindu'' and ''The Indian Express'', Ghantasala was 'such a divine talent and with his songs he could move the hearts of the people'. 'Ghantasala's blending of classical improvisations to the art of light music combined with his virtuosity and sensitivity puts him a class apart, above all others in the field of playback singing'. Gifted with what Indian film historian V. A. K. Ranga Rao called 'the most majestic voice', Ghantasala helped Telugu film music develop its own distinct character which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
