Theory
Karhade (2011) explains that raga Bhopali consists of just 5 notes - सा रे ग प ध (sa, re, ga, pa and dha). It does not use Ma (also called Madhyam) and Ni (also called Nishadh). It is said that the absence of Ni (representative of physical pleasure) and Ma (representative of loving) means this raga is about non-attachment. The Introduction consists of two parts – ''Aaroh'' आरोह (where the notes are simply recited on an ascending scale) and A''varoha'' (where the notes are simply recited on a descending order) Thereafter, with these same five notes, different combinations are made by the singer, similar to short phrases, also called "chalan".Aroha and avaroha
The scale of ''Bhopali'' uses only ''Shuddh'' swaras. * Aroha (ascent): Sa Re Ga Pa Dha Sa' * Avaroha (descent): Sa'! Dha Pa Ga Re SaVadi and samavadi
* Vadi Gandhar – ga * Samavadi Dhaivat – DhaAlap
# S, D1 D1...S, R - - S...D1 S..., D1 - - - P1, S - - - D1 S - - D1 P1, P1 D1, D1 D1 SPakad and chalan
The Pakad (catchphrase that often helps in identifying a raga) is: S R G R S D1 S R G or: S R G R S D1 S R G P G D P G R S or: G R P G G R S R D1 S or: G R S D1 S R G R P G D P G R S or: G R P G S R D1 S Some chalans (elaborations of the pakad) are: # S R G R S D1 S R G # S R G R S D1 P1 # P1 D1 S R G R G # S R P G # G R S R G P # G P D P D D S’ # P G P D P D S’ R’ G’ R’ G’ # G’ R’ S’ D P G R S Note: Normally written swaras (individual notes) indicate the middle octave. A swara immediately followed by 1 indicates the ''mandra saptak'' (lower octave) and ' indicates the ''taar saptak'' (higher octave). A few movements in Bhopali are important to note. There is typically a slide when descending between Sa and Dha, as well as between Pa and Ga. These slides parallel each other and can be used to create a symmetry about how the Swaras are developed. Also, many performers will bring out the ''Kalyan'' flavor of Bhopali by using ' of the notes Ni and Ma. That is to say, these notes are only vaguely suggested in passing ornaments, not actually sung for long enough for the Swara to become a clear part of the Raga. Some examples would be: (N1)D1 S P(m)P(m) D P where the notes in parenthesis are connected by slides or sung as ''meend''.Bandish
ThisOrganisation and relationships
Raga Bhoopali belongs to the Kalyan Thaat. Related ragas: Deshkar (a pentatonic raga belonging to the Bilawal Thaat with the same scale as Bhoopali). Shuddha Kalyan is another similar raga.Samay (Time)
First part of night. 7-9Rasa
''Bhakti Rasa'' (Devotional) The essence from the raga evokes the Shanti Rasa – peaceful and calming.Film songs
Bhoopali is a popular raga used in Indian folk songs, and thus in Hindi and other regional film songs. Hindi: * "Jyoti Kalash Chhalke" ('' Bhabhi Ki Chudiyan'') (1961) * "Pankh Hote To Udd Aati Re" ('' Sehra'') (1963) * "Main Jahaan Rahoon" ('' Namastey London'') (2007) * "Dil Hoom Hoom Kare" ('' Rudaali'') (1993) * "Sayonara Sayonara" ('' Love in Tokyo'') (1966) * "Dekha ek khwaab to yeh silsile hue" (''Tamil movie songs in Mohanam
See also
* Durga * ShivaranjaniReferences
External links