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Madhyamavathi
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). It is a ''janya'' rāga (derived scale). The equivalent of ''Madhyamavati'' in Hindustani music is ''Madhumad Sarang''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar. It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths ''S, P and R2'' and fourths ''S, M1 and N2''. Structure and Lakshana ''Madh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megh (raga)
Megh is a Hindustani classical raga. The meaning of Megh in Sanskrit is 'Cloud'. Hence this raga is mostly sung or played in the Monsoon season. Another raga which describes rain is raga Malhar. So these 2 ragas where merged and a new raga was developed, this raga is raga Megh Malhar. The Carnatic Music equivalent of this raga is Madhyamavati. Theory Arohana & Avarohana Arohana: Avarohana: Pakad Vadi & Samavadi In this raga vadi is Sa and samavadi is Pa - Re is used a lot but always sliding down from M, n always slides from P Organization & Relationships Related ragas: Ragas of Malhar family, namely Megh Malhar, Miyan ki Malhar, Gaud Malhar, Ramdasi Malhar, Dhuliya Malhar, etc. as well as Madhmad Sarang. Thaat: Kafi. Mixture The meaning of Megh in Sanskrit is 'Cloud'. Hence this raga is mostly sung or played in the Monsoon season. Another raga which describes rain is raga Malhar. So these 2 ragas where merged and a new raga was developed, this raga is raga Megh Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyamavathi
Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). It is a ''janya'' rāga (derived scale). The equivalent of ''Madhyamavati'' in Hindustani music is ''Madhumad Sarang''.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It also has other equivalents in Hindustani music such as ragas Megh and Megh Malhar. It is considered a very auspicious rāgam and every Carnatic music concert ends with either a song in ''Madhyamavati'' or the ending of the last song is sung in this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is very suitable for elaboration and exploration due to even spacing of notes. The scale uses the first three notes of the cycle of fifths ''S, P and R2'' and fourths ''S, M1 and N2''. Structure and Lakshana ''Madh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandara Dasaru
Purandara Dasa ( IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajan Somasundaram
Rajan Somasundaram, best known as Composer Rajan, is a composer, drummer, violinist and music producer based in Raleigh. He is known for making the first ever music album on Tamil Sangam period poetry in association with Durham Symphony and prominent international musicians. The album became Amazon's Top#10 bestseller under 'International Music albums' category in July 2020. The album was called a "A Major event in the world of Music" by ''The Hindu Music review''. He composed the theme song of the 10th World Tamil Conference with many international musicians as a tribute to Sangam period poet Kaniyan Pungundranar. Early life and education Rajan was born in Thiruvarur in Tamil Nadu state and started learning Carnatic music since he was 9 years old at the birthplace of Shyama Shastri. He graduated with a master's degree in Engineering. Career In 2017, Rajan created a new Carnatic Raga, Svadhya, and released a single titled ‘Maya- The reflection of Self’ composed in the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandham- Symphony Meets Classical Tamil
''Sandham: Symphony Meets Classical Tamil'' is a studio album in Tamil by American Composer Rajan Somasundaram that involved various international artists. It is based on Sangam period ancient Tamil poetry and the first ever music album on Sangam poetry. ''The Hindu'' music review called the album "A Major Event in the World of Music". As of 15 July 2020, the album got into Amazon's Top#10 best seller list under International Music category. The album consists of seven songs, a collection of outstanding ancient Tamil Sangam literature poetry with music composed by Rajan Somasundaram and sung by leading singers Bombay Jayashri, Saindhavi, Karthik, Pragathi Guruprasad among others. The seven songs in the album are, Yathum Oore, written by Kaniyan Pungundranar having two versions (Symphony version and multi-genre version), Veral veli, written by Poet Kapilar, Yayum Nyayum written by Sempulapeyaneerar, Nyayiru Kayathu, written by Poet Kayamanar, Mullai Oorntha written by poet Ok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuṟuntokai
Kuṟuntokai ( ta, குறுந்தொகை, meaning ''the short-collection'') is a classical Tamil poetic work and traditionally the second of the Eight Anthologies (''Ettuthokai'') in the Sangam literature. The collection belongs to the ''akam'' (love) category, and each poem consists of 4 to 8 lines each (except poem 307 and 391 which have 9 lines). The Sangam literature structure suggests that the original compilation had 400 poems, but the surviving ''Kuruntokai'' manuscripts have 402 poems. According to Takanobu Takahashi – a Tamil literature scholar, these poems were likely composed between 100 CE and 300 CE based on the linguistics, style and dating of the authors. Kamil Zvelebil, a Tamil literature and history scholar, states that the majority of the poems in the ''Kuruntokai'' were likely composed between the 1st century BCE and the 2nd century CE. The ''Kuruntokai'' manuscript colophon states that it was compiled by Purikko (உரை), however nothing is known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanaka Dasa
Kanaka Dasa (1509–1609) was a Haridasa saint and philosopher, popularly called Daasashreshta Kanakadasa (ದಾಸಶ್ರೇಷ್ಠ ಕನಕದಾಸ). He was a renowned composer of Carnatic music, poet, reformer and musician. He is known for his keertanas and ugabhoga, and his compositions in the Kannada language for Carnatic music. Like other Haridasas, he used simple Kannada and native metrical forms for his compositions. Life Kanaka Dasa was born into a Kannada Kuruba (shepherd) Hindu family in Baada village, near Bankapura in Karnataka, and was a warrior at Bankapura fort. He was taught by Srinivasacharya. As a child, he became an expert in ''tarka'', ''vyakaran'', and ''mimamsa''. Based on one of his compositions, it is interpreted that he was seriously injured in a battle and was miraculously saved. After this incident, he gave up his profession as a warrior and devoted himself to composing music, writing literature and explaining philosophy to people. His earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vijaya Dasa
Vijaya Dasa ( kn, ವಿಜಯದಾಸ) (c. 1682– c. 1755) was a prominent saint from the Haridasa tradition of Karnataka, India in the 18th century, and a scholar of the Dvaita philosophical tradition. Along with contemporary haridasa saints such as Gopala Dasa, Helevankatte Giriamma, Jagannatha Dasa and Prasanna Venkata Dasa, he propagated the virtues of the philosophy of Madhwacharya across South India through devotional songs called written in the Kannada language., p1 An integral part of Kannada Vaishnava devotional literature, these compositions in praise of the Hindu god Vishnu as well as other deities are called (compositions of the ).Narasimhacharya (1988), p25 He has influenced both Carnatic music and Hindustani music through his compositions. His ''ankita'' (pen name) is Vijaya vithala. These compositions can be more specifically categorized as , , , and simply . They were easy to sing to the accompaniment of a musical instrument and dealt with (devotion) and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purandara Dasa
Purandara Dasa (IAST: Purandara dāsa) ( 1470 – 1565) was a Haridasa philosopher and a follower of Madhwacharya 's Dwaitha philosophy -saint from present-day Karnataka, India. He was a composer, singer and one of the chief founding-proponents of Carnatic music (Karnataka classical music). In honor of his significant contributions to Carnatic music, he is widely referred to as the ''Pitamaha'' (''lit''. "father" or "grandfather") of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada. Purandara Dasa was a wealthy merchant of gold, silver and other miscellaneous jewellery from Karnataka, who gave away all his material riches to become a Haridasa (literally meaning a servant of Lord Hari or Lord Krishna), a devotional singer who made the difficult Sanskrit tenets of Bhagavata Purana available to everyone in simple and melodious songs. He was one of the most important music scholars of medieval India. He formulated the basic lessons of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
