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Vagadheeswari
Vagadheeswari (pronounced vāgadheeśwari) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 34th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Bhogachhāyānāţa in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 4th rāgam in the 6th ''chakra Rutu''. The mnemonic name is ''Rutu-Bhu''. The mnemonic phrase is ''sa ru gu ma pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The and are used in this scale. As is a rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). It is the equivalent of , which is the 70th scale. ''Janya'' rāga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nasikabhooshani
Nasikabhushani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 70th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana ''Nasikabhushani'' is the 4th rāgam in the 12th ''chakra Aditya''. The mnemonic name is ''Aditya-Bhu''. The mnemonic phrase is ''sa ru gu mi pa dhi ni''. ''Nasikabhushani's'' structure (ascending and descending scale) is as follows: *Arohana, : *Avarohana, : The notes used in this scale are ''shatsruthi rishabham, antara gandharam, prati madhyamam, chathusruthi dhaivatham, kaisiki nishadham''. See Swara#Svaras in Carnatic music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naganandini
Naganandini (pronounced naga + nandini-daughter ( nandini ) of Naga/Mountain i.e. Pārvati) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is the 30th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Nagābharanam in Muthuswami Dikshitar school of Carnatic music.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 6th rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Sha''. The mnemonic phrase is ''sa ri gu ma pa dhu nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the scale uses the notes ''chathusruthi rishabham, antara gandharam, shud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graha Bhedam
''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''murchhana''. Expressed in Western music theory terms, this is the process of arriving at a different scale by shifting to another mode in the key. ''Graha'' literally means ''position'' and ''Bhedam'' means ''change''. Since the position of the ''śruti'' is changed (pitch of the base note or drone), it is also sometimes called ''Swara Bhedam'' or ''Śruti Bhedam'' though ''Śruti Bhedam'' and ''Graha Bhedam'' have some technical differences. Definition Modal shift of the Tonic note to higher notes of a rāgam, while retaining the note's positions (swara sthānas – sthāna means position/ pitch), results in different rāgams. This is called ''Graha Bhedam''. Practical demo A simple practical demonstration of ''Graha Bhedam'' can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urangatha Ninaivugal
''Urangatha Ninaivugal'' () is a 1983 Indian Tamil-language film directed by R.Bhaskaran. The film stars Sivakumar, Menaka, Radhika and Rajeev. Plot Cast * Sivakumar * Menaka *Radhika Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also d ... * Rajeev * Sathyaraj Soundtrack Soundtrack was composed by Ilaiyaraaja. The song "Narumana Malargalin" is set in Vagadheeswari raga. References External links * {{IMDb title, 8702710 1983 films Films scored by Ilaiyaraaja 1980s Tamil-language films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swathi Thirunal Rama Varma
( ml, സ്വാതി തിരുനാള് രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindustani style.http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ, as a King, to modernise Travancore. Early life Svāti Tirunāḷ was born into the Venad dynasty of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1811 to 1815, and Raja Raja Varma Koil Thampuran of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavapriya
Bhavapriya (meaning ''The one dear to Bhava (Shiva)'') is a ragam (musical scale) in Carnatic music (South Indian classical music). It is the 44th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Bhavāni''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras in Muthuswami Dikshitar school of Carnatic music. Structure and Lakshana It is the 2nd rāgam in the 8th ''chakra Vasu''. The mnemonic name is ''Vasu-Sri''. The mnemonic phrase is ''sa ra gi mi pa dha ni''. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (''shuddha rishabham, sadharana gandharam, prati madhyamam, shuddha dhaivatham, kaisiki nishadham'') As it is a ''mela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter term is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the ''thaat'' is equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta''. *They are ''sampurna ragas'' – they contain all seven ''swaras'' (notes) of the octave in both ascending and descending scale''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course in Carnatic musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avarohana
An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch from the upper tonic (taar shadja or Sa) down to the lower tonic, possibly in a crooked (vakra) manner. Examples In raga Darbari, an Asavari-thaat raga with vadi-samvadi R-P, the avroha is R' n S' d~ n P, m P g~ m R S, with andolan on the dhaivat and gandhar. In Malahari, which is ''janya'' raga of 15th ''melakarta'' Mayamalavagowla Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th '' melakarta'' raga under Venkatamakhin's '' melakarta'' system. Originally known as ''malavagowla'', "maya" was ..., the avarohana is ''S D1 P M1 G2 R1 S''. See swaras in Carnatic music for description of this notation. In Sahana, a ''janya'' raga of 28th ''melakarta'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadhana Sargam
Sadhana Sargam (née Ghanekar, born 7 March 1969) is an Indian singer known for her playback career in Indian cinema predominantly in Hindi, Bengali, Telugu and Tamil language films. She is a recipient of the National Film Award and Filmfare Awards South. She has also won five Maharashtra State Film Awards, four Gujarat State Film Awards, and one Orissa State Film. Early life Sargam was born to a family of musicians at Dabhol, the seaport town in Ratnagiri District of Maharashtra. Her mother Neela Ghanekar was a classical singer and music teacher and knew arranger–composer Anil Mohile, who then arranged music for Kalyanji-Anandji. He introduced Sargam to them, and she was in the children's chorus in "Pam Pararampam, Bole Jeevan Ki Sargam" sung by Kishore Kumar in G. P. Sippy's '' Trishna'' (1978). Sargam performed at music festival Sawai Gandharva at the age of 4. She sang the popular song Ek Anek Aur Ekta for Doordarshan at the age 6. The song was composed by Vasant Desai. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
