Vagadheeswari (pronounced vāgadheeśwari) is a

rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...

m in

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

(musical scale of South Indian classical music). It is the 34th ''

melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...

'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Bhogachhāyānāţa in

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...

school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras

Structure and Lakshana

It is the 4th rāgam in the 6th ''chakra Rutu''. The mnemonic name is ''Rutu-Bhu''. The mnemonic phrase is ''sa ru gu ma pa dhi ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The and are used in this scale. As is a rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). It is the equivalent of , which is the 70th scale.

''Janya'' rāgams

''Vagadheeshwari'' has a few minor '' janya'' rāgams (derived scales) associated with it, of which ''Magadhi'' and ''Mohanāngi'' are occasionally heard. See List of ''janya'' rāgams for full list of rāgams associated with Vagadheeswari.

Compositions

Here are a few common compositions sung in concerts, set to ''Vagadheeshwari''. * Varna ''Vagadheeshwari Raga SudheyoLu...'' by Sri. C Honnappa Bhagavatar, a Kannada theatre artist, film actor, producer, composer and singer. *''Nanninda Naane Janisi'' By Kanakadasa *''Paramatmudu'' by Thyagaraja *''Bhogachhaaye Naatakapriye'' by

*''Vani Vagadheeshwari'' *''Pranamaamyaham by

Balamuralikrishna Mangalampalli Balamuralikrishna (6 July 1930 – 22 November 2016) was an Indian Carnatic Music, Carnatic vocalist, musician, multi-instrumentalist, playback singer, composer, and character actor. He was awarded the Madras Music Academy's Sangeeth ...

*''vAgadheeswari saradE T. Sreenidhi *''Kamala Nayana Jagadeeshwara'' a composition of

Swathi Thirunal Rama Varma ( ml, സ്വാതി തിരുനാള്‍ രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 40 ...

*''Nadanu Santhana'' a composition of Koteeswara Iyer

Tamil Film Songs

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Vagadheeshwari's'' notes when shifted using ''

Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...

'', yields 2 other minor ''melakarta'' rāgams, namely, ''

Naganandini Naganandini (pronounced naga + nandini-daughter ( nandini ) of Naga/Mountain i.e. Pārvati) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is the 30th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system o ...

'' and ''

Bhavapriya Bhavapriya (meaning ''The one dear to Bhava (Shiva)'') is a ragam (musical scale) in Carnatic music (South Indian classical music). It is the 44th ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Bhavā ...

''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For further details and an illustration refer '' Graha bhedam on Naganandini''.

Notes

References

{{Janya, state=collapsed Melakarta ragas