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Dharmavati
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (the notes in this scale are ''chathusruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''samp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmavati Scale
Dharmavati is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 59th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called ''Dhaamavati'' in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras ''Madhuvanti'' is the nearest Hindustani music scale to ''Dharmavati''. Structure and Lakshana It is the 5th rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Ma''. The mnemonic phrase is ''sa ri gi mi pa dhi nu''. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (the notes in this scale are ''chathusruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''samp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhuvanti
Madhuvanti is a raga used in Indian classical music. It is a Hindustani music raga, which is reported to have been borrowed into Carnatic music,''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras and is structurally similar to Multani. This Raga is based on Todi Thaat (Mode). It is a romantic raga based on the foundation, eternity and colors of love. ''Madhu'' literally means ''honey''. It is a very sweet raga with a very simple philosophy of love and romance. Hindustani music Madhuvanti's notes are N S Mg M P N S'(Mg in meend) while ascending and all the swaras, S' N D P M g R S, in the descent. (notations M - , g-). Madhuvanti belongs to thaat Todi. Time Madhuvanti is played after 4 pm before 8 pm. Rasa Madhuvanti expresses a gentle loving sentiment. It depicts the sringaar rasa, used to express the love of an individual towards his or her beloved. Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gourimanohari
Gourimanohari or Gaurimanohari is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 23rd ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 23rd ''melakarta'' rāgam as per Muthuswami Dikshitar school of music is . The Western equivalent is the jazz minor scale. The Hindustani music equivalent to this rāgam is Raag Patdeep. Structure and Lakshana It is the 5th rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Ma''. The mnemonic phrase is ''sa ri gi ma pa dhi nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used in this scale are ''shadjam, chatushruti rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chatushruti daivatam'' and ''kakali nishadham''. It is a ''sampurna'' rāgam – a rāga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gentleman (1993 Film)
''Gentleman'' is a 1993 Indian Tamil-language heist action film co-written and directed by S. Shankar in his directorial debut, and produced by K. T. Kunjumon. The film stars Arjun, Madhubala and Subhashri, with M. N. Nambiar, Manorama, Goundamani, Senthil, Charan Raj, Vineeth, and Rajan P. Dev in supporting roles. It revolves around a respected Madras-based businessman who moonlights as a thief who steals from the rich and gives to the poor for their education. ''Gentleman'' was released on 30 July 1993, and distributed by Kunjumon himself as distributors were reluctant. Despite this, the film became a box office success, running for over 175 days in theatres besides winning three South Filmfare Awards (including Best Film – Tamil and Best Director – Tamil), four Tamil Nadu State Film Awards (including Best Actor and Best Director) and five Cinema Express Awards. The film was remade in Hindi as '' The Gentleman'' (1994). Plot In Ooty, Krishnamoorthy "K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottagathai Kattiko
''Gentleman'' is a 1993 Indian Tamil language, Tamil-language Heist film, heist action film co-written and directed by S. Shankar in his directorial debut, and produced by K. T. Kunjumon. The film stars Arjun Sarja, Arjun, Madhoo, Madhubala and Subhashri, with M. N. Nambiar, Manorama (Tamil actress), Manorama, Goundamani, Senthil, Charan Raj, Vineeth, and Rajan P. Dev in supporting roles. It revolves around a respected Chennai, Madras-based businessman who moonlights as a thief who steals from the rich and gives to the poor for their education. ''Gentleman'' was released on 30 July 1993, and distributed by Kunjumon himself as distributors were reluctant. Despite this, the film became a box office success, running for over 175 days in theatres besides winning three Filmfare Awards South, South Filmfare Awards (including Filmfare Award for Best Film – Tamil, Best Film – Tamil and Filmfare Award for Best Director – Tamil, Best Director – Tamil), four Tami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranjani
Ranjani is a Carnatic raga, which is also sometimes written as ''Ranjini''. This raga is a ''janya'' of the 59th ''Melakarta'' raga Dharmavati.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is an asymmetric pentatonic scale, which is pleasing and has been more popular in last 50 years. It figures in ''ragamalikas'', ''slokams'', ''vrittams'' and light popular songs, as it is a pleasing scale. Structure and Lakshana This ragam is an asymmetric scale and is classified as an ''audava-audava'' ragam (five notes in the ascending and descending scale). * : * : The notes in this scale are ''chathushruthi rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatam'' in ''arohana'' and additional ''kakli nishadham'' in ''avarohanam'', in place of ''sadharna rishabham'' (see pictures). From ''Dharmavati'' scale (59th melakarta), the panchamam is removed in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melakarta
Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melakarta'' raga is sometimes referred as ''mela'', ''karta'' or ''sampurna'' as well, though the latter term is inaccurate, as a ''sampurna'' raga need not be a ''melakarta'' (take the raga ''Bhairavi,'' for example). In Hindustani music the ''thaat'' is equivalent of ''Melakartā''. There are 10 ''thaats'' in Hindustani music, though the commonly accepted ''melakarta'' scheme has 72 ragas. Rules for ''Mēḷakarta'' ragas Ragas must contain the following characteristics to be considered ''Melakarta''. *They are ''sampurna ragas'' – they contain all seven ''swaras'' (notes) of the octave in both ascending and descending scale''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''A practical course in Carnatic musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mysore Vasudevachar
Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telugu and Sanskrit. Some of his most popular kritis include ''Broche varevaru ra'' in Khamas raga, ''Devadideva'' in Sunadavinodini, ''Mamavatu Sri Saraswati'' in Hindolam, ''Shankari Ninne'' in Pantuvarali, ''Bhajare Re Manasa'' in Abheri and ''Ra Ra Rajeevalochana Rama'' in Mohanam. He was a recipient of the civilian honour of the Padma Bhushan. He is credited with two writings in Kannada, one of them an autobiography called ''Nenapugalu'' (memories) and ''Na Kanda Kalavidaru'' (the musicians I have met) in which he wrote the biographies of many well known musicians. Mysore Vasudevachar also taught in Rukmini Devi's Kalakshetra, (founded in 1936). He was already quite old by then, but thanks to Rukmini Devi he agreed to shift to Kalak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilaiyaraja
Ilaiyaraaja (born R. Gnanathesikan, 3 June 1943) is an Indian musician, composer, arranger, conductor, orchestrator, instrumentalist, lyricist and singer, popular for his works in Indian Cinema, prominently in Tamil films. Reputed to be one of the most prolific Indian composers, in a career spanning over forty-five years, he has composed over 7,000 songs and provided film scores for over 1,000 films, apart from performing in over 20,000 concerts. Ilaiyaraaja received several awards for his works throughout his career. In 2012, for his creative and experimental works in the field of music, he received the Sangeet Natak Akademi Award, the highest Indian recognition given to people in the field of performing arts. In 2010, he was awarded the Padma Bhushan, the third-highest civilian honour in India; and was conferred the Padma Vibhushan in 2018, the second-highest civilian award by the government of India. He is a nominated Member of Parliament in the Indian upper house, Rajya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Song
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swarna Kamalam
''Swarnakamalam'' () is a 1988 Indian Telugu-language dance film written and directed by K. Viswanath. The film stars Venkatesh and Bhanupriya in the lead, while Sharon Lowen appears in a special role. The choreography is helmed by Kelucharan Mohapatra, and soundtrack is composed by Ilaiyaraaja. The song sequences were extensively shot at the Valley of Flowers National Park, the Nanda Devi National Park, the Shanti Stupa and Bhringesvara Siva Temple at Dhauli; and other locations in Visakhapatnam. The film was screened at the Indian panorama section of the 12th International Film Festival of India, the Asia Pacific Film Festival and the Ann Arbor Film Festival. The film received three Indian Express Awards, three state Nandi Awards, and two South Filmfare Awards, including Nandi Award for Best Feature Film and Filmfare Best Film Award (Telugu). Plot Meenakshi (Bhanupriya) and Savitri (Devilalita) are daughters of a Kuchipudi doyen, Vedantam Seshendra Sharma. While ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
