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Funk is a
music genre A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. Genre is to be distinguished from musical form and musical style, although in practice these terms are sometim ...
that originated in
African-American African Americans, also known as Black Americans and formerly also called Afro-Americans, are an American racial and ethnic group that consists of Americans who have total or partial ancestry from any of the Black racial groups of Africa. ...
communities in the mid-1960s when musicians created a
rhythm Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular r ...
ic,
dance Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoir ...
able new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes
melody A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figurativel ...
and
chord progressions In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chord (music), chords. Chord progressions are the foundation of harmony in Western musical tr ...
and focuses on a strong rhythmic
groove Groove or Grooves may refer to: Music * Groove (music) * Groove (drumming) * The Groove (band), an Australian rock/pop band of the 1960s * The Groove (Sirius XM), a US radio station * Groove 101.7FM, a former Perth, Australia, radio station ...
of a
bassline Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched P ...
played by an
electric bass The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an electric but with a longer neck and scale leng ...
ist and a drum part played by a
percussionist A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Ex ...
, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored
extended chord In music, extended chords are certain Chord (music), chords (built from third (chord), thirds) or triad (music), triads with notes ''extended'', or added, beyond the seventh (chord), seventh. Ninth chord, Ninth, Eleventh chord, eleventh, and T ...
s found in
bebop Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerou ...
jazz, such as
minor chord In music theory, a minor chord is a chord that has a root, a minor third, and a perfect fifth. When a chord comprises only these three notes, it is called a minor triad. For example, the minor triad built on A, called an A minor triad, has pit ...
s with added sevenths and elevenths, and
dominant seventh Domination or dominant may refer to: Society * World domination, structure where one dominant power governs the planet * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Ch ...
chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with
James Brown James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nick ...
's development of a signature groove that emphasized the
downbeat ''DownBeat'' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm that it covered exclusively in previous years. The publication was established in 1 ...
—with a heavy emphasis on the first beat of every measure ("The One"), and the application of swung 16th notes and
syncopation In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat (music), off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of ...
on all basslines, drum patterns, and guitar riffs.Slutsky, Allan, Chuck Silverman (1997). ''The Funkmasters-the Great James Brown Rhythm Sections''. Rock- and
psychedelia Psychedelia usually refers to a Aesthetics, style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic ...
-influenced musicians
Sly and the Family Stone Sly and the Family Stone was an American band formed in San Francisco, San Francisco, California, in 1966 and active until 1983. Their work, which blended elements of funk, soul music, soul, psychedelic rock, gospel music, gospel, and R&B, becam ...
and
Parliament-Funkadelic Parliament-Funkadelic (abbreviated as P-Funk) is an American musical collective, music collective of rotating musicians headed by George Clinton (funk musician), George Clinton, primarily consisting of the funk bands Parliament (band), Parliame ...
fostered more eclectic examples of the genre beginning in the late 1960s.Explore:
Funk
" Rhythmne. Retrieved 2020-09-16.
Other musical groups developed Brown's innovations during the 1970s and the 1980s, including
Kool and the Gang Kool may refer to: People * Kool (surname), surname of Dutch origin * Robert "Kool" Bell (born 1950), American bassist and founder of Kool and the Gang * Roger Kool (1954–2005), Singaporean DJ (Roger Kiew) * Kool DJ Herc (born 1955), Jamaica ...
,
Ohio Players Ohio Players are an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and " Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models f ...
,
Fatback Band The Fatback Band (later, simply Fatback) is an American funk and disco band that was popular in the 1970s and 1980s. The Fatback Band is most known for their R&B hits: "(Do the) Spanish Hustle", "I Like Girls", "Gotta Get My Hands on Some (Mone ...
,
Jimmy Castor James Walter Castor (January 23, 1940 – January 16, 2012) was an American funk, R&B and soul musician. He is credited with vocals, saxophone and composition. He is best known for songs such as "It's Just Begun", " The Bertha Butt Boogie", and ...
Bunch,
Earth, Wind & Fire Earth, Wind & Fire (abbreviated as EW&F or EWF) is an American band formed in Chicago, Illinois in 1969. Their music spans multiple genres, including jazz, R&B, soul, funk, disco, pop, Latin and Afro-pop. They are among the best-selling ba ...
, B.T. Express,
Shalamar Shalamar () is an American R&B and soul music vocal group created by Dick Griffey and Don Cornelius in 1977 and active throughout the 1980s. Shalamar's classic lineup on the SOLAR label consisted of Howard Hewett, Jody Watley, and Jeffrey D ...
, One Way, Lakeside,
Dazz Band Dazz Band is an American R&B/funk band most popular in the early 1980s. Emerging from Cleveland, Ohio, the group's biggest hit songs include " Let It Whip" (1982), " Joystick" (1983), and "Let It All Blow" (1984). The name of the band is a por ...
,
The Gap Band The Gap Band was an American Contemporary R&B, R&B and funk band that rose to fame during the 1970s and 1980s. The band consisted of three brothers: Charlie Wilson (musician), Charlie, Ronnie, and Robert Wilson, along with other members; it wa ...
,
Slave Slavery is the ownership of a person as property, especially in regards to their labour. Slavery typically involves compulsory work, with the slave's location of work and residence dictated by the party that holds them in bondage. Enslavemen ...
,
Aurra Aurra was an American 1980s soul group, which, at the time of its biggest success on Salsoul Records, featured Curt Jones (guitar/vocals) and Starleana Young (vocals) and included Steve Washington (bass/guitar/drums), Philip Field (keyboards/sy ...
,
Roger Troutman Roger Lynch Troutman Jr. (November 29, 1951 – April 25, 1999), also known simply as Roger, was an American singer, musician, songwriter, and record producer. He was the founder of the band Zapp who helped spearhead the funk movement and infl ...
& Zapp,
Con Funk Shun Con Funk Shun (formerly known as Project Soul) is an American R&B and funk band from Vallejo, California, formed in 1969. They were influenced by funk progenitors James Brown and Sly and the Family Stone. Signed to Mercury Records in 1976, the ...
, Cameo,
Bar-Kays The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including " Soul Finger" (US ''Billboard'' Hot 100 number 17, R&B number 3) in 1967, "Son of Shaft" (R&B number 10) in ...
,
The Brothers Johnson The Brothers Johnson was an American funk and R&B band consisting of the American brothers George ("Lightnin' Licks") and Louis E. Johnson ("Thunder Thumbs"). They achieved their greatest success from the mid-1970s to early 1980s, with three ...
and
Chic Chic (; ), meaning "stylish" or "smart", is an element of fashion. It was originally a French word. Etymology '' Chic'' is a French word, established in English since at least the 1870s. Early references in English dictionaries classified ...
. Funk derivatives include
avant-funk Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk or disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and ...
, an
avant-garde In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable ...
strain of funk;
boogie Boogie is a repetition (music), repetitive, swung note, swung note or shuffle rhythm,Burrows, Terry (1995). ''Play Country Guitar'', p.42. Dorling Kindersley Limited, London. . groove (music), "groove" or pattern used in blues which was origina ...
, a hybrid of electronic music and funk;
funk metal Funk metal (also known as thrash-funk or punk-funk) is a subgenre of funk rock and alternative metal that infuses heavy metal music (often thrash metal) with elements of funk and punk rock. Funk metal was part of the alternative metal movement, ...
;
G-funk G-funk, short for gangsta funk, (or funk rap) is a sub-genre of gangsta rap that emerged from the West Coast scene in the early 1990s. The genre is heavily influenced by the synthesizer-heavy 1970s funk sound of Parliament-Funkadelic (aka P-F ...
, a mix of
gangsta rap Gangsta rap or gangster rap, initially called reality rap, is a subgenre of rap music that conveys the culture, values, and experiences of urban gangs and street hustlers, frequently discussing unpleasant realities of the world in general th ...
and
psychedelic funk Psychedelic funk (also called P-funk or funkadelia, and sometimes conflated with psychedelic soul) is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts l ...
;
Timba Timba is a Cuban genre of music based on Cuban '' son'' with '' salsa'', American Funk/R&B and the strong influence of Afro-Cuban folkloric music. Timba rhythm sections differ from their salsa counterparts, because timba emphasizes the bass d ...
, a form of funky Cuban dance music; and funk jam. It is also the main influence of Washington go-go, a funk subgenre. Funk samples and
breakbeat Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip-hop, jungle, drum and bass, big beat, breakbeat ...
s have been used extensively in
hip hop Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip- ...
and
electronic dance music Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally ...
.


Etymology

The word ''funk'' initially referred (and still refers) to a strong odor. It is originally derived from
Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ...
(which means "to smoke") via
Old French Old French (, , ; ) was the language spoken in most of the northern half of France approximately between the late 8th [2-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ...
and, in this sense, it was first documented in English in 1620. In 1784, ''funky'' meaning "musty" was first documented, which, in turn, led to a sense of "earthy" that was taken up around 1900 in early jazz slang for something "deeply or strongly felt". Even though in white culture, the term ''funk'' can have negative connotations of odor or being in a bad mood (''in a funk''), in African communities, the term ''funk'', while still linked to body odor, had the positive sense that a musician's hard-working, honest effort led to sweat, and from their "physical exertion" came an "exquisite" and "superlative" performance.Thompson, Gordon E. ''Black Music, Black Poetry: Blues and Jazz's Impact on African American Versification''. Routledge, Apr. 15, 2016. p. 80. In early jam sessions, musicians would encourage one another to "get down" by telling one another, "Now, put some ''stank'' on it!" At least as early as 1907,
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
songs carried titles such as ''Funky''. The first example is an unrecorded number by
Buddy Bolden Charles Joseph "Buddy" Bolden (September 6, 1877 – November 4, 1931) was an American cornetist who was regarded by contemporaries and later jazz scholars as a key figure in the development of a New Orleans style of ragtime music, or "jass ...
, remembered as either "Funky Butt" or "Buddy Bolden's Blues", with improvised lyrics that were, according to Donald M. Marquis, either "comical and light" or "crude and downright obscene" but, in one way or another, referring to the sweaty atmosphere at dances where Bolden's band played.Who Started Funk Music
, ''Real Music Forum''
As late as the 1950s and early 1960s, when ''funk'' and ''funky'' were used increasingly in the context of
jazz music Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, m ...
, the terms still were considered indelicate and inappropriate for use in polite company. According to one source,
New Orleans New Orleans (commonly known as NOLA or The Big Easy among other nicknames) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the U.S. state of Louisiana. With a population of 383,997 at the 2020 ...
-born drummer
Earl Palmer Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American drummer. Considered one of the inventors of rock and roll, he is a member of the Rock and Roll Hall of Fame. Palmer was one of the most prolific studio musicians of al ...
"was the first to use the word 'funky' to explain to other musicians that their music should be made more syncopated and danceable." The style later evolved into a rather hard-driving, insistent rhythm, implying a more ''carnal quality''. This early form of the music set the pattern for later musicians. The music was identified as slow, sexy, loose,
riff A riff is a short, repeated motif or figure in the melody or accompaniment of a musical composition. Riffs are most often found in rock music, punk, heavy metal music, Latin, funk, and jazz, although classical music is also sometimes based ...
-oriented and danceable. The meaning of ''funk'' continues to captivate the genre of black music, feeling, and knowledge. Recent scholarship in black studies has taken the term ''funk'' in its many iterations to consider the range of black movement and culture. In particular, L.H. Stallings's ''Funk the Erotic: Transaesthetics and Black Sexual Cultures'' explores these multiple meanings of ''funk'' as a way to theorize sexuality, culture, and western hegemony within the many locations of ''funk'': "street parties, drama/theater, strippers and strip clubs, pornography, and self-published fiction."


Characteristics


Rhythm and tempo

Like soul, funk is based on
dance music Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance musi ...
, so it has a strong "rhythmic role".Learn Guitar: From Beginner to Pro. Book Sales, 2017. p. 254 The sound of funk is as much based on the "spaces between the notes" as the notes that are played; as such, rests between notes are important. While there are rhythmic similarities between funk and
disco Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ ...
, funk has a "central dance beat that's slower, sexier and more syncopated than disco", and funk rhythm section musicians add more "subtextures", complexity and "personality" onto the main beat than a programmed synth-based disco ensemble. Before funk, most
pop music Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop ...
was based on sequences of eighth notes, because the fast tempos made further subdivisions of the beat infeasible. The innovation of funk was that by using slower tempos (surely influenced by the revival of blues in the early 1960s), funk "created space for further rhythmic subdivision, so a bar of 4/4 could now accommodate possible 16 note placements." Specifically, by having the guitar and drums play in "motoring" sixteenth-note rhythms, it created the opportunity for the other instruments to play "more syncopated, broken-up style", which facilitated a move to more "liberated" basslines. Together, these "interlocking parts" created a "hypnotic" and "danceable feel". A great deal of funk is rhythmically based on a two- celled onbeat/offbeat structure, which originated in
sub-Saharan African music traditions In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work ...
. New Orleans appropriated the bifurcated structure from the Afro-Cuban mambo and conga in the late 1940s, and made it its own.Palmer, Robert (1979: 14), ''A Tale of Two Cities: Memphis Rock and New Orleans Roll''. Brooklyn. New Orleans funk, as it was called, gained international acclaim largely because James Brown's rhythm section used it to great effect.Stewart, Alexander (2000: 293), "Funky Drummer: New Orleans, James Brown and the Rhythmic Transformation of American Popular Music", ''Popular Music'', v. 19, n. 3, October 2000, pp. 293–318.


Harmony

Funk uses the same richly colored
extended chord In music, extended chords are certain Chord (music), chords (built from third (chord), thirds) or triad (music), triads with notes ''extended'', or added, beyond the seventh (chord), seventh. Ninth chord, Ninth, Eleventh chord, eleventh, and T ...
s found in
bebop Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States. The style features compositions characterized by a fast tempo (usually exceeding 200 bpm), complex chord progressions with rapid chord changes and numerou ...
jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths. Some examples of chords used in funk are minor eleventh chords (e.g., F minor 11th); dominant seventh with added sharp ninth and a suspended fourth (e.g., C7 (#9) sus 4); dominant ninth chords (e.g., F9); and minor sixth chords (e.g., C minor 6). The six-ninth chord is used in funk (e.g., F 6/9); it is a major chord with an added sixth and ninth. In funk, minor seventh chords are more common than minor triads because minor triads were found to be too thin-sounding. Some of the best known and most skillful soloists in funk have
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
backgrounds. Trombonist
Fred Wesley Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band le ...
and saxophonists
Pee Wee Ellis Alfred James Rogers (April 21, 1941 – September 23, 2021), known as Pee Wee Ellis due to his diminutive stature, was an American saxophonist, composer, and arranger. With a background in jazz, he was a member of James Brown's band in the 19 ...
and
Maceo Parker Maceo Parker (; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of ...
are among the most notable musicians in the funk music genre, having worked with
James Brown James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nick ...
, George Clinton and
Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The ...
. Unlike bebop jazz, with its complex, rapid-fire chord changes, funk often uses a static single-chord or two-chord vamp (often alternating a minor seventh chord and a related dominant seventh chord, such as A minor to D7) during all or part of a song, with melodo-harmonic movement and a complex, driving rhythmic feel. Even though some funk songs are mainly one-chord vamps, the rhythm section musicians may embellish this chord by moving it up or down a semitone or a tone to create chromatic passing chords. For example, the verse section of " Play That Funky Music" (by Wild Cherry) mainly uses an E ninth chord, but it also uses F#9 and F9. The chords used in funk songs typically imply a Dorian or
Mixolydian mode Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic s ...
, as opposed to the major or natural minor tonalities of most popular music. Melodic content was derived by mixing these modes with the
blues scale The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key " blue note" to an existing scale, notably the flat fifth additio ...
. In the 1970s, jazz music drew upon funk to create a new subgenre of
jazz-funk Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds, and analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre that ranges from ...
, which can be heard in recordings by
Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis ado ...
('' Live-Evil'', ''
On the Corner ''On the Corner'' is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of ...
''), and
Herbie Hancock Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of ...
(''
Head Hunters ''Head Hunters'' is the twelfth studio album by American pianist, keyboardist and composer Herbie Hancock, released October 26, 1973, on Columbia Records. Recording sessions for the album took place in the evening at Wally Heider Studios and D ...
'').


Improvisation

Funk continues the African musical tradition of
improvisation Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvis ...
, in that in a funk band, the group would typically "feel" when to change, by "jamming" and "grooving", even in the studio recording stage, which might only be based on the skeleton framework for each song. Funk uses "collective improvisation", in which musicians at rehearsals would have what was metaphorically a musical "conversation", an approach which extended to the onstage performances.


Instruments


Bass guitar

Funk creates an intense
groove Groove or Grooves may refer to: Music * Groove (music) * Groove (drumming) * The Groove (band), an Australian rock/pop band of the 1960s * The Groove (Sirius XM), a US radio station * Groove 101.7FM, a former Perth, Australia, radio station ...
by using strong guitar riffs and
bassline Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched P ...
s played on
electric bass The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an electric but with a longer neck and scale leng ...
. Like
Motown Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau ...
recordings, funk songs use basslines as the centerpiece of songs. Indeed, funk has been called the style in which the bassline is most prominent in the songs, with the bass playing the "hook" of the song.Boomer, Tim; Berry, Mick. ''The Bassist's Bible: How to Play Every Bass Style from Afro-Cuban to Zydeco''. See Sharp Press, Jul. 1, 2009. p. 25 Early funk basslines used syncopation (typically syncopated eighth notes), but with the addition of more of a "driving feel" than in New Orleans funk, and they used
blues scale The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key " blue note" to an existing scale, notably the flat fifth additio ...
notes along with the major third above the root. Later funk basslines use sixteenth note syncopation, blues scales, and repetitive patterns, often with leaps of an octave or a larger interval. Funk basslines emphasize repetitive patterns, locked-in grooves, continuous playing, and slap and popping bass. Slapping and popping uses a mixture of thumb-slapped low notes (also called "thumped") and finger "popped" (or plucked) high notes, allowing the bass to have a drum-like rhythmic role, which became a distinctive element of funk. Notable slap and funky players include
Bernard Edwards Bernard Edwards (October 31, 1952 – April 18, 1996) was an American bassist and record producer, known primarily for his work in disco with musician Nile Rodgers, with whom he co-founded Chic. In 2017, Edwards was selected as the 53rd greates ...
(
Chic Chic (; ), meaning "stylish" or "smart", is an element of fashion. It was originally a French word. Etymology '' Chic'' is a French word, established in English since at least the 1870s. Early references in English dictionaries classified ...
),
Robert "Kool" Bell Robert Earl "Kool" Bell (born October 8, 1950), also known by the name Muhammad Bayyan, is an American musician, singer and songwriter. He is the last surviving founding member of the American R&B, soul, funk and disco band Kool & the Gang. ...
, Mark Adams (
Slave Slavery is the ownership of a person as property, especially in regards to their labour. Slavery typically involves compulsory work, with the slave's location of work and residence dictated by the party that holds them in bondage. Enslavemen ...
), Johnny Flippin (
Fatback Fatback is a layer of subcutaneous fat taken from under the skin of the back of a domestic pig, with or without the skin (referred to as pork rind). In cuisine Fatback is a preferred fat for various forms of charcuterie, particularly sau ...
) and
Bootsy Collins William Earl "Bootsy" Collins (born October 26, 1951) is an American bass guitarist, singer, and songwriter. Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himse ...
.Overthrow, David. ''Complete Electric Bass Method: Mastering Electric Bass''. Alfred Music While slap and funky is important, some influential bassists who play funk, such as
Rocco Prestia Francis Rocco Prestia Jr. (March 7, 1951 – September 29, 2020) was an American bassist, best known for his work with the funk band Tower of Power. Biography Born in Sonora, California, Prestia started playing electric guitar as an adolescen ...
(from
Tower of Power Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had a number of lead vocalists, the best-known being Lenny Williams, who fronted ...
), did not use the approach, and instead used a typical fingerstyle method based on
James Jamerson James Lee Jamerson (January 29, 1936 – August 2, 1983) was an American bassist. He was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases un ...
's
Motown Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau ...
playing style.
Larry Graham Larry Graham Jr. (born August 14, 1946) is an American bass guitar, bassist and baritone singer, with the psychedelic soul/funk band Sly and the Family Stone and as the founder and frontman of Graham Central Station. In 1980, he released the si ...
from
Sly and the Family Stone Sly and the Family Stone was an American band formed in San Francisco, San Francisco, California, in 1966 and active until 1983. Their work, which blended elements of funk, soul music, soul, psychedelic rock, gospel music, gospel, and R&B, becam ...
is an influential bassist.Dickens, Bill "the Buddha"; Rock, Bobby. ''Funk Bass and Beyond''. Alfred Music Publishing, 2003 Funk bass has an "earthy, percussive kind of feel", in part due to the use of muted, rhythmic
ghost note In music, notably in jazz, a ghost note (or a dead, muted, silenced or false note) is a musical note with a rhythmic value, but no discernible pitch when played. In musical notation, this is represented by an "X" for a note head instead of ...
s (also called "dead notes"). Some funk bass players use electronic
effects unit An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion (music), distortion/overdrive, ...
s to alter the tone of their instrument, such as "envelope filters" (an
auto-wah Auto-wah is a type of wah-wah effects pedal typically used with electric guitar, bass guitar, clavinet, and electric piano etc. The distinctive choppy rhythm guitar sound on many funk and disco recordings from the 1970s popularized the effect ...
effect that creates a "gooey, slurpy, quacky, and syrupy" sound) and imitate keyboard synthesizer bass tones (e.g., the
Mutron ''Musitronics'', often shortened to Mu-tron, was a manufacturer of electronic Effects unit, musical effects active in the 1970s. Founded by Mike Beigel and Aaron Newman, the company's products provided filtering and processing effects and were ...
envelope filter) and overdriven
fuzz bass Fuzz bass is a style of playing the electric bass or modifying its signal that produces a buzzy, distorted, overdriven sound. Overdriving a bass signal significantly changes the timbre, adds higher overtones (harmonics), increases the susta ...
effects, which are used to create the "classic fuzz tone that sounds like old school Funk records". Other effects that are used include the
flanger Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and ...
and bass chorus. Collins also used a Mu-Tron Octave Divider, an octave pedal that, like the Octavia pedal popularized by
Hendrix James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American singer-songwriter and musician. He is widely regarded as one of the greatest and most influential guitarists of all time. Inducted ...
, can double a note an octave above and below to create a "futuristic and fat low-end sound".


Drums

Funk drumming creates a groove by emphasizing the drummer's "feel and emotion", which including "occasional tempo fluctuations", the use of swing feel in some songs (e.g., "Cissy Strut" by
The Meters The Meters (later The Funky Meters) are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their o ...
and "I'll Take You There" by
The Staple Singers The Staple Singers were an American Gospel music, gospel, soul music, soul, and Rhythm and blues, R&B singing group. Pops Staples, Roebuck "Pops" Staples (December 28, 1914 – December 19, 2000), the patriarch of the family, formed the group w ...
, which have a half-swung feel), and less use of fills (as they can lessen the groove). Drum fills are "few and economical", to ensure that the drumming stays "in the pocket", with a steady tempo and groove. These playing techniques are supplemented by a set-up for the drum kit that often includes muffled
bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The head ...
s and toms and tightly tuned snare drums.
Double bass drumming The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The head ...
sounds are often done by funk drummers with a single pedal, an approach which "accents the second note... nddeadens the drumhead's resonance", which gives a short, muffled bass drum sound. James Brown used two drummers such as Clyde Stubblefield and John 'Jabo' Starks in recording and soul shows.Lacy, Travis K., ""Funk is its own reward" : an analysis of selected lyrics in popular funk music of the 1970s" (2008). ETD Collection for AUC Robert W. Woodruff Library. Paper 22. p. 53 By using two drummers, the JB band was able to maintain a "solid syncopated" rhythmic sound, which contributed to the band's distinctive "Funky Drummer" rhythm. In
Tower of Power Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had a number of lead vocalists, the best-known being Lenny Williams, who fronted ...
drummer David Garibaldi's playing, there are many
ghost note In music, notably in jazz, a ghost note (or a dead, muted, silenced or false note) is a musical note with a rhythmic value, but no discernible pitch when played. In musical notation, this is represented by an "X" for a note head instead of ...
s and
rim shot A rimshot is a percussion technique used to produce an accented snare drum backbeat. The sound is produced by simultaneously hitting the rim and head of the drum with a drum stick. The sound and various techniques The sound of rimshots can be ...
s. A key part of the funk drumming style is using the hi-hat, with opening and closing the hi-hats during playing (to create "splash" accent effects) being an important approach. Two-handed sixteenth notes on the hi-hats, sometimes with a degree of swing feel, is used in funk. Jim Payne states that funk drumming uses a "wide-open" approach to improvisation around rhythmic ideas from Latin music,
ostinato In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces inc ...
s, that are repeated "with only slight variations", an approach which he says causes the "mesmerizing" nature of funk.Payne, Jim. ''Complete Funk Drumming Book''. Mel Bay Publications, Feb. 9, 2011. p. 7-8 Payne states that funk can be thought of as "rock played in a more syncopated manner", particularly with the bass drum, which plays syncopated eighth-note and sixteenth-note patterns that were innovated by drummer Clive Williams (with
Joe Tex Yusuf Hazziez (born Joseph Arrington Jr.; August 8, 1935 – August 13, 1982), known professionally as Joe Tex, was an American singer and musician who gained success in the 1960s and 1970s with his brand of Southern soul, which mixed the style ...
);
George Brown George Brown may refer to: Arts and entertainment * George Loring Brown (1814–1889), American landscape painter * George Douglas Brown (1869–1902), Scottish novelist * George Williams Brown (1894–1963), Canadian historian and editor * Ge ...
(with
Kool & the Gang Kool & the Gang is an American Rhythm and blues, R&B, soul music, soul, and funk band formed in Jersey City, New Jersey, in 1964. Its founding members include brothers Robert "Kool" Bell and Ronald Bell (musician), Ronald Bell (also known as " ...
) and James "Diamond" Williams (with The Ohio Players). As with rock, the snare provides
backbeat In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a pi ...
s in most funk (albeit with additional soft ghost notes).


Electric guitar

In funk, guitarists often mix playing chords of a short duration (nicknamed "stabs") with faster rhythms and riffs. Guitarists playing rhythmic parts often play sixteenth notes, including with percussive ghost notes. Chord extensions are favored, such as ninth chords. Typically, funk uses "two interlocking lectricguitar parts", with a
rhythm guitar In music performances, rhythm guitar is a guitar technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse (music), pulse in conjunction with other instruments from the rhythm section (e.g., d ...
ist and a "tenor guitarist" who plays single notes. The two guitarists trade off their lines to create a "
call-and-response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
, intertwined pocket." If a band only has one guitarist, this effect may be recreated by
overdubbing Overdubbing (also known as layering) is a technique used in audio recording in which audio Music track, tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto o ...
in the studio, or, in a live show, by having a single guitarist play both parts, to the degree that this is possible. In funk bands, guitarists typically play in a percussive style, using a style of picking called the "chank" or "chicken scratch", in which the guitar strings are pressed lightly against the
fingerboard The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The stri ...
and then quickly released just enough to get a muted "scratching" sound that is produced by rapid rhythmic strumming of the opposite hand near the
bridge A bridge is a structure built to Span (engineering), span a physical obstacle (such as a body of water, valley, road, or railway) without blocking the path underneath. It is constructed for the purpose of providing passage over the obstacle, whi ...
. Early examples of that technique used on rhythm and blues are heard on the
Johnny Otis Johnny Otis (born Ioannis Alexandres Veliotes (Greek language, Greek: Ιωάννης Αλέξανδρος Βελιώτης)); December 28, 1921 – January 17, 2012) was a Greek American singer, musician, composer, bandleader, record producer, ...
song "
Willie and the Hand Jive "Willie and the Hand Jive" is a song written by Johnny Otis and originally released as a single in 1958 by Otis, reaching #9 on the ''Billboard'' Hot 100 chart and #5 on the Billboard R&B chart. The song has a Bo Diddley beat and was partly in ...
" in 1957, with future James Brown band guitar player Jimmy Nolen. The technique can be broken down into three approaches: the "chika", the "chank" and the "choke". With the "chika" comes a muted sound of strings being hit against the fingerboard; "chank" is a staccato attack done by releasing the chord with the fretting hand after strumming it; and "choking" generally uses all the strings being strummed and heavily muted. The result of these factors was a rhythm guitar sound that seemed to float somewhere between the low-end thump of the
electric bass The bass guitar (), also known as the electric bass guitar, electric bass, or simply the bass, is the lowest-pitched member of the guitar family. It is similar in appearance and construction to an electric but with a longer neck and scale leng ...
and the cutting tone of the
snare SNARE proteins – "Soluble NSF attachment protein, SNAP REceptors" – are a large protein family consisting of at least 24 members in yeasts and more than 60 members in mammalian and plant cells. The primary role of SNARE proteins is to m ...
and
hi-hat A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock music, rock, popular music, pop, jazz, an ...
s, with a rhythmically melodic feel that fell deep in the pocket. Guitarist Jimmy Nolen, longtime guitarist for James Brown, developed this technique. On Brown's " Give It Up or Turnit a Loose" (1969), however, Jimmy Nolen's guitar part has a bare bones tonal structure. The pattern of attack-points is the emphasis, not the pattern of pitches. The guitar is used the way that an African drum, or idiophone would be used. Nolen created a "clean, trebly tone" by using "hollow-body
jazz guitar Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using Guitar amplifier, electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their ...
s with single-coil P-90 pickups" plugged into a
Fender Twin The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characterist ...
Reverb amp with the mid turned down low and the treble turned up high. Funk guitarists playing rhythm guitar generally avoid
distortion In signal processing, distortion is the alteration of the original shape (or other characteristic) of a signal. In communications and electronics it means the alteration of the waveform of an information-bearing signal, such as an audio signal ...
effects and amp overdrive to get a clean sound, and given the importance of a crisp, high sound,
Fender Stratocaster The Fender Stratocaster, colloquially known as the Strat, is a model of double- cutaway electric guitar designed between 1952 and 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corpora ...
s and Telecasters were widely used for their cutting treble tone. The mids are often cut by guitarists to help the guitar sound different from the
horn section A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term ...
, keyboards and other instruments. Given the focus on providing a rhythmic groove, and the lack of emphasis on instrumental guitar melodies and
guitar solo A guitar solo is a melody, melodic passage, instrumental section (music), section, or entire piece of music, pre-written (or improvised) to be played on a classical guitar, classical, electric guitar, electric, or acoustic guitar. In 20th and ...
s, sustain is not sought out by funk rhythm guitarists. Funk rhythm guitarists use
compressor A compressor is a mechanical device that increases the pressure of a gas by reducing its volume. An air compressor is a specific type of gas compressor. Many compressors can be staged, that is, the gas is compressed several times in steps o ...
volume-control effects to enhance the sound of muted notes, which boosts the "clucking" sound and adds "percussive excitement to funk rhythms" (an approach used by
Nile Rodgers Nile Gregory Rodgers Jr. (born September 19, 1952) is an American musician, songwriter, guitarist and record producer. The co-founder of Chic, he has written, produced, and performed on records that have sold more than 750 million albums and 1 ...
). Guitarist
Eddie Hazel Edward Earl Hazel (April 10, 1950 – December 23, 1992) was an American guitarist and singer in early funk music who played lead guitar with Parliament-Funkadelic. Hazel was a posthumous inductee to the Rock and Roll Hall of Fame, inducted in 19 ...
from
Funkadelic Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.John, ...
is notable for his solo improvisation (particularly for the solo on "
Maggot Brain ''Maggot Brain'' is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 an ...
") and guitar riffs, the tone of which was shaped by a
Maestro FZ-1 Fuzz-Tone The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzzbox#1960s: fuzz, distortion, and introduction of commercial devices, fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolli ...
pedal. Hazel, along with guitarist
Ernie Isley Ernest Isley (born March 7, 1952) is an American musician best known as a member of the musical ensemble The Isley Brothers, and also the splinter group Isley-Jasper-Isley. Biography Ernie was born in Cincinnati, where his older brothers formed ...
of
the Isley Brothers The Isley Brothers ( ) are an American soul group originally from Cincinnati, Ohio, that began as a vocal trio consisting of the brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley in the 1950s. With a career spanning over seven decades, ...
, was influenced by
Jimi Hendrix James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American singer-songwriter and musician. He is widely regarded as one of the greatest and most influential guitarists of all time. Inducted ...
's improvised, wah-wah infused solos. Ernie Isley was tutored at an early age by Hendrix, when Hendrix was a part of the Isley Brothers backing band and temporarily lived in the Isleys' household. Funk guitarists use the wah-wah sound effect along with muting the notes to create a percussive sound for their guitar riffs. The phaser effect is often used in funk and R&B guitar playing for its filter sweeping sound effect, an example being the
Isley Brothers Isley is an English surname. The name can also be used as an anglicized variant for the German surnames Eisele and Eisler. Notable people with the surname include: *The Isley Brothers, American musical group ** Ernie Isley (born 1952), American ...
' song " Who's That Lady".
Michael Hampton Michael Hampton (born November 15, 1956) is an American funk/rock guitarist. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Career Hampton was born in Cleveland, Ohio, ...
, another P-Funk guitarist, was able to play Hazel's virtuosic solo on "Maggot Brain", using a solo approach that added in string bends and Hendrix-style
feedback Feedback occurs when outputs of a system are routed back as inputs as part of a chain of cause and effect that forms a circuit or loop. The system can then be said to ''feed back'' into itself. The notion of cause-and-effect has to be handle ...
.


Keyboards

A range of keyboard instruments are used in funk. Acoustic piano is used in funk, including in "September" by
Earth Wind & Fire Earth, Wind & Fire (abbreviated as EW&F or EWF) is an American band formed in Chicago, Illinois in 1969. Their music spans multiple genres, including jazz, R&B, soul, funk, disco, pop, Latin and Afro-pop. They are among the best-selling b ...
and "
Will It Go Round in Circles "Will It Go Round in Circles" is a song by American soul musician Billy Preston from his 1972 album '' Music Is My Life''. It was written by Preston and Bruce Fisher and released as a single in March 1973. The record topped the ''Billboard'' Hot ...
" by
Billy Preston William Everett Preston (September 2, 1946 – June 6, 2006) was an American keyboardist, singer, and songwriter whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, backing Little Richa ...
. The electric piano is used on songs such as
Herbie Hancock Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of ...
's "Chameleon" (a
Fender Rhodes The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, t ...
) and "Mercy, Mercy, Mercy" by
Joe Zawinul Josef Erich Zawinul ( '; 7 July 1932 – 11 September 2007) was an Austrian jazz and jazz fusion keyboardist and composer. First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with Miles Davis and to bec ...
(a
Wurlitzer The Rudolph Wurlitzer Company, usually referred to as simply Wurlitzer, is an American company started in Cincinnati in 1853 by German immigrant (Franz) Rudolph Wurlitzer. The company initially imported stringed, woodwind and brass instruments ...
). The
clavinet The Clavinet is an electric clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds with rubber pads, each matching one of the keys and respond ...
is used for its percussive tone, and it can be heard in songs such as
Stevie Wonder Stevland Hardaway Morris (; Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American and Ghanaian singer-songwriter, musician, and record producer. He is regarded as one of the most influential musicians of the 20th c ...
's "
Superstition A superstition is any belief or practice considered by non-practitioners to be irrational or supernatural, attributed to fate or magic (supernatural), magic, perceived supernatural influence, or fear of that which is unknown. It is commonly app ...
" and " Higher Ground" and Bill Withers' " Use Me". The
Hammond B-3 organ The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert, first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, sound was created from rotat ...
is used in funk, in songs such as "Cissy Strut" by
The Meters The Meters (later The Funky Meters) are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their o ...
and "Love the One You're With" (with Aretha Franklin singing and Billy Preston on keyboards).
Bernie Worrell George Bernard Worrell, Jr. (April 19, 1944 – June 24, 2016) was an American Keyboard instrument, keyboardist and record producer best known as a founding member of the Parliament-Funkadelic collective. In later years, he also worked with ...
's range of keyboards from his recordings with Parliament Funkadelic demonstrate the wide range of keyboards used in funk, as they include the Hammond organ ("Funky Woman", "Hit It and Quit It", "Wars of Armageddon"); RMI electric piano ("I Wanna Know If It's Good to You?", " Free Your Mind", "Loose Booty"); acoustic piano ("Funky Dollar Bill", "Jimmy's Got a Little Bit of Bitch in Him"); clavinet ("Joyful Process", "Up for the Down Stroke", "Red Hot Mama");
Minimoog The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popul ...
synthesizer ("Atmosphere", " Flash Light", "Aqua Boogie", "Knee Deep", "Let's Take It to the Stage"); and ARP string ensemble synth (" Chocolate City", " Give Up the Funk (Tear the Roof off the Sucker)", "Undisco Kidd"). Synthesizers were used in funk both to add to the deep sound of the electric bass, or even to replace the electric bass altogether in some songs.Lacy, Travis K., ""Funk is its own reward" : an analysis of selected lyrics in popular funk music of the 1970s" (2008). ETD Collection for AUC Robert W. Woodruff Library. Paper 22. p. 51 Funk synthesizer bass, most often a
Minimoog The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popul ...
, was used because it could create layered sounds and new electronic tones that were not feasible on electric bass.


Vocals and lyrics

In the 1970s, funk used many of the same vocal styles that were used in African-American music in the 1960s, including singing influences from blues, gospel, jazz and doo-wop. Like these other African-American styles, funk used " lls, shouts, hollers, moans, humming, and melodic riffs", along with styles such as
call and response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
and narration of stories (like the African oral tradition approach). The call and response in funk can be between the lead singer and the band members who act as
backup vocal A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used ...
ists.Lacy, Travis K., ""Funk is its own reward" : an analysis of selected lyrics in popular funk music of the 1970s" (2008). ETD Collection for AUC Robert W. Woodruff Library. Paper 22. p. 75 As funk emerged from soul, the vocals in funk share soul's approach; however, funk vocals tend to be "more punctuated, energetic, rhythmically percussive and less embellished" with ornaments, and the vocal lines tend to resemble horn parts and have "pushed" rhythms. Funk bands such as
Earth, Wind & Fire Earth, Wind & Fire (abbreviated as EW&F or EWF) is an American band formed in Chicago, Illinois in 1969. Their music spans multiple genres, including jazz, R&B, soul, funk, disco, pop, Latin and Afro-pop. They are among the best-selling ba ...
have
harmony vocal In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harm ...
parts. Songs like " Super Bad" by James Brown included "double-voice" along with "yells, shouts and screams". Funk singers used a "black aesthetic" to perform that made use of "colorful and lively exchange of gestures, facial expressions, body posture, and vocal phrases" to create an engaging performance. The lyrics in funk music addressed issues faced by the African American community in the United States during the 1970s, which arose due to the move away from an industrial, working-class economy to an information economy, which harmed the Black working class. Funk songs by The Ohio Players, Earth, Wind & Fire, and James Brown raised issues faced by lower-income Blacks in their song lyrics, such as poor "economic conditions and themes of poor inner-city life in the black communities". The Funkadelic song "
One Nation Under A Groove ''One Nation Under a Groove'' is the tenth studio album by American funk rock band Funkadelic, released on September 22, 1978, on Warner Bros. Records. Recording sessions took place at United Sound Studio in Detroit, with one song recorded live ...
" (1978) is about the challenges that Blacks overcame during the 1960s civil rights movement, and it includes an exhortation for Blacks in the 1970s to capitalize on the new "social and political opportunities" that had become available in the 1970s. The
Isley Brothers Isley is an English surname. The name can also be used as an anglicized variant for the German surnames Eisele and Eisler. Notable people with the surname include: *The Isley Brothers, American musical group ** Ernie Isley (born 1952), American ...
song "Fight the Power" (1975) has a political message. Parliament's song "Chocolate City" (1975) metaphorically refers to Washington, D.C., and other US cities that have a mainly Black population, and it draws attention to the potential power that Black voters wield and suggests that a Black President be considered in the future. The political themes of funk songs and the aiming of the messages to a Black audience echoed the new image of Blacks that was created in
Blaxploitation In American cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the black civil rights movement, the black power movement, ...
films, which depicted "African-American men and women standing their ground and fighting for what was right".Lacy, Travis K., ""Funk is its own reward" : an analysis of selected lyrics in popular funk music of the 1970s" (2008). ETD Collection for AUC Robert W. Woodruff Library. Paper 22. p. 36 Both funk and Blaxploitation films addressed issues faced by Blacks and told stories from a Black perspective. Another link between 1970s funk and Blaxploitation films is that many of these films used funk soundtracks (e.g.,
Curtis Mayfield Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer. Dubbed the " Gentle Genius", he is considered one of the most influential musicians of soul and socially conscious Afric ...
for '' Superfly''; James Brown and Fred Wesley for '' Black Caesar'' and
War War is an armed conflict between the armed forces of states, or between governmental forces and armed groups that are organized under a certain command structure and have the capacity to sustain military operations, or between such organi ...
for '' Youngblood''). Funk songs included metaphorical language that was understood best by listeners who were "familiar with the black aesthetic and
lack Lack may refer to: Places * Lack, County Fermanagh, a townland in Northern Ireland * Lack, Poland * Łąck, Poland * Lack Township, Juniata County, Pennsylvania, US Other uses * Lack (surname) * Lack (manque), a term in Lacan's psychoanalyti ...
vernacular".Lacy, Travis K., ""Funk is its own reward" : an analysis of selected lyrics in popular funk music of the 1970s" (2008). ETD Collection for AUC Robert W. Woodruff Library. Paper 22. p. 66 For example, funk songs included expressions such as "shake your money maker", "funk yourself right out" and "move your boogie body". Another example is the use of "bad" in the song "Super Bad" (1970), which black listeners knew meant "good" or "great". In the 1970s, to get around radio obscenity restrictions, funk artists would use words that sounded like non-allowed words and
double entendre A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacc ...
s to get around these restrictions. For example, The Ohio Players had a song entitled "Fopp" which referred to "Fopp me right, don't you fopp me wrong/We'll be foppin' all night long...". Some funk songs used made-up words which suggested that they were "writing lyrics in a constant haze of marijuana smoke", such as Parliament's " Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)", which includes words such as "bioaquadoloop". The mainstream white listener base was often not able to understand funk's lyrical messages, which contributed to funk's lack of popular music chart success with white audiences during the 1970s.


Other instruments

Horn section A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term ...
arrangements with groups of brass instruments are often used in funk songs. Funk horn sections could include saxophone (often tenor sax), trumpet, trombone, and for larger horn sections, such as quintets and sextets, a baritone sax. Horn sections played "rhythmic and syncopated" parts, often with "offbeat phrases" that emphasize "rhythmic displacement". Funk song introductions are an important place for horn arrangements. Funk horn sections performed in a "rhythmic percussive style" that mimicked the approach used by funk rhythm guitarists.Lacy, Travis K., ""Funk is its own reward" : an analysis of selected lyrics in popular funk music of the 1970s" (2008). ETD Collection for AUC Robert W. Woodruff Library. Paper 22. p. 48 Horn sections would "punctuate" the lyrics by playing in the spaces between vocals, using "short staccato rhythmic blast . Notable funk horn players included Alfred "PeeWee" Ellis, trombonist
Fred Wesley Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band le ...
, and alto sax player
Maceo Parker Maceo Parker (; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of ...
. Notable funk horn sections including the Phoenix Horns (with Earth, Wind & Fire), the Horny Horns (with Parliament), the Memphis Horns (with
Isaac Hayes Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer, songwriter, composer, and actor. He was one of the creative forces behind the Southern soul music label Stax Records in the 1960s, serving as an in-house songwr ...
), and MFSB (with
Curtis Mayfield Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer. Dubbed the " Gentle Genius", he is considered one of the most influential musicians of soul and socially conscious Afric ...
). The instruments in funk horn sections varied. If there were two horn players, it could be trumpet and sax, trumpet and trombone, or two saxes. A standard horn trio would consist of trumpet, sax, and trombone, but trios of one trumpet with two saxes, or two trumpets with one sax, were also fairly common. A quartet would be set up the same as a standard horn trio, but with an extra trumpet, sax, or (less frequently) trombone player. Quintets would either be a trio of saxes (typically alto/tenor/baritone, or tenor/tenor/baritone) with a trumpet and a trombone, or a pair each of trumpets and saxes with one trombone. With six instruments, the horn section would usually be two trumpets, three saxes, and a trombone. Notable songs with funk horn sections include: * "
Cold Sweat "Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and rea ...
" (James Brown & the Famous Flames), 1967 * "Superstition" (Stevie Wonder), 1972 * "Funky Stuff" (Kool & The Gang), 1973 * "What Is Hip?" (Tower of Power), 1973 * " Pick Up the Pieces" (Average White Band) * " Up For The Down Stroke" (Parliament), 1974 * "Hair" (Graham Central Station), 1974 * " Too Hot to Stop" (The Bar-Kays), 1976 * " Getaway" (Earth, Wind & Fire), 1976 In bands or shows where hiring a horn section is not feasible, a keyboardist can play the horn parts on a synthesizer with brass patches; however, choosing an authentic-sounding synthesizer and brass patch is important. In the 2010s, with micro-MIDI synths, it may even have been possible to have another instrumentalist play the keyboard brass parts, thus enabling the keyboardist to continue to comp throughout the song.


Costumes and style

Funk bands in the 1970s adopted Afro-American fashion and style, including " Bell-bottom pants, platform shoes, hoop earring Afros airstyles leather vests,... beaded necklaces",
dashiki The dashiki (, ) is a colorful garment that covers the top half of the body, worn mostly in West Africa. It has formal and informal versions and varies from simple draped clothing to fully tailored suits. A common form is a loose-fitting pullove ...
shirts, jumpsuits and boots. In contrast to earlier bands such as
The Temptations The Temptations is an American vocal group formed in Detroit, Michigan, in 1961 as The Elgins, known for their string of successful singles and albums with Motown from the 1960s to the mid-1970s. The group's work with producer Norman Whitfield ...
, which wore "matching suits" and "neat haircuts" to appeal to white mainstream audiences, funk bands adopted an "African spirit" in their outfits and style. George Clinton and Parliament are known for their imaginative costumes and "freedom of dress", which included bedsheets acting as robes and capes.


History

Funk was formed through a mixture of various music genres that were popular among African Americans in the mid-20th century. Musicologist Anne Danielsen wrote that funk might be placed in the lineage of rhythm and blues, jazz, and soul. Sociologist Darby E. Southgate wrote that funk is "an amalgam of gospel, soul, jazz fusion, rhythm and blues, and black rock." The distinctive characteristics of
African-American music African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their African-American culture, culture. Its origins are in musical forms that developed as a result of the Slavery in ...
al expression are rooted in
sub-Saharan African music traditions In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work ...
, and find their earliest expression in spirituals, work chants/songs, praise shouts, gospel, blues, and "body rhythms" ( hambone,
patting juba The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomp (strike), stomping as well as slap (strike), slapping and patting the arms, legs, chest, and cheeks (cla ...
, and
ring shout A shout, ring shout, Hallelujah march or victory march is a Christian religious practice in which worshipers move in a circle while praying and clapping their hands, sometimes shuffling and stomping their feet as well. Despite the name, shouting a ...
clapping and stomping patterns). Like other styles of African-American musical expression including jazz, soul music and R&B, funk music accompanied many protest movements during and after the Civil Rights Movement.


New Orleans

Gerhard Kubik Gerhard Kubik (born 10 December 1934) is an Austrian music ethnologist from Vienna. He studied ethnology, musicology and African languages at the University of Vienna. He published his doctoral dissertation in 1971 and achieved habilitation in ...
notes that with the exception of
New Orleans New Orleans (commonly known as NOLA or The Big Easy among other nicknames) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the U.S. state of Louisiana. With a population of 383,997 at the 2020 ...
, early blues lacked complex
polyrhythm Polyrhythm () is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rh ...
s, and there was a "very specific absence of asymmetric time-line patterns ( key patterns) in virtually all early twentieth century African-American music ... only in some New Orleans genres does a hint of simple time line patterns occasionally appear in the form of transient so-called 'stomp' patterns or stop-time chorus. These do not function in the same way as African time lines." In the late 1940s this changed somewhat when the two-celled time line structure was brought into
New Orleans blues New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans, influenced by jazz and Caribbean music. It is dominated by piano and saxophone, but also produced guitar bluesmen. Characteristics As a style, New ...
. New Orleans musicians were especially receptive to
Afro-Cuban Afro-Cubans () or Black Cubans are Cubans of full or partial sub-Saharan African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African a ...
influences precisely at the time when R&B was first forming.
Dave Bartholomew David Louis Bartholomew (December 24, 1918 – June 23, 2019) was an American musician, bandleader, composer, arrangement, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century ...
and
Professor Longhair Henry Roeland Byrd (December 19, 1918 – January 30, 1980), better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday o ...
(Henry Roeland Byrd) incorporated Afro-Cuban instruments, as well as the clave pattern and related two-celled figures in songs such as "Carnival Day" (Bartholomew 1949) and "Mardi Gras In New Orleans" (Longhair 1949).
Robert Palmer Robert Allen Palmer (19 January 1949 – 26 September 2003) was an English singer and songwriter. He was known for his powerful and soulful voice, sartorial elegance and stylistic explorations, combining soul, funk, jazz, rock, pop, regga ...
reports that, in the 1940s, Professor Longhair listened to and played with musicians from the islands and "fell under the spell of Perez Prado's
mambo Mambo most often refers to: *Mambo (music), a Cuban musical form *Mambo (dance), a dance corresponding to mambo music Mambo may also refer to: Music * Mambo section, a section in arrangements of some types of Afro-Caribbean music, particul ...
records." Professor Longhair's particular style was known locally as ''rumba-boogie''. One of Longhair's great contributions was his particular approach of adopting two-celled, clave-based patterns into
New Orleans rhythm and blues New Orleans rhythm and blues is a style of rhythm and blues that originated in New Orleans. It was a direct precursor to rock and roll and strongly influenced ska. Instrumentation typically includes drums, bass, piano, horns, electric guitar, and ...
(R&B). Longhair's rhythmic approach became a basic template of funk. According to
Dr. John Malcolm John Rebennack Jr. (November 20, 1941 – June 6, 2019), better known by his stage name Dr. John, was an American singer, songwriter and pianist. His music combined New Orleans blues, jazz, R&B, soul and funk. Active as a session mus ...
(Malcolm John "Mac" Rebennack Jr.), the Professor "put funk into music ... Longhair's thing had a direct bearing I'd say on a large portion of the funk music that evolved in New Orleans." In his "Mardi Gras in New Orleans", the pianist employs the 2-3 clave onbeat/offbeat motif in a rumba-boogie "
guajeo A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by ...
". The syncopated, but straight subdivision feel of Cuban music (as opposed to swung subdivisions) took root in New Orleans R&B during this time. Alexander Stewart states: "Eventually, musicians from outside of New Orleans began to learn some of the rhythmic practices f the Crescent City Most important of these were James Brown and the drummers and arrangers he employed. Brown's early repertoire had used mostly shuffle rhythms, and some of his most successful songs were 12/8 ballads (e.g. "Please, Please, Please" (1956), "Bewildered" (1961), "I Don't Mind" (1961)). Brown's change to a funkier brand of soul required 4/4 metre and a different style of drumming." Stewart makes the point: "The singular style of rhythm & blues that emerged from New Orleans in the years after World played an important role in the development of funk. In a related development, the underlying rhythms of American popular music underwent a basic, yet generally unacknowledged transition from triplet or shuffle feel to even or straight eighth notes."Stewart (2000: 293).


1960s


James Brown

James Brown credited
Little Richard Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American singer, pianist, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the "Ar ...
's 1950s R&B road band,
The Upsetters The Upsetters was the name given to the house band for Jamaican reggae producer Lee "Scratch" Perry. The name of the band comes from Perry's nickname of Upsetter, after his song "I Am the Upsetter", a musical dismissal of his former boss Coxs ...
from New Orleans, as "the first to put the funk into the rhythm" of
rock and roll Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African ...
. Following his temporary exit from secular music to become an evangelist in 1957, some of Little Richard's band members joined Brown and
the Famous Flames The Famous Flames were an American rhythm and blues, soul vocal group founded in Toccoa, Georgia, in 1953 by Bobby Byrd. James Brown first began his career as a member of the Famous Flames, emerging as the lead singer by the time of their fir ...
, beginning a long string of hits for them in 1958. By the mid-1960s,
James Brown James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nick ...
had developed his signature groove that emphasized the
downbeat ''DownBeat'' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm that it covered exclusively in previous years. The publication was established in 1 ...
—with heavy emphasis on the first beat of every measure to etch his distinctive sound, rather than the
backbeat In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a pi ...
that typified African-American music. Brown often cued his band with the command "On the one!," changing the percussion emphasis/accent from the one-''two''-three-''four'' backbeat of traditional soul music to the ''one''-two-three-four downbeat – but with an even-note
syncopated In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat (music), off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of ...
guitar rhythm (on quarter notes two and four) featuring a hard-driving, repetitive brassy swing. This one-three beat launched the shift in Brown's signature music style, starting with his 1964 hit single, "
Out of Sight ''Out of Sight'' is a 1998 American action comedy film directed by Steven Soderbergh and written by Scott Frank, adapted from Elmore Leonard's 1996 novel. The first of several collaborations between Soderbergh and actor George Clooney, it was ...
" and his 1965 hits, "
Papa's Got a Brand New Bag "Papa's Got a Brand New Bag" is a song written and recorded by James Brown. Released as a two-part single in 1965, it was Brown's first song to reach the ''Billboard'' Hot 100 Top Ten, peaking at number eight, and was a number-one R&B hit, top ...
" and "
I Got You (I Feel Good) "I Got You (I Feel Good)" is a song by the American singer James Brown. First recorded for the 1964 album '' Out of Sight'' and then released in an alternate take as a single in 1965 and included on the compilation album of the same name, it w ...
". Brown's style of funk was based on interlocking, contrapuntal parts: syncopated
bassline Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched P ...
s, 16th beat drum patterns, and syncopated guitar riffs. The main guitar ostinatos for "Ain't it Funky" (c. late 1960s) are an example of Brown's refinement of New Orleans funk— an irresistibly danceable riff, stripped down to its rhythmic essence. On "Ain't it Funky" the tonal structure is barebones. Brown's innovations led to him and his band becoming the seminal funk act; they also pushed the funk music style further to the forefront with releases such as "
Cold Sweat "Cold Sweat" is a song performed by James Brown and written with his bandleader Alfred "Pee Wee" Ellis. Brown recorded it in May 1967. An edited version of "Cold Sweat" released as a two-part single on King Records was a No. 1 R&B hit, and rea ...
" (1967), " Mother Popcorn" (1969) and "
Get Up (I Feel Like Being A) Sex Machine "Get Up (I Feel Like Being a) Sex Machine" is a funk song recorded by James Brown with Bobby Byrd on backing vocals. Released as a two-part single in 1970, it was a no. 2 R&B hit and reached no. 15 on the ''Billboard'' Hot 100. In 2004, "Sex ...
" (1970), discarding even the twelve-bar blues featured in his earlier music. Instead, Brown's music was overlaid with "catchy, anthemic vocals" based on "extensive vamps" in which he also used his voice as "a percussive instrument with frequent rhythmic grunts and with rhythm-section patterns ... esembling
West African West Africa, also known as Western Africa, is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Ma ...
polyrhythms" – a tradition evident in African-American work songs and chants.Collins, W. (January 29, 2002)
James Brown.
''St. James Encyclopedia of Popular Culture''. Retrieved January 12, 2007.
Throughout his career, Brown's frenzied vocals, frequently punctuated with screams and grunts, channeled the "ecstatic ambiance of the black church" in a secular context. After 1965, Brown's bandleader and arranger was Alfred "Pee Wee" Ellis. Ellis credits
Clyde Stubblefield Clyde Austin Stubblefield (April 18, 1943 – February 18, 2017) was an American drummer best known for his work with James Brown, with whom he recorded and toured for six years (1965-70). His syncopated drum patterns on Brown's recordings are co ...
's adoption of New Orleans drumming techniques, as the basis of modern funk: "If, in a studio, you said 'play it funky' that could imply almost anything. But 'give me a New Orleans beat' – you got exactly what you wanted. And Clyde Stubblefield was just the epitome of this funky drumming." Stewart states that the popular feel was passed along from "New Orleans—through James Brown's music, to the popular music of the 1970s." Concerning the various funk motifs, Stewart states that this model "...is different from a time line (such as clave and tresillo) in that it is not an exact pattern, but more of a loose organizing principle." In a 1990 interview, Brown offered his reason for switching the rhythm of his music: "I changed from the upbeat to the downbeat ... Simple as that, really."Pareles, J. (December 26, 2006)
James Brown, the "Godfather of Soul" dies at 73.
''The New York Times''. Retrieved January 31, 2007.
According to
Maceo Parker Maceo Parker (; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of ...
, Brown's former saxophonist, playing on the downbeat was at first hard for him and took some getting used to. Reflecting back to his early days with Brown's band, Parker reported that he had difficulty playing "on the one" during solo performances, since he was used to hearing and playing with the accent on the second beat.Gross, T. (1989)
Musician Maceo Parker (Fresh Air WHYY-FM audio interview).
National Public Radio. Retrieved January 22, 2007.


Parliament-Funkadelic

A new group of musicians began to further develop the "funk rock" approach. Innovations were prominently made by George Clinton, with his bands
Parliament In modern politics and history, a parliament is a legislative body of government. Generally, a modern parliament has three functions: Representation (politics), representing the Election#Suffrage, electorate, making laws, and overseeing ...
and
Funkadelic Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.John, ...
. Together, they produced a new kind of funk sound heavily influenced by
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
and
psychedelic rock Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound ...
. The two groups shared members and are often referred to collectively as "Parliament-Funkadelic". The breakout popularity of Parliament-Funkadelic gave rise to the term "
P-Funk Parliament-Funkadelic (abbreviated as P-Funk) is an American musical collective, music collective of rotating musicians headed by George Clinton (funk musician), George Clinton, primarily consisting of the funk bands Parliament (band), Parliame ...
", which referred to the music by George Clinton's bands, and defined a new subgenre. Clinton played a principal role in several other bands, including
Parlet Parlet was a female spinoff group from P-Funk formed by veteran background vocalists Mallia Franklin, Jeanette Washington and Debbie Wright. Washington and Wright were the first female members in Parliament-Funkadelic Parliament-Funkadel ...
, the Horny Horns, and the Brides of Funkenstein, all part of the P-Funk conglomerate. "P-funk" also came to mean something in its quintessence, of superior quality, or ''
sui generis ( , ) is a Latin phrase that means "of its/their own kind" or "in a class by itself", therefore "unique". It denotes an exclusion to the larger system an object is in relation to. Several disciplines use the term to refer to unique entities. ...
''. Following the work of Jimi Hendrix in the late 1960s, artists such as Sly and the Family Stone combined the psychedelic rock of Hendrix with funk, borrowing
wah pedal A wah-wah pedal, or simply wah pedal, is a type of effects unit, effects pedal designed for electric guitar that alters the timbre of the input signal to create a distinctive sound, mimicking the human voice saying the onomatopoeia, onomatopoe ...
s,
fuzz box Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain (electronics), gain, producing a "fuzzy", "growling", or "gritty" tone. Distorti ...
es,
echo chamber Echo chamber of the Dresden University of Technology Hamilton Mausoleum has a long-lasting unplanned echo An echo chamber is a hollow enclosure used to produce reverberation, usually for recording purposes. A traditional echo chamber is cove ...
s, and vocal distorters from the former, as well as
blues rock Blues rock is a fusion music genre, genre and form of rock music, rock and blues music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electri ...
and
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
. In the following years, groups such as Clinton's Parliament-Funkadelic continued this sensibility, employing synthesizers and rock-oriented guitar work.


Late 1960s – early 1970s

Other musical groups picked up on the rhythms and vocal style developed by
James Brown James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nick ...
and his band, and the funk style began to grow.
Dyke and the Blazers Dyke or dike may refer to: General uses * Dyke (slang) ''Dyke'' is a slang term, used as a noun meaning lesbian. It originated as a Homophobia, homophobic Pejorative, slur for masculine, butch (lesbian slang), butch, or Androgyny, androgy ...
, based in
Phoenix, Arizona Phoenix ( ) is the List of capitals in the United States, capital and List of cities and towns in Arizona#List of cities and towns, most populous city of the U.S. state of Arizona. With over 1.6 million residents at the 2020 census, it is the ...
, released "
Funky Broadway "Funky Broadway" is an early funk-style song written by Arlester "Dyke" Christian. In 1966, he recorded it with his band, Dyke & the Blazers. The small, Phoenix, Arizona-based, Artco Records first issued it as a two-part single; when it was unab ...
" in 1967, perhaps the first record of the
soul music Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps ...
era to have the word "funky" in the title. In 1969
Jimmy McGriff James Harrell McGriff (April 3, 1936 – May 24, 2008) was an American hard bop and soul-jazz organist and organ trio bandleader. Biography Early years and influences Born in Germantown, Philadelphia, Pennsylvania, McGriff started playing pia ...
released ''
Electric Funk ''Electric Funk'' is an album by the American jazz organist Jimmy McGriff of performances recorded in 1969 and released on the Blue Note Records, Blue Note label.
'', featuring his distinctive organ over a blazing horn section. Meanwhile, on the West Coast,
Charles Wright & the Watts 103rd Street Rhythm Band Charles Wright & the Watts 103rd Street Rhythm Band is an American soul and funk band. Formed in the early 1960s, they had the most visibility from 1967 to 1973 when the band had 9 singles reach Billboard's pop and/or rhythm and blues charts, ...
was releasing funk tracks beginning with its first album in 1967, culminating in the classic single "Express Yourself" in 1971. Also from the West Coast area, more specifically
Oakland, California Oakland is a city in the East Bay region of the San Francisco Bay Area in the U.S. state of California. It is the county seat and most populous city in Alameda County, California, Alameda County, with a population of 440,646 in 2020. A major We ...
, came the band
Tower of Power Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had a number of lead vocalists, the best-known being Lenny Williams, who fronted ...
(TOP), which formed in 1968. Their debut album, ''
East Bay Grease ''East Bay Grease'' is the debut album by the soul and funk group Tower of Power, released in 1970. The band was one of the early music groups to be signed by Bill Graham's Fillmore Records, which released the LP. The album shows the band at an ...
'', released 1970, is considered a milestone in funk. Throughout the 1970s, TOP had many hits, and the band helped to make funk music a successful genre, with a broader audience. In 1970,
Sly & the Family Stone Sly and the Family Stone was an American band formed in San Francisco, California, in 1966 and active until 1983. Their work, which blended elements of funk, soul, psychedelic rock, gospel, and R&B, became a pivotal influence on subsequent Amer ...
's "
Thank You (Falettinme Be Mice Elf Agin) "Thank You (Falettinme Be Mice Elf Agin)" is a 1969 song recorded by Sly and the Family Stone. The song was released as a double A-side single with "Everybody Is a Star", and in February 1970 it reached number one on both ''Billboards soul s ...
" reached #1 on the charts, as did "
Family Affair ''Family Affair'' is an American sitcom starring Brian Keith and Sebastian Cabot that aired on CBS from September 12, 1966, to March 4, 1971. The series explored the trials of well-to-do engineer and bachelor Bill Davis (Keith) as he attempt ...
" in 1971. Notably, these afforded the group and the genre crossover success and greater recognition, yet such success escaped comparatively talented and moderately popular funk band peers.
The Meters The Meters (later The Funky Meters) are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their o ...
defined funk in
New Orleans New Orleans (commonly known as NOLA or The Big Easy among other nicknames) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the U.S. state of Louisiana. With a population of 383,997 at the 2020 ...
, starting with their top ten R&B hits "Sophisticated Cissy" and "
Cissy Strut "Cissy Strut" is a 1969 funk instrumental by the Meters. Released as a single from their eponymous debut album, it reached No. 4 on the R&B chart and No. 23 on the ''Billboard'' Hot 100. The tune was inducted into the Grammy Hall of Fame in 201 ...
" in 1969. Another group who defined funk around this time were
the Isley Brothers The Isley Brothers ( ) are an American soul group originally from Cincinnati, Ohio, that began as a vocal trio consisting of the brothers O'Kelly Isley Jr., Rudolph Isley and Ronald Isley in the 1950s. With a career spanning over seven decades, ...
, whose funky 1969 #1 R&B hit, "
It's Your Thing "It's Your Thing" is a funk single by The Isley Brothers. Released in 1969, the anthem was an artistic response to Motown chief Berry Gordy's demanding hold on his artists after the Isleys left the label in late 1968. The lyrics of the chorus, w ...
", signaled a breakthrough in African-American music, bridging the gaps of the jazzy sounds of Brown, the
psychedelic rock Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound ...
of
Jimi Hendrix James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American singer-songwriter and musician. He is widely regarded as one of the greatest and most influential guitarists of all time. Inducted ...
, and the upbeat soul of Sly & the Family Stone and
Mother's Finest Mother's Finest is an American funk rock band founded in Atlanta, Georgia, by the vocal duo of Joyce "Baby Jean" Kennedy and Glenn "Doc" Murdock in 1970 when the pair met up with guitarist Gary "Moses Mo" Moore and bassist Jerry "Wyzard" Seay. ...
.
The Temptations The Temptations is an American vocal group formed in Detroit, Michigan, in 1961 as The Elgins, known for their string of successful singles and albums with Motown from the 1960s to the mid-1970s. The group's work with producer Norman Whitfield ...
, who had previously helped to define the "
Motown Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau ...
Sound" – a distinct blend of pop-soul – adopted this new
psychedelic Psychedelics are a subclass of hallucinogenic drugs whose primary effect is to trigger non-ordinary mental states (known as psychedelic experiences or "trips") and a perceived "expansion of consciousness". Also referred to as classic halluci ...
sound towards the end of the 1960s as well. Their producer,
Norman Whitfield Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter, composer, and producer, who worked with Berry Gordy's Motown labels during the 1960s. allmusic Biography/ref> He has been credited as one of the creators ...
, became an innovator in the field of psychedelic soul, creating hits with a newer, funkier sound for many
Motown Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau ...
acts, including "
War War is an armed conflict between the armed forces of states, or between governmental forces and armed groups that are organized under a certain command structure and have the capacity to sustain military operations, or between such organi ...
" by
Edwin Starr Charles Edwin Hatcher (January 21, 1942 – April 2, 2003), known by his stage name Edwin Starr, was an American singer and songwriter. He is best remembered for his Norman Whitfield-produced Motown singles of the 1970s, most notably the num ...
, "
Smiling Faces Sometimes "Smiling Faces Sometimes" is a soul song written by Norman Whitfield and Barrett Strong for the Motown label. It was originally recorded by the Temptations in 1971. Producer Norman Whitfield had the song re-recorded by the Undisputed Truth the sam ...
" by
the Undisputed Truth The Undisputed Truth was an American Motown recording act assembled by record producer Norman Whitfield to experiment with his psychedelic soul production techniques. Joe "Pep" Harris served as main lead singer, with Billie Rae Calvin and Bren ...
and "
Papa Was A Rollin' Stone "Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This la ...
" by the Temptations. Motown producers Frank Wilson (" Keep On Truckin'") and Hal Davis (" Dancing Machine") followed suit.
Stevie Wonder Stevland Hardaway Morris (; Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American and Ghanaian singer-songwriter, musician, and record producer. He is regarded as one of the most influential musicians of the 20th c ...
and
Marvin Gaye Marvin Pentz Gaye Jr. (; April 2, 1939 – April 1, 1984) was an American Rhythm and blues, R&B and soul singer, songwriter, musician, and record producer. He helped shape the sound of Motown in the 1960s, first as an in-house session player an ...
also adopted funk beats for some of their biggest hits in the 1970s, such as "
Superstition A superstition is any belief or practice considered by non-practitioners to be irrational or supernatural, attributed to fate or magic (supernatural), magic, perceived supernatural influence, or fear of that which is unknown. It is commonly app ...
" and "
You Haven't Done Nothin' "You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album ''Fulfillingness' First Finale'' and featuring background vocals by the Jackson 5. The politically aware song became Wonder's fourth Number-1 pop hit and his t ...
", and " I Want You" and "
Got To Give It Up "Got to Give It Up" is a song by American music artist Marvin Gaye. Written by the singer and produced by Art Stewart as a response to a request from Gaye's record label that he perform disco music, it was released in March 1977. Upon its rele ...
", respectively.


1970s

The 1970s were the era of highest mainstream visibility for funk music. In addition to Parliament Funkadelic, artists like
Sly and the Family Stone Sly and the Family Stone was an American band formed in San Francisco, San Francisco, California, in 1966 and active until 1983. Their work, which blended elements of funk, soul music, soul, psychedelic rock, gospel music, gospel, and R&B, becam ...
, Rufus & Chaka Khan, Bootsy's Rubber Band, the
Isley Brothers Isley is an English surname. The name can also be used as an anglicized variant for the German surnames Eisele and Eisler. Notable people with the surname include: *The Isley Brothers, American musical group ** Ernie Isley (born 1952), American ...
,
Ohio Players Ohio Players are an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and " Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models f ...
,
Con Funk Shun Con Funk Shun (formerly known as Project Soul) is an American R&B and funk band from Vallejo, California, formed in 1969. They were influenced by funk progenitors James Brown and Sly and the Family Stone. Signed to Mercury Records in 1976, the ...
,
Kool and the Gang Kool may refer to: People * Kool (surname), surname of Dutch origin * Robert "Kool" Bell (born 1950), American bassist and founder of Kool and the Gang * Roger Kool (1954–2005), Singaporean DJ (Roger Kiew) * Kool DJ Herc (born 1955), Jamaica ...
,
the Bar-Kays The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including " Soul Finger" (US ''Billboard'' Hot 100 number 17, R&B number 3) in 1967, "Son of Shaft" (R&B number 10) in ...
,
Commodores Commodores, often billed as The Commodores, are an American funk and Soul music, soul group. The group's most successful period was in the late 1970s and early 1980s when Lionel Richie was the co-lead singer. The members of the group met as m ...
,
Roy Ayers Roy Edward Ayers Jr. (September 10, 1940 – March 4, 2025) was an American vibraphonist, record producer, and composer. Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure ...
,
Curtis Mayfield Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) was an American singer-songwriter, guitarist, and record producer. Dubbed the " Gentle Genius", he is considered one of the most influential musicians of soul and socially conscious Afric ...
, and
Stevie Wonder Stevland Hardaway Morris (; Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American and Ghanaian singer-songwriter, musician, and record producer. He is regarded as one of the most influential musicians of the 20th c ...
, among others, got radio play.
Disco Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ ...
music owed a great deal to funk. Many early disco songs and performers came directly from funk-oriented backgrounds. Some disco music hits, such as all of
Barry White Barry Eugene White (né Carter; September 12, 1944 – July 4, 2003) was an American singer and songwriter. A two-time Grammy Award winner known for his bass voice and romantic image, his greatest success came in the 1970s as a solo singer and ...
's hits, "
Kung Fu Fighting "Kung Fu Fighting" is a disco song by Jamaican-British vocalist Carl Douglas, written by Douglas and produced by British-Indian musician Biddu. It was released in 1974 as the first single from his debut album, '' Kung Fu Fighting and Other ...
" by
Biddu Biddu Appaiah (born 8 February 1945) is a British-Indian singer-songwriter, composer, and music producer who composed and produced many worldwide hit records during a career spanning five decades. Considered one of the pioneers of disco, Euro ...
and
Carl Douglas Carlton George Douglas (born 10 May 1942) is a Jamaican-British singer best known for his 1974 disco single " Kung Fu Fighting". Based in the United Kingdom, Douglas released three studio albums, including '' Kung Fu Fighting and Other Great L ...
,
Donna Summer Donna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the "Queen of Disco", while her music ...
's " Love To Love You Baby",
Diana Ross Diana Ross (born Diane Ernestine Earle Ross March 26, 1944) is an American singer and actress. Known as the "Queen of Motown Records", she was the lead singer of the vocal group the Supremes, who became Motown#Major divisions, Motown's most suc ...
' " Love Hangover",
KC and the Sunshine Band KC and the Sunshine Band is an American disco and funk band that was founded in 1973 in Hialeah, Florida. Their best-known songs include the hits " Get Down Tonight", " That's the Way (I Like It)", "⁠ (Shake, Shake, Shake) Shake Your Booty", ...
's "
I'm Your Boogie Man "I'm Your Boogie Man" is a song written and produced by Harry Wayne Casey and Richard Finch, and performed by Casey's band KC and the Sunshine Band, from their fourth album '' Part 3'' (1976). Background Richard Finch said that the song was wri ...
", " I'm Every Woman" by
Chaka Khan Yvette Marie Stevens (born March 23, 1953), better known by her stage name Chaka Khan ( ), is an American singer. Known as the " Queen of Funk", her career has spanned more than five decades beginning in the early 1970s as the lead vocalist of ...
(also known as the Queen of Funk), and
Chic Chic (; ), meaning "stylish" or "smart", is an element of fashion. It was originally a French word. Etymology '' Chic'' is a French word, established in English since at least the 1870s. Early references in English dictionaries classified ...
's "Le Freak" conspicuously include riffs and rhythms derived from funk. In 1976,
Rose Royce Rose Royce is an American soul and R&B group. They are best known for several hit singles during the 1970s including " Car Wash", " I Wanna Get Next to You", " I'm Going Down", " Wishing on a Star", and " Love Don't Live Here Anymore". Career ...
scored a number-one hit with a purely dance-funk record, "
Car Wash A car wash, or auto wash, is a facility used to clean the exterior, and in some cases the interior, of motor vehicle, cars. Car washes can be #Self-serve car wash, self-service, full-service (with attendants who wash the vehicle), or #Autom ...
". Even with the arrival of disco, funk became increasingly popular well into the early 1980s. Funk music was also exported to Africa, and it melded with African singing and rhythms to form
Afrobeat Afrobeat (also known as Afrofunk) is a West African music genre, fusing influences from Nigerian (such as Yoruba) and Ghanaian (such as highlife) music, with American funk, jazz, and soul influences. With a focus on chanted vocals, complex i ...
. Nigerian musician
Fela Kuti Fela Aníkúlápó Kútì (born Olufela Olusegun Oludotun Ransome-Kuti; 15 October 1938 – 2 August 1997) was a Nigerians, Nigerian musician and political activist. He is regarded as the principal innovator of Afrobeat, a Nigerian music genre t ...
, who was heavily influenced by James Brown's music, is credited with creating the style and terming it "Afrobeat".


Jazz funk

Jazz-funk is a subgenre of
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
music characterized by a strong
back beat In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a pi ...
(
groove Groove or Grooves may refer to: Music * Groove (music) * Groove (drumming) * The Groove (band), an Australian rock/pop band of the 1960s * The Groove (Sirius XM), a US radio station * Groove 101.7FM, a former Perth, Australia, radio station ...
), electrified sounds and an early prevalence of
analog synthesizers An analog synthesizer () is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tub ...
. The integration of funk,
soul The soul is the purported Mind–body dualism, immaterial aspect or essence of a Outline of life forms, living being. It is typically believed to be Immortality, immortal and to exist apart from the material world. The three main theories that ...
, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong
jazz improvisation Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist inv ...
to soul, funk or disco with jazz arrangements, jazz
riff A riff is a short, repeated motif or figure in the melody or accompaniment of a musical composition. Riffs are most often found in rock music, punk, heavy metal music, Latin, funk, and jazz, although classical music is also sometimes based ...
s, and jazz solos, and sometimes soul vocals. Jazz-funk is primarily an American genre, where it was popular throughout the 1970s and the early 1980s, but it also achieved noted appeal on the club circuit in England during the mid-1970s. Similar genres include
soul jazz Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including sa ...
and
jazz fusion Jazz fusion (also known as jazz rock, jazz-rock fusion, or simply fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric gui ...
, but neither entirely overlap with jazz-funk. Notably jazz-funk is less vocal, more arranged and featured more improvisation than soul jazz, and retains a strong feel of groove and R&B versus some of the jazz fusion production.


1980s synth-funk

In the 1980s, largely as a reaction against what was seen as the over-indulgence of
disco Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ ...
, many of the core elements that formed the foundation of the P-Funk formula began to be usurped by
electronic instruments An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into ...
,
drum machine A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A d ...
s and
synthesizer A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis a ...
s. Horn sections of saxophones and trumpets were replaced by
synth A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis a ...
keyboards, and the horns that remained were given simplified lines, and few horn solos were given to soloists. The classic electric keyboards of funk, like the
Hammond B3 Hammond may refer to: People * Hammond Innes (1913–1998), English novelist * Hammond (surname) * Justice Hammond (disambiguation) Places Antarctica * Hammond Glacier, Antarctica Australia *Hammond, South Australia, a small settlement in Sout ...
organ, the Hohner
Clavinet The Clavinet is an electric clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds with rubber pads, each matching one of the keys and respond ...
and/or the
Fender Rhodes piano The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes (inventor), Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, b ...
, began to be replaced by the new
digital synthesizer A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital rec ...
s such as the
Yamaha DX7 The Yamaha DX7 is a synthesizer manufactured by Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, th ...
and microprocessor-controlled
analog synthesizer An analog synthesizer () is a synthesizer that uses Analogue electronics, analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a var ...
s like the
Prophet-5 The Prophet-5 is an analog synthesizer manufactured by the American company Sequential (company), Sequential. It was designed by Dave Smith (engineer), Dave Smith and John S. Bowen (sound designer), John Bowen in 1977. It was the first Polyphony ...
and
Oberheim OB-X The Oberheim OB-X was the first of Oberheim Electronics, Oberheim's OB-series polyphony (instrument), polyphonic Analog synthesizer, analog Subtractive synthesis, subtractive synthesizers. First commercially available in June 1979, the OB-X was ...
. Electronic
drum machines A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A d ...
such as the
Roland TR-808 The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. ...
,
Linn LM-1 The Linn LM-1 Drum Computer is a drum machine manufactured by Linn Electronics and released in 1980. It was the first drum machine to use samples of acoustic drums, and one of the first programmable drum machines. Its designer, the American en ...
, and
Oberheim DMX The DMX is a programmable Digital data, digital drum machine manufactured by Oberheim Electronics, Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the se ...
began to replace the "
funky drummer "Funky Drummer" is a song by James Brown recorded in 1969 and released as a single in 1970. Its drum break, Musical improvisation, improvised by Clyde Stubblefield, is one of the most frequently sampling (music), sampled music recordings. Recor ...
s" of the past, and the slap and pop style of bass playing were often replaced by synth keyboard basslines. Lyrics of funk songs began to change from suggestive
double entendre A double entendre (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that would be too socially unacc ...
s to more graphic and sexually explicit content. Influenced by
Kraftwerk Kraftwerk (, ) is a Germany, German Electronic music, electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk was among the first successful a ...
and
Yellow Magic Orchestra Yellow Magic Orchestra (abbreviated to YMO) was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals, occasional keyboards) and Ryuichi Sakamoto (keyboards, ...
, American hip hop DJ
Afrika Bambaataa Lance Taylor (born April 17, 1957), also known as Afrika Bambaataa (), is a retired American DJ, rapper, and record producer. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of ...
developed electro-funk, a minimalist machine-driven style of funk with his single " Planet Rock" in 1982.Planet Rock – The Album (Liner notes). Afrika Bambaataa & the Soul Sonic Force. Tommy Boy Records. 1986. TBLP 1007. Also known simply as electro, this style of funk was driven by synthesizers and the electronic rhythm of the TR-808 drum machine. The single " Renegades of Funk" followed in 1983. Michael Jackson was also influenced by electro-funk. In the 1980s, techno-funk music used the TR-808 programmable drum machine, while Kraftwerk and Yellow Magic Orchestra influenced electro-funk artists such as Afrika Bambaataa and
Mantronix Mantronix was an influential 1980s hip hop and electro (music), electro funk music group from New York City. The band was formed by Disc jockey#Hip Hop DJs, DJ Kurtis Mantronik (Kurtis el Khaleel) and rapper MC Tee (Touré Embden). The group is ...
.
Rick James James Ambrose Johnson Jr. (February 1, 1948 – August 6, 2004), better known by his stage name Rick James, was an American singer, songwriter, and record producer. Born and raised in Buffalo, New York, James began his musical career in his tee ...
was the first funk musician of the 1980s to assume the funk mantle dominated by P-Funk in the 1970s. His 1981 album '' Street Songs'', with the singles "Give It to Me Baby" and "
Super Freak "Super Freak" is a 1981 single produced and performed by American singer Rick James. The song, co-written by James and Alonzo Miller, was first released on James' fifth album, '' Street Songs'' (1981) and became one of James' signature songs. "F ...
", resulted in James becoming a star, and paved the way for the future direction of explicitness in funk. Prince formed the Time, originally conceived as an opening act for him and based on his "
Minneapolis sound The Minneapolis sound is a subgenre of funk rock that incorporates elements of New wave music, new wave and synth-pop. Started at Sound 80 with tracks like “Funkytown” by Lipps, Inc and pioneered by Minneapolis-based musician Prince (musicia ...
", a hybrid mixture of funk, R&B,
rock Rock most often refers to: * Rock (geology), a naturally occurring solid aggregate of minerals or mineraloids * Rock music, a genre of popular music Rock or Rocks may also refer to: Places United Kingdom * Rock, Caerphilly, a location in Wale ...
,
pop Pop or POP may refer to: Arts, entertainment, and media * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop! (British group), a UK pop group * Pop! featuring Angie Hart, an Australian band Album ...
and new wave. Eventually, the band went on to define their own style of stripped-down funk based on tight musicianship and sexual themes. Similar to Prince, other bands emerged during the P-Funk era and began to incorporate uninhibited sexuality, dance-oriented themes,
synthesizer A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis a ...
s and other electronic technologies to continue to craft funk hits. These included Cameo, Zapp, the Gap Band, the
Bar-Kays The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including " Soul Finger" (US ''Billboard'' Hot 100 number 17, R&B number 3) in 1967, "Son of Shaft" (R&B number 10) in ...
, and the
Dazz Band Dazz Band is an American R&B/funk band most popular in the early 1980s. Emerging from Cleveland, Ohio, the group's biggest hit songs include " Let It Whip" (1982), " Joystick" (1983), and "Let It All Blow" (1984). The name of the band is a por ...
, who all found their biggest hits in the early 1980s. By the latter half of the 1980s, pure funk had lost its commercial impact; however, pop artists from
Michael Jackson Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is regarded as Cultural impact of Michael Jackson, one of the most culturally significan ...
to Culture Club often used funk beats.


Late 1980s to 2000s nu-funk

While funk was driven away from radio by slick commercial
hip hop Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip- ...
,
contemporary R&B Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, ...
and
new jack swing New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Te ...
, its influence continued to spread. Artists like Steve Arrington and Cameo still received major airplay and had huge global followings. Rock bands began adopting elements of funk into their sound, creating new combinations of "
funk rock Funk rock is a fusion genre that mixes elements of funk and Rock music, rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters (American band), the Upsetters, were the first to put the funk in the ...
" and "
funk metal Funk metal (also known as thrash-funk or punk-funk) is a subgenre of funk rock and alternative metal that infuses heavy metal music (often thrash metal) with elements of funk and punk rock. Funk metal was part of the alternative metal movement, ...
". Extreme,
Red Hot Chili Peppers The Red Hot Chili Peppers are an American rock band formed in Los Angeles in 1982, consisting of Anthony Kiedis (vocals), Flea (musician), Flea (bass), John Frusciante (guitar), and Chad Smith (drums). Their music incorporates elements of a ...
,
Living Colour Living Colour is an American rock music, rock band from New York City, formed in 1984. The band consists of guitarist Vernon Reid, lead vocalist Corey Glover, drummer Will Calhoun and bassist Doug Wimbish who replaced Muzz Skillings in 1992. T ...
,
Jane's Addiction Jane's Addiction was an American Rock music, rock band formed in Los Angeles in 1985. The band's best known line-up consisted of lead vocalist Perry Farrell, bassist Eric Avery, drummer Stephen Perkins and guitarist Dave Navarro. Jane's Addicti ...
,
Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The ...
, Primus,
Urban Dance Squad Urban Dance Squad was a Dutch rap rock band formed after what was originally intended as a one-time jam-session at a festival in Utrecht on December 20, 1986. The band consisted of a guitarist, bassist, drummer, rapper, and DJ. Urban Dance Squa ...
,
Fishbone Fishbone is an American rock band from Los Angeles, California. Formed in 1979, the band plays a fusion of ska, punk, funk, metal, reggae, and soul. AllMusic has described the group as "one of the most distinctive and eclectic alternative ...
,
Faith No More Faith No More is an American Rock music, rock band from San Francisco, California, formed in 1979. Before September 1983, the band performed under the names Sharp Young Men and later Faith No Man. Bassist Billy Gould, keyboardist/rhythm guitarist ...
,
Rage Against the Machine Rage Against the Machine (often abbreviated as RATM or shortened to Rage) was an American Rock music, rock band formed in Los Angeles, California, in 1991. It consisted of vocalist Zack de la Rocha, bassist and backing vocalist Tim ...
,
Infectious Grooves Infectious Grooves is an American funk metal supergroup led by vocalist Mike Muir and initially a side project from his group Suicidal Tendencies. The current lineup also includes guitarists Dean Pleasants and Dave Kushner, bassist Robert Tru ...
, and
Incubus An Incubus () is a demon, male demon in human form in folklore that seeks to have Sexuality in Christian demonology, sexual intercourse with sleeping women; the corresponding spirit in female form is called a succubus. Parallels exist in many c ...
spread the approach and styles garnered from funk pioneers to new audiences in the mid-to-late 1980s and the 1990s. These bands later inspired the underground mid-1990s funkcore movement and other funk-inspired artists like
Outkast Outkast (sometimes written as OutKast) was an American hip-hop duo formed in Atlanta, Georgia, in 1992, consisting of Big Boi (Antwan Patton) and André 3000 (André Benjamin, formerly known as Dré). Widely regarded as one of the greatest an ...
, Malina Moye,
Van Hunt Van Hunt Jr. (born March 8, 1970) is an American singer, songwriter, multi-instrumentalist and record producer. He released his debut album, '' Van Hunt'', in 2004, and a follow-up, '' On the Jungle Floor'', in 2006, both on Capitol Records. He w ...
, and
Gnarls Barkley Gnarls Barkley is an American soul music, soul duo composed of singer-songwriter CeeLo Green and producer Danger Mouse (musician), Danger Mouse. They released their debut studio album, ''St. Elsewhere (album), St. Elsewhere'', in 2006. It contai ...
. In the 1990s, artists like
Me'shell Ndegeocello Meshell Ndegeocello ( ; born Michelle Lynn Johnson on August 29, 1968) is an American singer-songwriter, poet, and bassist. She has gone by the name Meshell Suhaila Bashir-Shakur which is used as a writing credit on some of her mid-career work. ...
,
Brooklyn Funk Essentials Brooklyn Funk Essentials is a music collective who mix jazz, funk, and hip hop, featuring musicians and poets from different cultures. The band was conceived in 1993 by producer Arthur Baker and bassist and musical director Lati Kronlund. In ...
and the (predominantly UK-based)
acid jazz Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul music, soul, and hip hop music, hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1 ...
movement—including artists and bands such as
Jamiroquai Jamiroquai ( ) are an English acid jazz and funk band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s. They built on their acid jazz sound in th ...
,
Incognito Incognito is an English adjective meaning "in disguise", "having taken steps to conceal one's identity". Incognito may also refer to: Film and television Film * ''Incognito'', a 1915 film featuring Rae Berger * ''Incognito'' (1937 film), a Dan ...
, Galliano,
Omar Umar ibn al-Khattab (; ), also spelled Omar, was the second Rashidun caliph, ruling from August 634 until his assassination in 644. He succeeded Abu Bakr () and is regarded as a senior companion and father-in-law of the Islamic prophet Muh ...
, Los Tetas and the Brand New Heavies—carried on with strong elements of funk. However, they never came close to reaching the commercial success of funk in its heyday—with the exception of Jamiroquai, whose album ''
Travelling Without Moving ''Travelling Without Moving'' is the third studio album by English funk and acid jazz band Jamiroquai, released on 28 August 1996 in Japan, then on 9 September 1996 in the United Kingdom under Sony Soho Square. Front-man Jay Kay intended for th ...
'' sold about 11.5 million units worldwide and remains the best-selling funk album in history. Meanwhile, in Australia and New Zealand, bands playing the pub circuit, such as Supergroove, Skunkhour and
the Truth The Truth may refer to: Film * ''The Truth'' (1920 film) starring Madge Kennedy * ''The Truth'' (1960 film) or ''La Vérité'', a French film by Henri-Georges Clouzot starring Brigitte Bardot * ''The Truth'' (1988 film), a Hong Kong trial cri ...
, preserved a more instrumental form of funk. Since the late 1980s,
hip hop Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip- ...
artists have regularly sampling (music), sampled old funk tunes.
James Brown James Joseph Brown (May 3, 1933 – December 25, 2006) was an American singer, songwriter, dancer, musician, and record producer. The central progenitor of funk music and a major figure of 20th-century music, he is referred to by Honorific nick ...
is said to be the most sampled artist in the history of hip hop, while
P-Funk Parliament-Funkadelic (abbreviated as P-Funk) is an American musical collective, music collective of rotating musicians headed by George Clinton (funk musician), George Clinton, primarily consisting of the funk bands Parliament (band), Parliame ...
is the second most sampled artist; samples of old
Parliament In modern politics and history, a parliament is a legislative body of government. Generally, a modern parliament has three functions: Representation (politics), representing the Election#Suffrage, electorate, making laws, and overseeing ...
and
Funkadelic Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.John, ...
songs formed the basis of West Coast rap, West Coast
G-funk G-funk, short for gangsta funk, (or funk rap) is a sub-genre of gangsta rap that emerged from the West Coast scene in the early 1990s. The genre is heavily influenced by the synthesizer-heavy 1970s funk sound of Parliament-Funkadelic (aka P-F ...
. Original beats that feature funk-styled bass or rhythm guitar riffs are also not uncommon. Dr. Dre (considered the progenitor of the G-funk genre) has freely acknowledged to being heavily influenced by George Clinton's psychedelia: "Back in the 70s that's all people were doing: getting high, wearing Afros, bell-bottoms and listening to Parliament-Funkadelic. That's why I called my album ''The Chronic'' and based my music and the concepts like I did: because his shit was a big influence on my music. Very big". Digital Underground was a large contributor to the rebirth of funk in the 1990s by educating their listeners with knowledge about the history of funk and its artists. George Clinton branded Digital Underground as "Sons of the P", as their second full-length release is also titled. DU's first release, ''Sex Packets'', was full of funk samples, with the most widely known, "The Humpty Dance", sampling Parliament's "Let's Play House". A very strong funk album of DU's was their 1996 release ''Future Rhythm''. Much of contemporary club dance music, drum and bass in particular has heavily sampled funk drum breaks. Funk is a major element of certain artists identified with the jam band scene of the late 1990s and 2000s. In the late 1990s, the band Phish developed a live sound called "cow funk" (a.k.a. "space funk"), which consisted of extended danceable deep bass grooves, and often emphasized heavy "wah" pedal and other psychedelic effects from the guitar player and layered Clavinet from the keyboard player. Phish began playing funkier jams in their sets around 1996, and 1998's ''The Story of the Ghost'' was heavily influenced by funk. While Phish's funk was traditional in the sense that it often accented beat 1 of the 4/4 time signature, it was also highly exploratory and involved building jams towards energetic peaks before transitioning into highly composed progressive rock and roll. Medeski Martin & Wood, Robert Randolph & the Family Band, Galactic, Jam Underground, Soulive, and Karl Denson's Tiny Universe all drew heavily from the funk tradition. Dumpstaphunk builds upon the New Orleans tradition of funk, with their gritty, low-ended grooves and soulful four-part vocals. Since the mid-1990s the nu-funk or funk revivalist scene, centered on the deep funk collectors scene, is producing new material influenced by the sounds of rare funk 45s. Labels include Desco, Soul Fire Records, Soul Fire, Daptone Records, Daptone, Timmion, Neapolitan, Bananarama, Kay-Dee, and Tramp. These labels often release on 45 rpm records. Although specializing in music for rare funk DJs, there has been some crossover into the mainstream music industry, such as Sharon Jones' 2005 appearance on ''Late Night with Conan O'Brien''. Those who mix
acid jazz Acid jazz (also known as club jazz, psychedelic jazz, or groove jazz) is a music genre that combines elements of funk, soul music, soul, and hip hop music, hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1 ...
, acid house, trip hop, and other genres with funk include Tom Tom Club, Brainticket, Groove Armada, et al.


2010s funktronica

During the 2000s and early 2010s, some Dance-punk, punk funk bands such as Out Hud and Mongolian MonkFish performed in the indie rock scene. Indie band Rilo Kiley, in keeping with their tendency to explore a variety of rockish styles, incorporated funk into their song "The Moneymaker" on the album ''Under the Blacklight''. Prince, with his later albums, gave a rebirth to the funk sound with songs like "The Everlasting Now", "Musicology (song), Musicology", "Ol' Skool Company", and "Black Sweat". Particle (band), Particle, for instance, is part of a scene which combined the elements of digital music made with computers, synthesizers, and samples with analog instruments, sounds, and improvisational and compositional elements of funk.


Derivatives

From the early 1970s onwards, funk has developed various subgenres. While George Clinton and the Parliament were making a harder variation of funk, bands such as
Kool and the Gang Kool may refer to: People * Kool (surname), surname of Dutch origin * Robert "Kool" Bell (born 1950), American bassist and founder of Kool and the Gang * Roger Kool (1954–2005), Singaporean DJ (Roger Kiew) * Kool DJ Herc (born 1955), Jamaica ...
,
Ohio Players Ohio Players are an American funk band, most popular in the 1970s. They are best known for their songs "Fire" and " Love Rollercoaster", and for their erotic album covers that featured nude or nearly nude women. Many of the women were models f ...
and Earth, Wind and Fire were making disco-influenced funk music. Amadou & Mariam also produced music that blended traditional Malian sounds with rock guitars, Syrian violins, Cuban trumpets, Egyptian ney, Indian tablas, and Dogon percussion. These elements were called "Afrobeat, Afro-Funk".


Funk rock

Funk rock (also written as ''funk-rock'' or ''funk/rock'') Fusion (music), fuses funk and rock music, rock elements. Its earliest incarnation was heard in the late 1960s through the mid-1970s by musicians such as
Jimi Hendrix James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American singer-songwriter and musician. He is widely regarded as one of the greatest and most influential guitarists of all time. Inducted ...
, Frank Zappa, Gary Wright, David Bowie,
Mother's Finest Mother's Finest is an American funk rock band founded in Atlanta, Georgia, by the vocal duo of Joyce "Baby Jean" Kennedy and Glenn "Doc" Murdock in 1970 when the pair met up with guitarist Gary "Moses Mo" Moore and bassist Jerry "Wyzard" Seay. ...
, and
Funkadelic Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.John, ...
on their earlier albums. Many instruments may be incorporated into funk rock, but the overall sound is defined by a definitive Bass guitar, bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk- or rock-influenced, usually with distortion (guitar), distortion.
Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The ...
, Jesse Johnson (musician), Jesse Johnson,
Red Hot Chili Peppers The Red Hot Chili Peppers are an American rock band formed in Los Angeles in 1982, consisting of Anthony Kiedis (vocals), Flea (musician), Flea (bass), John Frusciante (guitar), and Chad Smith (drums). Their music incorporates elements of a ...
and
Fishbone Fishbone is an American rock band from Los Angeles, California. Formed in 1979, the band plays a fusion of ska, punk, funk, metal, reggae, and soul. AllMusic has described the group as "one of the most distinctive and eclectic alternative ...
are major artists in funk rock.


Avant-funk

The term "avant-funk" has been used to describe acts who combined funk with art rock's concerns. Simon Frith described the style as an application of progressive rock mentality to rhythm rather than melody and harmony. Simon Reynolds characterized avant-funk as a kind of
psychedelia Psychedelia usually refers to a Aesthetics, style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic ...
in which "oblivion was to be attained not through rising above the body, rather through immersion in the physical, self loss through animalism." Acts in the genre include German krautrock band Can (band), Can and American funk artists Sly Stone and George Clinton. A wave of early 1980s UK and US post-punk artists (including Public Image Ltd, Talking Heads, the Pop Group, Gang of Four (band), Gang of Four, Bauhaus (band), Bauhaus, Cabaret Voltaire (band), Cabaret Voltaire, Defunkt, A Certain Ratio, and 23 Skidoo (band), 23 Skidoo) embraced black dance music styles such as disco and funk. The artists of the late 1970s New York no wave scene also explored avant-funk, influenced by figures such as Ornette Coleman. Reynolds noted these artists' preoccupations with issues such as Social alienation, alienation, Social repression, repression and technocracy of Western modernity.


Go-go

Go-go originated in the Washington, D.C., area with which it remains associated, along with other spots in the Mid-Atlantic. Inspired by singers such as Chuck Brown, the "Godfather of Go-go", it is a blend of funk, rhythm and blues, and early
hip hop Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip- ...
, with a focus on lo-fi percussion instruments and in-person jam band, jamming in place of Sampling (music), dance tracks. As such, it is primarily a dance music with an emphasis on live audience call and response. Go-go rhythms are also incorporated into street percussion.


Boogie

Boogie is an electronic music mainly influenced by funk and post-disco. The minimalist approach of boogie, consisting of synthesizers and keyboards, helped to establish electro and house music. Boogie, unlike electro, emphasizes the slapping techniques of bass guitar but also bass synthesizers. Artists include Vicky D, Vicky "D", Komiko, Peech Boys, Kashif (musician), Kashif, and later Evelyn King (singer), Evelyn King.


Electro funk

Electro funk is a hybrid of electronic music and funk. It essentially follows the same form as funk, and retains funk's characteristics, but is made entirely (or partially) with a use of electronic instruments such as the TR-808. Vocoders or talkboxes were commonly implemented to transform the vocals. The pioneering electro band Zapp commonly used such instruments in their music.
Bootsy Collins William Earl "Bootsy" Collins (born October 26, 1951) is an American bass guitarist, singer, and songwriter. Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himse ...
also began to incorporate a more electronic sound on What's Bootsy Doin'?, later solo albums. Other artists include
Herbie Hancock Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz musician, bandleader, and composer. He started his career with trumpeter Donald Byrd's group. Hancock soon joined the Miles Davis Quintet, where he helped to redefine the role of ...
,
Afrika Bambaataa Lance Taylor (born April 17, 1957), also known as Afrika Bambaataa (), is a retired American DJ, rapper, and record producer. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of ...
, Egyptian Lover, Vaughan Mason & Crew, Midnight Star (band), Midnight Star and Cybotron (American band), Cybotron.


Funk metal

Funk metal (sometimes typeset differently such as ''funk-metal'') is a fusion genre of music which emerged in the 1980s, as part of the alternative metal movement. It typically incorporates elements of funk and heavy metal music, heavy metal (often thrash metal), and in some cases other styles, such as hardcore punk, punk and experimental rock, experimental music. It features hard-driving heavy metal guitar riffs, the pounding bass guitar, bass rhythms characteristic of funk, and sometimes
hip hop Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip- ...
-style rhymes into an alternative rock approach to songwriting. A primary example is the all-African-American rock band
Living Colour Living Colour is an American rock music, rock band from New York City, formed in 1984. The band consists of guitarist Vernon Reid, lead vocalist Corey Glover, drummer Will Calhoun and bassist Doug Wimbish who replaced Muzz Skillings in 1992. T ...
, who have been said to be "funk-metal pioneers" by ''Rolling Stone''. During the late 1980s and early 1990s, the style was most prevalent in California – particularly Los Angeles and San Francisco.


G-funk

G-funk is a fusion genre of music which combines
gangsta rap Gangsta rap or gangster rap, initially called reality rap, is a subgenre of rap music that conveys the culture, values, and experiences of urban gangs and street hustlers, frequently discussing unpleasant realities of the world in general th ...
and funk. It is generally considered to have been invented by West Coast rappers and made famous by Dr. Dre. It incorporates multi-layered and melodic synthesizers, slow hypnotic grooves, a deep bass, background female vocals, the extensive sampling of P-Funk tunes, and a high-pitched portamento saw wave synthesizer lead. Unlike other earlier rap acts that also utilized funk samples (such as EPMD and the Bomb Squad), G-funk often used fewer, unaltered samples per song.


Timba funk

Timba Timba is a Cuban genre of music based on Cuban '' son'' with '' salsa'', American Funk/R&B and the strong influence of Afro-Cuban folkloric music. Timba rhythm sections differ from their salsa counterparts, because timba emphasizes the bass d ...
is a form of funky Cuban popular dance music. By 1990, several Cuban bands had incorporated elements of funk and hip-hop into their arrangements, and expanded upon the instrumentation of the traditional conjunto with an American drum set, saxophones and a two-keyboard format. Timba bands like La Charanga Habanera or Bamboleo often have horns or other instruments playing short parts of tunes by Earth, Wind and Fire,
Kool and the Gang Kool may refer to: People * Kool (surname), surname of Dutch origin * Robert "Kool" Bell (born 1950), American bassist and founder of Kool and the Gang * Roger Kool (1954–2005), Singaporean DJ (Roger Kiew) * Kool DJ Herc (born 1955), Jamaica ...
or other U.S. funk bands. While many funk motifs exhibit a clave-based structure, they are created intuitively, without a conscious intent of aligning the various parts to a bell pattern, guide-pattern. Timba incorporates funk motifs into an overt and intentional clave structure.


Social impact


Women and funk

Despite funk's popularity in modern music, few people have examined the work of Women in music, funk women. Notable funk women include
Chaka Khan Yvette Marie Stevens (born March 23, 1953), better known by her stage name Chaka Khan ( ), is an American singer. Known as the " Queen of Funk", her career has spanned more than five decades beginning in the early 1970s as the lead vocalist of ...
, Labelle, Brides of Funkenstein, Klymaxx,
Mother's Finest Mother's Finest is an American funk rock band founded in Atlanta, Georgia, by the vocal duo of Joyce "Baby Jean" Kennedy and Glenn "Doc" Murdock in 1970 when the pair met up with guitarist Gary "Moses Mo" Moore and bassist Jerry "Wyzard" Seay. ...
, Lyn Collins, Betty Davis and Teena Marie. As cultural critic Cheryl Keyes explains in her essay "She Was Too Black for Rock and Too Hard for Soul: (Re)discovering the Musical Career of Betty Mabry Davis", most of the scholarship around funk has focused on the cultural work of men. She states that "Betty Davis is an artist whose name has gone unheralded as a pioneer in the annals of funk and rock. Most writing on these musical genres has traditionally placed male artists like Jimi Hendrix, George Clinton (of Parliament-Funkadelic), and bassist Larry Graham as trendsetters in the shaping of a rock music sensibility." In ''The Feminist Funk Power of Betty Davis and Renée Stout'', Nikki A. Greene notes that Davis' provocative and controversial style helped her rise to popularity in the 1970s as she focused on sexually motivated, self-empowered subject matter. Furthermore, this affected the young artist's ability to draw large audiences and commercial success. Greene also notes that Davis was never made an official spokesperson or champion for the civil rights and feminist movements of the time, although more recently her work has become a symbol of sexual liberation for women of color. Davis' song "If I'm In Luck I Just Might Get Picked Up", on her self-titled debut album, sparked controversy, and was banned by the Detroit NAACP. Maureen Mahan, a musicologist and anthropologist, examines Davis' impact on the music industry and the American public in her article "They Say She's Different: Race, Gender, Genre, and the Liberated Black Femininity of Betty Davis". Laina Dawes, the author of ''What Are You Doing Here: A Black Woman's Life and Liberation in Heavy Metal'', believes respectability politics is the reason artists like Davis do not get the same recognition as their male counterparts: "I blame what I call respectability politics as part of the reason the funk-rock some of the women from the '70s aren't better known. Despite the importance of their music and presence, many of the funk-rock females represented the aggressive behavior and sexuality that many people were not comfortable with." According to Francesca T. Royster, in Rickey Vincent's book ''Funk: The Music, The People, and The Rhythm of The One'', he analyzes the impact of Labelle but only in limited sections. Royster criticizes Vincent's analysis of the group, stating: "It is a shame, then, that Vincent gives such minimal attention to Labelle's performances in his study. This reflects, unfortunately, a still consistent sexism that shapes the evaluation of funk music. In ''Funk'', Vincent's analysis of Labelle is brief—sharing a single paragraph with the Pointer Sisters in his three-page sub chapter, 'Funky Women.' He writes that while 'Lady Marmalade' 'blew the lid off of the standards of sexual innuendo and skyrocketed the group's star status,' the band's 'glittery image slipped into the disco undertow and was ultimately wasted as the trio broke up in search of solo status" (Vincent, 1996, 192). Many female artists who are considered to be in the genre of funk, also share songs in the
disco Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ ...
, Soul music, soul, and Rhythm and blues, R&B genres; Labelle falls into this category of women who are split among genres due to a critical view of music theory and the history of sexism in the United States. In the 21st century, artists like Janelle Monáe have opened the doors for more scholarship and analysis on the female impact on the funk music genre. Monáe's style bends concepts of gender, Human sexuality, sexuality, and self-expression in a manner similar to the way some male pioneers in funk broke boundaries. Her albums center on Afrofuturism, Afro-futuristic concepts, centering on elements of female and black empowerment and visions of a dystopian future. In his article "Janelle Monáe and Afro-sonic Feminist Funk", Matthew Valnes writes that Monae's involvement in the funk genre is juxtaposed with the traditional view of funk as a male-centered genre. Valnes acknowledges that funk is male-dominated, but provides insight to the societal circumstances that led to this situation. Monáe's influences include her mentor Prince, Funkadelic, Lauryn Hill, and other funk and R&B artists, but according to Emily Lordi, "[Betty] Davis is seldom listed among Janelle Monáe's many influences, and certainly the younger singer's high-tech concepts, virtuosic performances, and meticulously produced songs are far removed from Davis's proto-punk aesthetic. But... like Davis, she also is closely linked with a visionary male mentor (Prince). The title of Monáe's 2013 album, ''The Electric Lady'', alludes to Hendrix's ''Electric Ladyland'', but it also implicitly cites the coterie of women that inspired Hendrix himself: that group, called the Cosmic Ladies or Electric Ladies, was together led by Hendrix's lover Devon Wilson and Betty Davis."


See also

* Chanking


References


Further reading

* Danielsen, Anne (2006). ''Presence and pleasure: The funk grooves of James Brown and Parliament''. Wesleyan University Press. * * * {{Authority control Funk, 20th-century music genres African-American cultural history African-American music American styles of music Popular music Rhythm and blues genres 1960s in music 1970s in music 1980s in music 1970s fads and trends