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Slapping (music)
Slapping and popping are ways to produce percussive sounds on a stringed instrument. They are primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately. History On the double bass, the technique was developed by jazz bands in New Orleans in the early 1900s, and later spread to other genres, including western swing, rockabilly, and other offshoots of those styles. On the bass guitar, the technique is widely credited to Larry Graham, an electric bassist playing with Sly and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funky Slap Bass Line
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove (music), groove of a bassline played by an electric bassist and a drum part played by a drum kit, percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with Rhythm section, rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the Beat (music)#Down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fingerstyle Guitar
Fingerstyle guitar is the technique of guitar picking, playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of Folk music, folk, blues and Country music, country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" are also applied to similar string instruments such as the banjo. Music arranged for fingerstyle playing can include chord (music), chords, arpeggios (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was an American singer and actor. Referred to as the "King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. Presley's sexually provocative performance style, combined with a mix of influences across color lines during a civil rights movement, transformative era in race relations, brought both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi; his family relocated to Memphis, Tennessee, when he was 13. He began his music career in 1954 at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on guitar and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, Backbeat (music), backbeat-driven fusion of country music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Black
William Patton Black Jr. (September 17, 1926 – October 21, 1965) was an American musician and bandleader who is noted as one of the pioneers of rock and roll. He played in Elvis Presley's early trio, The Blue Moon Boys. Black later formed Bill Black's Combo. Early life and career William Patton Black Jr. was born on September 17, 1926, in Memphis, Tennessee, Memphis, Tennessee, to a motorman for the Memphis Street Railway Company. He was the oldest of nine children. His father played popular songs on the banjo and fiddle to entertain the family. Black learned to play music at the age of 14 on an instrument made by his father—a cigar box with a board nailed to it and strings attached. At the age of sixteen, Black was performing "honky-tonk" music on acoustic guitar in local bars. During World War II, Black was stationed with the United States Army, U.S. Army at Fort Lee (Virginia), Fort Lee in Virginia. While in the Army, he met Evelyn, who played guitar as a member of a musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie
Boogie-woogie is a genre of blues music that became popular during the late 1920s, but already developed in African-American communities since the 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music (although not usually played for the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around the world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson, Albert Ammons, and Meade "Lux" Lewis. Other famous boogie woogie pianists of this peak era were Maurice Rocco and Freddie Slack. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Swing
Western swing, country jazz or smooth country is a subgenre of American country music that originated in the late 1920s in the West and South among the region's Western string bands. It is dance music, often with an up-tempo beat, which attracted huge crowds to dance halls and clubs in Texas, Oklahoma, and California during the 1930s and 1940s until a federal war-time nightclub tax in 1944 contributed to the genre's decline.''Stomping the Blues''. Albert Murray. Da Capo Press. 2000. page 109, 110. , The movement was an outgrowth of jazz. The music is an amalgamation of rural, cowboy, polka, old-time, Dixieland jazz, and blues blended with swing; and played by a hot string band often augmented with drums, saxophones, pianos and, notably, the steel guitar. The electrically amplified stringed instruments, especially the steel guitar, give the music a distinctive sound.Wolff, ''Country Music'', "Big Balls in Cowtown: Western Swing From Fort Worth to Fresno", p. 71. La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chester Zardis
Chester Zardis (May 27, 1900, in New Orleans, Louisiana, United States – August 14, 1990, in New Orleans) was an American jazz double-bassist. Zardis played bass from a young age, and studied without his disapproving mother's knowledge, under Billy Marrero of the Superior Orchestra. In his teens he was involved in a fistfight at a New Orleans theater, which resulted in his being sent to the Jones Waif Home. While there he began playing with another of the Home's residents, Louis Armstrong. He joined Buddy Petit's orchestra at age 16, and worked as a bassist in nightclubs and a tubist in brass bands in New Orleans in the 1920s, playing with Kid Rena, A.J. Piron, Punch Miller, Kid Howard, Jack Carey, Fate Marable, and Duke Dejan's Dixie Rhythm Band. He was given the nickname "Little Bear" by Fats Pichon, a bandleader with whom Zardis played on the riverboat ''S.S. Capital'' in the 1930s. During that decade he also played with Count Basie in New York City, and recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pops Foster
George Murphy "Pops" Foster (May 19, 1892 – October 30, 1969) was an American jazz musician, best known for his vigorous slap bass playing of the string bass. He also played the tuba and trumpet professionally. Biography Foster was born to Charley and Annie Foster, who "was nearly fullblooded Cherokee," on a plantation near McCall in Ascension Parish near Donaldsonville in south Louisiana, United States. His family moved to New Orleans when he was about 10 years of age. His older brother, Willard Foster, began playing banjo and guitar; George started out on a cello then switched to string bass. Foster married twice: to Bertha Foster in 1912 and Alma Foster in 1936. Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921, he moved to St. Louis, Missouri, to play with the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wellman Braud
Wellman Braud (January 25, 1891 – October 29, 1966) was an American jazz upright bassist. His family sometimes spelled their last name "Breaux", pronounced "Bro". Biography Born in St. James Parish, Louisiana, Braud settled in New Orleans, in his early teens. He was playing the violin and the upright bass and leading a trio in venues in the Storyville District before 1910. He moved to Chicago, Illinois in 1917. In 1923, he visited London with the Plantation Orchestra, in which he doubled on bass and trombone. Next, he moved to New York City, where he played with Wilber Sweatman's band before joining Duke Ellington. It has been observed by Branford Marsalis that Braud was the first to utilize the walking bass style, that has been a mainstay in modern jazz, as opposed to the 'two-beat' pattern the tuba plays in the New Orleans style. His vigorous melodic bass playing, alternately plucking, slapping, and bowing, was an important feature of the early Ellington Orchestra in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Brown (bass Player)
Steve Brown may refer to: Music * Steve Brown (bass player) (1890–1965), American jazz double bassist with the New Orleans Rhythm Kings * Steve Brown (guitarist) (born 1942), American jazz guitarist with Chuck Israels' band * Steve Brown (composer) Steven James Brown (25 October 1954 – 2 February 2024) was a British composer, lyricist, record producer, and arranger. Career Although primarily known for his composing, Brown proved himself an adept comic, both in performing and writing ... (1954–2024), British television music composer Sports * Steve Brown (American football) (born 1960), American football player * Steve Brown (hurdler) (born 1969), Trinidad and Tobago hurdler * Steve Brown (baseball) (born 1957), American baseball player * Steve Brown (cricketer) (born 1963), New Zealand cricketer * Steve Brown (curler) (born 1947), American curler and coach * Steve Brown (darts player, born 1962), English-American darts player * Steve Brown (darts player, bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Manuel Johnson
William Manuel "Bill" Johnson (died December 3, 1972) was an American jazz musician who played banjo and double bass; he is considered the father of the " slap" style of double bass playing. In New Orleans, he played at Lulu White's legendary house of prostitution, with the Eagle Band, and with the Excelsior Brass Band. Johnson claimed to have started "slapping" the strings of his bass (a more vigorous technique than the classical pizzicato) after he accidentally broke his bow on the road with his band in northern Louisiana in the early 1910s. Other New Orleans string bass players picked up this style, and spread it across the country with the spread of New Orleans Jazz. Johnson was founder and manager of the first jazz band to leave New Orleans and tour widely in the 1910s, The Original Creole Orchestra. They participated in vaudeville skits centered around the "Uncle" character and the "boys," performing in the Midwest, Northwest, and Canada. He brought the Creole Band to Chic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in Orchestra, orchestras, Concert band, concert bands, Marching band, marching bands, Parade, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band. Snare drums are usually played with drum sticks, but other beaters such as the Brush (percussion), brush or the Rute (music), rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
