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Boogie-woogie
Boogie-woogie is a genre of blues music that became popular during the late 1920s, but already developed in African-American communities since the 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music (although not usually played for the competitive dance known as boogie-woogie, a term of convenience in that sport). The genre had a significant influence on rhythm and blues and rock and roll. Boogie-woogie waned in popularity in the 1930s, but enjoyed a resurgence and its greatest acclaim in the 1940s, reaching audiences around the world. Among its most famous acts was the "Boogie Woogie Trio" of Pete Johnson, Albert Ammons, and Meade "Lux" Lewis. Other famous boogie woogie pianists of this peak era were Maurice Rocco and Freddie Slack. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spiritual (music), spirituals, work songs, field hollers, Ring shout, shouts, chants, and rhymed simple narrative ballad (music), ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the Call and response (music), call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in Pitch (music), pitch, are also an essential part of the sound. Blues shuffle note, shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove (popular music), groove. Blues music is characterized by its lyrics, Bassline, bass lines, and Instrumentation (music), instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ammons
Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. Life and career Ammons was born in Chicago, Illinois. His parents were pianists, and he had learned to play by the age of ten. His interest in boogie-woogie is attributed to his close friendship with Meade Lux Lewis and also his father's interest in the style. Both Albert and Meade would practice together on the piano in the Ammons household. From the age of ten, Ammons learned about chords by marking the depressed keys on the family pianola (player piano) with a pencil and repeated the process until he had mastered it. He also played percussion in a Drum and bugle corps (classic), drum and bugle corps as a teenager and was soon performing with bands in clubs in Chicago. After World War I he became interested in the blues, learning by listening to the Chicago pianists Hersal Thomas and the brothers Alonzo and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Johnson (musician)
Kermit Holden "Pete" Johnson (March 25, 1904 – March 23, 1967) was an American boogie-woogie and jazz pianist. Tony Russell stated in his book ''The Blues – From Robert Johnson to Robert Cray'' that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Scott Yanow for AllMusic, wrote: "Johnson was one of the three great boogie-woogie pianists", the others being Lewis and Ammons "whose sudden prominence in the late 1930s helped make the style very popular". Biography Johnson was born in Kansas City, Missouri. He was raised by his mother after his father deserted the family. Things got so bad financially, Pete was placed in an orphanage when he was three. He became so homesic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll
Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel music, gospel, and jump blues, as well as from country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. Creating Country Music: Fabricating Authenticity' (1999), p. 9, . the genre did not acquire its name until 1954. According to the journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll".Kot, Greg"Rock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meade "Lux" Lewis
Anderson Meade "Lux" Lewis (September 4, 1905 – June 7, 1964) was an American pianist and composer, remembered for his playing in the boogie-woogie style. His best-known work, "Honky Tonk Train Blues", has been recorded by many artists. Biography Lewis was born in Chicago, though some sources state Louisville, Kentucky, on September 4, 1905 (September 3 and 13 have also been cited as his date of birth in sources). In his youth he was influenced by the pianist Jimmy Yancey. His father, a guitarist who made two recordings of his own, introduced Meade to music and arranged for him to have violin lessons. He gave up the violin at age 16, shortly after his father's death, and switched to the piano. The nickname "Lux" was given to him by his boyhood friends. He would imitate a couple of characters from a popular comic strip in Chicago, '' Alphonse and Gaston'', and stroke an imaginary beard as part of the routine. His friends started calling him the Duke of Luxembourg because of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Blues
Jump blues is an uptempo style of blues, jazz, and boogie woogie usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s. The typical jump blues lineup consisted of 5-7 members including sax, bass, drums and piano and/or guitar. The genre produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's " Saturday Night Fish Fry", Roy Brown's " Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Rocco
Maurice Rocco (born Maurice John Rockhold; June 26, 1915 – March 24, 1976) was an American pianist, singer, and composer known for playing boogie-woogie piano and his disdain for using a piano bench. He was a top nightclub and theater draw in the 1940s, and made several film appearances. He toured the United States, Canada, and Europe before becoming a fixture in Bangkok, Thailand, where he was murdered. Biography Maurice Rockhold was born in 1915 in Oxford, Ohio to a music teacher mother. His mother taught him piano starting at a young age, but did not interfere with his interest in rhythm playing as long as he finished his lessons. He may have entered Miami University as a music student, though he never earned a degree. He worked for radio station WLW. His work at that station impressed Noble Sissle so much that he hired him to work with the Rogers Sisters at the Kit Kat Club in New York, and the act was renamed The Three Roccos. He was to later legally change his last name f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie-woogie (dance)
Boogie-woogie dance is a European variation of swing dance often done competitively that developed in the 1940s. Although its name derives from the boogie-woogie genre of music, it is most often danced to rock music. The form is cited in Madonna's hit single "Music". Description Boogie-woogie in competition is a led, partnered dance, not choreographed. It falls under the umbrella of swing dance, but is distinct from Lindy Hop. It follows a six-beat dance pattern, usually cued as "step-step, triple step, triple step", each word taking one beat but the second syllable of "triple" delayed to match the music's syncopation. In some parts of Europe, boogie-woogie is mostly done as a social dance Social dances are dances that have social functions and context. Social dances are intended for participation rather than Concert dance, performance. They are often danced merely to socialise and for entertainment, though they may have Ceremoni ..., while, in others, it is mostly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katie Webster
Katie Webster (January 11, 1936 – September 5, 1999), born Kathryn Jewel Thorne, was an American boogie-woogie pianist. Career Webster was initially best known as a session musician behind Louisiana musicians on the Excello and Goldband record labels, such as Lightnin' Slim and Lonesome Sundown. She also played piano with Otis Redding in the 1960s, but after his death went into semi-retirement. In the 1980s she was repeatedly booked for European tours and recorded albums for the German record label, Ornament Records, with Gary Wiggins and Chris Rannenberg (''The International Blues Duo''). She cut ''You Know That's Right'' with the band 'Hot Links', and the album that established her in the United States: '' The Swamp Boogie Queen'' with guest spots by Bonnie Raitt and Robert Cray. '' Two-Fisted Mama!'' was released in 1989. She performed at both the San Francisco Blues Festival and Long Beach Blues Festival. '' No Foolin'!'' was released in 1991. Webster suffered a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
