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Norman Whitfield
Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter and producer, who worked with Berry Gordy's Motown labels during the 1960s.allmusic Biography/ref> He has been credited as one of the creators of the Motown Sound and of the late-1960s subgenre of psychedelic soul. During his 25-year career, Whitfield co-wrote and produced many enduring hits for Motown artists, including "Ain't Too Proud to Beg",Ain't Too Proud to Beg - The Temptations , AllMusic - Song Review by Ed Hogan "", " |
Harlem, New York
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street (Manhattan), 155th Street on the north; Fifth Avenue on the east; and 110th Street (Manhattan), Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King, Jr., Boulevard (Manhattan), Martin Luther King Jr. Boulevard, Central Park, and 96th Street (Manhattan), East 96th Street. Originally a Netherlands, Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish American, Jewish and Italian American, Italian Americans in the 19th century, but African-American residents began to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Undisputed Truth
The Undisputed Truth was an American Motown recording act, assembled by record producer Norman Whitfield as a means for being able to experiment with his psychedelic soul production techniques. Joe "Pep" Harris served as main lead singer, with Billie Rae Calvin and Brenda Joyce Evans on additional leads and background vocals. History In the 1960s, Billie Calvin and Brenda Evans had been part of a California-based group called The Delicates. They were introduced to Motown by singer Bobby Taylor, so when The Delicates broke up in 1970, the two began providing background vocals for artists around Motown. They sang backing on the hits "Ain't No Mountain High Enough" for Diana Ross and " Still Water (Love)" for the Four Tops. Joe Harris had been part of a Detroit soul group called The Fabulous Peps. Formed in 1962, the group was renowned for their energetic stage performances, and they cut a handful of singles for various different labels before their dissolution in 1968. Harris al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloud Nine (The Temptations Song)
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong. Background In 1968, Sly & the Family Stone had a hit with their single " Dance to the Music", and Temptations member Otis Williams introduced Norman Whitfield to the band's music. At first, Whitfield did not want to produce anything with such a radically different sound. "I don't want to get into all that crazy shit," he said. "That ain't nothing but a little passing fancy."Williams, Otis and Romanowski, Patricia (1988, updated 2002). ''Temptations''. Lanham, MD: Cooper Square. pp. 138–140 Within a few weeks, however, he had created the backing tracks for the newest Temptations single, a psychedelic-styled number c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Heard It Through The Grapevine
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the ''Billboard'' R&B Singles chart and number two on the ''Billboard'' Pop Singles chart and shortly became the biggest selling Motown single up to that time. The Miracles were the first to record the song in 1966, but their version wasn't released until August 1968 when it was included on their album '' Special Occasion''. The Marvin Gaye version was the second to be recorded, in the beginning of 1967, but the third to be released. It was placed on his 1968 album '' In the Groove'', a year and a half later, where it gained the attention of radio disc jockeys, and Motown founder Berry Gordy finally agreed to its release as a single in October 1968, when it went to the top of the ''Billb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(I Know) I'm Losing You
"(I Know) I'm Losing You" is a 1966 hit single recorded by the Temptations for the Gordy (Motown) label, written by Cornelius Grant, Eddie Holland and Norman Whitfield, and produced by Norman Whitfield. The group performed the song live on the CBS variety program ''The Ed Sullivan Show'' on May 28, 1967, and in a duet with Diana Ross & the Supremes later that year, on November 19, 1967. Background ''Billboard'' described the song as a "blues swinger with a solid dance beat and powerful vocal workout." ''Cash Box'' said that "the ork is throbbing, the chorus is smooth and the group tells its sad tale in exquisite fashion." Personnel * Lead vocals by David Ruffin * Background vocals by Eddie Kendricks, Paul Williams, Melvin Franklin and Otis Williams * Guitar by Cornelius Grant * Other instrumentation by The Funk Brothers * Arrangements by Wade Marcus and Paul Riser Chart performance "(I Know) I'm Losing You" was a No. 1 hit on the ''Billboard'' R&B singles chart, and rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't Too Proud To Beg
"Ain't Too Proud to Beg" is a 1966 song and hit single by The Temptations for Motown Records' Gordy label, produced by Norman Whitfield and written by Whitfield and Edward Holland Jr. The song peaked at number 13 on the Billboard Pop Chart, and was a number-one hit on the Billboard R&B charts for eight non-consecutive weeks. The song's success, in the wake of the relative underperformance of the previous Temptations single, " Get Ready", resulted in Norman Whitfield replacing Smokey Robinson, producer of "Get Ready", as The Temptations' main producer. In 2004 it finished #94 in AFI's 100 Years...100 Songs poll thanks to its inclusion in '' The Big Chill'' soundtrack. Background Motown had a policy that the producer who had the biggest hits on a particular artist was assigned as the main producer for that artist, and was given preference when singles were selected for release by Motown's Quality Control department. By 1966, Motown artist, songwriter, and producer Smokey Rob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown Sound
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the Detroit Riots of 1967, and the loss of key songwriting/production team Holland–Dozier– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the Detroit Riots of 1967, and the loss of key songwriting/production team Holland–Dozier– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berry Gordy
Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is a retired American record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades. As a songwriter, he composed or co-composed a number of hits including "Lonely Teardrops" and "That's Why" ( Jackie Wilson), "Shop Around" (the Miracles), and "Do You Love Me" (the Contours), all of which topped the US R&B charts, as well as the international hit "Reet Petite" ( Jackie Wilson). As part of the Corporation, he wrote many hit songs for the Jackson 5, including "I Want You Back" and "ABC". As a record producer, he launched the Miracles and signed acts like the Supremes, Marvin Gaye, the Temptations, the Four Tops, Gladys Knight & the Pips, and Stevie Wonder. He was known for carefully directing the public image, dress, manners, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songwriter
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Temptations 1971
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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