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Parliament-Funkadelic
Parliament-Funkadelic (abbreviated as P-Funk) is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism. The groups released albums such as ''Maggot Brain'' (1971), ''Mothership Connection'' (1975), and ''One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as " Give Up the Funk" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. The collective's origins date back to the doo-wop group the Parliaments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Clinton (funk Musician)
George Edward Clinton (born July 22, 1941) is an American musician, singer, bandleader, and record producer. His Parliament-Funkadelic collective (which primarily recorded under the distinct band names Parliament and Funkadelic) developed an influential and eclectic form of funk music during the 1970s that drew on science fiction, outlandish fashion, psychedelia, and surreal humor. He launched his solo career with the 1982 album '' Computer Games'' and would go on to influence 1990s hip hop and G-funk. Clinton is regarded, along with James Brown and Sly Stone, as one of the foremost innovators of funk music. He was inducted into the Rock and Roll Hall of Fame in 1997, alongside 15 other members of Parliament-Funkadelic. In 2019, he and Parliament-Funkadelic were given Grammy Lifetime Achievement Awards. Career Beginnings George Edward Clinton was born in Kannapolis, North Carolina, grew up in Plainfield, New Jersey, and currently resides in Tallahassee, Florida. During his t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plainfield, New Jersey
Plainfield is a city in Union County, in the U.S. state of New Jersey, known by its nickname as "The Queen City."About City of Plainfield. Accessed December 29, 2021. "Plainfield Is Nicknamed 'The Queen City.'" The city is both a regional hub for and a of the , located within the core of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parliament (band)
Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish theatrics in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk (Tear the Roof off the Sucker)," and Top 40 albums such as ''Mothership Connection'' (1975). History Parliament was originally The Parliaments, a doo-wop vocal group based at a Plainfield, New Jersey barbershop. The group was formed in the late 1950s and included George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. Clinton was the group leader and manager. The group scored a hit single in 1967 with " (I Wanna) Testify" (co-written by Clinton) on Revilot Records. To capitalize on this chart success, Clinton formed a touring band, featuring teenage barbershop employee Billy Nelson on bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funkadelic
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s.John, Bush. Funkadelic: Biography ''AllMusic''. Initially formed as a backing band for Clinton's vocal group the Parliaments, Funkadelic eventually pursued a heavier, more psychedelic rock-oriented sound. They released acclaimed albums such as ''Maggot Brain'' (1971) and ''One Nation Under a Groove'' (1978). History Background The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Soul
Progressive soul (often shortened to prog-soul; also called black prog, black rock, and progressive R&B) is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion. Progressive soul music can feature an eclectic range of influences, from both African and European sources. Musical characteristics commonly found in works of the genre are traditional R&B melodies, complex vocal patterns, rhythmically-unified extended composition, ambitious rock guitar, and instrumental techniques borrowed from jazz. Prog-soul artists often write songs around album-oriented concepts and socially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Funk
Psychedelic funk (also called P-funk or funkadelia, and sometimes conflated with psychedelic soul) is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk. History Origins: Late 1960s Inspired by Jimi Hendrix and the culture of psychedelia, black funk group Sly and the Family Stone borrowed techniques from psychedelic rock music, including wah pedals, fuzz boxes, echo chambers, and vocal distorters, on albums such as '' Dance to the Music'' (1968) and ''Stand'' (1969). The sound would also be reflected in the late 1960s output of iconic Detroit label Motown. Producer Norman Whitfield drew on this sound for popular Motown recordings such as The Temptations' " Cloud Nine" and Marvin Gaye's "I Heard It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of P-Funk Members
Over the years, Parliament-Funkadelic and the associated P-Funk musical collective, often referred to as the "Funk Mob," have included a tremendous number of musicians and singers. While some of their contributions have gone uncredited, the following individuals and bands contributed to various P-Funk projects; most of them have been credited on at least one album. Out of 216 listed, the sixteen people whose names are shown in ''bold italics'' were inducted into the Rock and Roll Hall of Fame as members of Parliament-Funkadelic in 1997. One other listed band member, Sly Stone, was inducted into the Hall in 1993 as the leader of Sly and the Family Stone Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi .... {{George Clinton P-Funk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
P-Funk Mythology
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter.Bauer, Kurt.The Mothership Connection: Mythscape and Unity in the Music of Parliament, ''Folklore Forum''. November 22, 2012. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement. Background George Clinton's space-age mythology began to emerge with the release of Funkadelic's self-titled debut album in 1970. Later that same year, Parliament released their debut album ''Osmium''. Clinton's cosmology was largely absent from the latter release, and it took longer to blossom in Parliament's output. Generally speaking, Parliament was a dance-oriented band, while Funkadelic was more serious and psychedelic.Hacker, Scot.Can You Get to That? T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk Rock
Funk rock is a fusion genre that mixes elements of funk and rock. James Brown and others declared that Little Richard and his mid-1950s road band, The Upsetters, were the first to put the funk in the rock and roll beat, with a biographer stating that their music "spark dthe musical transition from fifties rock and roll to sixties funk." Funk rock's earliest incarnation on record was heard in the late 1960s through the mid-1970s by acts such as the Jimi Hendrix Experience (later work / Band of Gypsys), Eric Burdon and War, Redbone, Rick Derringer, David Bowie, Aerosmith, Wild Cherry, Average White Band, Gary Wright, Trapeze, The Bar-Kays, Black Merda, Parliament-Funkadelic, Betty Davis and Mother's Finest. During the 1980s and 1990s funk rock music experienced a surge in popularity, with bands such as Tom Tom Club, Pigbag, INXS, Talking Heads, Devo, the Fine Young Cannibals and Cameo dabbling in the sound. Groups including Red Hot Chili Peppers, Rage Against the Machine, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrofuturism
Afrofuturism is a cultural aesthetic, and philosophy of science and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences. While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism. The term was coined by Mark Dery, an American Cultural critic in 1993 and explored in the late 1990s through conversations led by Alondra Nelson. Ytasha L. Womack, writer of ''Afrofuturism: The World of Black Sci-Fi and Fantasy Culture'', defines it as "an intersection of imagination, technology, the future and liberation". She also follows up with a quote by the curator Ingrid LaFleur who defines it as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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