Donovan Catholic High School Alumni

Donovan Phillips Leitch (born 10 May 1946), known mononymously as Donovan, is a Scottish musician, songwriter, and record producer. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock and world music (notably calypso). He has lived in Scotland, Hertfordshire (England), London, California, and—since at least 2008—in County Cork, Ireland, with his family. Emerging from the British folk scene, Donovan reached fame in the United Kingdom in early 1965 with live performances on the pop TV series '' Ready Steady Go!''.

Having signed with Pye Records in 1965, he recorded singles and two albums in the folk vein for Hickory Records, after which he signed to CBS/Epic in the US—the first signing by the company's new vice-president Clive Davis—and became more successful internationally. He began a long and successful collaboration with leading British independent record producer Mickie Most, scoring multiple hit singles and albums in the UK, US, and other countries.

He emerged onto the scene in 1965 with three UK hit singles: " Catch the Wind", "Colours" and " Universal Soldier", the last written by Buffy Sainte-Marie. In September 1966, " Sunshine Superman" topped America's ''Billboard'' Hot 100 chart for one week and went to No. 2 in Britain, followed by "Mellow Yellow" at US No. 2 in December 1966, then 1968's "Hurdy Gurdy Man" in the top 5 in both countries, and then " Atlantis", which reached US No. 7 in May 1969.

He became a friend of pop and folk musicians including Joan Baez, Brian Jones, and the Beatles. He taught John Lennon a finger-picking guitar style in 1968 that Lennon employed in "Dear Prudence", " Julia", " Happiness Is a Warm Gun", and other songs. His backing musicians included the Jeff Beck Group, and John Bonham, Jimmy Page and John Paul Jones, who later rose to fame as members of Led Zeppelin. Donovan's commercial fortunes waned after parting with Most in 1969, and he left the industry for a time.

Donovan continued to perform and record sporadically in the 1970s and 1980s. His musical style and hippie image were scorned by critics, especially after punk rock. His performing and recording became sporadic until a revival in the 1990s with the emergence of Britain's rave scene. He recorded the 1996 album '' Sutras'' with producer Rick Rubin and in 2004 made a new album, ''Beat Cafe''. Donovan was inducted into the Rock and Roll Hall of Fame in 2012 and the Songwriters Hall of Fame in 2014.

Early life

Donovan was born on 10 May 1946, in Maryhill, Glasgow, to Donald and Winifred (née Phillips) Leitch. His grandmothers were Irish. He contracted polio as a child. The disease and treatment left him with a limp. His family moved to the new town of Hatfield, Hertfordshire, England. Influenced by his family's love of folk music, he began playing the guitar at 14. He enrolled in art school but soon dropped out, to live out his beatnik aspirations by going on the road.

Music career

1964–65: Rise to fame

Returning to Hatfield, Donovan spent several months playing in local clubs, absorbing the folk scene around his home in St Albans, learning the crosspicking guitar technique from local players such as Mac MacLeod and Mick Softley and writing his first songs. In 1964, he travelled to Manchester with Gypsy Dave, then spent the summer in Torquay, Devon. In Torquay he stayed with Mac MacLeod and took up busking, studying the guitar, and learning traditional folk and blues.

In late 1964, Donovan was offered a management and publishing contract by Peter Eden and Geoff Stephens of Pye Records in London, for which he recorded a 10-track demo tape (later released on iTunes), which included the original of his first single, " Catch the Wind", and " Josie". The first song revealed the influence of Woody Guthrie and Ramblin' Jack Elliott, who had also influenced Bob Dylan. Dylan comparisons followed for some time. In an interview with KFOK radio in the US on 14 June 2005, MacLeod said: "The press were fond of calling Donovan a Dylan clone as they had both been influenced by the same sources: Ramblin' Jack Elliott, Jesse Fuller, Woody Guthrie, and many more."

While recording the demo, Donovan befriended Brian Jones of the Rolling Stones, who was recording nearby. He had recently met Jones' ex-girlfriend, Linda Lawrence, who is the mother of Jones' son, Julian Brian (Jones) Leitch.Brian Jones: The Making of the Rolling Stones and Sympathy for the Devil: The Birth of the Rolling Stones by Paul Trynka – and the Death of Brian Jones by Paul Trynka The on-off romantic relationship that developed over five years was a force in Donovan's career. She influenced Donovan's music but refused to marry him and she moved to the United States for several years in the late 1960s. They met by chance in 1970 and married soon after. Donovan had other relationships – one of which resulted in the birth of his first two children, Donovan Leitch and Ione Skye, both of whom became actors.

Donovan and Dylan

During Bob Dylan's trip to the UK in the spring of 1965, the British music press were making comparisons of the two singer-songwriters which they presented as a rivalry. This prompted The Rolling Stones guitarist Brian Jones to say,

Donovan is the undercurrent In D. A. Pennebaker's film ''Dont Look Back'' documenting Dylan's tour. Near the start of the film, Dylan opens a newspaper and exclaims, "Donovan? Who is this Donovan?" and Alan Price from The Animals spurred the rivalry on by telling Dylan that Donovan is a better guitar player, but that he had only been around for three months. Throughout the film Donovan's name is seen next to Dylan's on newspaper headlines and on posters in the background, and Dylan and his friends refer to him consistently.

Donovan finally appears in the second half of the film, along with Derroll Adams, in Dylan's suite at the Savoy Hotel despite Donovan's management refusing to allow journalists to be present, saying they did not want "any stunt on the lines of the disciple meeting the messiah". According to Pennebaker, Dylan told him not to film the encounter, and Donovan played a song that sounded just like "Mr. Tambourine Man" but with different words. When confronted with lifting his tune, Donovan said that he thought it was an old folk song. Once the camera rolled, Donovan plays his song "To Sing For You" and then asks Dylan to play "Baby Blue". Dylan later told ''Melody Maker'': "He played some songs to me. ... I like him. ... He's a nice guy." ''Melody Maker'' noted that Dylan had mentioned Donovan in his song " Talking World War Three Blues" and that the crowd had jeered, to which Dylan had responded backstage: "I didn't mean to put the guy down in my songs. I just did it for a joke, that's all."

In an interview for the BBC in 2001 to mark Dylan's 60th birthday, Donovan acknowledged Dylan as an influence early in his career while distancing himself from "Dylan clone" allegations:

Collaboration with Mickie Most

In late 1965, Donovan split with his original management and signed with Ashley Kozak, who was working for Brian Epstein's NEMS Enterprises. Kozak introduced Donovan to American businessman Allen Klein (later manager of the Rolling Stones and, in their final months, the Beatles). Klein in turn introduced Donovan to producer Mickie Most, who had chart-topping productions with the Animals, Lulu, and Herman's Hermits. Most produced all Donovan's recordings during this period, although Donovan said in his autobiography that some recordings were self-produced, with little input from Most. Their collaboration produced successful singles and albums, recorded with London session players including Big Jim Sullivan, Jack Bruce, Danny Thompson, and future Led Zeppelin members John Paul Jones and Jimmy Page.

Many of Donovan's late 1960s recordings featured musicians including his key musical collaborator John Cameron on piano, Danny Thompson (from Pentangle) or Spike Heatley on upright bass, Tony Carr on drums and congas and Harold McNair on saxophone and flute. Carr's conga style and McNair's flute playing are a feature of many recordings. Cameron, McNair and Carr also accompanied Donovan on several concert tours and can be heard on his 1968 live album ''Donovan in Concert''.

''Sunshine Superman''

By 1966, Donovan had shed the Dylan/Guthrie influences and become one of the first British pop musicians to adopt flower power. He immersed himself in jazz, blues, Eastern music, and the new generation of counterculture-era US West Coast bands such as Jefferson Airplane and the Grateful Dead. He was entering his most creative phase as a songwriter and recording artist, working with Mickie Most and with arranger, musician, and jazz fan John Cameron. Their first collaboration was '' Sunshine Superman'', one of the first psychedelic pop records.

Donovan's rise stalled in December 1965 when ''Billboard'' broke news of the impending production deal between Klein, Most, and Donovan, and then reported that Donovan was to sign with Epic Records in the US. Despite Kozak's denials, Pye Records dropped the single and a contract dispute ensued, because Pye had a US licensing arrangement with Warner Bros. Records. As a result, the UK release of the ''Sunshine Superman'' LP was delayed for months, robbing it of the impact it would have had. Another outcome was that the UK and US versions of this and later albums differed – three of his Epic LPs were not released in the UK, and ''Sunshine Superman'' was issued in a different form in each country. Several tracks on his late 1960s Epic (US) LPs were not released in the UK for many years. The legal dispute continued into early 1966. During the hiatus, Donovan holidayed in Greece, where he wrote "Writer in the Sun", inspired by rumours that his recording career was over. He toured the US and appeared on episode 23 of Pete Seeger's television show ''Rainbow Quest'' in 1966 with Shawn Phillips and Rev. Gary Davis. After his return to London, he developed his friendship with Paul McCartney and contributed the line "sky of blue and sea of green" to " Yellow Submarine".

By spring 1966, the American contract problems had been resolved, and Donovan signed a $100,000 deal with Epic Records. Donovan and Most went to CBS Studios in Los Angeles, where they recorded tracks for an LP, much composed during the preceding year. Although folk elements were prominent, the album showed increasing influence of jazz, American west coast psychedelia and folk rock – especially the Byrds. The LP sessions were completed in May, and " Sunshine Superman" was released in the US as a single in June. It was a success, selling 800,000 in six weeks and reaching No. 1. It went on to sell over one million, and was awarded a gold disc. The LP followed in August, preceded by orders of 250,000 copies, reached No. 11 on the US album chart and sold over half a million.

The US version of the '' Sunshine Superman'' album is in chamber-style folk-jazz arrangements, and features instruments including acoustic bass, sitar, saxophone, tablas and congas, harpsichord, strings and oboe. Highlights include the swinging "The Fat Angel", which Donovan's book confirms was written for Cass Elliot of the Mamas & the Papas. The song is notable for naming the Jefferson Airplane before they became known internationally and before Grace Slick joined. Other tracks include "Bert's Blues" (a tribute to Bert Jansch), "Guinevere", and "Legend of a Girl Child Linda", a track featuring voice, acoustic guitar and a small orchestra for over six minutes.

The album also features the sitar, which was played by American folk-rock singer Shawn Phillips. Donovan met Phillips in London in 1965, and he became a friend and early collaborator, playing acoustic guitar and sitar on recordings including ''Sunshine Superman'' as well as accompanying Donovan at concerts and on Pete Seeger's TV show. Creatively, Phillips served as a silent partner in the gestation of many of Donovan's songs from the era, with the singer later acknowledging that Phillips primarily composed " Season of the Witch". Several songs including the title track had a harder edge. The driving, jazzy "The Trip", named after a Los Angeles club name, chronicled an LSD trip during his time in L.A. and is loaded with references to his sojourn on the West Coast, and names Dylan and Baez. The third "heavy" song was "Season of the Witch". Recorded with American and British session players, it features Donovan's first recorded performance on electric guitar. The song was covered by Julie Driscoll, Brian Auger and the Trinity on their first LP in 1967, and Al Kooper and Stephen Stills recorded an 11-minute version on the 1968 album, ''Super Session''. Donovan's version is also in the closing sequence of the Gus Van Sant film, '' To Die For''.

Because of earlier contractual problems, the UK version of ''Sunshine Superman'' LP was not released for another nine months. This was a compilation of tracks from the US albums '' Sunshine Superman'' and ''Mellow Yellow''. Donovan did not choose the tracks.

Mellow Yellow

On 24 October 1966, Epic released the single "Mellow Yellow", arranged by John Paul Jones and purportedly featuring Paul McCartney on backing vocals, but not in the chorus. In his autobiography Donovan explained "electrical banana" was a reference to a "yellow-coloured vibrator". The song became Donovan's signature tune in the US and reached No. 2 on the Billboard Hot 100, No. 3 on the Cash Box chart, and earned a gold record award for sales of more than one million in the US.

Through the first half of 1967, Donovan worked on a double-album studio project, which he produced. In January he gave a concert at the Royal Albert Hall accompanied by a ballerina who danced during a 12-minute performance of "Golden Apples". On 14 January, New Musical Express reported he was to write incidental music for a National Theatre production of ''As You Like It'', but this did not come to fruition. His version of " Under the Greenwood Tree" did appear on "A Gift from a Flower to a Garden".

In March Epic released the ''Mellow Yellow'' LP (not released in the UK), which reached No. 14 in the US album charts, plus a non-album single, "Epistle to Dippy", a Top 20 hit in the US. Written as an open letter to a school friend, the song had a pacifist message as well as psychedelic imagery. The real "Dippy" was in the British Army in Malaysia. According to Brian Hogg, who wrote the liner notes for the Donovan boxed set ''Troubadour'', Dippy heard the song, contacted Donovan and left the army. On 9 February 1967, Donovan was among guests invited by the Beatles to Abbey Road Studios for the orchestral overdub for " A Day in the Life", the finale to ''Sgt. Pepper's Lonely Hearts Club Band''.

Arrest

In mid-1966, Donovan became the first high-profile British pop star to be arrested for possession of cannabis. Donovan's drug use was mostly restricted to cannabis, with occasional use of LSD and mescaline. His LSD use is thought to be referenced indirectly in some of his lyrics. Public attention was drawn to his marijuana use by the TV documentary ''A Boy Called Donovan'' in early 1966, which showed the singer and friends smoking cannabis at a party thrown by the film crew. Donovan's arrest proved to be the first in a long series involving the Beatles and the Rolling Stones. In early 1967, Donovan was subject of an exposé in the ''News of the World''.

According to Donovan, the article was based on an interview by an ex-girlfriend of his friend Gypsy Dave. The article was the first in a three-part series, ''Drugs & Pop Stars – Facts That Will Shock You.'' It was quickly shown some claims were false. A ''News of the World'' reporter claimed to have spent an evening with Mick Jagger, who allegedly discussed his drug use and offered drugs to companions. He had mistaken Brian Jones for Jagger, and Jagger sued the newspaper for libel. Among other supposed revelations were claims that Donovan and stars including members of The Who, Cream, The Rolling Stones and The Moody Blues regularly smoked marijuana, used other drugs, and held parties where the recently banned hallucinogen LSD was used, specifically naming the Who's Pete Townshend and Cream's Ginger Baker.

It emerged later that the ''News of the World'' reporters were passing information to the police. In the late 1990s, ''The Guardian'' said ''News of the World'' reporters had alerted police to the party at Keith Richards's home, which was raided on 12 February 1967. Although Donovan's was not as sensational as the later arrests of Jagger and Richards, he was refused entry to the US until late 1967. He could not appear at the Monterey International Pop Festival in June that year.

1967–69: International success

In July 1967, Epic released "There Is a Mountain", which just missed the US top ten and was later used as the basis for the Allman Brothers Band's "Mountain Jam". In September, Donovan toured the US, backed by a jazz group and accompanied by his father, who introduced the show. Later that month, Epic released Donovan's fifth album, a set entitled, ''A Gift from a Flower to a Garden'', the first rock music box set and only the third pop-rock double album released. It was split into halves. The first, "Wear Your Love Like Heaven", was for people of his generation who would one day be parents; the second, "For Little Ones", was songs Donovan had written for coming generations. Worried it might be a poor seller, Epic boss Clive Davis also insisted the albums be split and sold separately in the US (the "Wear Your Love Like Heaven" album cover was photographed at Bodiam Castle), but his fears were unfounded – although it took time, the original boxed set sold steadily, eventually peaking at 19 in the US album chart and achieving gold record status in the US in early 1970.

The psychedelic and mystical overtones were unmistakable – the front cover featured an infra-red photograph by Karl Ferris showing Donovan at Bodiam Castle, dressed in a robe, holding flowers and peacock feathers, while the back photo showed him holding hands with Indian guru Maharishi Mahesh Yogi. The liner notes included an appeal for young people to give up drugs. His disavowal of drugs came after his time with the Maharishi in Rishikesh, a topic discussed in a two-part interview for the first two issues of ''Rolling Stone''.

In late 1967 Donovan contributed two songs to the Ken Loach film '' Poor Cow''. "Be Not Too Hard" was a musical setting of Christopher Logue's poem ''September Song'', and was later recorded by such artists as Joan Baez and Shusha Guppy. The title track, originally entitled "Poor Love", was the B-side of his next single, " Jennifer Juniper", which was inspired by Jenny Boyd, sister of George Harrison's wife, Pattie Boyd and was another top 40 hit in the US. Donovan developed interest in eastern mysticism and claims to have interested the Beatles in transcendental meditation.

In early 1968 he was part of the group that traveled to the ashram of Maharishi Mahesh Yogi in Rishikesh. The visit gained worldwide attention thanks to the presence of all four Beatles as well as Beach Boys lead singer Mike Love, as well as actress Mia Farrow and her sister Prudence (who inspired Lennon to write "Dear Prudence"). According to a 1968 Paul McCartney interview with Radio Luxembourg, it was during this time that Donovan taught Lennon and McCartney finger-picking guitar styles including the clawhammer, which he had learned from Mac MacLeod. Lennon used this technique on songs including "Dear Prudence", " Julia", " Happiness is a Warm Gun" and " Look at Me", and McCartney with " Blackbird" and " Mother Nature's Son".
Donovan's next single, in May 1968, was the psychedelic "Hurdy Gurdy Man". The liner notes from EMI's reissues say the song was intended for Mac MacLeod, who had a heavy rock band called Hurdy Gurdy. After hearing MacLeod's version, Donovan considered giving it to Jimi Hendrix, but when Most heard it, he convinced Donovan to record it himself. Donovan tried to get Hendrix to play, but he was on tour. Jimmy Page played electric guitar in some studio sessions and is credited with playing on the song. Alternatively, it is credited to Alan Parker.

Donovan credits Page and "Allen Hollsworth" (a misspelling of Allan Holdsworth) as the "guitar wizards" for the song, saying they created "a new kind of metal folk".Leitch, Donovan, ''The Hurdy Gurdy Man'', Century, an imprint of Random House, London, 2005 (published in the U.S. as ''The Autobiography of Donovan: The Hurdy Gurdy Man'', pp. 218–19 St. Martin's Press, New York, 2005; ).

Since John Bonham and John Paul Jones also played, Donovan said perhaps the session inspired the formation of Led Zeppelin. The heavier sound of "Hurdy Gurdy Man" was an attempt by Most and Donovan to reach a wider audience in the US, where hard-rock groups like Cream and the Jimi Hendrix Experience were having an impact. The song became one of Donovan's biggest hits, making the Top 5 in the UK and the US, and the Top 10 in Australia.

In July 1968, Epic released ''Donovan in Concert'', the recording of his Anaheim concert in September 1967. The cover featured only a painting by Fleur Cowles

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