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Super Session
''Super Session'' is an album by Al Kooper, with guitarists Mike Bloomfield on the first half and Stephen Stills on the second half of the album. Released by Columbia Records in 1968, it peaked at No. 12 on the ''Billboard'' 200 during a 37-week chart stay and was certified gold by RIAA. Background Al Kooper and Mike Bloomfield had previously worked together on the sessions for the ground-breaking classic ''Highway 61 Revisited'' by Bob Dylan, as well as playing in support of his controversial appearance at the Newport Folk Festival in July 1965. Kooper had recently left Blood, Sweat & Tears after recording their debut album with them, and was now working as an A&R man for Columbia. Bloomfield was about to leave Electric Flag, and at relative loose end. Kooper telephoned Bloomfield to see if he was free to come down to the studio and jam; Bloomfield agreed, leaving Kooper to handle the arrangements. Kooper booked two days of studio time at CBS Columbia Square in May 1968, and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Bloomfield
Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's ''Highway 61 Revisited'', including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival. Bloomfield was ranked No. 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and No. 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015. Early years Bloomfield ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Is Father To The Man
''Child Is Father to the Man'' is the debut album by Blood, Sweat & Tears, released in February 1968. It reached number 47 on Billboard's Pop Albums chart in the United States. History As a teenager, Al Kooper went to a concert for jazz trumpeter Maynard Ferguson and this experience inspired Kooper to start a rock band with a horn section.Blood, Sweat & Tears - Child Is Father To The Man (Legacy Reissue). Columbia/Legacy Recordings. CK 63987. Originally in a band called The Blues Project, Kooper left after band leader Danny Kalb rejected his idea of bringing in a horn section. He then left for the West Coast and found bassist Jim Fielder who believed in the songs that Kooper wrote. Though Kooper had big ideas for his next project, he didn't have the money to bring his ideas to fruition. He then threw a benefit for himself and invited several musicians he previously worked with, such as Judy Collins, Simon & Garfunkel, David Blue, Eric Andersen and Richie Havens. Although the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buffalo Springfield
Buffalo Springfield was a rock band formed in Los Angeles by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966 to 1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mill Valley, California
Mill Valley is a city in Marin County, California, Marin County, California, United States, located about north of San Francisco via the Golden Gate Bridge and from Napa Valley. The population was 14,231 at the 2020 United States Census, 2020 census. Mill Valley is located on the western and northern shores of Richardson Bay, and the eastern slopes of Mount Tamalpais. Beyond the flat coastal area and marshlands, it occupies narrow wooded canyons, mostly of second-growth Sequoia sempervirens, redwoods, on the southeastern slopes of Mount Tamalpais. The Mill Valley 94941 ZIP Code also includes the following adjacent unincorporated communities: Almonte, Alto, California, Alto, Tamalpais-Homestead Valley, California, Homestead Valley, Tamalpais Valley, and Strawberry, Marin County, California, Strawberry. The Muir Woods National Monument is also located just outside the city limits. History Coast Miwok The first people known to inhabit Marin County, the Coast Miwok, arrived appro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East-West (The Butterfield Blues Band Album)
''East-West'' is the second album by The Butterfield Blues Band led by Paul Butterfield, released in 1966 on Elektra Records, EKS 7315 in stereo, EKL 315 in mono. It was recorded at the famed Chess Studios on 2120 South Michigan Avenue in Chicago. It peaked at #65 on the Billboard pop albums chart, and is regarded as highly influential by rock and blues music historians. Content Like the band's eponymous record debut, The Paul Butterfield Blues Band, this album features traditional blues covers and the guitar work of Mike Bloomfield and Elvin Bishop. Unlike the debut album, Bishop also contributed guitar solos; drummer Sam Lay had left the band due to illness and was replaced by the more jazz-oriented Billy Davenport. The social complexion of the band changed as well; ruled by Butterfield in the beginning, it evolved into more of a democracy both in terms of financial reward and input into repertoire. One result was the inclusion of two all-instrumental extended jams at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modal Jazz
Modal jazz is jazz that makes use of musical modes, often modulating among them to accompany the chords instead of relying on one tonal center used across the piece. Although precedents exist, modal jazz was crystallized as a theory by composer George Russell in his 1953 book ''Lydian Chromatic Concept of Tonal Organization''. Though exerting influence to the present, modal jazz was most popular in the 1950s and 1960s, as evidenced by the success of Miles Davis's 1958 composition "Milestones" and 1959 album ''Kind of Blue'', and John Coltrane's quartet from 1960 to 1965;Henry Martin, Keith Waters (2008). ''Essential Jazz: The First 100 Years'', pp. 178-79. . both artists were directly inspired by Russell. Other performers of modal jazz include Chick Corea, Bill Evans, Herbie Hancock, Joe Henderson, Bobby Hutcherson, Pharoah Sanders, Woody Shaw, Wayne Shorter, McCoy Tyner, and Larry Young. History In bebop as well as in hard bop, musicians use chords to provide the background ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Hoh
Edward Hoh (October 16, 1944 – November 7, 2015) was an American rock drummer who was active in the 1960s. Although primarily a studio session and touring drummer, Hoh exhibited a degree of originality and showmanship that set him apart and several of his contributions have been singled out for acknowledgment by music critics. Often uncredited and unknown to audiences, he played the drums on several well-known rock songs and albums, including those by Donovan and the Monkees. He also performed at the seminal 1967 Monterey Pop Festival as a member of the Mamas and the Papas touring band. In 1968, he participated in the recording of '' Super Session'', the highly successful 1968 Mike Bloomfield/Al Kooper/Stephen Stills collaboration album. However, his flurry of activity came to an end by the early 1970s and he remained out of the public eye until his death in 2015. Early career Hoh was born and raised in Forest Park, Illinois, a western suburb of Chicago. While a teenager, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvey Brooks (bassist)
Harvey Brooks (born Harvey Goldstein; July 4, 1944) is an American bass guitarist. Music career Bob Dylan Brooks came out of a New York music scene in the early 1960s. One of the younger players on his instrument, he was a contemporary of Felix Pappalardi and Andy Kulberg and other eclectic bass players in their late teens and early twenties, who saw a way to bridge the styles of folk, blues, rock, and jazz. Brooks got his first boost to fame when he was asked to play as part of Bob Dylan's backing band on the sessions that yielded the album ''Highway 61 Revisited'' (1965) — in contrast to the kind of folkie-electric sound generated by the band on his previous album, ''Bringing It All Back Home'' (1965). Producer Bob Johnson and Dylan were looking for a harder, in-your-face electric sound, and Brooks, along with guitarist Michael Bloomfield and organist Al Kooper, provided exactly what was needed. Brooks was also part of Dylan's early backing band which performed at Forest Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Goldberg
Barry Joseph Goldberg (born December 25, 1942) is an American blues and rock keyboardist, songwriter, and record producer. Goldberg has co-produced albums by Percy Sledge, Charlie Musselwhite, James Cotton, and the Textones, plus Bob Dylan's version of Curtis Mayfield's "People Get Ready". Career 1950s–1970s As a teenager in Chicago, Goldberg sat in with Muddy Waters, Otis Rush, and Howlin' Wolf. He played keyboards with the Paul Butterfield Blues Band backing Bob Dylan during his 1965 newly 'electrified' appearance at the Newport Folk Festival. He formed The Electric Flag with Mike Bloomfield in 1967, and formed the Barry Goldberg Reunion in 1968. In 1965, after moving to Chicago to play the blues, Steve Miller and Goldberg founded the Goldberg-Miller Blues Band, along with bassist Roy Ruby, rhythm guitarist Craymore Stevens, and drummer Maurice McKinley. The band contracted to Epic Records and recorded a single, "The Mother Song", which they performed on Hullabaloo, befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
