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Buffalo Springfield
Buffalo Springfield was a rock band formed in Los Angeles by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966 to 1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What I ...
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Bluebird (Buffalo Springfield Song)
"Bluebird" is a song recorded by the American rock group Buffalo Springfield. It was written and produced by Stephen Stills, with co-production by Ahmet Ertegun. In June 1967, Atco Records released it as a single to follow-up their hit "For What It's Worth" (1966). "Bluebird" reflects various influences and musical approaches. Stills conceived of it as a multi-part song, which developed over time. A key feature is the contrasting solos, which alternate between Stills's fingerpicked acoustic and Neil Young's distorted electric guitars. Three different studio versions have been released: a two-minute folk rock single focused on the intro vocal verses; a four and a half minute album version (featured on ''Buffalo Springfield Again'') incorporating hard rock and country elements; and an extended nine-minute jam version, released on the band's self-titled compilation in 1973. The song was a feature of Buffalo Springfield performances, usually as their closing number. Shortly aft ...
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Stephen Stills
Stephen Arthur Stills (born January 3, 1945) is an American musician, singer and songwriter best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in ''Rolling Stone''s 2003 list of "The 100 Greatest Guitarists of All Time"''Rolling Stone'The 100 Greatest Guitarists of All Time2003-08-27. and number 47 in the 2011 list. Stills became the first person to be inducted twice with his groups on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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David Crosby
David Van Cortlandt Crosby (born August 14, 1941) is an American singer, guitarist, and songwriter. In addition to his solo career, he was a founding member of both the Byrds and Crosby, Stills & Nash. Crosby joined the Byrds in 1964. They got their first number-one hit in April 1965 with a cover of " Mr. Tambourine Man" by Bob Dylan. Crosby appeared on the Byrds' first five albums and produced the original lineup's 1973 reunion album. In 1967 he joined Buffalo Springfield on stage at the Monterey Pop Festival, which contributed to his dismissal from the Byrds. He subsequently formed Crosby, Stills & Nash in 1968 with Stephen Stills (of Buffalo Springfield) and Graham Nash of the Hollies. After the release of their debut album CSN won the Grammy Award for Best New Artist of 1969. Neil Young joined the group for live appearances, their second concert being Woodstock, before recording their second album ''Déjà Vu''. Meant to be a group that could collaborate freely, Crosby ...
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Last Time Around
''Last Time Around'' is the third and final studio album by the Canadian-American folk rock band Buffalo Springfield, released in July 1968. The line-up at the time officially consisted of Neil Young, Stephen Stills, Richie Furay, Dewey Martin, Bruce Palmer, and Jim Messina, though the band itself was essentially broken up and the album was put together from previous recordings, some made up to a year earlier. Jim Messina acted as the album producer and mixing engineer, with input from Furay, as the two compiled the record to fulfil the band's last contractual obligation to its label. A number of guest musicians (some uncredited) appeared on the album, notably pedal steel guitar player Rusty Young. By the time this album was released, the members were already involved in their next projects: Richie Furay, Jim Messina, and Rusty Young were busy forming the country-rock band Poco, Stephen Stills was forming Crosby, Stills & Nash, and Neil Young was performing with a group kn ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Buffalo Springfield Again
''Buffalo Springfield Again'' is the second album by Buffalo Springfield, released on Atco Records in November 1967. It peaked at #44 on the Billboard 200. In 2003, the album was ranked number 188 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in '' Christgau's Record Guide: Rock Albums of the Seventies'' (1981)—and in Robert Dimery's ''1001 Albums You Must Hear Before You Die''. It was voted number 165 in Colin Larkin's ''All Time Top 1000 Albums'' in 2000. Background Unlike the band's debut album, which had been recorded fairly quickly during the summer of 1966, recording for this album took place over a protracted nine-month span during 1967. Several factors may have contributed to this, including that bassist Bruce Palmer had been deported in January and had re-entered the United States ill ...
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Counterculture Of The 1960s
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of B ...
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Protest Song
A protest song is a song that is associated with a movement for social change and hence part of the broader category of ''topical'' songs (or songs connected to current events). It may be folk, classical, or commercial in genre. Among social movements that have an associated body of songs are the abolition movement, prohibition, women's suffrage, the labour movement, the human rights movement, civil rights, the Native American rights movement, the Jewish rights movement, disability rights, the anti-war movement and 1960s counterculture, the feminist movement, the sexual revolution, the gay rights movement, animal rights movement, vegetarianism and veganism, gun control, drug control, tobacco control, and environmentalism. Protest songs are often situational, having been associated with a social movement through context. "Goodnight Irene", for example, acquired the aura of a protest song because it was written by Lead Belly, a black convict and social outcast, although on its ...
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Nowadays Clancy Can't Even Sing
"Nowadays Clancy Can't Even Sing" is a song by the Canadian-American folk rock band Buffalo Springfield, released as the group's debut single in 1966. Neil Young wrote the song in Yorkville in 1965 shortly after returning from a series of performances in Toronto, during a period when his bid at a solo career had been met with little positive response. The lyrics reflect metaphorically on Young's frustration toward his stalled career in music, and was inspired by Ross "Clancy" Smith, an aberrant classmate who incited awe in his school. Commentators recognize "Nowadays Clancy Can't Even Sing" as one of Buffalo Springfield's signature songs, as well as a milestone in Young's progression as a songwriter. The song was the lead single to Buffalo Springfield's self-titled debut album, bubbling under the ''Billboard'' Hot 100 at 110. Buffalo Springfield played "Nowadays Clancy Can't Even Sing" at many concerts during their stay in Los Angeles where it found regional success. Young's or ...
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Steamroller
A steamroller (or steam roller) is a form of road roller – a type of heavy construction machinery used for leveling surfaces, such as roads or airfields – that is powered by a steam engine. The leveling/flattening action is achieved through a combination of the size and weight of the vehicle and the ''rolls'': the smooth wheels and the large cylinder or drum fitted in place of treaded road wheels. The majority of steam rollers are outwardly similar to traction engines as many traction engine manufacturers later produced rollers based on their existing designs, and the patents owned by certain roller manufacturers tended to influence the general arrangements used by others. The key difference between the two vehicles is that on a roller the main roll replaces the front wheels and axle that would be fitted to a traction engine, and the driving wheels are smooth-tired. The word ''steamroller'' frequently refers to road rollers in general, regardless of the method of propulsion ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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