A protest song is a song that is associated with a movement for
social change
Social change is the alteration of the social order of a society which may include changes in social institutions, social behaviours or social relations.
Definition
Social change may not refer to the notion of social progress or sociocult ...
and hence part of the broader category of ''topical'' songs (or songs connected to current events). It may be folk, classical, or commercial in genre.
Among social movements that have an associated body of songs are the
abolition movement,
prohibition
Prohibition is the act or practice of forbidding something by law; more particularly the term refers to the banning of the manufacture, storage (whether in barrels or in bottles), transportation, sale, possession, and consumption of alcoholic ...
, women's
suffrage
Suffrage, political franchise, or simply franchise, is the right to vote in representative democracy, public, political elections and referendums (although the term is sometimes used for any right to vote). In some languages, and occasionally i ...
, the
labour movement
The labour movement or labor movement consists of two main wings: the trade union movement (British English) or labor union movement (American English) on the one hand, and the political labour movement on the other.
* The trade union movement ...
, the
human rights movement Human rights movement refers to a nongovernmental social movement engaged in activism related to the issues of human rights. The foundations of the global human rights movement involve resistance to: colonialism, imperialism, slavery, racism, segr ...
,
civil rights
Civil and political rights are a class of rights that protect individuals' freedom from infringement by governments, social organizations, and private individuals. They ensure one's entitlement to participate in the civil and political life of ...
, the
Native American rights movement, the
Jewish rights movement,
disability rights
The disability rights movement is a global social movement that seeks to secure equal opportunities and equal rights for all people with disabilities.
It is made up of organizations of disability activists, also known as disability advocat ...
, the
anti-war
An anti-war movement (also ''antiwar'') is a social movement, usually in opposition to a particular nation's decision to start or carry on an armed conflict, unconditional of a maybe-existing just cause. The term anti-war can also refer to pa ...
movement and 1960s
counterculture
A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores.Eric Donald Hirsch. ''The Dictionary of Cultural Literacy''. Hou ...
, the
feminist
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism incorporates the position that society prioritizes the male po ...
movement, the
sexual revolution
The sexual revolution, also known as the sexual liberation, was a social movement that challenged traditional codes of behavior related to sexuality and interpersonal relationships throughout the United States and the developed world from the 1 ...
, the
gay rights
Rights affecting lesbian, gay, bisexual, and transgender (LGBT) people vary greatly by country or jurisdiction—encompassing everything from the legal recognition of same-sex marriage to the death penalty for homosexuality.
Notably, , 3 ...
movement,
animal rights
Animal rights is the philosophy according to which many or all sentient animals have moral worth that is independent of their utility for humans, and that their most basic interests—such as avoiding suffering—should be afforded the sa ...
movement, vegetarianism and
veganism
Veganism is the practice of abstaining from the use of animal product—particularly in diet—and an associated philosophy that rejects the commodity status of animals. An individual who follows the diet or philosophy is known as a vegan. ...
,
gun control
Gun control, or firearms regulation, is the set of laws or policies that regulate the manufacture, sale, transfer, possession, modification, or use of firearms by civilians.
Most countries have a restrictive firearm guiding policy, with on ...
,
drug control,
tobacco control
Tobacco control is a field of international public health science, policy and practice dedicated to addressing tobacco use and thereby reducing the morbidity and mortality it causes. Since most cigarettes and cigars and hookahs contain/use ...
, and environmentalism.
Protest songs are often situational, having been associated with a
social movement
A social movement is a loosely organized effort by a large group of people to achieve a particular goal, typically a social or political one. This may be to carry out a social change, or to resist or undo one. It is a type of group action and may ...
through context. "
Goodnight Irene
"Goodnight, Irene" or "Irene, Goodnight," is a 20th-century American folk standard, written in time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. A version recorded by the Weavers was a #1 hit in 1950.
The ...
", for example, acquired the aura of a protest song because it was written by
Lead Belly
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk music, folk and blues singer notable for his strong vocals, Virtuoso, virtuosity on the twelve-string guita ...
, a black convict and social outcast, although on its face it is a love song. Or they may be abstract, expressing, in more general terms, opposition to injustice and support for peace, or
free thought
Freethought (sometimes spelled free thought) is an epistemological viewpoint which holds that beliefs should not be formed on the basis of authority, tradition, revelation, or dogma, and that beliefs should instead be reached by other metho ...
, but audiences usually know what is being referred to.
Ludwig van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
's "
Ode to Joy
"Ode to Joy" (German language, German: , literally "To heJoy") is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in ''Thalia (magazine), Thalia''. A slightl ...
", a song in support of universal brotherhood, is a song of this kind. It is a setting of a poem by
Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
celebrating the continuum of living beings (who are united in their capacity for feeling pain and pleasure and hence for empathy), to which Beethoven himself added the lines that all men are brothers. Songs which support the status quo do not qualify as protest songs.
Protest song texts may have significant specific content. The labour movement musical ''
Pins and Needles
''Pins and Needles'' (1937) is a musical revue with a book by Arthur Arent, Marc Blitzstein, Emmanuel Eisenberg, Charles Friedman, David Gregory, Joseph Schrank, Arnold B. Horwitt, John Latouche, and Harold Rome, and music and lyrics by Rome. ...
'' articulated a definition of a protest song in a number called "Sing Me a Song of Social Significance."
Phil Ochs once explained, "A protest song is a song that's so specific that you cannot mistake it for BS."
An 18th-century example of a topical song intended as a feminist protest song is "Rights of Woman" (1795), sung to the tune of "
God Save the King
"God Save the King" is the national anthem, national and/or royal anthem of the United Kingdom, most of the Commonwealth realms, their territories, and the British Crown Dependencies. The author of the tune is unknown and it may originate in ...
", written anonymously by "A Lady" and published in the ''Philadelphia Minerva'', October 17, 1795. There is no evidence that it was ever sung as a movement song, however.
[ The song contains such lines as "God save each female's right", "Woman is free", and "Let woman have a share".]
Types
The sociologist R. Serge Denisoff saw protest songs rather narrowly in terms of their function, as forms of persuasion or propaganda. Denisoff saw the protest song tradition as originating in the "psalms" or songs of grassroots
Protestant
Protestantism is a Christian denomination, branch of Christianity that follows the theological tenets of the Reformation, Protestant Reformation, a movement that began seeking to reform the Catholic Church from within in the 16th century agai ...
religious revival movements, terming these hymns "protest-propaganda", as well.
Denisoff subdivided protest songs as either "magnetic" or "rhetorical". "Magnetic" protest songs were aimed at attracting people to the movement and promoting group solidarity and commitment – for example, "
Keep Your Eyes on the Prize
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, " Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and ...
" and "
We Shall Overcome
"We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert ...
". "Rhetorical" protest songs, on the other hand, are often characterized by individual indignation and offer a straightforward political message designed to change political opinion. Denisoff argued that although "rhetorical" songs often are not overtly connected to building a larger movement, they should nevertheless be considered as "protest-propaganda". Examples include
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career sp ...
's "
Masters of War
"Masters of War" is a song by Bob Dylan, written over the winter of 1962–63 and released on the album ''The Freewheelin' Bob Dylan'' in the spring of 1963. The song's melody was adapted from the traditional songs, traditional "Nottamun Town." ...
" (which contains the lines "I hope that you die / And your death'll come soon") and "
What's Going On" by
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo ar ...
.
Ron Eyerman and Andrew Jamison, in ''Music and Social Movements: Mobilizing Tradition in the Twentieth Century'' (1998), take issue with what they consider Denisoff's reductive approach to the history and function of song (and particularly traditional song) in social movements. They point out that Denisoff had paid little attention to the song tunes of protest music, considered them strictly subordinate to the texts, a means to the message. It is true that in the highly text-oriented western European song tradition, tunes can be subordinate, interchangeable, and even limited in number (as in Portuguese ''
fado
Fado (; "destiny, fate") is a music genre that can be traced to the 1820s in Lisbon, Portugal, but probably has much earlier origins. Fado historian and scholar Rui Vieira Nery states that "the only reliable information on the history of fado was ...
'', which only has 64 tunes), nevertheless, Eyerman and Jamison point out that some of the most effective protest songs gain power through their appropriation of tunes that are bearers of strong cultural traditions. They also note that:
There is more to music and movements than can be captured within a functional perspective, such as Denisoff's, which focuses on the use made of music within already-existing movements. Music, and song, we suggest, can maintain a movement even when it no longer has a visible presence in the form of organizations, leaders, and demonstrations, and can be a vital force in preparing the emergence of a new movement. Here the role and place of music needs to be interpreted through a broader framework in which tradition and ritual are understood as processes of identity and identification, as encoded and embodied forms of collective meaning and memory.
Martin Luther King Jr.
Martin Luther King Jr. (born Michael King Jr.; January 15, 1929 – April 4, 1968) was an American Baptist minister and activist, one of the most prominent leaders in the civil rights movement from 1955 until his assassination in 1968 ...
described the freedom songs this way: "They invigorate the movement in a most significant way... these freedom songs serve to give unity to a movement."
Africa
Algeria
Raï
Raï (, ; ar, راي, Latn, ar, rāʾy, ), sometimes written rai, is a form of Algerian folk music that dates back to the 1920s. Singers of Raï are called ''cheb'' (Arabic: شاب) (or ''shabab,'' i.e. young) as opposed to ''sheikh'' (Ara ...
( ar, "opinion" رأي) is a form of
folk music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has b ...
, originated in
Oran, Algeria
Oran ( ar, وَهران, Wahrān) is a major coastal city located in the north-west of Algeria. It is considered the second most important city of Algeria after the capital Algiers, due to its population and commercial, industrial, and cultural ...
from
Bedouin
The Bedouin, Beduin, or Bedu (; , singular ) are nomadic Arab tribes who have historically inhabited the desert regions in the Arabian Peninsula, North Africa, the Levant, and Mesopotamia. The Bedouin originated in the Syrian Desert and A ...
shepherd
A shepherd or sheepherder is a person who tends, herds, feeds, or guards flocks of sheep. ''Shepherd'' derives from Old English ''sceaphierde (''sceap'' 'sheep' + ''hierde'' 'herder'). ''Shepherding is one of the world's oldest occupations, i ...
s, mixed with
Spanish
Spanish might refer to:
* Items from or related to Spain:
**Spaniards are a nation and ethnic group indigenous to Spain
**Spanish language, spoken in Spain and many Latin American countries
**Spanish cuisine
Other places
* Spanish, Ontario, Can ...
,
French,
African
African or Africans may refer to:
* Anything from or pertaining to the continent of Africa:
** People who are native to Africa, descendants of natives of Africa, or individuals who trace their ancestry to indigenous inhabitants of Africa
*** Ethn ...
and
Arabic music
Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also man ...
al forms. Its origins date back to the 1920s and has been primarily evolved by the women referred to as cheikhas, who performed in cafes, bars or bordellos, often for men.
A typical performance included the cheikhas accompanied by two to four male instrumentalists playing a gasba (a wooden flute) and gallal (a metal drum). Rai was considered a rejection of the traditional Algerian music of the time, and the cheikhas " . . . used lewd lyrics focusing on the hardships of life facing peasant women in a big city, the pain of love, the lure of alcohol, immigration, and mourning."
By the 1950s, and through the 1960s, male musicians began performing rai music and incorporated the use of what was considered to be modern musical instruments of that time, such as the violin, the accordion, the lute, and the trumpet.
As the genre evolved over time, it continued to have associations with political movements and organizations, such as the Algerian Freedom Fighters who rallied against the French occupation. Even after Algeria achieved independence in 1962, Rai continued to have an adverse relationship with the Algerian government, which exerted a tight grip upon its culture. In fact, Raï had been banned from broadcast media, though it thrived in underground spaces, such as cabarets.
It was forbidden to the point of one popular singer,
Cheb Hasni
Cheb Hasni ( ar, الشاب حسني), born Hasni Chakroun ( ar, حسني شقرون), (1 February 1968 – 29 September 1994), was an Algerian raï singer. He was popular across the Maghreb, having reached the height of his career in the late 1 ...
, being assassinated. However, since the government lifted its restrictions on rai in the 1980s, it has enjoyed some considerable success.
The song "Parisien Du Nord" by
Cheb Mami is a recent example of how the genre has been used as a form of protest, as the song was written as a protest against the racial tensions that sparked the
2005 French riots. According to Memi:
It is a song against racism, so I wanted to sing it with a North African who was born in France... Because of that and because of his talent, I chose K-Mel. In the song, we say, 'In your eyes, I feel like foreigner.' It's like the kids who were born in France but they have Arab faces. They are French, and they should be considered French."
Rai continues to be regarded, as Al-Neen states, "
hemusic of rebellion and the symbol of cynicism. Rai has emerged as an outlet for voicing the frustrations of youths and placing greater emphasis on freedom and liberty."
Egypt
Ahmed Fouad Negm
Ahmed Fouad Negm ( ar, أحمد فؤاد نجم, ; 22 May 1929 – 3 December 2013), popularly known as el-Fagommi الفاجومي (), was an Egyptians, Egyptian vernacular poetry, poet. Negm is well known for his work with Egyptian composer Shei ...
is considered a key dissident figure whose poetry in colloquial Arabic gave voice to the underclass in Egypt, and inspired protesters.
He teamed up in the 1960s with composer
Sheikh Imam Eissa who gave music to his verses, the partnership lasting for twenty years. Lines from Negm's poem "Who Are They, and Who Are We?" were chanted at
Tahrir Square
Tahrir Square ( ar, ميدان التحرير ', , English language, English: Liberation Square), also known as "Martyr Square", is a major public town square in downtown Cairo, Egypt. The square has been the location and focus for political dem ...
in 2011 during protests against President Hosni Mubarak.
Music played a key role in mobilizing the 2011 protests at
Tahrir Square
Tahrir Square ( ar, ميدان التحرير ', , English language, English: Liberation Square), also known as "Martyr Square", is a major public town square in downtown Cairo, Egypt. The square has been the location and focus for political dem ...
against
President Hosni Mubarak which led to the
Egyptian revolution. "Ezzay," meaning "How come?" by Egyptian singer and actor
Mohamed Mounir
Mohamed Mounir ( ar, محمد منير; born October 10, 1954) is an Egyptian singer and actor, with a musical career spanning more than four decades. He incorporates various genres into his music, including classical Egyptian music, Nubian mus ...
is considered one of the most popular songs associated with the protests. "
Irhal," meaning "Leave", by Ramy Essam became an internet hit, and was subsequently described in the media as having become an anthem for the revolution.
South Africa
Anti-apartheid
The majority of South African protest music of the 20th century concerned itself with
apartheid
Apartheid (, especially South African English: , ; , "aparthood") was a system of institutionalised racial segregation that existed in South Africa and South West Africa (now Namibia) from 1948 to the early 1990s. Apartheid was ...
, a system of legalized
racial segregation
Racial segregation is the systematic separation of people into race (human classification), racial or other Ethnicity, ethnic groups in daily life. Racial segregation can amount to the international crime of apartheid and a crimes against hum ...
in which blacks were stripped of their citizenship and rights from 1948 to 1994. As the apartheid regime forced Africans into townships and industrial centres, people sang about leaving their homes, the horror of the coal mines and the degradation of working as domestic servants. Examples of which include
Benedict Wallet Vilakazi
Benedict Wallet Vilakazi (6 January 1906 – 26 October 1947) was a South African novelist, a descendant of the Zulu royal family, and author of Romantic poetry in the Zulu language. Vilakazi was also a professor at the University of Witwate ...
's "Meadowlands", the "
Toyi-toyi Toyi-toyi is a Southern African dance used in political protests in South Africa.
Toyi-toyi could begin as the stomping of feet and spontaneous chanting during protests that could include political slogans or songs, either improvised or previously ...
" chant and "
Bring Him Back Home" (1987) by
Hugh Masekela
Hugh Ramapolo Masekela (4 April 1939 – 23 January 2018) was a South African trumpeter, flugelhornist, cornetist, singer and composer who was described as "the father of South African jazz". Masekela was known for his jazz compositions and for ...
, which became an anthem for the movement to free
Nelson Mandela
Nelson Rolihlahla Mandela (; ; 18 July 1918 – 5 December 2013) was a South African Internal resistance to apartheid, anti-apartheid activist who served as the President of South Africa, first president of South Africa from 1994 to 1 ...
. The Special AKA wrote a song on Nelson Mandela called "
Free Nelson Mandela". The track is upbeat and celebratory, drawing on musical influence from South Africa, was immensely popular in Africa. Masekela's song "
Soweto Blues
"Soweto Blues" is a protest song written by Hugh Masekela and performed by Miriam Makeba. The song is about the Soweto uprising that occurred in 1976, following the decision by the apartheid government of South Africa to make Afrikaans a medium ...
", sung by his former wife,
Miriam Makeba
Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including African popular music, Afropop, jazz, a ...
, is a blues/jazz piece that mourns the carnage of the
Soweto riots in 1976.
Basil Coetzee
Basil "Manenberg" Coetzee (2 February 1944 – 11 March 1998) was a South African musician, perhaps best known as a saxophone, saxophonist.
Biography
Coetzee was born in District Six, Cape Town, South Africa. Mountain Records describes Coetzee t ...
and
Abdullah Ibrahim
Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cap ...
's "
Mannenberg
"Mannenberg" is a Cape jazz song by South African musician Abdullah Ibrahim, first recorded in 1974. Driven into exile by the apartheid government, Ibrahim had been living in Europe and the United States during the 1960s and '70s, making brief ...
" became an unofficial soundtrack to the anti-apartheid resistance.
In Afrikaans, the 1989
Voëlvry movement led by
Johannes Kerkorrel
Johannes Kerkorrel (27 March 1960 – 12 November 2002), born Ralph John Rabie, was a South African singer-songwriter, journalist and playwright.
Career
Rabie, who was born in Johannesburg, worked as a journalist for the Afrikaans newspapers '' ...
,
Koos Kombuis, and
Bernoldus Niemand
James Phillips (22 January 1959 – 31 July 1995) was a South African rock vocalist, songwriter, and performer. He was best known for his rebellious and satirical political music that spoke out against the South African government during Apa ...
, provided a voice of opposition from within the white
Afrikaner community. These musicians sought to redefine Afrikaner identity, and although met with opposition from the authorities, Voëlvry played to large crowds at Afrikaans university campuses and was quite popular among Afrikaner youth.
Post-apartheid
Following apartheid's demise, most Afrikaans writers and musicians followed public sentiments by embracing the new South Africa, but cracks soon emerged in the dream of the "rainbow nation" and criticism started to emerge, criticism that has grown in frequency and intensity in recent years. Violent crime put South Africa in the top category of most dangerous country in the world, along with poverty, government corruption, and the AIDS pandemic. For this reason, writers and musicians in which some of them veterans of anti-apartheid movements, are once again protesting against what they consider to be a government failing to uphold the promise of 'peace, democracy and freedom for all' that Nelson Mandela made upon his release from prison. By 2000,
Johannes Kerkorrel
Johannes Kerkorrel (27 March 1960 – 12 November 2002), born Ralph John Rabie, was a South African singer-songwriter, journalist and playwright.
Career
Rabie, who was born in Johannesburg, worked as a journalist for the Afrikaans newspapers '' ...
claimed in the song "Die stad bloei vanaand"
he city bleeds tonight "the dream was promised, but just another lie has been sold."
Two Afrikaans compilation albums of predominantly protest music were released recently: ''Genoeg is genoeg''
nough is enough(2007) and ''Vaderland''
atherland(2008), and
Koos Kombuis also released a CD called ''Bloedrivier''
lood River(2008), which is primarily a protest album. One track, "Waar is Mandela"
here is Mandelaasks, "Where is Mandela when the shadows descend ... Where is the rainbow, where is the glory?" and another, "Die fokkol song"
he fuck all song tells tourists who visit South Africa for the 2010 Football World Cup that there is nothing in South Africa; no jobs, no petrol, no electric power, not even jokes. However, these compilations only represent the tip of the iceberg, as many prominent musicians have included protest songs on recent albums, including
Bok van Blerk,
Fokofpolisiekar
Fokofpolisiekar (, ''Fuckoffpolicecar'') is an Afrikaans alternative rock band from Bellville, Western Cape, Bellville, near Cape Town, South Africa. Due to the obscenity in the name, they are also commonly known simply as Polisiekar or FPK.
...
, and
KOBUS!
Kobus! (or K.O.B.U.S!) is an Afrikaans extreme metal band formed in 2000 by ex- Springbok Nude Girls guitarist Theo Crous and ex-Voice of Destruction vocalist Francois Breytenbach Blom. They performed as a duo until 2004 when they were joined b ...
.
The reality of the New South Africa is decidedly violent and crime is a well-known theme in post-apartheid Afrikaans protest music. The punk group
Fokofpolisiekar
Fokofpolisiekar (, ''Fuckoffpolicecar'') is an Afrikaans alternative rock band from Bellville, Western Cape, Bellville, near Cape Town, South Africa. Due to the obscenity in the name, they are also commonly known simply as Polisiekar or FPK.
...
(which translates to "fuck off police car") sings in "Brand Suid-Afrika"
urn South Africa
An urn is a vase, often with a cover, with a typically narrowed neck above a rounded body and a footed pedestal. Describing a vessel as an "urn", as opposed to a vase or other terms, generally reflects its use rather than any particular shape or ...
"For you knives lie in wait, in the garden outside you house," and
Radio Suid-Afrika sings in "Bid"
ray "Pray that no-one will be waiting in the garden, pray for strength and for mercy in each dark day." Theirs is a country of "murder and child rape" where the only respite is alcohol abuse. In "Blaas hom"
low him awayby the industrial band
Battery9
Battery 9 (pronounced, in Afrikaans, as ''Butteray Nea-ge''), an industrial music project from Johannesburg, South Africa, is the brainchild of Paul Riekert, who writes, plays and records the music in a mixture of English and Afrikaans. The ...
, the narrator sings how he gleefully unloads his gun on a burglar after being robbed for the third time, and in "Siek bliksems"
ick bastards Kristoe Strauss asks God to help against the "sick bastards" responsible for hijackings. The metal band KOBUS! pleads for a reinstatement of the death penalty in "Doodstraf", because they feel the promise of peace has not been realized. In "Reconciliation Day", Koos Kombuis sings: "Our streets run with blood, every day a funeral procession, they steal all our goods, on Reconciliation Day." Elsewhere he states, "we're in a state of war." The video of this song features a lawless microcosm of theft, rape and abuse – a lawlessness reflected in
Valiant Swart
Valiant Swart (born Pierre Nolte, 25 November 1965), is a South African musician, Afrikaans folk rock singer-songwriter, and actor from Wellington.
Career
Born in Wellington, he resided in Stellenbosch. In 1977, at 11 years old, Valiant was giv ...
's "Sodom en Gomorra": "two cities in the north, without laws, without order, too wonderful for words."
Hanru Niemand rewrites the traditional Afrikaans song
Sarie Marais
"Sarie Marais" (also known as "My Sarie Marais", ) is a traditional South African folk song, created possibly during the First Anglo-Boer War (c. 1880) or (more likely) the Second Anglo-Boer War (ca. 1900). The tune was possibly taken from a song ...
, turning it into a murder ballad speculating on where Sarie's body will be found. The new protest musicians also parody
Voëlvry's music:
Johannes Kerkorrel
Johannes Kerkorrel (27 March 1960 – 12 November 2002), born Ralph John Rabie, was a South African singer-songwriter, journalist and playwright.
Career
Rabie, who was born in Johannesburg, worked as a journalist for the Afrikaans newspapers '' ...
's "Sit dit af"
witch it off
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have us ...
– a satire on
P. W. Botha
Pieter Willem Botha, (; 12 January 1916 – 31 October 2006), commonly known as P. W. and af, Die Groot Krokodil (The Big Crocodile), was a South African politician. He served as the last prime minister of South Africa from 1978 to 1984 and ...
of the apartheid regime – is turned into "Sit dit aan"
witch it on
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have us ...
by Koos Kombuis, now a song protesting mismanagement resulting in chronic power failures.
Much of the protest by Afrikaans musicians concerns the legacy of apartheid: In "Blameer dit op apartheid"
lame it on apartheid Koos Kombuis sings how "the whole country is evil," yet the situation is blamed on apartheid.
Klopjag, in "Ek sal nie langer"
will no longersings that they will no longer apologize for apartheid, a theme echoed by many others, including Koos Kombuis in "Hoe lank moet ons nog sorry sê"
or how long do we still have to say sorry
Or or OR may refer to:
Arts and entertainment Film and television
* "O.R.", a 1974 episode of M*A*S*H
* Or (My Treasure), a 2004 movie from Israel (''Or'' means "light" in Hebrew)
Music
* ''Or'' (album), a 2002 album by Golden Boy with Miss ...
Piet Paraat sings in "Toema Jacob Zuma"
ever mind Jacob Zuma "My whole life I'm punished for the sins of my father." There is also a distinct feeling that the
Afrikaner is being marginalized by the
ANC
The African National Congress (ANC) is a social-democratic political party in South Africa. A liberation movement known for its opposition to apartheid, it has governed the country since 1994, when the first post-apartheid election install ...
government:
Fokofpolisiekar
Fokofpolisiekar (, ''Fuckoffpolicecar'') is an Afrikaans alternative rock band from Bellville, Western Cape, Bellville, near Cape Town, South Africa. Due to the obscenity in the name, they are also commonly known simply as Polisiekar or FPK.
...
sings in "Antibiotika"
ntibiotics "I'm just a tourist in the country of my birth,"
Bok van Blerk sings in "Die kleur van my vel"
he colour of my skin
He or HE may refer to:
Language
* He (pronoun), an English pronoun
* He (kana), the romanization of the Japanese kana へ
* He (letter), the fifth letter of many Semitic alphabets
* He (Cyrillic), a letter of the Cyrillic script called ''He'' ...
that the country does not want him despite his willingness to work, because he is white, and in "Bloekomboom"
Rian Malan
Rian Malan (born 1954, in Johannesburg) is a South African author, journalist, documentarist and songwriter of Afrikaner descent. He first rose to prominence as the author of the memoir '' My Traitor's Heart'', which, like the bulk of his wor ...
uses the metaphor of a blue gum tree (an alien species) to plead that Afrikaners should not be regarded as settlers, but as part of the nation.
Steve Hofmeyr has expressed concern about the statistically high murders of Afrikaner farmers, and has also appealed in several speeches to remember Afrikaner heritage. His songs "Ons Sal Dit Oorleef" (We will survive this) and "My Kreed" (My Cry) also echoes many Afrikaners' fears of losing their culture and rights. The appeals by these musicians, and several others, to be included follows a sense of exclusion manifested in the political, linguistic and economic realms, an exclusion depicted particularly vividly by
Bok van Blerk's "Kaplyn"
ut line a song that laments that fallen South African soldiers have been omitted in one of the country's show-case memorials, the Freedom Park Memorial, despite official claims of it being a memorial for all who had fought for the country.
Tunisia
Emel Mathlouthi
Emel Mathlouthi ( ar, آمال المثلوثي) also known as Emel, born 11 January 1982), is a Tunisian singer-songwriter, musician, arranger and producer. She rose to fame with her protest song " Kelmti Horra" ("My Word is Free"), which became ...
composed songs since a young age which called for freedom and dignity in a Tunisia ruled by the dictator
Zine El Abidine Ben Ali
Zine El Abidine Ben Ali ( ar, زين العابدين بن علي, translit=Zayn al-'Ābidīn bin 'Alī; 3 September 1936 – 19 September 2019), commonly known as Ben Ali ( ar, بن علي) or Ezzine ( ar, الزين), was a Tunisian politician ...
, earning her scrutiny from internal security forces and forcing her to retreat to Paris. Banned from the official airwaves, her protest songs found listeners on social media. In late 2010 and early 2011, Tunisian protesters referred to her song
Kelmti Horra (my word is free) as an anthem of the
Tunisian Revolution
The Tunisian Revolution, also called the Jasmine Revolution, was an intensive 28-day campaign of civil resistance. It included a series of street demonstrations which took place in Tunisia, and led to the ousting of longtime president Zine El ...
.
Asia
China
Chinese-Korean
Cui Jian
Cui Jian ( zh, c=崔健, p=Cuī Jiàn, ; born 2 August 1961) is a Beijing-based Chinese singer-songwriter, trumpeter and guitarist. Affectionately called "Old Cui" (), he pioneered Chinese rock music. For this distinction Cui Jian is often l ...
's 1986 song "
Nothing to My Name" was popular with
protesters in Tiananmen Square.
Chinese singer
Li Zhi Li Zhi may refer to:
*Emperor Gaozong of Tang (628–683), named Li Zhi, Emperor of China
*Li Ye (mathematician) (1192–1279), Chinese mathematician and scholar, birth name Li Zhi
*Li Zhi (philosopher) (1527–1602), Chinese philosopher from the M ...
made references to the
Tiananmen Square massacre
The Tiananmen Square protests, known in Chinese as the June Fourth Incident (), were student-led demonstrations held in Tiananmen Square, Beijing during 1989. In what is known as the Tiananmen Square Massacre, or in Chinese the June Fourth ...
in his songs and were subsequently banned from China in 2019. Three years later, during the
anti-lockdown protests in China, this was used as a protest song across
YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by ...
.
Hong Kong
Hong Kong rock band
Beyond
Beyond may refer to:
Arts, entertainment, and media
Films
* ''Beyond'' (1921 film), an American silent film
* ''Beyond'' (2000 film), a Danish film directed by Åke Sandgren, OT: ''Dykkerne''
* ''Beyond'' (2010 film), a Swedish film directed b ...
's "
Boundless Oceans Vast Skies
"Boundless Oceans, Vast Skies" (; lit. "sea wide sky empty") is a song written and recorded by the Hong Kong rock band Beyond. Released in 1993 on the Cantonese album ''Rock and Roll'', the song was and remains massively popular. The song has ...
" (1993) and "Glory Days" (光輝歲月) (1990) have been considered as protest anthems in various social movements.
During the
2019–20 Hong Kong protests, Les Misérables' "
Do You Hear The People Sing
"Do You Hear the People Sing?" ("french: À la Volonté du Peuple", literally ''To the Will of the People'', in the original French version) is one of the principal and most recognisable songs from the 1980 musical ''Les Misérables''. It is sung ...
" (1980) and Thomas dgx yhl's "
Glory to Hong Kong
"Glory to Hong Kong" ( zh, t=願榮光歸香港) is a march that was composed and written by a musician under the pseudonym "Thomas dgx yhl", with the contribution of a group of Hongkonger netizens from the online forum LIHKG during the 201 ...
" (2019) were sung in support of the movement. The latter has been widely adopted as the
anthem
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short ...
of these protests, with some even regarding it as the "
national anthem
A national anthem is a patriotic musical composition symbolizing and evoking eulogies of the history and traditions of a country or nation. The majority of national anthems are marches or hymns in style. American, Central Asian, and European n ...
of Hong Kong".
India
Cultural Activism in India has always been considered one of the most effective tools to mobilise people into making a social change since pre-independence times. India provided many examples of protest songs throughout its struggle for freedom from Britain.
Indian rapper
Raftaar
Dilin Nair (born 16 November 1988), better known by his stage name Raftaar, is an Indian rapper, lyricist, dancer, TV personality and music composer associated with Hindi and Punjabi music.
He started his career as a dancer. He began his car ...
's "''Mantoiyat"'' lashes out at corrupt politicians and police and brings to light injustices that plague the country. In the song he talks about deep rooted issues and brings light to the hypocrisy of the people and the government. Artists such as Poojan Sahil, Seedhe Maut, Vishkyun, Prabh Deep, Rapper Shaz, Sumit Roy & Ahmer usually talk about social issues in their songs. The rock fusion band Indian Ocean's song "Chitu" was one of their first and prominent songs, a tribal anthem that Ram had come across over the course of being involved in the Narmada Movement.
In 2019, India's citizenship Law led to a mass protest all over the country. Artists like
Varun Grover, Poojan Sahil, Rapper Shaz & Madara joined the cause with their own sonic protest.
In more contemporary times, protest music has been a regular feature of movements in India. The
Dalit
Dalit (from sa, दलित, dalita meaning "broken/scattered"), also previously known as untouchable, is the lowest stratum of the Caste system in India, castes in India. Dalits were excluded from the four-fold Varna (Hinduism), varna syste ...
rights movement especially uses music to further its goals. The
Kabir Kala Manch
Kabir Kala Manch was a cultural organisation that was formed in Pune, Maharashtra, India, in the wake of the Gujarat riots in 2002. Through music, poetry and theatre, it aims to spread an anti-caste, pro-democracy message. It comprises students ...
is one such well known troupe of singers who used their performances to raise awareness and support for their cause. The widely acclaimed
documentary film,
Jai Bhim Comrade
''Jai Bhim Comrade'' is a 2011 Indian documentary film directed by Anand Patwardhan. The film begins with a description of police violence in the 1997 Ramabai killings. It goes on to explore various aspects of the lives and politics of Dalit peo ...
, highlighted the work of Kabir Kala Manch and presented this form of protest music to both Indian as well as international audiences. Similar, albeit less known, Dalit musical groups exist in various parts of India.
The leftist movements of India too use protest music along with street plays as a means to propagate their message amongst the masses. Protest music was a big feature of plays organized by the
Indian People's Theatre Association
Indian People's Theatre Association (IPTA) is the oldest association of theatre-artists in India. IPTA was formed in 1943 during the British rule in India, and promoted themes related to the Indian freedom struggle. Its goal was to bring cultur ...
(IPTA). Similar organisations formed after the break-up of IPTA and highly influenced by its work, like the
Jana Natya Manch
Jana Natya Manch (People's Theatre Front; Janam for short) is a New Delhi-based amateur theatre company specialising in left-wing street theatre in Hindi. It was founded in 1973 by a group of Delhi's radical theatre amateurs who sought to take the ...
(JANAM), also made protest music a regular feature of their plays. In recent decades, however, the Left's cultural activism has increasingly been relegated to the margins of the cultural sphere. Some attribute this to the political decline of the mainstream Left in India, as well as a shift in focus to local movements and languages as identity politics took a greater hold of Indian Polity.
Protest music also features regularly in protests held by other mainstream national parties of India.
Israel
![Mahmoud Ahmadinejad at Columbia 11 by David Shankbone](https://upload.wikimedia.org/wikipedia/commons/1/14/Mahmoud_Ahmadinejad_at_Columbia_11_by_David_Shankbone.jpg)
Israel's protest music has often become associated with different political factions.
During the 1967 war,
Naomi Shemer
Naomi Shemer ( he, נעמי שמר; July 13, 1930 – June 26, 2004) was a leading Israeli musician and songwriter, hailed as the "first lady of Israeli song and poetry." Her song " Yerushalayim Shel Zahav" ("Jerusalem of Gold"), written in 1967, ...
added a third verse to her song "
Jerusalem of Gold", sung by
Shuli Natan
Shulamit "Shuli" Natan ( he, שׁוּלָמִית „שׁוּלִי” נָתָן (born March 16, 1947) is an Israeli singer. She is best known for singing " Jerusalem of Gold" (''Yerushalayim Shel Zahav''), written by Naomi Shemer.
Singing ca ...
, about the recapturing of
Jerusalem
Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. i ...
after 2,000 years. Later on that year, a different point of view of the song was introduced by the folk singer
Meir Ariel
Meir Ariel ( he, מאיר אריאל; March 2, 1942 – July 18, 1999) was an Israeli singer-songwriter and guitarist.
He was known as a "man of words" for his poetic use of the Hebrew language in his lyrics. His influences included Hebrew lite ...
, who recorded an anti-war version and named it "Jerusalem of Iron".
Gush Emunim
Gush Emunim ( he, גּוּשׁ אֱמוּנִים , ''Bloc of the Faithful'') was an Israeli ultranationalist Orthodox Jewish right-wing activist movement committed to establishing Jewish settlements in the West Bank, the Gaza Strip, and the Gol ...
supporters have taken a repertoire of old religious songs and invested them with political meaning. An example is the song "Utsu Etsu VeTufar" (They gave counsel but their counsel was violated). The song signifies the ultimate rightness of those steadfast in their beliefs, suggesting the rightness of Gush Emunim's struggle against anti-settlement policy by the government.
Minutes before
Prime Minister Yitzhak Rabin was murdered at a political rally in November 1995, Israeli folk singer
Miri Aloni
Miri Aloni ( he, מירי אלוני; born December 25, 1949) is an Israeli singer and actress.
Biography
Aloni was born in Givatayim.
Aloni enlisted into the army in 1968, serving in the Nahal band. In the seventies and eighties she play ...
sang the Israeli pop song "
Shir Lashalom
Shir LaShalom ( he, שיר לשלום ''A Song for Peace'') is a popular Israeli song that has become an anthem for the Israeli peace movement.
History
Shir LaShalom was written by Yaakov Rotblit and set to music by Yair Rosenblum. It was first p ...
" ("Song for Peace"). This song, originally written in 1969 and performed extensively at the time by an Israeli military performing group, has become one of the anthems of the
Israeli peace camp.
During the Arab uprising known as the
First Intifada
The First Intifada, or First Palestinian Intifada (also known simply as the intifada or intifadah),The word ''intifada'' () is an Arabic word meaning "uprising". Its strict Arabic transliteration is '. was a sustained series of Palestinian ...
, Israeli singer Si Heyman sang "Yorim VeBokhim" ("Shoot and Weep") to protest Israeli policy in the territories.
Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philo ...
's "
Another Brick in the Wall
"Another Brick in the Wall" is a three-part composition on Pink Floyd's 1979 rock opera '' The Wall,'' written by bassist Roger Waters. "Part 2", a protest song against corporal punishment, and rigid and abusive schooling, features a chil ...
" is used as a protest song by some opponents of Israel's barrier in the West Bank. The lyrics were adapted to: "We don't need no occupation. We don't need no racist wall."
Since the onset of the
Oslo Process and, more recently,
Israel's unilateral disengagement plan
The Israeli disengagement from Gaza ( he, תוכנית ההתנתקות, ') was the unilateral dismantling in 2005 of the 21 Israeli settlements in the Gaza Strip and the evacuation of Israeli settlers and army from inside the Gaza Strip.
Th ...
, protest songs became a major avenue for opposition activists to express sentiments. Songs protesting these policies were written and performed by Israeli musicians such as
Ariel Zilber
Ariel Zilber ( he, אריאל זילבר; born September 23, 1943) is an Israeli singer-songwriter and composer.
Biography
Ariel Zilber was born in Tel Aviv. His mother, Bracha Zefira, was a popular singer of Yemenite Jewish origin and his fa ...
,
Aharon Razel, and others.
Malaysia
Myanmar
During the
8888 Uprising
The 8888 Uprising ( my, ၈၈၈၈ အရေးအခင်း), also known as the People Power UprisingYawnghwe (1995), pp. 170 and the 1988 Uprising, was a series of nationwide protests, marches, and riots in Burma (present-day Myanmar) th ...
, Naing Myanmar, a Burmese composer, penned "Kabar Makyay Bu" (ကမ္ဘာမကျေဘူး), rendered in English as "We Won’t Be Satisfied till the End of the World" as a protest song.
Set to the tune of
Kansas
Kansas () is a state in the Midwestern United States. Its capital is Topeka, and its largest city is Wichita. Kansas is a landlocked state bordered by Nebraska to the north; Missouri to the east; Oklahoma to the south; and Colorado to the ...
' "
Dust in the Wind
"Dust in the Wind" is a song recorded by American progressive rock band Kansas and written by band member Kerry Livgren, first released on their 1977 album ''Point of Know Return''.
The song peaked at No. 6 on the ''Billboard'' Hot 100 the wee ...
," the song quickly gained popularity across the country, as an emotional appeal for freedom. The song was recorded and distributed on
cassette tape
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens ...
s, reaching millions of Burmese eventually becoming an anthem of the 8888 Uprising.
In the aftermath of the
2021 Myanmar coup d'etat, the country's nascent civil disobedience movement has revitalized this song, performing it during protests and acts of civil disobedience.
Palestine
Palestinian music ( ar, موسيقى فلسطينية) deals with the conflict with Israel, the longing for peace, and the love of the Palestinians' land. A typical example of such a song is "
Biladi, Biladi" (My Country, My Country), which has become the unofficial
Palestinian national anthem. Additionally, there are very few Palestinian peace songs that do not indict Israel, and outwardly militaristic. Certain commentators have compared this with the general unwillingness of Palestinians to speak about internal problems, as they tend to be taboo in Palestinian society, and dissent is outlawed in
Gaza, under
Hamas
Hamas (, ; , ; an acronym of , "Islamic Resistance Movement") is a Palestinian Sunni-Islamic fundamentalist, militant, and nationalist organization. It has a social service wing, Dawah, and a military wing, the Izz ad-Din al-Qassam Bri ...
control.
Another example is the song "Al-Quds (Jerusalem) our Land", with words by
Sharif Sabri. The song, sung by
Amr Diab
Amr Diab ( ar, عمرو دياب, link=no, ; born on 11 October 1961) is an Egyptian singer, composer and actor. He has established himself as a globally acclaimed recording artist and author. He is a Guinness World Record holder, the best sel ...
from
Port Said
Port Said ( ar, بورسعيد, Būrsaʿīd, ; grc, Πηλούσιον, Pēlousion) is a city that lies in northeast Egypt extending about along the coast of the Mediterranean Sea, north of the Suez Canal. With an approximate population of 6 ...
,
Egypt
Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediter ...
, won first prize in 2003 in a contest in Egypt for video clips produced in the
West Bank and Gaza.
[Lyrics by Ali Ismayel.] DAM
A dam is a barrier that stops or restricts the flow of surface water or underground streams. Reservoirs created by dams not only suppress floods but also provide water for activities such as irrigation, human consumption, industrial use ...
is an
Arabic hip-hop group,
rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The ...
in Arabic and
Hebrew
Hebrew (; ; ) is a Northwest Semitic language of the Afroasiatic language family. Historically, it is one of the spoken languages of the Israelites and their longest-surviving descendants, the Jews and Samaritans. It was largely preserved ...
about the problems faced by Palestinians under occupation and calling for change.
Kamilya Jubran
Kamilya Jubran is a Palestinian singer, songwriter, and musician.
Early life
Kamilya Jubran was born in Acre (Akka) in 1962 to Palestinian parents. Her father Elias is a music teacher and maker of traditional Palestinian instruments such as the ou ...
's song "Ghareeba", a setting of a poem by
Khalil Gibran
Gibran Khalil Gibran ( ar, جُبْرَان خَلِيل جُبْرَان, , , or , ; January 6, 1883 – April 10, 1931), usually referred to in English as Kahlil Gibran (pronounced ), was a Lebanese-American writer, poet and visual artist ...
, deals with a sense of isolation and loneliness felt by the Palestinian woman.
Pakistan
Protest music in
Pakistan
Pakistan ( ur, ), officially the Islamic Republic of Pakistan ( ur, , label=none), is a country in South Asia. It is the world's List of countries and dependencies by population, fifth-most populous country, with a population of almost 24 ...
has been deeply inspired by South Asian traditions since pre-independence times.
The song "
Hum Dekhenge
Hum Dekhenge ( ur, - In english ''We shall see'') is a popular Urdu nazm, written by the Pakistani poet Faiz Ahmad Faiz. Originally written as ''Va Yabqá Vajhu Rabbika (And the countenance of your Lord will outlast all)'', it was included ...
" is just one example of protest music from Pakistan.
Faiz Ahmed, a poet and a prominent Pakistani Marxist, originally penned the poem with the same title as a response to General
Zia ul Haq
General Muhammad Zia-ul-Haq HI, GCSJ, ร.ม.ภ, (Urdu: ; 12 August 1924 – 17 August 1988) was a Pakistani four-star general and politician who became the sixth President of Pakistan following a coup and declaration of martial law in ...
's repressive dictatorship. The poem is considered a critical commentary of Zia's brand of authoritarian Islam. His political beliefs set him up as a natural critic of General Zia Ul Haq. In 1985, as part of Zia's programme of forced Islamicization, the
sari
A sari (sometimes also saree or shari)The name of the garment in various regional languages include:
* as, শাৰী, xārī, translit-std=ISO
* bn, শাড়ি, śāṛi, translit-std=ISO
* gu, સાડી, sāḍī, translit-std= ...
, part of the traditional attire for women on the subcontinent was banned. That year,
Iqbal Bano
Iqbal Bano ( ur, ; born 1928 in Delhi – died 21 April 2009 in Lahore) was a ghazal singer from Pakistan. She was known for her semi-classical Urdu ghazal songs and classical thumris, but also sang easy-listening numbers in the 1950s films. Iq ...
, one of Pakistan's best-loved singers and artists, sang Hum Dekhenge to an audience of 50,000 people in a Lahore stadium wearing a black sari. The recording was smuggled out and distributed on bootleg cassette tapes across the country. Cries of "Inquilab Zindabad" ("Long Live Revolution") and thunderous applause from the audience can be heard on the . Faiz was in prison at the time.
The song has since the fall of the Zia dictatorship, regularly featured in protests in Pakistan. More recently, a newer rendition of the song by Pakistani singer, Rahat Fateh Ali Khan, was used as the title song for the political party, Pakistan Tehreek-e-Insaf, in the 2013 Pakistani general election, and in the 2014 Azadi March, Azadi march of 2014.
The international anthem ''girti hui deewaron ko aik dhakka aur do'' by famous poet Ali Arshad Mir created in the 1970s found profound place in various protests. This revolutionary anthem is still in use in resistance movements against oppressive political regimes and failing institutions by politicians and common people alike.
Philippines
From the revolutionary songs of the Katipunan to the songs being sung by the New People's Army, Filipino protest music deals with poverty, oppression as well as anti-imperialism and independence. A typical example was during the American era, as Jose Corazon de Jesus created a well-known protest song entitled "Bayan Ko", which calls for redeeming the nation against oppression, mainly colonialism, and also became popular as a song against the Marcos regime.
During the 1960s, Filipino protest music became aligned with the ideas of Communism as well as of revolution. The protest song "''Ang Linyang Masa''" came from Mao Zedong and his Mass Line and "''Papuri sa Pag-aaral''" was from Bertolt Brecht. These songs, although Filipinized, rose to become another part of Filipino protest music known as Revolutionary songs that became popular during protests and campaign struggles.
South Korea
Commonly, protest songs in South Korea are known as ''Minjung Gayo'' ( ko, 민중 가요, literally "People's song"), and the genre of protest songs is called "Norae Undong", translating to the literal meaning "song movement". It was raised by people in the 1970s~1980s to be against the military governments of presidents Park Chung-hee, Park Jeong-hee and Chun Du-hwan, Jeon Doo-hwan.
The Minjung-Gayo (Hangul: 민중가요; Hanja: 民衆歌謠) is one of Korean modern singing culture, which has been used as musical means of pro-democracy movement. It was mainly enjoyed by the people who are critical of mainstream song culture in the process of democratization movement. The term of Minjung-Gayo was naturally coined by people in the mid-1980s. Since this was the period when protest songs were grown rapidly and the singing movement began, It was needed to take care of protest songs, a new term that could be used to differentiate them from popular songs was necessary. In a broad sense, The Minjung-Gayo includes the anti-Japanese song on Japanese colonial era which is continued to the early 1970s. But Generally, the Minjung-Gayo means the culture which is matured in the late 1970s and lasted in 1990.
![광화문 집회](https://upload.wikimedia.org/wikipedia/commons/7/70/%EA%B4%91%ED%99%94%EB%AC%B8_%EC%A7%91%ED%9A%8C.jpg)
Korean protest song called Minjung-Gayo reflects the will of crowd and voices of criticism of the day.
Korean protest song has emerged on 1980s, especially before and after of June democracy movement, the June Democracy Movement in 1987.
1970s
The starting point of Korean protest songs was the music culture of Korean students movements around 1970.
With criticizing about pop music or overcoming, it started that their own unique music culture having certain coriander layer and own existing method distinguished with pop culture.
a few songs called as 'Demo-ga' (demonstration songs) and others from the 1960s was chosen as 'Minjung-Gayo' (Korean protest songs).
There're 'Haebang-ga(Hangul; 해방가)',' Tana-Tana', 'Barami-bunda'(Hangul; 바람이 분다), 'Stenka Razin' and so on. After 1975, another songs like 'Hula-song', 'Jungui-ga' was added in the list.
Through the era of an emergency measure, the atmosphere of Korean universities was getting stiffer. Students who participated in the students' movements had to be prepared to die and they were required to have much stronger faith and actions.
Students who participated in students' movements became critics of the old social systems and pop culture. Due to it being the result of old social system, they started to pursue progressive and political culture.
Spreading the criticism against pop music, a series of certain music culture which had such unique criticism of university students was established and it is the base of Korean protest songs.
1980s
![Tapes of Korean Protest Songs in 1980s](https://upload.wikimedia.org/wikipedia/commons/8/8a/Tapes_of_Korean_Protest_Songs_in_1980s.jpeg)
The short 'Spring of democracy' before May 1980 coming after 10.26 situation in 1979 was such a big opportunity to show the protest songs hidden by a few students to many students in public demonstrations.
the organizers of demonstrations was spreading papers that the lyrics and sheet music was written on in continued demonstrations and in this period, the most of demonstrations were started to make the atmosphere with learning the songs.
The mainstream of Korean protest songs in 1980s could divided in three periods. The first period is the establishment of the protest songs.
It is the period that many songs composed as marching song with minor like "The March for Her" (Hangeul: :ko:임을 위한 행진곡, 임을 위한 행진곡) were being written and the number of the songs were increased massively from 1980 to 1984.
The second period started with young men fresh just out of college, who had engaged in music club.
They perform a concert the story of song "Eggplant Flower" (Hangul: 가지꽃) in Aeogae little theater by lending the name of theater "Handurae" (Hangeul: 한두레). In this period, music has taken a part of social movement.
The third period is after the Democratic uprising in June 1987 and the first regular performing of 'People seeking music' held in Korean church 100th anniversary memorial in October that same year after the great labor conflict in July, August, and September 1987. In this period, they were trying to figure out how could they overcome limits that the music movement in universities had and find new ways that they should be on.
After successive the great labor conflict in July to September, protest songs reflected the joys and sorrows of workers.
After going through this period, protest song embraces not only the intellectuals, but also the working-class population.
1990s–2000s
From the middle of the 1990s, since the social voices of the students' demonstrations and the labor demonstrations started getting decreased, Korean protest songs have lost their popularity in many other fields except the struggle scenes. It is the period that the music groups in universities and the professional cultural demonstration groups started trying to change the form of Korean protest songs and trying new things. It was not easy to change such generalized form of the music into the new wave.
In the 2000s, the memorial candle demonstration for the middle school girls who were killed by U.S Army's tank to the demonstration against importing mad cow disease beef from U.S, such people participatory demonstration culture started being settled. In this period, the songs not having such solemn atmosphere like 'Fucking USA', 'The First Korean Constitution' was made, but the influence still could not spread wide and only stayed in the field.
Taiwan
"Island's Sunrise" (Chinese: 島嶼天光) is the theme song of 2014 Sunflower Student Movement in Taiwan. Also, the theme song of Lan Ling Wang TV drama series ''Into The Array Song'' (Chinese: 入陣曲), sung by Mayday, expressed all the social and political controversies during Taiwan under the president Ma Ying-jeou administration.
Thailand
In Thailand, protest songs are known as ''Phleng phuea chiwit'' ( th, เพลงเพื่อชีวิต, ; lit. "songs for life"), a music genre that originated in the '70s, by famous artists such as Caravan (Thai band), Caravan, Carabao (band), Carabao, Pongthep Kradonchamnan and Pongsit Kamphee.
Turkey
The roots of the rebellious/protest music in Anatolia goes back to the 16th century. Asiks who lived in that era, like Pir Sultan Abdal, Koroglu and Dadaloglu who lived in the 18th century are still the inspirations. The tradition of rebellion have gone for centuries and have given many song to this geography's culture. The message in Turkish protest music has been against inequality, lack of freedom, poverty, and the freedom of expression. Milder elements in this style are referred to as progressive, while some die-hard protest musicians have been prosecuted, and sometimes persecuted, in the 20th century Turkey. More than a few Turkish singers have been forced to exile, most notably Cem Karaca, who later returned to Turkey during freer conditions and atmosphere. Typically, protest music bands are leftist bands with a huge following, especially in high schools and universities. The music is a crossover between folk and rock and the lyrics are about freedom, repression and uprising, capitalism and the oppressed, and the revolution that never comes. It's customary to say anti-American slogans here and there. The male singers always have what is called a Davidian voice (meaning deep and husky a la Barry White) and the females usually sing nasally with a high pitch.
Europe
Belarus
The first famous Belarusian protest songs were created at the beginning of the 20th century during the rise of the Belarusian People's Republic and war for independence from the Russian Empire and Soviet Russia. This period includes such protest songs as "Advieku My Spali" ("We've slept enough", also known as Belarusian Marselliese) and "Vajaćki Marš" ("March of the Warriors"), which was an anthem of the Belarusian People's Republic. The next period of protest songs was in the 1990s, with many created by such bands as NRM, Novaje Nieba and others, which led to the unspoken prohibition of these musicians. As an example, Lavon Volski, frontman of NRM, Mroja and Krambambulia, had issues with officials at the majority of his concert due to the criticism of the Belarusian political system. One of the most famous bands of Belarus, Lyapis Trubetskoy, was forbidden from performing in the country due to being critical of Aleksandr Lukashenka in his lyrics. These prohibitions lead most "forbidden" bands to organize concerts in Vilnius, which, though situated in modern Lithuania, is considered to be a Belarusian historical capital because less than a hundred years ago most dwellers of Vilnius (Vilnia, as it was called before it was given to Lithuania) were Belarusians. But in the middle of the 2010s, the situation began to change a bit and many protest bands started to organize concerts in Belarus.
Estonia
Many of the songs performed at the Estonian Laulupidu are protest songs, particularly those written during the Singing Revolution. Due to the official position of the Soviet Union at the time, the lyrics are frequently allusive, rather than explicitly anti-Soviet, such as Tõnis Mägi's song ''Koit (song), Koit''. In contrast, ''Eestlane olen ja eestlaseks jään'', sung by Ivo Linna and the group In Spe is explicitly in favour of an Estonian identity.
Finland
Finland has a tradition of socialist and communist protest songs going back to the Finnish Civil War, most of which were imported and translated from Soviet Russia. In the 21st century the socialist protest song tradition is somewhat continued by left wing rap artists and to lesser degree in more traditional Taistoism, Taistoist form by KOM-theatre choir.
France
"The Internationale" ("''L'Internationale''" in French) is a socialism, socialist, anarchism, anarchist, communism, communist, and social democracy, social-democratic
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An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short ...
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"The Internationale" became the anthem of international socialism. Its original French refrain is ''C'est la lutte finale/ Groupons-nous et demain/ L'Internationale/ Sera le genre humain.'' (Freely translated: "This is the final struggle/ Let us join together and tomorrow/ The Internationale/ Will be the human race.") The "Internationale" has been translated into most of the world's languages. Traditionally it is sung with the hand raised in a clenched fist salute. "The Internationale" is sung not only by Communism, communists but also (in many countries) by socialists or social democrats. #Chinese lyrics, The Chinese version was also a rallying song of the students and workers at the Tiananmen Square protests of 1989.
There is not so much a protest song trend in France, but rather of a permanent background of criticism and contestation, and individuals who personify it. World War II and its horrors forced French singers to think more critically about war in general, forcing them to question their governments and the powers who ruled their society.
Jazz trumpeter and singer Boris Vian's was one of the first to protest against the Algerian war with his anti-war song "Le déserteur" (The deserter), which was banned by the government.
Several French songwriters, such as Léo Ferré (1916–1993), Georges Brassens (1921–1981), Jacques Brel (1929–1978) (actually a Belgian singer), Maxime Le Forestier (born 1949) or interpreters (Yves Montand, Marcel Mouloudji, Serge Reggiani, Graeme Allwright ...) often wrote or sang songs aligned against majority ideas and political powers. Because racial tensions did not rise to the same levels as those in the United States, criticism was focused more toward bourgeoisie, power, religion, and songs defending liberty of thought, speech and action. After 1945, immigration became a source of inspiration for some singers: Pierre Perret (born 1934), well known for his humorous songs, started writing several more "serious" and committed songs against racism ("Lily", 1977), which critically pointed out everyday racist behaviour in French society.
Brassens wrote several songs protesting war, hate, intolerance ("Les Deux Oncles" ["''The Two Uncles''"], "La Guerre de 14–18" ["''14–18 War''"], "Mourir pour des idées" ["''To Die for Ideas''"] "Les Patriotes" ["''The Patriots''"] ...), against chauvinism ("La Ballade des gens qui sont nés quelque part" ["Ballad of People Who Are Born Somewhere"]), against bourgeoisie ("La Mauvaise Réputation" ["''The bad reputation''"], "Les Philistins" ["''The Philistines''"] ...). He was often called "anarchist" because of his songs on representatives of law and order (and religion) ("Le Gorille" ["''The gorilla''"] "Hécatombe" ["''Slaughter''"] "Le Nombril des femmes d'agents" ["''The navel of cops wives''"], "Le Mécréant" ["''The miscreant''"] ...).
Ferré was also called an "anarchist". He sang against consumerism ("Vitrines" [''"Shop Fronts"''], "Chanson mécanisée" [''"Mechanized Song"''], "Il n'y a plus rien" [''"There is nothing left"''] ...), against French Algerian War of Independence, war ("Miss guéguerre" [''"Miss Squabble"''], "Pacific blues", "Regardez-les" [''"Look at them"''], "Mon général" [''"My general"''], "Les Temps difficiles" [''"Hard Times"''], "La Marseillaise"), death penalty ("Ni Dieu ni maître" [''"No God no Master"''], "La Mort des loups" [''"The Death of the Wolves"'']), Estate control ("La Gueuse", "La Complainte de la télé" [''"Lament of TV"''], "La Révolution" [''"Revolution"''], "Le Conditionnel de variétés" [''"Middle of the road music conditional mood"'']), illusion of representative democracy ("Ils ont voté" [''"They voted"''], "La Grève" [''"Strike"'']), dictatorships ("Franco la muerte", "Allende", "La Violence et l'Ennui" [''"Words ... Words ... Words ... ''"]), sexual hypocrisy and freedom ("Amour Anarchie, Le Chien" [''"The Dog"''], "Amour Anarchie, Le Mal" [''"Evil"''], "Ton style" [''"Your style"''], "L'Espoir (album), La Damnation" [''"Damnation"''] ...).
Brel's work is another ode to freedom ("Ces gens-là" ["''These people''"], "Les Bourgeois" ["''The Bourgeois''"], "Jaurès", "Les Bigotes" ["''The bigots''"], "Le Colonel" ["''The colonel''"], "Le Caporal Casse-Pompon" ["''Corporal Break-Nots''"]).
Germany
Ton Steine Scherben, one of the first and most influential German language Rock and roll, rock bands of the 1970s and early 1980s, were well known for the highly political lyrics of vocalist Rio Reiser. The band became a musical mouthpiece of New social movements, new left movements, such as the Squatting, squatting movement, during that time in Germany and their hometown of West Berlin in particular. Their lyrics were, at the beginning, anti-capitalism, anti-capitalist and anarchist, and the band had connections to members of the German Red Army Faction movement before they became illegal. Later songs were about more complex issues such as unemployment ("Mole Hill Rockers") or homosexuality ("Mama war so"). They also contributed to two full-length concept album about homosexuality, which were issued under the name ''Brühwarm'' (literally: boiling warm) in cooperation with a gay-revue group.
A dissatisfied German youth in the late 1970s and early 1980s resulted in a strand of highly politicized German-language Punkrock ("Deutschpunk"), which mostly concerned itself with politically radical left-wing lyrics, mostly influenced by the Cold War. Probably the most important German-language punk band was Slime (band), Slime from Hamburg, who were the first band whose LP was banned because of political topics. Their songs "Deutschland" ("Germany"), "Bullenschweine", "Polizei SA/SS", and the anti-imperialist "Yankees raus" ("Yankees out") were banned, some of them are still banned today, because they propagated the use of violence against the police or compared the police to the Sturmabteilung, SA and SS of Nazi Germany.
The Cologne-based rock group Bap (band), BAP is known for their committed and intelligently written lyrics, dealing with discrimination and the power games of Germany's political elites in many of their songs. The song "Kristallnaach" (1982) is a point in case. It analyses the corruptibility of the present-day masses for new forms of fascism, while referring to the "Night of Broken Glass" that took place in 1938.
In East Germany, protesting against the state was often prohibited. Despite this, the song Ermutigung by Wolf Biermann became a widely popular protest song against the Socialist Unity Party of Germany, SED government.
Ireland
Irish rebel songs
Irish rebel music is a subgenre of Irish folk music, played on typically Irish instruments (such as the Fiddle, tin whistle, Uilleann pipes, accordion, bodhrán etc.) and acoustic guitars. The lyrics deal with the fight for Irish independence, people who were involved in liberation movements, the persecution and violence during The Troubles, Northern Ireland's Troubles and the history of Ireland's numerous rebellions.
Among the many examples of the genre, some of the most famous are "A Nation Once Again", "Come out Ye Black and Tans", "Erin go Bragh", "The Fields of Athenry", "The Men Behind the Wire" and the Republic of Ireland's national anthem "Amhrán na bhFiann" ("The Soldier's Song"). Music of this genre has often courted controversy, and some of the more outwardly anti-British songs have been effectively banned from the airwaves in both England and the Republic of Ireland.
Paul McCartney also made a contribution to the genre with his 1972 single "Give Ireland Back to the Irish", which he wrote as a reaction to Bloody Sunday (1972), Bloody Sunday in Northern Ireland on January 30, 1972. The song also faced an all-out ban in the UK, and has never been re-released or appeared on any Paul McCartney or Wings (band), Wings best-ofs. The same year McCartney's former colleague John Lennon released two protest songs concerning the hardships of war-torn Northern Ireland: "Some Time in New York City, Sunday Bloody Sunday", written shortly after the 1972 massacre of Irish civil rights activists (which differs from U2's 1983 song of the same title in that it directly supports the Irish Republican cause and does not call for peace), and "The Luck of the Irish", both from his album ''Some Time in New York City'' (1972).
The Wolfe Tones have become legendary in Ireland for their contribution to the Irish rebel genre. The band has been recording since 1963 and has attracted worldwide fame and attention through their renditions of traditional Irish songs and originals, dealing with the former conflict in Northern Ireland. In 2002 the Wolfe Tones' version of "A Nation Once Again", a nationalist song from the 19th century, was voted the greatest song in the world in a poll conducted by the BBC World Service.
An Irish alternative rock/post punk band from Dublin, U2 broke with the rebel musical tradition when in 1983 they wrote their song "Sunday Bloody Sunday (song), Sunday Bloody Sunday". The song makes reference to two separate massacres in Irish history of civilians by British forces – Bloody Sunday (1920) and Bloody Sunday 1972 – however, unlike other songs dealing with those events, the lyrics call for peace as opposed to revenge.
The Cranberries' hit "Zombie (The Cranberries song), Zombie", written during their English tour in 1993, is in memory of two boys, Jonathan Ball and Tim Parry, who were killed in an IRA bombing in Warrington.
Netherlands
In 1966 Boudewijn de Groot released "Welterusten meneer de president" ("Good night mister president"), a song about the Vietnam War. The song spent 12 weeks in the Dutch Top 40 and to this day it remains an important song in nederpop and among Dutch protest songs. Following "Welterusten meneer de president", Boudewijn de Groot and Lennaert Nijgh, a Dutch lyricist, made more protest songs. The couple inspired other Dutch musicians, namely Armand (singer), Armand and Robert Long (singer), Robert Long.
Portugal
The protest songs in Portugal were mostly associated with the antifascist movement and developed chiefly among students and activists. The best known are songs by Paulo de Carvalho and José Afonso, respectively "E Depois do Adeus" (And After the Goodbye) and "Grândola Vila Morena"(Grândola Swarthy Town). They were chosen as a code to start the Carnation Revolution that would successfully triumph against the dictatorial regime. The first was written out of letters that the author, then fighting to maintain the colonies (a war that the general public was against) sent to his wife. Hence the title refers to his departure "goodbye" to the war. The other song was very explicit regarding his objective: "''O Povo é quem mais ordena / dentro de ti oh cidade''" (The people is the one who orders the most/ inside of you oh city). "E Depois do Adeus" was vague enough to elude the censorship and pass as an "end of love" song, which also accounts for the order of the broadcast.
Of the two, Zeca Afonso was more prolific and more identified with the movement, so much so that another of his songs was the first choice for the code "Venham mais 5" (Let 5 more come). Other artists also used some craft to hide their meanings in the song or went into exile. One example is Adriano Correia de Oliveira that masked the explicit lyrics with the vocal tone making it difficult to distinguish the critical verse, from the refrain or even other verses. In no other song is this more noted that the ballad "Trova do Vento que Passa" (Song/Poem of the Passing Wind), whose lyrics by the writer Manuel Alegre were a direct criticism of the state. The music was by António Portugal but Correia used a typical Fado rhythm to hide such provocative verses as "Mesmo na noite mais triste/em tempo de sevidão/há sempre alguém que resiste/há sempre alguém que diz não" (even in the saddest night/in time of servitude/there is always someone who stands up/there is always someone who says No).
Not only men but also women had an active participation, albeit in lesser numbers. Ermelinda Duarte, one of those women, wrote the song "Somos Livres" (We Are Free), for a 1972 theatre play called ''Lisboa 72'', masking a deep meaning with catchy children's music. Although the version of her singing the tune is the best known it was only recorded ''after'' the carnation revolution.
Many other songwriters and singers, to generate awareness, used their talents to act in all of Portugal, sometimes without pay or transport. Fausto Bordalo Dias once sang into a mike so poorly made it needed a plastic cup to work. Other singers included the priest Francisco Fanhais, the writer José Jorge Letria; Fernando Tordo; Luís Cília; Amélia Muge; Janita Salomé; Manuel Freire; José Barata-Moura; the poet Ary dos Santos; José Mário Branco, Sérgio Godinho, Carlos Alberto Moniz, Maria do Amparo and Samuel.
Poland
Protest songs in Poland were mostly associated with anti-communist movement and developed in the 1970s and 1980s. One of the most important artists was Jacek Kaczmarski, author of such famous songs as "Mury (song), Mury" ("The Walls"), "Przedszkole" ("The Kindergarten") and "Zbroja" ("The Armor"), criticizing both the totalitarian communist government and the opposition. Another famous Polish folk singer, Jan Pietrzak, wrote one of the best-known Polish patriotic protest songs, "Żeby Polska była Polską" ("Make Poland Polish"), in which he reminded the most heroic moments of Polish history, including Kościuszko Uprising, and called people to fight the communists as they fought other enemies of Poland before. He also recorded a musical version of the Jonasz Kofta's poem "Pamiętajcie o ogrodach" ("Remember the Gardens"), protesting against the industrialism of life promoted by the communist propaganda. Other Polish artists well known for writing protest songs include Kazimierz Staszewski and Przemysław Gintrowski.
Russia
The most famous source of Russian protest music in the 20th century has been those known locally as Bard (Soviet Union), bards. The term (бард in Russian) came to be used in the Soviet Union in the early 1960s, and continues to be used in Russia today, to refer to singer-songwriters who wrote songs outside the Soviet establishment. Many of the most famous bards wrote numerous songs about war, particularly The Great Patriotic War (World War II). Bards had various reasons for writing and singing songs about war. Bulat Okudzhava, who actually fought in the war, used his sad and emotional style to illustrate the futility of war in songs such as "The Paper Soldier" ("Бумажный Солдат").
Many political songs were written by bards under Soviet rule, and the genre varied from acutely political, "anti-Soviet" songs, to witty satire in the best traditions of Aesop. Some of Bulat Okudzhava's songs provide examples of political songs written on these themes. Vladimir Vysotsky was perceived as a political songwriter, but later he gradually made his way into more mainstream culture. It was not so with Alexander Galich (writer), Alexander Galich, who was forced to emigrate—owning a tape with his songs could mean a prison term in the USSR. Before emigration, he suffered from KGB persecution, as did another bard, Yuliy Kim. Others, like Evgeny Kliachkin and Aleksander Dolsky, maintained a balance between outright anti-Soviet and plain romantic material.
Protest rhetoric can also be traced in the works of such rock bands as Grazhdanskaya Oborona, Naive (Russian band), Naive, Tarakany!, Pilot (Russian band), Pilot, Noize MC, Lumen (band), Lumen and Louna. Later, during the Soviet-Afghan War in the 1980s, Kino (band) released an album, Gruppa krovi (album), Gruppa krovi, which its main song, "Blood Type" (Группа Крови) is a protest song about the Soviet-Afghan War. In Grand Theft Auto IV, it was part of the soundtrack before its ten-year license expired in 2018. In 2019, twenty-nine years and a day after the group's last performance at Luzhniki Stadium, Metallica held a concert there and sang "Blood Type".
In the 21st century, the feminist punk band Pussy riot in particular has had frequent run-ins with the Vladimir Putin, Putin presidency and the Russian Orthodox Church.
Spain
Spain saw a brief period of protest singers in the 1970s, in the final years of Francoist Spain, Franco's dictatorship, mainly challenging the regime's censorship. They include some mainstream Spanish artists of the era, as Joan Manuel Serrat and Víctor Manuel, but also many others as José Antonio Labordeta, Raimon, Luis Eduardo Aute, Rosa León or Lluís Llach. The Catalan language, then a non-official language in the country, was often used as a vehicle of protest in itself, to highlight the cultural discrimination towards non-Castilian Spanish native speakers in Spain.
Most of the protest songs were in a folk music, folk style with social themes, and were popular among the (then banned) Left-wing politics, left-wing regime's oppositors and their supporters, as well with many young students in main universities. Some notable songs were ''Al Alba'' ("At Dawn") by Aute, ''Al vent'' ("To The Wind") by Raimon, and ''L'Estaca'' ("The Stake") by Llach.
The movement come to an end after the Spanish transition to democracy, years after Franco's death. In 1997, singer Ismael Serrano briefly revamped the style, being his song ''Papá cuéntame otra vez'' ("Dad, tell me again") a nostalgic hymn to the 1970s protests.
United Kingdom
14th–19th century
English folk songs from the late medieval and early modern period reflect the social upheavals of their day. In 1944 the Marxist scholar A. L. Lloyd claimed that "The Cutty Wren" song constituted a coded anthem against feudal oppression and actually dated back to the English peasants' revolt of 1381, making it the oldest extant European protest song. He offered no evidence for his assertion, however and no trace of the song has been found before the 18th century. Despite Lloyd's dubious claim about its origins, however, the "Cutty Wren" was revived and used as a protest song in the 1950s folk revival, an example of what may be considered a protest song. In contrast, the rhyme, "When Adam delved and Eve span, who was then the gentleman?", is attested as authentically originating in the 1381 Peasant Revolt, though no tune associated with it has survived. Ballads celebrating social bandits like Robin Hood, from the 14th century onwards, can be seen as expressions of a desire for social justice, though although social criticism is implied and there is no overt questioning of the status quo.
The era of civil and religious wars of the 17th century in Britain gave rise to the radical communistic millenarian Levellers and Diggers' movements and their associated ballads and hymns, as, for example, the "Diggers' Song". with the incendiary verse:
But the Gentry must come down,
and the poor shall wear the crown.
Stand up now, Diggers all!''
The Digger movement was violently crushed, and so it is not surprising if few overt protest songs associated with it have survived. From roughly the same period, however, songs protesting wars and the human suffering they inflict abound, though such songs do not generally explicitly condemn the wars or the leaders who wage them. For example, "The Maunding Souldier" or "The Fruits of Warre is Beggery", framed as a begging appeal from a crippled soldier of the Thirty Years War. Such songs have been known, strictly speaking, as songs of complaint rather than of protest, since they offered no solution or hint of rebellion against the status quo.
The advent of industrialization in the 18th and early 19th centuries was accompanied by a series of protest movements and a corresponding increase in the number of topical social protest songs and ballads. An important example is "The Triumph of General Ludd", which built a fictional persona for the alleged leader of the early 19th century anti-technological Luddite movement in the cloth industry of the north midlands, and which made explicit reference to the Robin Hood tradition. A surprising English folk hero immortalized in song is Napoleon Bonaparte, the military figure most often the subject of popular ballads, many of them treating him as the champion of the common working man in songs such as the "Bonny Bunch of Roses" and "Napoleon's Dream". As labour became more organized songs were used as anthems and propaganda, for miners with songs such as "The Black Leg Miner", and for factory workers with songs such as "The Factory Bell".
These industrial protest songs were largely ignored during the first English folk revival of the later 19th and early 20th century, which had focused on songs that had been collected in rural areas where they were still being sung and on music education. They were revived in the 1960s and performed by figures such as A. L. Lloyd on his album ''The Iron Muse'' (1963). In the 1980s the anarchist rock band Chumbawamba recorded several versions of traditional English protest songs as ''English Rebel Songs 1381–1914''.
20th century
Colin Irwin, a journalist for ''The Guardian'', believes the modern British protest movement started in 1958 when the Campaign for Nuclear Disarmament organized a 53-mile march from Trafalgar Square to Aldermaston, to protest Britain's participation in the arms race and recent testing of the H-bomb. The protest "fired up young musicians to write campaigning new songs to argue the case against the bomb and whip up support along the way. Suddenly many of those in skiffle groups playing American songs were changing course and writing fierce topical songs to back direct action."
A song composed for the march, "The H-Bomb's Thunder", set the words of a poem by novelist John Brunner (novelist), John Brunner to the tune of "Miner's Lifeguard":
Men and women, stand together
Do not heed the men of war
Make your minds up now or never
Ban the bomb for evermore.
Folk singer Ewan MacColl was for some time one of the principal musical figures of the British nuclear disarmament movement. A former agitprop actor and playwright. MacColl, a prolific songwriter and committed leftist, some years earlier had penned "The Ballad of Ho Chi Minh" (1953), issued as single on Topic Records, and "The Ballad of Stalin" (1954), commemorating the death of that leader.
Neither record has ever been reissued.
According to Irwin, MacColl, when interviewed in the ''Daily Worker'' in 1958, declared that:
There are now more new songs being written than at any other time in the past eighty years—young people are finding out for themselves that folk songs are tailor-made for expressing their thoughts and comments on contemporary topics, dreams, and worries,
In 1965, folk-rock singer Donovan's cover of Buffy Sainte-Marie's "Universal Soldier (song), Universal Soldier" was a hit on the charts. His anti-Vietnam War song "The War Drags On" appeared that same year. This was a common trend in popular music of the 1960s and 1970s. The romantic lyrics of pop songs in the 1950s gave way to words of protest.
![Lie In 15 -- John rehearses Give Peace A Chance](https://upload.wikimedia.org/wikipedia/commons/e/e2/Lie_In_15_--_John_rehearses_Give_Peace_A_Chance.jpg)
As their fame and prestige increased in the late 1960s, The Beatles—and John Lennon in particular—added their voices to the Anti-war. In the documentary ''The US Versus John Lennon'', Tariq Ali attributes the Beatles' activism to the fact that, in his opinion, "The whole culture had been radicalized: [Lennon] was engaged with the world, and the world was changing him." "Revolution (Beatles song), Revolution", 1968, commemorated the worldwide student uprisings. In 1969, when Lennon and Yoko Ono were married, they staged a week-long "bed-in for peace" in the Amsterdam Hilton Hotel, Hilton, attracting worldwide media coverage.
At the second "Bed-in" in Montreal, in June 1969, they recorded "Give Peace a Chance" in their hotel room. The song was sung by over half a million demonstrators in Washington, DC, at the second Moratorium to End the War in Vietnam, Vietnam Moratorium Day, on October 15, 1969.
In 1972 Lennon's most controversial protest song LP was released, ''Some Time in New York City'', the title of whose lead single "Woman Is the Nigger of the World", a phrase coined by Ono in the late 1960s to protest sexism, set off a storm of controversy, and in consequence received little airplay and much banning. The Lennons went to great lengths (including a press conference attended by staff from ''Jet (magazine), Jet'' and ''Ebony (magazine), Ebony'' magazines) to explain that they had used the word ''nigger'' in a symbolic sense and not as an affront to African Americans. The album also included "Attica State", about the Attica Prison riots of September 9, 1971; "Sunday Bloody Sunday" and "The Luck Of The Irish", about the massacre of demonstrators in Northern Ireland and "Angela", in support of black activist Angela Davis. Lennon also performed at the "Free John Sinclair (poet), John Sinclair" benefit concert in Ann Arbor, Michigan, on December 10, 1971, on behalf of the imprisoned antiwar activist and poet who was serving 10 years in state prison for selling two Joint (cannabis), joints of Cannabis (drug), marijuana to an undercover cop.
On this occasion Lennon and Ono appeared on stage with among others singers Phil Ochs and Stevie Wonder, plus antiwar activists Jerry Rubin and Bobby Seale of the Black Panthers party. Lennon's song "John Sinclair" (which can be heard on his ''Some Time in New York City'' album), calls on the authorities to "Let him be, set him free, let him be like you and me". The benefit was attended by some 20,000 people, and three days later the State of Michigan released Sinclair from prison.
The 1970s saw a number of notable songs by British acts that protested against war, including "Peace Train" by Cat Stevens (1971), and "War Pigs (song), War Pigs" by Black Sabbath (1970). Sabbath also protested environmental destruction, describing people leaving a ruined Earth ("Into the Void (Black Sabbath song), Into the Void" including, "Iron Man (song), Iron Man"). Renaissance (band), Renaissance added political repression as a protest theme with "Mother Russia (Renaissance song), Mother Russia" being based on ''One Day in the Life of Ivan Denisovich'' and being joined on the second side of their 1974 album ''Turn of the Cards'' by two other protest songs in "Cold Is Being" (about ecological destruction) and "Black Flame" (about the Vietnam War).
![Clash 21051980 12 800](https://upload.wikimedia.org/wikipedia/commons/3/34/Clash_21051980_12_800.jpg)
As the 1970s progressed, the louder, more aggressive punk movement became the strongest voice of protest, particularly in the UK, featuring anti-war, anti-state, and anti-capitalist themes. The punk culture, in stark contrast with the 1960s' sense of power through union, concerned itself with individual freedom, often incorporating concepts of individualism, Freethought, free thought and even anarchism. According to ''Search and Destroy'' founder V. Vale, "Punk was a total cultural revolt. It was a hardcore confrontation with the black side of history and culture, right-wing imagery, sexual taboos, a delving into it that had never been done before by any generation in such a thorough way." The most significant protest songs of the movement included "God Save the Queen (Sex Pistols song), God Save the Queen" (1977) by the Sex Pistols, "If the Kids are United" by Sham 69, "Career Opportunities (song), Career Opportunities" (1977) (protesting the political and economic situation in England at the time, especially the lack of jobs available to the youth), and "White Riot" (1977) (about class economics and race issues) by The Clash, and "Right to Work" by Chelsea (band), Chelsea. See also Punk ideology.
War was still the prevalent theme of British protest songs of the 1980s – such as Kate Bush's "Army Dreamers" (1980), which deals with the traumas of a mother whose son dies while away at war. Indeed, the early 1980s was a remarkable period for anti-nuclear and anti-war UK political pop, much of it inspired directly or indirectly by the punk movement: 1980 saw '22 such Top 75 hits, by 18 different artists. For almost th[at] entire year ... (47 weeks), the UK singles charts contained at least one hit song that spoke of antiwar or antinuclear concerns, and usually more than one.' Further George McKay argues that 'it really is quite extraordinary to note that one-third of the year 1984 (17 weeks) had some kind of political pop song at the top of the British charts. Viewed from that lofty perspective, 1984 must be seen as a peak protest music time in Britain, most of it in the context of antiwar and antinuclear sentiment.'
However, as the 1980s progressed, it was British prime minister Margaret Thatcher who came under the greatest degree of criticism from native protest singers, mostly for her strong stance against trade unions, and especially for her handling of the UK miners' strike (1984–1985). The leading voice of protest in Margaret Thatcher, Thatcherite Britain in the 1980s was Billy Bragg, whose style of protest song and grass-roots political activism was mostly reminiscent of those of Woody Guthrie, however with themes that were relevant to the contemporary Briton. He summarized his stance in "Between the Wars" (1985), in which he sings: "I'll give my consent to any government that does not deny a man a living wage."
Also in the 1980s the band Frankie Goes to Hollywood released a political pop protest song Two Tribes a relentless bass-driven track depicting the futility and starkness of nuclear weapons and the Cold War. The video for the song depicted a wrestling match between then-President Ronald Reagan and then-Soviet leader Konstantin Chernenko for the benefit of group members and an eagerly belligerent assembly of representatives from the world's nations, the event ultimately degenerating into complete global destruction. This video was played several times at the 1984 Democratic National Convention. Due to some violent scenes ("Reagan" biting "Chernenko"'s ear, etc.), the unedited video could not be shown on MTV, and an edited version was substituted. The single quickly hit the number one spot in the United Kingdom.
Several mixes of the track feature actor Patrick Allen, who recreated his narration from the Protect and Survive public information films for certain 12-inch mixes (the original Protect and Survive soundtracks were sampled for the 7-inch mixes).
North America
Cuba
A type of Cuban protest music started in the mid-1960s when a movement in Cuban music emerged that combined traditional
folk music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has b ...
idioms with progressive and often politicized lyrics. This movement of protest music came to be known as "Nueva trova", and was somewhat similar to that of Nueva canción, however with the advantage of support from the Cuban government, as it promoted the Cuban Revolution – and thus part of revolutionary song.
United States
Though originally and still largely Cuban, nueva trova has become popular across Latin America, especially in Puerto Rico. The movements biggest stars included Puerto Ricans such as Roy Brown (Puerto Rican musician), Roy Brown, Andrés Jiménez, Antonio Cabán Vale and the group Haciendo Punto en Otro Son.
In response to Telegramgate, Puerto Rican musicians Bad Bunny, Residente, and ILE (singer), iLE released the protest song "Afilando los cuchillos" on July 17, 2019. It is a Diss Track calling for the resignation of Ricardo Rosselló.
Oceania
Australia
Indigenous issues feature prominently in politically inspired Australian music and include the topics of land rights, and aboriginal deaths in custody. One of the most prominent Australian bands to confront these issues is Yothu Yindi. Other Australian bands to have confronted indigenous issues include Tiddas (band), Tiddas, Kev Carmody, Archie Roach, Christine Anu, The Herd (Australian band), The Herd, Neil Murray (Australian musician), Neil Murray, Blue King Brown, the John Butler Trio, Midnight Oil, Warumpi Band, Paul Kelly (Australian musician), Paul Kelly, Powderfinger and Xavier Rudd.
In addition to Indigenous issues, many Australian protest singers have sung about the futility of war. Notable anti-war songs include "And The Band Played Waltzing Matilda" (1972) by Eric Bogle, and "A Walk in the Light Green" (1983) by Redgum, most often remembered by its chorus "I was only nineteen".
New Zealand
One of the earliest protest songs in New Zealand was John Hanlon (singer), John Hanlon's ''Damn the Dam'', recorded in 1973 in support of the Save Manapouri Campaign.
During the bitterly divisive 1981 Springbok Tour, Blam Blam Blam's ''There Is No Depression in New Zealand'' became a favourite among anti-tour protesters. Reggae band Herbs (band), Herbs wrote and performed songs criticising France and weapons of mass destruction, French nuclear testing in the Pacific Ocean.
South America
Chile
While the protest song was enjoying its Golden Age in America in the 1960s, it also saw many detractors overseas who saw it as having been commercialized. Chilean singer-songwriter Víctor Jara, who played a pivotal role in the folkloric renaissance that led to the ''Nueva Canción, Nueva Canción Chilena'' (New Chilean Song) movement, which created a revolution in the popular music of his country, criticized the "commercialized" American protest song phenomenon that had been imported into Chile. He criticized it thus:
The cultural invasion is like a leafy tree which prevents us from seeing our own sun, sky and stars. Therefore in order to be able to see the sky above our heads, our task is to cut this tree off at the roots. US imperialism understands very well the magic of communication through music and persists in filling our young people with all sorts of commercial tripe. With professional expertise they have taken certain measures: first, the commercialization of the so-called 'protest music'; second, the creation of 'idols' of protest music who obey the same rules and suffer from the same constraints as the other idols of the consumer music industry – they last a little while and then disappear. Meanwhile, they are useful in neutralizing the innate spirit of rebellion of young people. The term 'protest song' is no longer valid because it is ambiguous and has been misused. I prefer the term 'revolutionary song'.
Nueva canción (literally "new song" in Spanish) was a type of protest/social song in Latin American music which took root in South America, especially Chile and other Andean countries, and gained extreme popularity throughout Latin America. It combined traditional Latin American folk music idioms (played on the quena, zampoña, charango or cajón with guitar accompaniment) with some popular (esp. British) rock music, and was characterized by its progressive and often politicized lyrics. It is sometimes considered a precursor to rock en español. The lyrics are typically in Spanish, with some indigenous or local words mixed in.
In 2019, "A Rapist in Your Path" ( es, link=no, Un violador en tu camino) was first performed in Chile to protest rape culture and victim shaming. Videos of the song and its accompanying dance went viral, spreading across the world.
See also
* Civil Rights anthem
* Sentimental ballad
* Counterculture
* Counterculture of the 1960s
* Folk music
* Folk punk
* List of anti-war songs
* List of peace activists
* Music and politics
* Nonviolent resistance
* Political hip hop, Political/Conscious hip hop
* Reggae (the section on Lyrical Themes)
* Revolutionary song
* Topical song
* Wobblies
Notes
References
Further reading
* Cohen, Ronald D. & Dave Samuelson. Liner notes for ''Songs for Political Action''. Oldendorf: Bear Family Records, 1996.
* Denisoff, R. Serge. ''Sing a Song of Social Significance''. Bowling Green: Bowling Green State University Popular Press, 1983.
* Eyerman, Ron and Andrew Jamison. ''Music and Social Movements: Mobilizing Tradition in the Twentieth Century''. Cambridge: Cambridge University Press, 1998.
* Fowke, Edith and Joe Glazer. ''Songs of Work and Protest''. New York: Dover Publications, 1973.
* McDonnell, John, ed. (1986) ''Songs of Struggle and Protest''. Cork: Mercier Press (reissue of 1979 Gilbert Dalton edition)
* Phull, Hardeep. ''Story behind the Protest Song: A Reference Guide to the 50 Songs That Changed the 20th Century''. Westport: Greenwood, 2008.
* Pratt, Ray. ''Rhythm and Resistance: Explorations in the Political Uses of Popular Music (Media and Society Series)''. New York: Praeger, 1990.
* Robb, David (ed.) ''Protest Song in East and West Germany since the 1960s''. Rochester, NY: Camden, 2007.
* Scaduto, Anthony. ''Bob Dylan''. London: Helter Skelter, 2001 (reprint of 1972 original).
* Street, John. 2012. ''Music and Politics''. Cambridge: Polity Press.
* Senekal, Burgert A. 2009. "Die lied van die nuwe jong Suid-Afrika": Die representasie van vervreemding in hedendaagse Afrikaanse protesmusiek ["The song of a new young South Africa": The representation of alienation in contemporary Afrikaans protest music]. ''Tydskrif vir Nederlands en Afrikaans'' 16(2), 53–67.
* Senekal, Burgert A. and Cilliers van den Berg. 2010. "'n Voorlopige verkenning van hedendaagse Afrikaanse protesmusiek" [A preliminary exploration of post-apartheid Afrikaans protest music]. ''LitNet Akademies'' 7(2), August, 98–128.
External links
"Strange Fruit" – history of protest music from PBS
"Vietnam: The music of protest" Steve Schifferes, BBC News, Sunday, May 1, 2005
from the Library of Congress
Protest Songs & Lyricsan educational resource
Top political and cultural figures from around the world nominate and talk about the political song they most like
{{DEFAULTSORT:Protest Song
Protest songs,