![Frontespizio Agrippina](https://upload.wikimedia.org/wikipedia/commons/0/07/Frontespizio_Agrippina.JPG)
''Agrippina'' (
HWV 6) is an ''
opera seria'' in three acts by
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, ...
with a
libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by Cardinal
Vincenzo Grimani
Vincenzo Grimani (15 May 1652 or 26 May 1655 – 26 September 1710) was an Italian cardinal, diplomat, and opera librettist.
Biography
Grimani was born either in Venice or Mantua. He is best remembered for having supplied the libretto for Ge ...
. Composed for the Venice
''Carnevale'' season, the
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
tells the story of
Agrippina, the mother of
Nero
Nero Claudius Caesar Augustus Germanicus ( ; born Lucius Domitius Ahenobarbus; 15 December AD 37 – 9 June AD 68), was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 un ...
, as she plots the downfall of the
Roman Emperor Claudius
Tiberius Claudius Caesar Augustus Germanicus (; 1 August 10 BC – 13 October AD 54) was the fourth Roman emperor, ruling from AD 41 to 54. A member of the Julio-Claudian dynasty, Claudius was born to Nero Claudius Drusus, Drusu ...
and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy",
[Brown, pp. 357–358] full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with
Pope Clement XI.
Handel composed ''Agrippina'' at the end of a three-year sojourn in Italy. It premiered in Venice at the
Teatro San Giovanni Grisostomo
The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a ...
on 26 December 1709. It proved an immediate success and an unprecedented series of 27 consecutive performances followed. Observers praised the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted from other works, including the works of other composers. Despite the evident public enthusiasm for the work, Handel did not promote further stagings. There were occasional productions in the years following its premiere but Handel's operas, including ''Agrippina'', fell out of fashion in the mid-18th century.
In the 20th century ''Agrippina'' was revived in Germany and premiered in Britain and America. Performances of the work have become ever more common, with innovative stagings at the
New York City Opera
The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived.
The opera company, du ...
and the
London Coliseum
The London Coliseum (also known as the Coliseum Theatre) is a theatre in St Martin's Lane, Westminster, built as one of London's largest and most luxurious "family" variety theatres. Opened on 24 December 1904 as the London Coliseum Theatre ...
in 2007, and the
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...
in 2020. Modern critical opinion is that ''Agrippina'' is Handel's first operatic masterpiece, full of freshness and musical invention which have made it one of the most popular operas of the ongoing Handel revival.
[Anon. (2006)]
Background
![Johann Mattheson](https://upload.wikimedia.org/wikipedia/commons/4/45/Johann_Mattheson.jpg)
Handel's earliest opera compositions, in the
German style, date from his Hamburg years, 1704–06, under the influence of
Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist.
Early life and career
The son of a prosperous tax collector, Mattheson received a broad liberal education ...
.
[Grout & Weigel, pp. 184–185] In 1706 he traveled to Italy where he remained for three years, developing his compositional skills. He first settled in
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico an ...
where he was introduced to
Alessandro
Alessandro is both a given name and a surname, the Italian form of the name Alexander. Notable people with the name include:
People with the given name Alessandro
* Alessandro Allori (1535–1607), Italian portrait painter
* Alessandro Baricco ...
and
Domenico Scarlatti. His first opera composed in Italy, though still reflecting the influence of Hamburg and Mattheson, was ''
Rodrigo
Rodrigo is a Spanish, Portuguese and Italian name derived from the Germanic name ''Roderick'' (Gothic ''*Hroþareiks'', via Latinized ''Rodericus'' or ''Rudericus''), given specifically in reference to either King Roderic (d. 712), the last Vis ...
'' (1707, original title ''Vincer se stesso ê la maggior vittoria''), and was presented there.
[Boyden et al., p. 56] It was not particularly successful, but was part of Handel's process of learning to compose
opera in the Italian style and to set Italian words to music.
Handel then spent time in Rome, where the performance of opera was forbidden by Papal decree, and in Naples. He applied himself to the composition of cantatas and
oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
s; at that time there was little difference (apart from increasing length) between cantata, oratorio and opera, all based on the alternation of
''secco'' recitative and ''
aria da capo''. Works from this period include ''
Dixit Dominus
Psalm 110 is the 110th psalm of the Book of Psalms, beginning in English in the King James Version: "The said unto my Lord". In Latin, it is known as Dixit Dominus ("The Lord Said"). It is considered both a royal psalm and a messianic psalm. ...
'' and the dramatic cantata ''
Aci, Galatea e Polifemo
Aci, Galatea e Polifemo ( HWV 72) is a dramatic cantata—also called a serenata—by George Frideric Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned by Duche ...
'', written in Naples. While in Rome, probably through Alessandro Scarlatti, Handel had become acquainted with Cardinal Grimani,
[Lang, p. 91] a distinguished diplomat who wrote libretti in his spare time, and acted as an unofficial theatrical agent for the Italian royal courts.
He was evidently impressed by Handel and asked him to set his new libretto, ''Agrippina''. Grimani intended to present this opera at his family-owned theatre in Venice, the
Teatro San Giovanni Grisostomo
The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a ...
, as part of the 1709–10 ''Carnevale'' season.
Writing history
Libretto
Grimani's libretto is based on much the same story used as the subject of
Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is consider ...
's 1642 opera ''
L'incoronazione di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni ...
''. Grimani's libretto centres on Agrippina, a character who does not appear in Monteverdi's darker version.
Grimani avoids the "moralizing" tone of the later ''opera seria'' libretti written by such acknowledged masters as
Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti.
Early life
Me ...
and
Zeno
Zeno ( grc, Ζήνων) may refer to:
People
* Zeno (name), including a list of people and characters with the name
Philosophers
* Zeno of Elea (), philosopher, follower of Parmenides, known for his paradoxes
* Zeno of Citium (333 – 264 BC), ...
.
According to the critic Donald Jay Grout, "irony, deception and intrigue pervade the humorous escapades of its well-defined characters".
All the main characters, with the sole exception of Claudius's servant Lesbus, are historical, and the broad outline of the libretto draws heavily upon
Tacitus
Publius Cornelius Tacitus, known simply as Tacitus ( , ; – ), was a Roman historian and politician. Tacitus is widely regarded as one of the greatest Roman historiography, Roman historians by modern scholars.
The surviving portions of his t ...
's ''
Annals
Annals ( la, annāles, from , "year") are a concise historical record in which events are arranged chronologically, year by year, although the term is also used loosely for any historical record.
Scope
The nature of the distinction between ann ...
'' and
Suetonius
Gaius Suetonius Tranquillus (), commonly referred to as Suetonius ( ; c. AD 69 – after AD 122), was a Roman historian who wrote during the early Imperial era of the Roman Empire.
His most important surviving work is a set of biographies ...
' ''
Life of Claudius''.
It has been suggested that the comical, amatory character of the Emperor Claudius is a caricature of
Pope Clement XI, to whom Grimani was politically opposed. Certain aspects of this conflict are also reflected in the plot: the rivalry between Nero and Otho mirror aspects of the debate over the
War of the Spanish Succession
The War of the Spanish Succession was a European great power conflict that took place from 1701 to 1714. The death of childless Charles II of Spain in November 1700 led to a struggle for control of the Spanish Empire between his heirs, Phil ...
, in which Grimani supported the
Habsburgs
The House of Habsburg (), alternatively spelled Hapsburg in Englishgerman: Haus Habsburg, ; es, Casa de Habsburgo; hu, Habsburg család, it, Casa di Asburgo, nl, Huis van Habsburg, pl, dom Habsburgów, pt, Casa de Habsburgo, la, Domus Hab ...
and Pope Clement XI France and Spain.
[Neef, pp. 196–197]
Composition
According to
John Mainwaring
__NOTOC__
John Mainwaring (1724 – 15 April 1807) was an English theologian and the first biographer of the composer Georg Friedrich Händel in any language. He was a Fellow of St. John's College, Cambridge, and parish priest, and later a prof ...
, Handel's first biographer, ''Agrippina'' was composed in the three weeks following Handel's arrival in Venice in November 1709, a theory supported by the autograph manuscript's Venetian paper.
[Dean & Knapp, p. 128]
In composing the opera Handel borrowed extensively from his earlier oratorios and cantatas, and from other composers including
Reinhard Keiser
Reinhard Keiser (9 January 1674 – 12 September 1739) was a German opera composer based in Hamburg. He wrote over a hundred operas. Johann Adolf Scheibe (writing in 1745) considered him an equal to Johann Kuhnau, George Frideric Handel and Georg ...
,
Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of ...
and
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
.
This practice of adapting and borrowing was common at the time but is carried to greater lengths in ''Agrippina'' than in almost all of Handel's other major dramatic works.
[Sawyer, p. 531] The
overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overt ...
, which is a French-style two-part work with a "thrilling" allegro,
[Boyden et al., pp. 57–58] and all but five of the vocal numbers, are based on earlier works, though subject in many cases to significant adaptation and reworking.
[Dean (1997), p. 2 c.1]
![Margherita Durastanti](https://upload.wikimedia.org/wikipedia/commons/6/67/Margherita_Durastanti.jpg)
Examples of recycled material include Pallas's "Col raggio placido", which is based on Lucifer's aria from ''
La resurrezione
''La resurrezione'' (''The Resurrection''), HWV 47, is an oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Marie Casimire Louise de La Grange d'Arquien, Queen Marie Casimire ...
'' (1708), "O voi dell'Erebo", which was itself adapted from Reinhard Keiser's 1705 opera ''Octavia''. Agrippina's aria "Non ho cor che per amarti" was taken, almost entirely unchanged, from "Se la morte non vorrà" in Handel's earlier dramatic cantata ''
Qual ti reveggio, oh Dio'' (1707); Narcissus's "Spererò" is an adaptation of "Sai perchè" from another 1707 cantata, ''
Clori, Tirsi e Fileno
''Clori, Tirsi, e Fileno, Cantata a tre'' (HWV 96), subtitled ''Cor fedele in vano speri'' ("A faithful heart hopes in vain"), is a 1707 comic cantata by George Frideric Handel. The subject is a pretty shepherdess who loves two young men, but los ...
''; and parts of Nero's aria in act 3, "Come nube che fugge dal vento", are borrowed Handel's oratorio ''
Il trionfo del tempo'' (all from 1707).
[Sawyer, pp. 533–541] Later, some of ''Agrippina's'' music was used by Handel in his London operas ''
Rinaldo
Rinaldo may refer to:
*Renaud de Montauban (also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalbaen, German: Reinhold von Montalban), a legendary knight in the medieval Matter of France
* Rinaldo (''Jerusalem Lib ...
'' (1711) and the 1732 version of ''
Acis and Galatea'', in each case with little or no change. The first music by Handel presented in London may have been Agrippina's "Non ho cor che", transposed into Alessandro Scarlatti's opera ''Pirro è Dimitrio'' which was performed in London on 6 December 1710. The ''Agrippina'' overture and other arias from the opera appeared in
pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, o ...
s performed in London between 1710 and 1714, with additional music provided by other composers. Echoes of "Ti vo' giusta" (one of the few arias composed specifically for ''Agrippina'') can be found in the air "He was despised", from Handel's ''
Messiah
In Abrahamic religions, a messiah or messias (; ,
; ,
; ) is a saviour or liberator of a group of people. The concepts of ''mashiach'', messianism, and of a Messianic Age originated in Judaism, and in the Hebrew Bible, in which a ''mashiach'' ...
'' (1742).
[Dean (1997), p. 5 c.1]
Two of the main male roles, Nero and Narcissus, were written for
castrati, the "superstars of their day" in Italian opera.
The opera was revised significantly before and possibly during its run.
[Dean (1997), p. 3 c.2] One example is the duet for Otho and Poppaea in act 3, "No, no, ch'io non apprezzo", replaced with two solo arias before the first performance. Another is Poppaea's aria "Ingannata", replaced during the run with another of extreme
virtuosity
''Virtuosity'' is a 1995 American science fiction action film directed by Brett Leonard and starring Denzel Washington and Russell Crowe. Howard W. Koch Jr. served as an executive producer for the film. The film was released in the United Stat ...
, "Pur punir chi m'ha ingannata", either to emphasise Poppaea's new-found resolution at this juncture of the opera or, as is thought more likely, to flatter Scarabelli by giving her an additional opportunity to show off her vocal abilities.
The instrumentation for Handel's score follows closely that of all his early operas: two recorders, two oboes, two trumpets, three violins, two cellos, viola, timpani, contrabassoon and harpsichord. By the standards of Handel's later London operas this scoring is light, but there are nevertheless what
Dean
Dean may refer to:
People
* Dean (given name)
* Dean (surname), a surname of Anglo-Saxon English origin
* Dean (South Korean singer), a stage name for singer Kwon Hyuk
* Dean Delannoit, a Belgian singer most known by the mononym Dean
Titles
* ...
and
Knapp
Knapp may refer to:
People
* Knapp (surname)
Places
* Knapp, Dunn County, Wisconsin
* Knapp, Jackson County, Wisconsin
* Knapp, Hampshire, England, a village in the parish of Ampfield
* Knapp, Perthshire, Scotland
* Knapp Creek (West Virgi ...
describe as "moments of splendour when Handel applies the full ''concerto grosso'' treatment". ''Agrippina'', Handel's second Italian opera, was probably his last composition in Italy.
[Dean (1997), p. 2 c.1]
Roles
Synopsis
Act 1
On hearing that her husband, the Emperor
Claudius
Tiberius Claudius Caesar Augustus Germanicus (; 1 August 10 BC – 13 October AD 54) was the fourth Roman emperor, ruling from AD 41 to 54. A member of the Julio-Claudian dynasty, Claudius was born to Nero Claudius Drusus, Drusu ...
, has died in a storm at sea, Agrippina plots to secure the throne for
Nero
Nero Claudius Caesar Augustus Germanicus ( ; born Lucius Domitius Ahenobarbus; 15 December AD 37 – 9 June AD 68), was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 un ...
, her son by a previous marriage. Nero is unenthusiastic about this project, but consents to his mother's wishes ("Con saggio tuo consiglio"). Agrippina obtains the support of her two freedmen,
Pallas
Pallas may refer to:
Astronomy
* 2 Pallas asteroid
** Pallas family, a group of asteroids that includes 2 Pallas
* Pallas (crater), a crater on Earth's moon
Mythology
* Pallas (Giant), a son of Uranus and Gaia, killed and flayed by Athena
* Pa ...
and
Narcissus, who hail Nero as the new Emperor before the
Senate
A senate is a deliberative assembly, often the upper house or chamber of a bicameral legislature. The name comes from the ancient Roman Senate (Latin: ''Senatus''), so-called as an assembly of the senior (Latin: ''senex'' meaning "the el ...
.
![Claudius Uffizi](https://upload.wikimedia.org/wikipedia/commons/b/b4/Claudius_Uffizi.jpg)
With the Senate's assent, Agrippina and Nero begin to ascend the throne, but the ceremony is interrupted by the entrance of Claudius's servant Lesbus. He announces that his master is alive ("Allegrezza! Claudio giunge!"), saved from death by
Otho
Marcus Otho (; born Marcus Salvius Otho; 28 April 32 – 16 April 69) was the seventh Roman emperor, ruling for three months from 15 January to 16 April 69. He was the second emperor of the Year of the Four Emperors.
A member of a noble Etru ...
, the commander of the army. Otho himself confirms this and reveals that Claudius has promised him the throne as a mark of gratitude. Agrippina is frustrated, until Otho secretly confides to her that he loves the beautiful
Poppaea
Poppaea Sabina (AD 30 – 65), also known as Ollia, was a Roman empress as the second wife of the Emperor Nero. She had also been wife to the future emperor Otho. The historians of antiquity describe her as a beautiful woman who used intrigues ...
more than he desires the throne. Agrippina, aware that Claudius also loves Poppaea, sees a new opportunity of furthering her ambitions for Nero. She goes to Poppaea and tells her, falsely, that Otho has struck a bargain with Claudius whereby he, Otho, gains the throne but gives Poppaea to Claudius. Agrippina advises Poppaea to turn the tables on Otho by telling the Emperor that Otho has ordered her to refuse Claudius's attentions. This, Agrippina believes, will make Claudius revoke his promise to Otho of the throne.
Poppaea believes Agrippina. When Claudius arrives at Poppaea's house she denounces what she believes is Otho's treachery. Claudius departs in fury, while Agrippina cynically consoles Poppaea by declaring that their friendship will never be broken by deceit ("Non ho cor che per amarti").
Act 2
Pallas and Narcissus realize that Agrippina has tricked them into supporting Nero and decide to have no more to do with her. Otho arrives, nervous about his forthcoming coronation ("Coronato il crin d'alloro"), followed by Agrippina, Nero and Poppaea, who have come to greet Claudius. All combine in a triumphal chorus ("Di timpani e trombe") as Claudius enters. Each in turns pays tribute to the Emperor, but Otho is coldly rebuffed as Claudius denounces him as a traitor. Otho is devastated and appeals to Agrippina, Poppaea, and Nero for support, but they all reject him, leaving him in bewilderment and despair ("Otton, qual portentoso fulmine" followed by "Voi che udite il mio lamento").
However, Poppaea is touched by her former beloved's grief, and wonders if he might not be guilty ("Bella pur nel mio diletto"). She devises a plan and when Otho approaches her, she pretends to talk in her sleep recounting what Agrippina has told her earlier. Otho, as she intended, overhears her and fiercely protests his innocence. He convinces Poppaea that Agrippina has deceived her. Poppaea swears revenge ("Ingannata una sol volta", alternate aria "Pur punir chi m'ha ingannata") but is distracted when Nero comes forward and declares his love for her. Meanwhile, Agrippina, having lost the support of Pallas and Narcissus, manages to convince Claudius that Otho is still plotting to take the throne. She advises Claudius that he should end Otho's ambitions once and for all by abdicating in favour of Nero. Claudius agrees, believing that this will enable him to win Poppaea.
Act 3
Poppaea now plans some deceit of her own, in an effort to divert Claudius's wrath from Otho with whom she has now reconciled. She hides Otho in her bedroom with instructions to listen carefully. Soon Nero arrives to press his love on her ("Coll'ardor del tuo bel core"), but she tricks him into hiding as well. Then Claudius enters; Poppaea tells him that he had earlier misunderstood her: it was not Otho but Nero who had ordered her to reject Claudius. To prove her point she asks Claudius to pretend to leave, then she summons Nero who, thinking Claudius has gone, resumes his passionate wooing of Poppaea. Claudius suddenly reappears and angrily dismisses the crestfallen Nero. After Claudius departs, Poppaea brings Otho out of hiding and the two express their everlasting love in separate arias.
At the palace, Nero tells Agrippina of his troubles and decides to renounce love for political ambition ("Come nube che fugge dal vento"). But Pallas and Narcissus have by now revealed Agrippina's original plot to Claudius, so that when Agrippina urges the Emperor to yield the throne to Nero, he accuses her of treachery. She then claims that her efforts to secure the throne for Nero had all along been a ruse to safeguard the throne for Claudius ("Se vuoi pace"). Claudius believes her; nevertheless, when Poppaea, Otho, and Nero arrive, Claudius announces that Nero and Poppaea will marry, and that Otho shall have the throne. No one is satisfied with this arrangement, as their desires have all changed, so Claudius in a spirit of reconciliation reverses his judgement, giving Poppaea to Otho and the throne to Nero. He then summons the goddess
Juno
Juno commonly refers to:
*Juno (mythology), the Roman goddess of marriage and queen of the gods
*Juno (film), ''Juno'' (film), 2007
Juno may also refer to:
Arts, entertainment and media Fictional characters
*Juno, in the film ''Jenny, Juno''
*Ju ...
, who descends to pronounce a general blessing ("V'accendano le tede i raggi delle stelle").
Performance history
Premiere
The date of ''Agrippina''s first performance, about which there was at one time some uncertainty, has been confirmed by a manuscript newsletter as 26 December 1709.
[Dean & Knapp, p. 128] The cast consisted of some of Northern Italy's leading singers of the day, including
Antonio Carli
Antonio Francesco Carli (floruit, fl. 1706–23) was an Italian bass singer, primarily of operatic roles. He is best remembered for having sung the role of Claudius in the original production of George Frideric Handel's early success ''Agrippina ...
in the lead bass role;
Margherita Durastanti
Margherita Durastanti (active 1700–1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Man ...
, who had recently sung the role of Mary Magdalene in Handel's ''
La resurrezione
''La resurrezione'' (''The Resurrection''), HWV 47, is an oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Marie Casimire Louise de La Grange d'Arquien, Queen Marie Casimire ...
''; and
Diamante Scarabelli, whose great success at
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...
in the 1697
pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, o ...
''Perseo'' inspired the publication of a volume of eulogistic verse entitled ''La miniera del Diamante''.
[Dean (1997) p. 1 c.1][Hicks (Grove Music Online)]
''Agrippina'' proved extremely popular and established Handel's international reputation.
Its original run of 27 performances was extraordinary for that time.
Handel's biographer John Mainwaring wrote of the first performance: "The theatre at almost every pause resounded with shouts of ''Viva il caro Sassone!'' ('Long live the beloved Saxon!') They were thunderstruck with the grandeur and sublimity of his style, for they had never known till then all the powers of harmony and modulation so closely arranged and forcibly combined." Many others recorded overwhelmingly positive responses to the work.
Later performances
Between 1713 and 1724 there were productions of ''Agrippina'' in Naples, Hamburg, and Vienna, although Handel himself never revived the opera after its initial run. The Naples production included additional music by
Francesco Mancini. In the later 18th, and throughout the 19th centuries, Handel's operas fell into obscurity, and none were staged between 1754 and 1920.
[Dean (1980), p. 110] However, when interest in Handel's operas awakened in the 20th century, ''Agrippina'' received several revivals, beginning with a 1943 production at Handel's birthplace,
Halle, under conductor Richard Kraus at the
Halle Opera House
The Halle Opera House () is an opera house in Halle, Saxony-Anhalt. Originally named the Halle Town Theatre (), the theatre was built in 1886. A bomb attack on 31 March 1945 destroyed much of the original building. Restorative work ensued a few ...
. In this performance the alto role of Otho, composed for a woman, was changed into a bass accompanied by
English horns, "with calamitous effects on the delicate balance and texture of the score", according to
Winton Dean
Winton Basil Dean (18 March 1916 – 19 December 2013) was an English musicologist of the 20th century, most famous for his research on the life and works—in particular the operas and oratorios—of George Frideric Handel, as detailed in his boo ...
. The
Radio Audizioni Italiane produced a live radio broadcast of the opera on 25 October 1953, the opera's first presentation other than on stage. The cast included
Magda László in the title role and
Mario Petri
Mario Petri (21 January 1922 – 26 January 1985) was an Italian operatic bass-baritone particularly associated with Mozart and Rossini roles.
Life and career
Petri was born in Perugia and began his career after World War II, making his stage d ...
as Claudius, and the performance was conducted by
Antonio Pedrotti.
A 1958 performance in
Leipzig
Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...
, and several more stagings in Germany, preceded the British première of the opera at
Abingdon, Oxfordshire
Abingdon-on-Thames ( ), commonly known as Abingdon, is a historic market town and civil parish in the ceremonial county of Oxfordshire, England, on the River Thames. Historically the county town of Berkshire, since 1974 Abingdon has been admin ...
, in 1963.
[Dean & Knapp, Appendix F] This was followed in 1982 by the first fully professional production in England. It was performed by Kent Opera with the conductor, Ivan Fischer, making his debut with the company and the orchestra playing on baroque instruments. Felicity Palmer took the title role. In 1983 the opera returned to Venice, for a performance under
Christopher Hogwood at the
Teatro Malibran
The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a ...
.
In the United States a concert performance had been given on 16 February 1972 at the
Academy of Music in Philadelphia, but the opera's first fully staged American performance was in
Fort Worth, Texas
Fort Worth is the fifth-largest city in the U.S. state of Texas and the 13th-largest city in the United States. It is the county seat of Tarrant County, covering nearly into four other counties: Denton, Johnson, Parker, and Wise. According ...
, in 1985.
[Brown, p. 418] That same year it reached New York, with a concert performance at
Alice Tully Hall
Alice Tully Hall is a concert hall at the Lincoln Center for the Performing Arts in the Upper West Side neighborhood of Manhattan in New York City. The hall is named for Alice Tully, a New York performer and philanthropist whose donations assist ...
, where the opera was described as a "genuine rarity".
The Fort Worth performance was quickly followed by further American stagings in
Iowa City
Iowa City, offically the City of Iowa City is a city in Johnson County, Iowa, United States. It is the home of the University of Iowa and county seat of Johnson County, at the center of the Iowa City Metropolitan Statistical Area. At the time ...
and
Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- mo ...
.
The
historically informed performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of ...
movement inspired two period instrument productions of ''Agrippina'' in 1985 and 1991 respectively. Both were in Germany, the first was in the
Schlosstheater Schwetzingen
Schlosstheater Schwetzingen (Schwetzingen palace theater) is a court theater in Schwetzingen, Baden-Württemberg, Germany. The historic building, opened in 1753, is part of Schloss Schwetzingen and since 1952 the principal venue of the Schwetzing ...
, the other at the
Göttingen International Handel Festival
The Göttingen International Handel Festival (German, ''Internationale Händel-Festspiele Göttingen'') is a German festival of baroque music, based in Göttingen, Germany. The festival was established in 1919 by Oskar Hagen, art historian and f ...
.
[
]
21st century revivals
There have been numerous productions in the 21st century. There was a fully staged performance at the Glimmerglass Opera
The Glimmerglass Festival (formerly known as Glimmerglass Opera) is an American opera company. Founded in 1975 by Peter Macris, the Glimmerglass Festival presents an annual season of operas at the Alice Busch Opera Theater on Otsego Lake eight ...
in Cooperstown, New York in 2001, conducted by Harry Bicket
Harry Alexander Clarence Bicket (born 1961) is a British conductor, harpsichordist and organist. He is particularly associated with the baroque and classical repertoire.
Bicket was educated at Radley College, Christ Church, Oxford, where he ...
and directed by Lillian Groag
Lillian Groag (born Liliana C. Groag) is an Argentine-American playwright, theater director, and actress. Her plays include ''The Ladies of the Camellias'', ''The Magic Fire'', and '' The White Rose''.
Early life and career
Lillian Groag was b ...
. This production then moved in 2002 to the New York City Opera
The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived.
The opera company, du ...
, revived in 2007, and was described by ''The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' critic as "odd ... presented as broad satire, a ''Springtime for Hitler
''Springtime for Hitler: A Gay Romp With Adolf and Eva at Berchtesgaden'' is a fictional musical in Mel Brooks' 1967 film '' The Producers'', as well as the stage musical adaptation of the movie, and the 2005 movie adaptation of the musical. It ...
'' version of ''I, Claudius
''I, Claudius'' is a historical novel by English writer Robert Graves, published in 1934. Written in the form of an autobiography of the Roman Emperor Claudius, it tells the history of the Julio-Claudian dynasty and the early years of the Roma ...
''", although the musical performances were generally praised. In Britain, the English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English ...
(ENO) staged an English-language version in February 2007, directed by David McVicar
Sir David McVicar (born 1966) is a Scottish opera and theatre director.
Biography
McVicar was born in Glasgow in 1966. He studied as an actor at the Royal Scottish Academy of Music and Drama, graduating in 1989. In 2007, ''The Independent'' ran ...
, which received a broadly favourable critical response, although critic Fiona Maddocks
Fiona Maddocks is a British music critic and author who specializes in classical music. Described as "one of the UK's leading writers and commentators on classical music", Maddocks has been chief music critic of ''The Observer'' since 2010. S ...
identified features of the production that diminished the work: "Music so witty, inventive and humane requires no extra gilding". Some of the later revivals used countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a s ...
s in the roles written for castrati.[ ]Joyce DiDonato
Joyce DiDonato (née Flaherty; born February 13, 1969) is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
...
has performed the title role in productions in London at The Royal Opera
The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Cove ...
in 2019 and at the Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...
New York in 2020, among other venues.
Music
''Agrippina'' is considered Handel's first operatic masterpiece; according to Winton Dean it has few rivals for its "sheer freshness of musical invention". Grimani's libretto has also been praised: ''The New Penguin Opera Guide'' describes it as one of the best Handel ever set, and praises the "light touch" with which the characters are vividly portrayed. ''Agrippina'' as a whole is, in the view of the scholar John E. Sawyer, "among the most convincing of all the composer's dramatic works".
Style
Stylistically, ''Agrippina'' follows the standard pattern of the era by alternating recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
and ''da capo'' arias. In accordance with 18th-century opera convention the plot is mainly carried forward in the recitatives, while the musical interest and exploration of character takes place in the arias—although on occasion Handel breaks this mould by using arias to advance the action. With one exception the recitative sections are ''secco'' ("dry"), where a simple vocal line is accompanied by continuo only. The anomaly is Otho's "Otton, qual portentoso fulmine", where he finds himself robbed of the throne and deserted by his beloved Poppaea; here the recitative is accompanied by the orchestra, as a means of highlighting the drama. Dean and Knapp describe this, and Otho's aria which follows, as "the peak of the opera". The 19th-century musical theorist Ebenezer Prout singles out Agrippina's "Non ho cor che per amarti" for special praise. He points out the range of instruments used for special effects, and writes that "an examination of the score of this air would probably astonish some who think Handel's orchestration is wanting in variety".
Handel made more use than was then usual of orchestral accompaniment in arias, but in other respects ''Agrippina'' is broadly typical of an older operatic tradition. For the most part the arias are brief, there are only two short ensembles, and in the quartet
In music, a quartet or quartette (, , , , ) is an ensemble of four singers or instrumental performers; or a musical composition for four voices and instruments.
Classical String quartet
In classical music, one of the most common combinations o ...
and the trio the voices are not heard together.[Dean, p. 4 c.2] However, Handel's style would change very little in the next 30 years, a point reflected in the reviews of the Tully Hall performance of ''Agrippina'' in 1985, which refer to a "string of melodious aria and ensembles, any of which could be mistaken for the work of his mature London years".[
]
Character
Of the main characters, only Otho is not morally contemptible. Agrippina is an unscrupulous schemer; Nero, while not yet the monster he would become, is pampered and hypocritical; Claudius is pompous, complacent, and something of a buffoon, while Poppaea, the first of Handel's sex kittens, is also a liar and a flirt. The freedmen Pallas and Narcissus are self-serving and salacious.[ All, however, have some redeeming features, and all have arias that express genuine emotion. The situations in which they find themselves are sometimes comic, but never farcical—like ]Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
in the Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italian, later American, opera librettist, poet and Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Mozart's most celebrated operas: '' The Ma ...
operas, Handel avoids laughing at his characters.[Dean & Knapp, p. 119]
In ''Agrippina'' the ''da capo'' aria is the musical form used to illustrate character in the context of the opera.[La Rue, pp. 112–113] The first four arias of the work exemplify this: Nero's "Con raggio", in a minor key and with a descending figure on the key phrase "il trono ascenderò" ("I will ascend the throne") characterises him as weak and irresolute.[ Pallas's first aria "La mia sorte fortunata", with its "wide-leaping melodic phrasing" introduces him as a bold, heroic figure, contrasting with his rival Narcissus whose introspective nature is displayed in his delicate aria "Volo pronto" which immediately follows.][ Agrippina's introductory aria "L'alma mia" has a mock-military form which reflects her outward power, while subtle ]musical phrasing
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the i ...
establishes her real emotional state.[ Poppaea's arias are uniformly light and rhythmic, while Claudius's short love song "Vieni O cara" gives a glimpse of his inner feelings, and is considered one of the gems of the score.][Dean & Knapp, pp. 122–125]
Irony
Grimani's libretto is full of irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique.
Irony can be categorized into ...
, which Handel reflects in the music. His settings sometimes illustrate both the surface meaning, as characters attempt to deceive each other, and the hidden truth. For instance, in her aria in act 1, "Non ho cor che per amarti", Agrippina promises Poppaea that deceit will never mar their new friendship, while tricking her into ruining Otho's chances for the throne. Handel's music illuminates her deceit in the melody and minor modal key, while a simple, emphasised rhythmic accompaniment hints at clarity and openness. In act 3, Nero's announcement that his passion is ended and that he will no longer bound by it (in "Come nube che fugge dal vento") is set to bitter-sweet music which suggests that he is deceiving himself.[Sawyer, p. 534] In Otho's "Coronato il crin" the agitated nature of the music is the opposite of what the "euphoric" tone of the libretto suggests. Contrasts between the force of the libretto and the emotional colour of the actual music would develop into a constant feature of Handel's later London operas.
List of arias and musical numbers
The index of Chrysander's edition (see below) lists the following numbers, excluding the ''secco'' recitatives. Variants from the libretto are also noted.
Act 1
Act 2
Act 3
Recordings
Editions
Handel's autograph score survives, with the Sinfonia and first recitatives missing, but it shows significant differences from the libretto, due to changes made for the first performances.[Dean & Knapp, pp. 135–139][ Handel's performing score is lost. Three early manuscript copies, probably dating from 1710, are held in ]Vienna
en, Viennese
, iso_code = AT-9
, registration_plate = W
, postal_code_type = Postal code
, postal_code =
, timezone = CET
, utc_offset = +1
, timezone_DST ...
; one of these may have been a gift from Grimani to the future Emperor Charles VI
Charles VI (german: Karl; la, Carolus; 1 October 1685 – 20 October 1740) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1711 until his death, succeeding his elder brother, Joseph I. He unsuccessfully claimed the thron ...
.[ These copies, presumably based on the lost performing score, show further changes from the autograph. A manuscript from the 1740s known as the "Flower score" is described by Dean as "a miscellany in haphazard order".][
In about 1795 the British composer Samuel Arnold produced an edition based on early copies; this edition, while it contains errors and inaccuracies, has been called "probably a reasonable reflection of early performances".][ The Chrysander edition of 1874 has a tendency to "sweep Arnold aside when he is right and follow him when he is wrong".][ Musicologist ]Anthony Hicks
Anthony Hicks (26 June 1943 – 26 May 2010) was a Welsh musicologist, music critic, editor, and writer.
Born in Swansea, a city in Wales, Hicks read mathematics at King's College London during the mid-1960s and worked for roughly a quarter of ce ...
calls it "an unfortunate attempt to reconcile the autograph text with Arnold and the wordbook, the result being a composite version of no authority".[Hicks, Anthony]
"Agrippina"
in Grove Music Online Retrieved on 8 March 2009
In 1950 Barenreiter published Hellmuth Christian Wolff's edition, prepared for the 1943 Halle revival and reflecting the casting of basses for Otto and Narcissus, even when they sing what would otherwise be the alto part in the last chorus. It presents a German adaptation of the recitatives and written out embellishments for the da capo aria
The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and orato ...
s as well as numerous cuts. The B-flat fugue G 37 appears as an act 2 overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overt ...
along with other instrumental music.
An edition by John E Sawyer appeared in 2013 as series II vol. 3 of the ''Hallische Händelausgabe''. It is based on the 1709 version, with ballet music borrowed from Rodrigo, and contains two appendices with added and reconstructed music as well as deleted versions from the autograph.[Hallische Händelausgabe]
Retrieved on 18 April 2016
References
Notes
Sources
*
*
* Boyden, Matthew; Nick Kimberley; and Joseph Staines (2007), ''The Rough Guide to Opera''. Rough Guides, London. .
* Brown, David J (2001), "George Frideric Handel", in ''The New Penguin Opera Guide'', ed. Amanda Holden
Amanda Louise Holden (born 16 February 1971) is an English actress, media personality, and singer. Since 2007, she has been a judge on the television talent show competition ''Britain's Got Talent'' on ITV. She also co-hosts the ''Heart Brea ...
. Penguin Putnam, New York. .
* Dean, Winton (1980). "George Frideric Handel". ''The New Grove Dictionary of Music and Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...
'' (British special edition), Vol. 8. London: Macmillan. pp. 85–138. .
* Dean, Winton (1997), "Humour with Human Commitment: Handel's ''Agrippina''". Essay accompanying Philips recording 438 009-2 by Philips Classical Productions.
* Dean, Winton (1988)
"Scholarship and the Handel Revival"
in ''Handel Tercentenary Collection'', ed. Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
and Anthony Hicks
Anthony Hicks (26 June 1943 – 26 May 2010) was a Welsh musicologist, music critic, editor, and writer.
Born in Swansea, a city in Wales, Hicks read mathematics at King's College London during the mid-1960s and worked for roughly a quarter of ce ...
. Boydell & Brewer, Rochester, NY. .
* Dean, Winton; and J. Merrill Knapp (1995), ''Handel's Operas, 1704–1726'' (Revised edition). Clarendon Press, Oxford. .
*
George Frideric Handel: Opera Discography
, Gfhandel.org.
*
George Frideric Handel: ''Agrippina'' – libretto di Vincenzo Grimani
", Haendel.it.
* Grout, Donald J.; and Hermione Weigel (1947), ''A Short History of Opera Vol. 1''. Columbia University Press
Columbia University Press is a university press based in New York City, and affiliated with Columbia University. It is currently directed by Jennifer Crewe (2014–present) and publishes titles in the humanities and sciences, including the fiel ...
, New York.
Hallische Händelausgabe
Handel-Haus Retrieved on 22 March 2009
* "Handel, George Frideric" in ''Encyclopædia Britannica
The (Latin for "British Encyclopædia") is a general knowledge English-language encyclopaedia. It is published by Encyclopædia Britannica, Inc.; the company has existed since the 18th century, although it has changed ownership various time ...
, 15th edition'' (2002). Encyclopædia Britannica Inc., London, Vol. 5, pp. 678–680. .
* Handel, George Frideric; and Vincenzo Grimani
Vincenzo Grimani (15 May 1652 or 26 May 1655 – 26 September 1710) was an Italian cardinal, diplomat, and opera librettist.
Biography
Grimani was born either in Venice or Mantua. He is best remembered for having supplied the libretto for Ge ...
(1874
"''Agrippina'':_Libretto_and_Score,_ "''Agrippina'':_Libretto_and_Score,_Friedrich_Chrysander
_edition".">Friedrich_Chrysander">"''Agrippina'':_Libretto_and_Score,_Friedrich_Chrysander
_edition".Handel-Gesellschaft,_Halle_(Germany)
*_Handel,_George_Frideric;_and_Vincenzo_Grimani_(1985),_''Agrippina:_Miniature_Score''._Alfred_Publishing._.
*_Handel,_George_Frideric;_and_Vincenzo_Grimani_(1950),_''Agrippina_Vocal_Score''._(_Hellmuth_Christian_Wolff_ed.)_Barenreiter,_Wolfenbüttel-Berlin.
*_Anthony_Hicks.html" ;"title="Friedrich_Chrysander
_edition"..html" ;"title="Friedrich Chrysander">"''Agrippina'': Libretto and Score, Friedrich Chrysander
edition".">Friedrich Chrysander">"''Agrippina'': Libretto and Score, Friedrich Chrysander
edition".Handel-Gesellschaft, Halle (Germany)
* Handel, George Frideric; and Vincenzo Grimani (1985), ''Agrippina: Miniature Score''. Alfred Publishing. .
* Handel, George Frideric; and Vincenzo Grimani (1950), ''Agrippina Vocal Score''. ( Hellmuth Christian Wolff ed.) Barenreiter, Wolfenbüttel-Berlin.
* Anthony Hicks">Hicks, Anthony
"''Agrippina''"
in Grove Music Online. Oxford University Press, Oxford.
* Hicks, Anthony (August 1982). "Handel on the London Stage". ''The Musical Times'' 123 (1674): p. 530.
* Christopher Hogwood, Hogwood, Christopher (1988), ''Handel''. Thames & Hudson, London. .
* Paul Henry Lang, Lang, Paul Henry (1994),
George Frideric Handel
'. Dover Publications, New York. .
* LaRue, C. Steven (1997), "Handel and the Aria" in '' The Cambridge Companion to Handel'', ed. Donald Burrows. Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press
A university press is an academic publishing hou ...
, Cambridge. .
* Kozinn, Allan (16 October 2007)
"Pushy Mother Plots to Win Her Son the Top Spot"
in ''The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
''. Retrieved on 3 March 2009.
* Maddocks, Fiona (6 February 2007),
Handel's dark comedy of passion and intrigue
in the ''London Evening Standard
The ''Evening Standard'', formerly ''The Standard'' (1827–1904), also known as the ''London Evening Standard'', is a local free daily newspaper in London, England, published Monday to Friday in tabloid format.
In October 2009, after be ...
''. Retrieved on 3 March 2009.
* Neef, Sigrid (ed.) (2000), ''Opera: Composers, Works, Performers (English edition)''. Könemann, Cologne. .
* Picard, Anna (11 February 2007)
"''Agrippina'', The Coliseum, London"
in ''The Independent
''The Independent'' is a British online newspaper. It was established in 1986 as a national morning printed paper. Nicknamed the ''Indy'', it began as a broadsheet and changed to tabloid format in 2003. The last printed edition was publis ...
''. Retrieved on 5 March 2009.
* Prout, Ebenezer (February 1884), "Handel's Orchestration (Continued)", in '' The Musical Times and Singing Class Circular'' 25 (492): 69–70.
* "Recitative", in ''Encyclopædia Britannica 15th edition'' (2002). Encyclopædia Britannica Inc., London. Vol. 9, pp. 977–978. .
* Sawyer, John E. (November 1999). "Irony and Borrowing in Handel's ''Agrippina''". ''Music & Letters
''Music & Letters'' is an academic journal published quarterly by Oxford University Press with a focus on musicology. The journal sponsors the Music & Letters Trust, twice-yearly cash awards of variable amounts to support research in the music fie ...
'' 80 (4): 531–559.
*
* Warrack, John
John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist.
Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College o ...
and Ewan West (1992), ''The Oxford Dictionary of Opera''. Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books ...
, Oxford. .
Further reading
* Harris, Ellen T. (ed.) (1989), ''The Librettos of Handel's Operas'' (13 vols). Garland Publishing
Garland Science was a publishing group that specialized in developing textbooks in a wide range of life sciences subjects, including cell and molecular biology, immunology, protein chemistry, genetics, and bioinformatics. It was a subsidiary o ...
, Inc. .
* Meynell, Hugo (1986), ''The Art of Handel's Operas''. Edwin Mellen Press.
External links
* Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a ...
's edition (Leipzig 1874), based on Samuel Arnold's c. 1795 edition and the printed libretto as well as Handel's autograph, is available from Kalmus Reprints, as well as the following online collections, all with different navigators:
*
''Agrippina'' score
Indiana University School of Music
The Indiana University Jacobs School of Music in Bloomington, Indiana, is a music conservatory established in 1921. Until 2005, it was known as the Indiana University School of Music. It has more than 1,500 students, approximately half of whom ar ...
collection
*
''Agrippina'' score
Bavarian State Library
The Bavarian State Library (german: Bayerische Staatsbibliothek, abbreviated BSB, called ''Bibliotheca Regia Monacensis'' before 1919) in Munich is the central " Landesbibliothek", i. e. the state library of the Free State of Bavaria, the big ...
collection
**
Aria Database
gives description of 15 arias from the opera
YouTube
Excerpts with Joyce DiDonato
Joyce DiDonato (née Flaherty; born February 13, 1969) is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
...
, Franco Fagioli, Elsa Benoit, Jakub Józef Orliński
Jakub Józef Orliński (; born 8 December 1990) is a Polish operatic countertenor singer and breakdancer. He has performed leading roles with many opera companies, including Carnegie Hall, Metropolitan Opera, Royal Opera House, Warsaw Grand Thea ...
, Il Pomo d’Oro orchestra, Maxim Emelyanychev Maxim Yuryevich Emelyanychev (Максим Юрьевич Емельянычев; born 28 August 1988, Dzerzhinsk) is a Russian conductor, pianist, harpsichordist and cornetist. From a musical family, Emelyanychev studied music at the Nizhny Novgor ...
, harpsichord and conductor
{{DEFAULTSORT:Agrippina (Opera)
1709 operas
Italian-language operas
Opera seria
Operas by George Frideric Handel
Operas
Depictions of Nero in opera
Cultural depictions of Agrippina the Younger
Cultural depictions of Poppaea Sabina
Cultural depictions of Claudius
Cultural depictions of Otho
Works based on the Annals (Tacitus)