Rodrigo (opera)
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Rodrigo (opera)
''Rodrigo'' ( HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was ''Vincer se stesso è la maggior vittoria'' ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's ''II duello d'Amore e di Vendetta'' ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707. The opera was revived in 1984, in Innsbruck. A lost fragment from Act III had been found in 1983, and a more complete production was given by the Handel Opera Society under Charles Farncombe at Sadler's Wells Theatre in London in 1985. Among other performances, ''Rodrigo'' was staged in Karlsruhe in 1987, by the Handel Festival, Halle in 2002 and by the International Festival of Baroque and Romantic Opera, Beaune, France, in 201 ...
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Cronica Rey Rodrigo
The ''Nuova Cronica'' (also: ''Nova Cronica'') or ''Chronicle, New Chronicles'' is a 14th-century history of Florence created in a Annals, year-by-year linear format and written by the Italian Banking, banker and official Giovanni Villani (c. 1276 or 1280–1348). The idea came to him after attending the first Jubilee_(Christianity)#First_Christian_jubilee, Jubilee in the city of Rome, in 1300, where he realized that Rome's many historical achievements were well-known, and he desired to lay out a history of the origins of his own city of Florence.Bartlett, 36. In his ''Cronica'', Villani described in detail the many building projects of the city, statistical information on population, ordinances, commerce and trade, education, and religious facilities. He also described several disasters such as famines, floods, fires, and the pandemic of the Black Death in 1348, which would take his own life.Benedictow, 69. Villani's work on the ''Nuova Cronica'' was continued by his brother ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Alan Curtis (harpsichordist)
Alan Curtis (November 17, 1934July 15, 2015) was an American harpsichordist, musicologist, and conductor of baroque opera. Born in Mason, Michigan, Curtis graduated from studies at the University of Illinois, and received his PhD in 1960 with a dissertation on the keyboard music of Sweelinck. He then relocated to Amsterdam to work with Gustav Leonhardt, with whom he subsequently recorded a number of Bach's concerti for harpsichord. In the 1960s and 1970s, he made a number of recordings of solo harpsichord music including albums dedicated to the keyboard music of Rameau and the works of Johann Sebastian Bach, such as his recording of the ''Goldberg Variations'' made on a 1728 Christian Zell harpsichord. Following an academic career divided between UC Berkeley and Europe, Curtis devoted his time to performing dramatic music from Monteverdi to Mozart. As a student in the 1950s, he was the first modern harpsichordist to examine problems surrounding Louis Couperin's unmeasured pr ...
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Roberta Invernizzi
Roberta Invernizzi (born 1966, in Milan) is an Italian soprano. She originally studied piano and double bass before turning to singing. She specialises in early music from the baroque and classical period of music. She has sung in many operas in Italy, wider Europe and the US and has made over 60 recordings. Her recording of Handel's ''Cantate per il Cardinal Pamphili'' won the 2007 Stanley Sadie Handel Recording Prize. In January 1999 she was invited by Gustav Leonhardt to sing in the inaugural concert of the New York Collegium. Invernizzi currently teaches singing at the Centro di Musica Antica in Naples. Discography * Boccherini: "Stabat Mater" (Roberta Invernizzi, L'Archiburdelli, Anner Bylsma) Sony Vivarte 2003 * Handel: ''Le Cantate per il Cardinal Pamphili'' (Roberta Invernizzi, La Risonanza, Fabio Bonizzoni) Glossa Music 2006 *Handel: ''Rodrigo'' (Gloria Banditelli, Sandrine Piau, Elena Cecchi Fedi, Rufus Müller, Roberta Invernizzi, Caterina Calvi; Il Comples ...
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Sandrine Piau
Sandrine Piau (born 5 June 1965) is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018. Biography Born in Issy-les-Moulineaux, she initially studied harp and turned to singing at the Conservatoire de Paris. After meeting William Christie, she commenced her exposure to Baroque music and their collaboration notably at the Aix-en-Provence Festival. She proceeded further vocal studies with Rachel Yakar and René Jacobs. She collaborated with many of the leading European conductors of the Baroque revival, including Marc Minkowski, Philippe Herreweghe, Paul McCreesh, Alan Curtis, Christophe Rousset, René Jacobs, and Fabio Biondi. Piau also excels in opera ...
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Gloria Banditelli
Gloria Banditelli ( Assisi, 16 February 1954) is an Italian mezzo-soprano. She debuted in ''La Cenerentola'' in Spoleto in 1979. She is well known both for late-classical early- bel canto era roles of Rossini, Cimarosa and Paisiello, and also baroque opera, such as Monteverdi and Cavalli.Gramophone – Volume 68 Page 1893 1991 "Judith herself is sung by Gloria Banditelli whose Medea in Cavalli's Giasone (Harmonia Mundi, 7/89) impressed me very " Selected discography * Giovanni Bononcini, Alessandro Scarlatti – ''Cantate da camera'' (Ensemble Aurora, Enrico Gatti – Tactus, 1988) * Gioachino Rossini – ''Il barbiere di Siviglia'' ( Nucci, Bartoli, Matteuzzi – Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè – Decca, 1989) * Christoph Willibald Gluck – ''Le cinesi'' ( Isabelle Poulenard, Anne Sofie von Otter – Renée Jacobs – Deutsche Harmonia Mundi, 1990) * Gioachino Rossini – ''La Cenerentola'' (Bartoli, Pertusi, Matteuzzi – Orchestra del Teatro C ...
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Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ...
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John Mainwaring
__NOTOC__ John Mainwaring (1724 – 15 April 1807) was an English theologian and the first biographer of the composer Georg Friedrich Händel in any language. He was a Fellow of St. John's College, Cambridge, and parish priest, and later a professor of Divinity at Cambridge. Life He was the son of Gilbert Mainwaring of Staffordshire, and attended schools in Marlborough, Wiltshire and Tamworth, Staffordshire. He matriculated at St John's College, Cambridge in 1742, graduating B.A. in 1746, M.A. in 1750, and B.D. in 1758. It has been suggested that his university friendship with Sir Edward Littleton, 4th Baronet, who matriculated in 1744, was significant in the genesis of his Handel biography: Fisher Littleton, Edward's brother, introduced him to John Christopher Smith, Benjamin Stillingfleet and Richard Price (1717–1761) who were enthusiastic for the project. Mainwaring became a Fellow of St John's in 1748, in which year he was ordained, continuing for 40 years until he becam ...
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Rodrigo
Rodrigo is a Spanish, Portuguese and Italian name derived from the Germanic name ''Roderick'' (Gothic ''*Hroþareiks'', via Latinized ''Rodericus'' or ''Rudericus''), given specifically in reference to either King Roderic (d. 712), the last Visigothic ruler or to Saint Roderick (d. 857), one of the Martyrs of Córdoba (feast day 13 March). The modern given name has the short forms ''Ruy, Rui'', and in Galician ''Roi''. The name is very frequently given in Portugal; it was the most popularly given masculine name in 2011–2012, and during 2013–2016 ranked between 4th and 2nd most popular. It is also moderately popular in Spain, ranking between 30th and 60th most popular during 2002–2015. History The form ''Rodrigo'' becomes current in the later medieval period. It is recorded in the '' Cantar de Mio Cid'', written c. 1200, as the name of Rodrigo Díaz de Vivar (c. 1043–1099, known as '' El Cid Campeador'').v. 467 ('' Destierro del Cid''): ''Mio Çid don Ro ...
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Almira
''Almira, Königin von Castilien'' ("Almira, Queen of Castile", HWV 1; full title: ''Der in Krohnen erlangte Glücks-Wechsel, oder: Almira, Königin von Castilien'') is George Frideric Handel's first opera, composed when he was 19 years old. It was first performed in Hamburg in January 1705. Background Handel came to the city of Hamburg in the summer of 1703 and played as a violinist in the theatre at the ''Gänsemarkt'', the local market place. On later occasions, he also played the harpsichord in the orchestra. His first opera – announced as a ''Singspiel'' although it has no spoken dialogue – was premiered on 8 January 1705, after being composed in the months directly preceding this. An Italian libretto was written by Giulio Pancheri in Venice in 1691 for Giuseppe Benevento's opera ''L'Almira''. The German translation used by Handel was made by Friedrich Christian Feasting. The recitatives of the opera are in German, and while most of the arias are also in German, many ...
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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ...
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