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Agrippina (opera)
''Agrippina'' ( HWV 6) is an '' opera seria'' in three acts by George Frideric Handel with a libretto by Cardinal Vincenzo Grimani. Composed for the Venice ''Carnevale'' season, the opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Grimani's libretto, considered one of the best that Handel set, is an "anti-heroic satirical comedy",Brown, pp. 357–358 full of topical political allusions. Some analysts believe that it reflects Grimani's political and diplomatic rivalry with Pope Clement XI. Handel composed ''Agrippina'' at the end of a three-year sojourn in Italy. It premiered in Venice at the Teatro San Giovanni Grisostomo on 26 December 1709. It proved an immediate success and an unprecedented series of 27 consecutive performances followed. Observers praised the quality of the music—much of which, in keeping with the contemporary custom, had been borrowed and adapted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Mattheson
Johann Mattheson (28 September 1681 – 17 April 1764) was a German composer, singer, writer, lexicographer, diplomat and music theorist. Early life and career The son of a prosperous tax collector, Mattheson received a broad liberal education and, aside from general musical training, took lessons in keyboard instruments, violin, composition and singing. By age nine he was singing and playing organ in church and was a member of the chorus of the Hamburg opera. He made his solo debut with the Hamburg opera in 1696 in female roles and, after his voice changed, sang tenor at the opera, conducted rehearsals and composed operas himself. He was cantor at St. Mary's Cathedral from 1718 until increasing deafness led to his retirement from that post in 1728. Mattheson's chief occupation from 1706 was as a professional diplomat. He had studied English in school and spoke it fluently. He became tutor to the son of the English ambassador Sir John Wich and then secretary to the ambassador. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aci, Galatea E Polifemo
Aci, Galatea e Polifemo ( HWV 72) is a dramatic cantata—also called a serenata—by George Frideric Handel. It was first performed at Naples on 19 July 1708; the completed score is dated to 16 June 1708. The serenata was commissioned by Duchess Donna Aurora Sanseverino for the wedding festivities of the Duke of Alvito, Tolomeo Saverio Gallo, and Beatrice Tocco di Montemiletto, Princess of Acaja and niece of Aurora Sanseverino.Hawks 2019 The Italian libretto was written by Nicola Giuvo, private secretary and literary adviser of Duchess Sanseverino. The plot is virtually the same as in Handel's later English-language pastoral opera '' Acis and Galatea'', but Handel drew little on the music of the cantata when he returned to the story in 1718, although he did take care to introduce the half-lovable villain — the one-eyed giant Polyphemus — with another signature comic aria, faster and demanding virtuosity of a different kind than the one in ''Aci'' (see below), namely, "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixit Dominus (Handel)
''Dixit Dominus'' is a psalm setting by George Frideric Handel (catalogued as HWV 232). It uses the Latin text of Psalm 110 (Vulgate 109), which begins with the words ''Dixit Dominus'' ("The Lord Said"). The work was completed in April 1707 while Handel was living in Italy. It is Handel's earliest surviving autograph. The work was written in the baroque style of the period and is scored for five vocal soloists (SSATB), five-part chorus, strings and continuo. It is thought that the work was first performed on 16 July 1707 in the Church of Santa Maria in Montesanto, under the patronage of the Colonna family. The score was published in 1867. A typical performance lasts a little over 30 minutes. Movements The work has the following movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo Aria
The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and oratorio. According to Randel, a number of Baroque composers (he lists Scarlatti, Hasse, Handel, Porpora, Leo, and Vinci) composed more than a thousand da capo arias during their careers.Randel (2003:54) Form A da capo aria is in ternary form, meaning it is composed of three sections. The first section is a complete song with accompaniment, ending in the tonic key, and could in principle be sung by itself. The second section contrasts with the first in its musical key, texture, mood, and sometimes also tempo. The third section was usually not written out by the composer, who would instead simply note the instruction "da capo" (Italian for "from the head") - meaning from the beginning, i.e., the first section is to be repeated. The text for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. Origins ''Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today. Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody. Monody is the solo singing/setting of a dramatically conceived melody, designed to express the emotional content of the text it carries, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodrigo (opera)
''Rodrigo'' ( HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was ''Vincer se stesso è la maggior vittoria'' ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's ''II duello d'Amore e di Vendetta'' ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707. The opera was revived in 1984, in Innsbruck. A lost fragment from Act III had been found in 1983, and a more complete production was given by the Handel Opera Society under Charles Farncombe at Sadler's Wells Theatre in London in 1985. Among other performances, ''Rodrigo'' was staged in Karlsruhe in 1987, by the Handel Festival, Halle in 2002 and by the International Festival of Baroque and Romantic Opera, Beaune, France, in 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Scarlatti
Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685-23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 545 keyboard sonatas. He spent much of his life in the service of the Portuguese and Spanish royal families. Life and career Scarlatti was born in Naples, Kingdom of Naples, belonging to the Spanish Crown. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel. He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician. Scarlatti first studied music under his father. Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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