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Glimmerglass Opera
The Glimmerglass Festival (formerly known as Glimmerglass Opera) is an American opera company. Founded in 1975 by Peter Macris, the Glimmerglass Festival presents an annual season of operas at the Alice Busch Opera Theater on Otsego Lake eight miles (13 km) north of Cooperstown, New York, United States. The summer-only season usually consists of four productions performed in rotating repertory. Glimmerglass is well known for producing new, lesser-known, and rare works, many of which in years past have been co-produced with the New York City Opera. It is the second-largest summer opera festival in the United States, currently led by Artistic and General Director Robert Ainsley, who succeeded Francesca Zambello in 2022. History Until 2011, the company operated under the name Glimmerglass Opera. The company presented its first season in the summer of 1975, when four performances of ''La bohème'' were staged in the auditorium of the Cooperstown High School. In the years sinc ...
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Glimmerglass Opera
The Glimmerglass Festival (formerly known as Glimmerglass Opera) is an American opera company. Founded in 1975 by Peter Macris, the Glimmerglass Festival presents an annual season of operas at the Alice Busch Opera Theater on Otsego Lake eight miles (13 km) north of Cooperstown, New York, United States. The summer-only season usually consists of four productions performed in rotating repertory. Glimmerglass is well known for producing new, lesser-known, and rare works, many of which in years past have been co-produced with the New York City Opera. It is the second-largest summer opera festival in the United States, currently led by Artistic and General Director Robert Ainsley, who succeeded Francesca Zambello in 2022. History Until 2011, the company operated under the name Glimmerglass Opera. The company presented its first season in the summer of 1975, when four performances of ''La bohème'' were staged in the auditorium of the Cooperstown High School. In the years sinc ...
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Médée (Cherubini)
''Médée'' is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play ''Médée''. It is set in the ancient city of Corinth. The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as ''Medea'', with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, opera companies have returned to Cherubini's original version. The long-lost final aria, which Cherubini appears to have elided from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing x-ray techniques to reveal the blackened out areas of Cherubini's manuscript. Performances and versions Several versions of the opera were p ...
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The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Cape Town Opera
Cape Town Opera (CTO) is a professional opera company in Cape Town, South Africa. CTO was founded in 1999 by the management and staff of the former South Africa Arts Council Opera and the Cape Performing Arts Board (CAPAB), itself a successor to the Cape Province Performing Arts Council and the previous Opera School at the South African College of Music at the University of Cape Town, which had been founded in the early 1920s under the Italian tenor Giuseppe Paganelli. Mission The company produces many fully staged opera productions during an annual season at the Opera House of the Artscape Theatre Centre, the Joseph Stone Auditorium and approximately 15 other venues throughout South Africa. The company has established itself as South Africa's largest performing arts organisation and the only opera house in Africa with a year-round programme;
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Opera Atelier
Opera Atelier is an opera company located in Toronto, Canada. It was founded in 1985 by husband and wife Marshall Pynkoski and Jeannette Lajeunesse Zingg. The company mounts baroque operas from the 17th and 18th centuries that are presented in venues located in Toronto's Theatre District. For many years, their productions have been performed at the Elgin Theatre. Patricia Barretto served as the executive director from 2011 to 2015. The company has performed baroque operas in New York, Houston, Stuttgart, Bremen, London, Singapore, Seoul, and Tokyo, and at the Glimmerglass Festival and Chateau de Versailles, France. Opera Atelier received a number of Lieutenant Governor's Awards for the Arts before these were discontinued in 2003. Opera Atelier presents two full operas per year and tours internationally biennially. They use period instruments, as well as sets and costume designs that reflect the aesthetics of the epoch. Opera Atelier has collaborated with other music organizations ...
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The Music Man
''The Music Man'' is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love with him. He risks being caught to win her heart. In 1957, the show became a hit on Broadway, winning five Tony Awards, including Best Musical, and running for 1,375 performances. The cast album won the first Grammy Award for Best Musical Theater Album and spent 245 weeks on the Billboard charts. The show's success led to Broadway and West End revivals, a popular 1962 film adaptation and a 200 ...
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Lost In The Stars
''Lost in the Stars'' is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel ''Cry, the Beloved Country'' (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year. Productions ''Lost in the Stars'' opened on Broadway at the Music Box Theatre on October 30, 1949, and closed on July 1, 1950, after 281 performances. The production was supervised and directed by Rouben Mamoulian and choreographed by La Verne French. Mamoulian was such a strong influence on the production that Foster Hirsch calls him "the show's third author." Todd Duncan took the role of Stephen; Inez Matthews sang Irina. New York City Opera presented the musical in April 1958. Directed by Jose Quintero, the cast featured Lawrence Winters (Stephen Kumalo) and Lee Charles (Leader). (The conductor of those performances, Julius Rudel, led a 1992 complete recording of the score with the Or ...
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Armide (Lully)
''Armide'' is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem ''La Gerusalemme liberata'' (''Jerusalem Delivered''). The work is in the form of a tragédie en musique, a genre invented by Lully and Quinault. Critics in the 18th century regarded ''Armide'' as Lully's masterpiece. It continues to be well-regarded, featuring some of the best-known music in French baroque opera and being arguably ahead of its time in its psychological interest. Unlike most of his operas, ''Armide'' concentrates on the sustained psychological development of a character – not Renaud, who spends most of the opera under Armide's spell, but Armide, who repeatedly tries without success to choose vengeance over love. Performance history ''Armide'' was first performed on 15 February 1686 by the Paris Opera at the Théâtre du Palais-Royal, with scenery by Bérain, in the presence of the Grand Dauphin. The subject for the opera was ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Mark Campbell (librettist)
Mark Campbell is a New York-based librettist and lyricist whose operas have received both a Pulitzer Prize in Music and a GRAMMY Award. Mark began writing for the stage as a musical theatre lyricist, but turned to libretto-writing after he premiered ''Volpone'', his first full-length opera in 2004 at Wolf Trap Opera Company. His best-known works are ''Silent Night'', '' The Shining'', ''The (R)evolution of Steve Jobs'', '' As One'', ''Later the Same Evening'', '' Stonewall'', ''Elizabeth Cree'' and the musical ''Songs from an Unmade Bed''. His operas have been produced by most of the prominent opera companies in the U.S., including Atlanta Opera, Arizona Opera, Austin Opera, Boston Lyric Opera, Central City Opera, Chicago Opera Theatre, Cincinnati Opera, Des Moines Metro Opera, Ft. Worth Opera, Houston Grand Opera, Hawaii Opera Theatre, Lyric Opera of Kansas City, Michigan Opera Theatre, Minnesota Opera, New Orleans Opera, New York City Opera, Opera Colorado, Opera Memphis, Opera ...
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John Musto
John Musto (born 1954) is an American composer and pianist. As a composer, he is active in opera, orchestral and chamber music, song, vocal ensemble, and solo piano works. As a pianist, he performs frequently as a soloist, alone and with orchestra, as a chamber musician, and with singers. Career Born in 1954 in Brooklyn, New York, Musto studied at the Manhattan School of Music. After graduation from the conservatory with a reputation as a pianist, his compositions began to draw increasing attention and frequent performances. His long association with such institutions as the New York Festival of Song (including serving as new music advisor), the Wolf Trap Opera Company, the Caramoor Festival, Copland House, the Miller Theatre at Columbia University, and the Moab Festival have given him stable bases of operation and numerous commissions. He served as composer-in-residence at Caramoor for the 2005-2006 season.''New York Times''Anne Midgette, "Caramoor Festival Resuscitates the Per ...
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Edward Hopper
Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. While he is widely known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Hopper created subdued drama out of commonplace subjects 'layered with a poetic meaning', inviting narrative interpretations. He was praised for "complete verity" in the America he portrayed. His career benefited significantly from his marriage to fellow-artist Josephine Nivison, who contributed much to his work, both as a life-model and as a creative partner. Biography Early life Hopper was born in 1882 in Nyack, New York, a yacht-building center on the Hudson River north of New York City. He was one of two children of a comfortably well-off family. His parents, of mostly Dutch ancestry, were Elizabeth Griffiths Smith and Garret Henry Hopper, a dry-goods merchant.Levin, Gail, ''Edward Hopper: An Intimate Biography'', Alfred A. Knopf, New York, 1995, p.11, ...
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