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Magda László
Magda László (14 June 1912 – 2 August 2002) was a Hungarian operatic soprano particularly associated with 20th-century operas. She studied at the Franz Liszt Academy of Music in Budapest, and made her debut at the Budapest Opera in 1943, as Elisabeth in ''Tannhäuser'', later singing Amelia in ''Simon Boccanegra''. In 1946, she settled in Italy, where she appeared in concert often with pianist Luigi Cortese, later becoming a regular guest at the Rome Opera and La Scala in Milan. She created the role of the mother in Dallapiccola's ''Il prigioniero'' on Italian radio in 1949, and also sang the part in the first staged performance in Florence, the following year, on May 20, 1950. A fine-singing actress and musician, she sang several parts in Italian contemporary works by Malipiero, Ghedini, and Lualdi. She made guest appearances at the Glyndebourne Festival, notably in 1953, as Gluck's '' Alceste'', in 1954, as Dorabella in ''Così fan tutte'', in 1962, as Poppea in Montev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the House of Habsburg, Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them ''Orfeo ed Euridice'' and ''Alceste (Gluck), Alceste'', he broke the stranglehold that Metastasio, Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot (Busoni)
''Turandot'' is a 1917 opera with spoken dialogue and in two acts by Ferruccio Busoni. Busoni prepared his own libretto, in German, based on the play by Count Carlo Gozzi. The music for Busoni's opera is based on the incidental music, and the associated '' Turandot Suite'' ( BV 248), which Busoni had written in 1905 for a production of Gozzi's play. The opera is often performed as part of a double bill with Busoni's earlier one-act opera ''Arlecchino''. Composition of the music for ''Turandot'' Source and previous versions Carlo Gozzi's play ''Turandot'' first appeared in 1762. It was originally written to be performed in the small theatre of San Samuele in Venice, and was deliberately written in the '' Commedia dell'arte'' style as a reaction to the more modern, realistic plays of Goldoni and others. Schiller made an adapted translation of ''Turandot'' which was published in 1802. Weber wrote his ''Incidental music for Turandot'', Op. 37, for a production of this play. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busoni
Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the University of Music and Performing Arts, Vienna, Vienna Conservatory and then with Wilhelm Mayer (composer), Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only aesthetics but considerations of microtones and other innovative topics. He was based in Berlin from 1894 but spent much of World War I in Switzerland. He began composing in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daphne (opera)
''Daphne'', Op. 82, is an opera in one act by Richard Strauss, subtitled "Bucolic Tragedy in One Act". The German libretto was by Joseph Gregor. The opera is based loosely on the mythological figure Daphne from Ovid's ''Metamorphoses'' and includes elements taken from ''The Bacchae'' by Euripides. Performance history The first performance of the opera took place at the Semperoper in Dresden on 15 October 1938. It was originally intended as a double bill with Strauss' ''Friedenstag'', but as the scale of ''Daphne'' grew, that idea was abandoned. The conductor of the first performance was Karl Böhm, to whom the opera was dedicated. The United States premiere of the opera was performed on October 10, 1960 in a concert version at Town Hall in Manhattan with Gloria Davy in the title role, Florence Kopleff as Gaea, Robert Nagy as Leukippos, Jon Crain as Apollo, Lawrence Davidson as Peneios, and The Little Orchestra Society under conductor Thomas Scherman. Roles Synopsis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troilus And Cressida (opera)
''Troilus and Cressida'' is the first of the two operas by William Walton, and was premiered in 1954. The libretto was by Christopher Hassall, his own first opera libretto, based on Geoffrey Chaucer's poem ''Troilus and Criseyde''. Walton dedicated the score to his wife, Susana. Composition history The genesis of the opera dated back to the mid-1940s, after the success of Benjamin Britten's first great operatic success, ''Peter Grimes''. Walton intended to counter this work with an opera of his own, and Alice Wimborne, Walton's companion at the time, suggested the story of Troilus and Cressida as a subject. Wimborne had suggested Hassell as librettist, in spite of the fact that he had never written an opera libretto. During the course of composition, Walton and Hassell carried out an extensive correspondence. Walton edited passages by Hassell from the libretto that he deemed inappropriate, or in his own coined term, "Novelloismo". The opera took seven years to complete. Performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata ''Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and '' Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
