Marie-Françoise-Adélaïde Gavaudan, called Mlle Gavaudan cadette and nicknamed Spinette, (1767–1805) was a French operatic
soprano.
Life
Gavaudan is the daughter of Denis Gavaudan and Catherine Calmen, a member of the Gavaudan family, which reigns at the
Opéra-Comique; sister of ,
Jean-Baptiste-Sauveur and .
[Kutsch and Riemens.]
In 1780, she was hired with her sister
Émilie, by Madame Donvilliers, of the Petits Comédiens de .
She was a chorister in 1778, at the
Académie royale de musique
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be k ...
. She already sang important roles, such as that of Angélique in the revival of
''Roland'' by
Piccinni in October 1782. On 8 July 1782, she made her debut at the
Comédie-Italienne
Comédie-Italienne or Théâtre-Italien are French names which have been used to refer to Italian-language theatre and opera when performed in France.
The earliest recorded visits by Italian players were commedia dell'arte companies employed b ...
, as Mme Saintclair, in ''La Fausse Magie'' by
Gretry; then as Alix, in ''Les Trois fermiers de
Dezède''; as Aline, in ''la Belle Arsène'', but she was not hired by this company.
She was
coryphée
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on yea ...
in 1784, at the
Académie Royale de Musique
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be k ...
. She became an assistant in 1786.
She came to prominence in 1787 with the role of Spinette in
''Tarare'' by
Salieri, she retained the sobriquet of "Spinette" During the
Revolution
In political science, a revolution (Latin: ''revolutio'', "a turn around") is a fundamental and relatively sudden change in political power and political organization which occurs when the population revolts against the government, typically due ...
, she fled Paris for Germany, then returned. In 1793, she remained at the
Opéra
This is a glossary list of opera genres, giving alternative names.
"Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most c ...
; as a singing artist, attached to this company at least until 1798.
In 1796, she joined the troupe of the
Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in t ...
, where she created ''Ziméo'' (Martini, 1800). In 1802, when Feydeau's troupe was combined with that of the
Opéra-Comique, she retired from the stage and emigrated to
Hamburg
(male), (female) en, Hamburger(s),
Hamburgian(s)
, timezone1 = Central (CET)
, utc_offset1 = +1
, timezone1_DST = Central (CEST)
, utc_offset1_DST = +2
, postal ...
.
Creations
;At the Académie royale de musique
* 1781:
''Iphigénie en Tauride'',
tragédie lyrique
This is a glossary list of opera genres, giving alternative names.
"Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most c ...
by
Niccolò Piccinni
Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly th ...
,
libretto by
Alphonse du Congé Dubreuil, 23 January, as Elise.
* 1782: ''L'embarras des richesses'', comédie lyrique in three acts, libretto by
Jean-Baptiste Lourdet de Santerre, 26 November, as Phénice.
* 1783: ''Didon'', tragédie lyrique in three acts by
Niccolò Piccinni
Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly th ...
, libretto by
Jean-François Marmontel, 1 December
* 1784: ''
La caravane du Caire'',
opéra-ballet
''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early sevente ...
in three acts by
André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a
composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous ...
, libretto by
Étienne Morel de Chédeville, 15 January
* 1784: ''Diane et Endymion'', libretto by Jean-François Espic de Lirou, music by
Piccini, 7 September, as l’Amour
* 1784: ''
Chimène'', tragédie lyrique française, by
Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas.
Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for him ...
, libretto by Guillard, as Elvire
* 1785: ''Panurge dans L’Ile des Lanternes'', by
Grétry, libretto by
Étienne Morel de Chédeville, 25 January
* 1785'': Pénélope'' , tragédie lyrique in 3 acts, libretto by
Jean-François Marmontel ; music by
Niccolo Piccinni, 9 December, as Minerve.
* 1786: ''
Œdipe à Colone,'' by
Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas.
Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for him ...
, 4 January
* 1786: ''
Phèdre
''Phèdre'' (; originally ''Phèdre et Hippolyte'') is a French dramatic tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris.
Composition and premiere
Wit ...
'', opera by
Jean-Baptiste Lemoyne
Jean-Baptiste Lemoyne (15 February 1704 – 1778) was a French sculptor of the 18th century who worked in both the rococo and neoclassical style. He made monumental statuary for the Gardens of Versailles but was best known for his expressive p ...
, libretto by
François-Benoît Hoffman
François-Benoît Hoffman (11 July 1760 – 25 April 1828) was a French playwright and critic, best known today for his operatic librettos, including those set to music by Étienne Méhul and Luigi Cherubini (most notably Cherubini's ''Médée'', ...
, 26 October, as
Œnone.
* 1786: ''Les Horaces'', tragédie lyrique in 3 acts, libretto by
Nicolas-François Guillard
Nicolas-François Guillard (16 January 1752 – 26 December 1814) was a French librettist. He was born in Chartres and died in Paris, the recipient of a government pension in recognition of his work writing librettos. He was also on ''Comité de ...
, music by
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy ...
, 2 December
* 1787: ''Alcindor'',
opéra-féerie in 3 acts, libretto by
Marc-Antoine-Jacques Rochon de Chabannes; music by
Nicolas Dezède, 17 April
* 1787: ''
Tarare
Tarare is a commune in the Rhône department in eastern France. It lies on the Turdine river, 28 miles west-northwest of Lyon by rail.
History
The city was founded at the beginning of the 12th century, as the priory of Tarare by the Savigny A ...
'', opera, music by
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy ...
,
libretto by
Pierre-Augustin Caron de Beaumarchais
Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May 1799) was a French polymath. At various times in his life, he was a watchmaker, inventor, playwright, musician, diplomat, spy, publisher, horticulturist, arms dealer, satirist ...
, 8 June, role of Spinette
* 1789: ''Les Prétendus'' de Lemoyne, libretto by Marc-Antoine-Jacques Rochon de Chabannes, 2 June
* 1790: ''Les Pommiers et le Moulin'', by Jean-Baptiste Lemoyne, 22 January
;At
Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in t ...
* 1800: ''Ziméo'', opéra comique in three acts, by Jean-Baptiste Lourdet de Santerre, music by Martini, 16 October
* 1801: ''Le locataire'',
one act opéra comique by
Pierre Gaveaux
Pierre Gaveaux (9 October 1761 – 5 February 1825) was a French operatic tenor and composer, notable for creating the role of Jason in Cherubini's ''Médée'' and for composing '' Léonore, ou L’amour conjugal'', the first operatic version of t ...
, libretto by
Charles-Augustin de Bassompierre, 17 September, as Apolline.
References
Sources
* Le Ménestrel,
*: 1872: n°32, 7 July; n°33, 14 July; n°34, 21 July; n°35, 28 July; n°36, 4 Augus
Read online
*
Arthur Pougin
Arthur Pougin ( 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Conservatoire de Paris under Alard (violin) and Reber (harmony). In 1855 he becam ...
, ''Figures d’Opéra-Comique : Mme Dugazon, Elleviou, la tribu des Gavaudan'', Paris, Tresse, 1875,
Archive
* .
*
*
External links
{{DEFAULTSORT:Gavaudan, Adélaïde
French operatic sopranos
1767 births
1805 deaths
Place of birth missing