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La Caravane Du Caire
''La Caravane du Caire'' is an opera or opéra-ballet in three acts by André Grétry, set to a libretto by Étienne Morel de Chédeville. Tradition has it that either the libretto was partially writtenCharlton. or the idea of it was allegedly suggestedPitou, p. 95. by the Count of Provence, who would go down in history as Louis XVIII of France. The opera was first performed at the Palace of Fontainebleau on 30 October 1783 and had its public premiere at the Théâtre de la Porte Saint-Martin, the period venue of the Paris Opera, on 15 January 1784. It was the most successful of Grétry's large-scale works that are lighter in tone: it received over 500 performances at the Paris Opera up to 1829, being billed every year between 1785 and 1791, and, except for 1818, between 1806 and 1828, besides enjoying further irregular stagings during the Revolutionary period. Roles Synopsis Act 1 A caravan is heading to Cairo. Among the travellers are the slave dealer Husca and his slaves Z ...
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André Ernest Modeste Grétry
André — sometimes transliterated as Andre — is the French and Portuguese form of the name Andrew, and is now also used in the English-speaking world. It used in France, Quebec, Canada and other French-speaking countries. It is a variation of the Greek name ''Andreas'', a short form of any of various compound names derived from ''andr-'' 'man, warrior'. The name is popular in Norway and Sweden.Namesearch – Statistiska centralbyrån


Cognate names

Cognate names are: * : Andrei,

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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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1783 Operas
Events January–March * January 20 – At Versailles, Great Britain signs preliminary peace treaties with the Kingdom of France and the Kingdom of Spain. * January 23 – The Confederation Congress ratifies two October 8, 1782, treaties signed by the United States with the United Netherlands. * February 3 – American Revolutionary War: Great Britain acknowledges the independence of the United States of America. At this time, the Spanish government does not grant diplomatic recognition. * February 4 – American Revolutionary War: Great Britain formally declares that it will cease hostilities with the United States. * February 5 – 1783 Calabrian earthquakes: The first of a sequence of five earthquakes strikes Calabria, Italy (February 5–7, March 1 & 28), leaving 50,000 dead. * February 7 – The Great Siege of Gibraltar is abandoned. * February 26 – The United States Continental Army's Corps of Engineers is disbanded. * March 5 ...
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Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Brigham Young University
Brigham Young University (BYU, sometimes referred to colloquially as The Y) is a private research university in Provo, Utah. It was founded in 1875 by religious leader Brigham Young and is sponsored by the Church of Jesus Christ of Latter-day Saints (LDS Church). BYU offers a variety of academic programs including those in the liberal arts, engineering, agriculture, management, physical and mathematical sciences, nursing, and law. It has 186 undergraduate majors, 64 master's programs, and 26 doctoral programs. It is broadly organized into 11 colleges or schools at its main Provo campus, with some colleges and divisions defining their own admission standards. The university also administers two satellite campuses, one in Jerusalem and one in Salt Lake City, while its parent organization the Church Educational System (CES) sponsors sister schools in Hawaii and Idaho. The university is accredited by the Northwest Commission on Colleges and Universities. Almost all BYU students ...
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Guy Van Waas
Guy Van Waas (Brussels, 15 April 1948) is a Belgian conductor, clarinetist and organist. He was clarinetist of the Orchestre des Champs-Élysées, Akademie für Alte Musik Berlin and the Orchestra of the Eighteenth Century. Since 2001 he is director of Les Agrémens, a baroque orchestra sponsored by the Communauté française de Belgique and conductor of the Choeur de Chambre de Namur. He was also professor of chamber music at the Conservatoire of Mons. Discography * Joseph Haydn : Symphony Nr. 82 & 86 & Ludwig August Lebrun Hoboconcert, (Ricercar, 2010) * André Ernest-Modeste Grétry ''Céphale et Procris ou l'Amour conjugal'' Ballet-héroique 1773. Ricercar RIC 302 2CDs, 2010. * Rodolphe Kreutzer '' La mort d'Abel'' Ediciones Speciales, 2012 * Antoine Dauvergne: ''La Vénitienne'' Opéra-ballet (Ricercar, 2012) * François-Joseph Gossec: ''Thésée'', Tragédie-lyrique (Ricercar, 2013) * André Modeste Grétry: ''La caravane du Caire'', Comédie-lyrique (Ricercar, 2013 ...
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Gustav Leonhardt
Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leonhardt professionally played many instruments, including the harpsichord, pipe organ, claviorganum (a combination of harpsichord and organ), clavichord, fortepiano and piano. He also conducted orchestras and choruses. Biography Gustav Leonhardt was born in 's-Graveland, near Hilversum, and studied organ and harpsichord from 1947 to 1950 with Eduard Müller at the Schola Cantorum Basiliensis in Basel. In 1950, he made his debut as a harpsichordist in Vienna, where he studied musicology. He was professor of harpsichord at the Academy of Music from 1952 to 1955 and at the Amsterdam Conservatory from 1954. He was also a church organist. Career Leonhardt performed and conducted a variety of solo, chamber, orchestral, operatic, and choral ...
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Le Jugement De Midas
''Le Jugement de Midas'' (''The Judgement of Midas'') is a French ''comédie mêlée d'ariettes'' (a kind of ''opéra comique''), in three acts by André Grétry dedicated to Madame de Montesson. It was first performed, with amateur singers, on 28 March 1778 in the private little theatre set up by Madame de Montesson in the apartments of her secret husband Louis Philippe, Duke of Orléans at the Palais-Royal in Paris. The libretto is by the Irish playwright Thomas Hales (also known by the French name Thomas d'Hèle) with additional contributions by Louis Anseaume. It was based on the burlesque opera ''Midas'' (1760) by Kane O'Hara. The public premiere at the Comédie-Italienne took place on 27 June 1778.Charlton, p. 153 and public premiere libretto. Roles The original amateur cast of the private premiere at Madame de Montesson's is not known. Synopsis Act 1 The overture depicts a storm during which Jupiter hurls Apollo from heaven as punishment for mocking him. Apollo disguises ...
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Marc Minkowski
Marc Minkowski (born 4 October 1962) is a French conductor of classical music, especially known for his interpretations of French Baroque works, and is the current general director of Opéra national de Bordeaux. His mother, Mary Anne (Wade), is American, and his father was Alexandre Minkowski, a Polish-French professor of pediatrics and one of the founders of neonatology. Marc Minkowski is a Chevalier du Mérite. Life and career Marc Minkowski was born in Paris. His maternal grandmother, Edith Wade, was a violinist. He began his musical career as a bassoonist for René Clemencic's Clemencic Consort and Philippe Pierlot's Ricercar Consort. In 1982, Minkowski formed "Les Musiciens du Louvre", an orchestra dedicated to showcasing French Baroque music which has championed works by Marin Marais (opera '' Alcyone''), Jean-Joseph Mouret (opera ''Les amours de Ragonde''), Marc-Antoine Charpentier, Jean-Baptiste Lully (opera '' Phaëton'' at Opéra National de Lyon) and Jean-Phili ...
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Cairo
Cairo ( ; ar, القاهرة, al-Qāhirah, ) is the capital of Egypt and its largest city, home to 10 million people. It is also part of the largest urban agglomeration in Africa, the Arab world and the Middle East: The Greater Cairo metropolitan area, with a population of 21.9 million, is the 12th-largest in the world by population. Cairo is associated with ancient Egypt, as the Giza pyramid complex and the ancient cities of Memphis and Heliopolis are located in its geographical area. Located near the Nile Delta, the city first developed as Fustat, a settlement founded after the Muslim conquest of Egypt in 640 next to an existing ancient Roman fortress, Babylon. Under the Fatimid dynasty a new city, ''al-Qāhirah'', was founded nearby in 969. It later superseded Fustat as the main urban centre during the Ayyubid and Mamluk periods (12th–16th centuries). Cairo has long been a centre of the region's political and cultural life, and is titled "the city of a thousand m ...
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Louis-Armand Chardin
Louis-Armand Chardin, called Chardiny (1755 – 1 October 1793) was an 18th-century French composer. Biography Born in Fécamp, Chardin made his debut at the Paris opera in 1780 as baritone and was finally received the following year. He stood out for the beauty of his voice and the purity of his singing. Nevertheless, he acted coldly and never knew how to enliven the stage. The role which made him most honoured was that of Theseus in '' Œdipe à Colone''. Chardin was a composer, and we know of him several small operas that he wrote for the , such as: ''le Pouvoir de la nature'', in one act, 1786; ''la Ruse d’amour'', in one act, 1786; ''le Clavecin'', 1787; ''Clitandre et Céphise'', 1788. In 1787 he had ''l’Anneau perdu et retrouvé'' performed at the Comédie-Italienne. He is also known for the music of a melodrama entitled: ''Annette et Basile''. Chardin was one of the first to set music to Florian's romances ''Estelle'' and ''Galatée''. His oratorio ''Retour de ...
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Henri Larrivée
Henri Larrivée (9 January 1737 – 7 August 1802) was a French opera singer. He was born in Lyon. His voice range was ''basse-taille'' (equivalent to baritone).Dratwicki, p. 85 According to Fétis, Larrivée was working as an apprentice to a wigmaker when the head of the Paris Opéra, Rebel, noticed his talent for singing and hired him as a chorus member. He made his first solo appearance as a high priest in a 1755 revival of Rameau's ''Castor et Pollux''. He was particularly associated with the works of Christoph Willibald Gluck, helping Gluck establish his "reform operas" in France. He found Gluck's rival, Niccolò Piccinni, less congenial but still worked with him on the premieres of operas including '' Roland'' (1778).Rushton p. 269 After already getting a pension in 1779, he retired from the ''Académie Royale de Musique'' in 1786 and devoted most of the time he had left to live to tour around with his two daughters, Camille (later known as Mme Delaval) and Henriette, w ...
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