Adélaïde Gavaudan
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Adélaïde Gavaudan
Marie-Françoise-Adélaïde Gavaudan, called Mlle Gavaudan cadette and nicknamed Spinette, (1767–1805) was a French operatic soprano. Life Gavaudan is the daughter of Denis Gavaudan and Catherine Calmen, a member of the Gavaudan family, which reigns at the Opéra-Comique; sister of , Jean-Baptiste-Sauveur and .Kutsch and Riemens. In 1780, she was hired with her sister Émilie, by Madame Donvilliers, of the Petits Comédiens de . She was a chorister in 1778, at the Académie royale de musique. She already sang important roles, such as that of Angélique in the revival of ''Roland'' by Piccinni in October 1782. On 8 July 1782, she made her debut at the Comédie-Italienne, as Mme Saintclair, in ''La Fausse Magie'' by Gretry; then as Alix, in ''Les Trois fermiers de Dezède''; as Aline, in ''la Belle Arsène'', but she was not hired by this company. She was coryphée in 1784, at the Académie Royale de Musique. She became an assistant in 1786. She came to prominence in ...
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Alexandrine Marie Agathe Gavaudan-Ducamel
Alexandrine Marie Agathe Gavaudan-Ducamel (15 September 1781 – 24 June 1850) was a French opera singer who sang leading soprano roles at the Opéra Comique for over 20 years. Born in Paris with the surname "Ducamel", she later married the tenor Jean-Baptiste-Sauveur Gavaudan after which she generally performed under the name Madame Gavaudan. She retired from the stage in 1822 and spent her later years in Passy where she died at the age of 68. Life and career Gavaudan-Ducamel was born in Paris and initially studied music under François-Joseph Hérold, the father of the composer Ferdinand Hérold. By the age of 15, she had performed as a pianist in a well-received concert, part of the series organized by Pierre-Jean Garat at the Théâtre Feydeau. On 23 May 1798, shortly after her marriage to the tenor Jean-Baptiste-Sauveur Gavaudan (1771–1840), she made her debut as a singer with the Opéra Comique. Her debut role was as the comtesse d'Arles in Étienne Méhul's '' Euph ...
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Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in the Salle des Tuileries, located in the north wing of the Tuileries Palace, then moved to the Salle des Variétés at the Foire Saint-Germain, and finally, beginning in 1791, settled into its own custom-built theatre, the Salle Feydeau located on the rue Feydeau. The company was renamed Feydeau after the royal family was arrested during the French Revolution.Johnson 1992. The company first presented Italian opera by composers such as Giovanni Battista Pergolesi, Giuseppe Sarti, and Giovanni Paisiello and later French plays, vaudevilles, and ''opéras comiques'', as well as symphonic concerts, and was especially famous for the quality of its orchestra and realistic stagings. The Italian Luigi Cherubini was the house composer,Willis 199 ...
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Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas. Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for himself as a composer of serious and comic opera in Italy before moving to London, where he produced works for the King's Theatre. He spent his final years in Paris, becoming embroiled in the musical dispute between the followers of the composers Gluck and Niccolò Piccinni. His early death in 1786 was blamed on his disappointment over the apparent failure of his opera '' Œdipe à Colone''. However, when the work was revived the following year, it quickly became one of the most popular in the 18th-century French repertoire. Life Childhood and education Sacchini was the son of a humble Florentine cook (or coachman), Gaetano Sacchini. At the age of four, he moved with his family to Naples as part of the entourage of the infante Charles of B ...
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Chimène
''Chimène, ou Le Cid'' is a French-language opera by Antonio Sacchini. It takes the form of a ''tragédie en musique, tragédie (lyrique)'' in three acts, with a libretto by Nicolas-François Guillard. It was first staged at Fontainebleau on 16 November 1783. The subject of the work was inspired by the tragicomedy ''Le Cid'' by Pierre Corneille, and indirectly by the medieval Spanish epic ''Cantar de Mio Cid'' and a play by Guillén de Castro y Bellvís, ''Las Mocedades del Cid. Comedia Comedia primera and segunda'' (also known as ''Las Hazañas del Cid'') (1605–1615). Background Antecedents Sacchini had already dealt with the subject of El Cid twice before. The first occasion was in Rome during the Carnival season of 1769, when, under the title of ''Il Cidde'', he had set a libretto by Gioacchino Pizzi, previously used by Niccolò Piccinni, which retained its popularity for at least another decade. The star of the work was the soprano castrato, , then at the height of his fame. ...
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Étienne Morel De Chédeville
Étienne Morel de Chédeville (10 October 1751 in Paris - 13 July 1814 in Villeneuve-Saint-Georges) was a 19th-century French playwright and librettist. He wrote the librettos for the following operas: *1783 : ''La caravane du Caire'' by André Grétry *1783 : ''Alexandre aux Indes'' by Nicolas-Jean Lefroid de Méreaux *1785 : '' Thémistocle'' by François-André Danican Philidor *1785 : ''Panurge dans l'île des lanternes'' by André Grétry *1786 : ''Tamerlan'' by Johann Friedrich Reichardt Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Fr ... *1789 : ''Aspasie'' by André Grétry External links Morel de Chédeville, Étienne (1751-1814)on idref.fr ''La Caravane du Caire'', three-act opera presented in Fontainebleau 18th-century French dramatists and playwrights 19th-century ...
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Opéra-ballet
''Opéra-ballet'' (; plural: ''opéras-ballets'') is a genre of French Baroque lyric theatre that was most popular during the 18th century, combining elements of opera and ballet, "that grew out of the '' ballets à entrées'' of the early seventeenth century".Pitou 1983, p. 278 "''Opéra-ballet''". It differed from the more elevated ''tragédie en musique'' as practised by Jean-Baptiste Lully in several ways. It contained more dance music than the ''tragédie'', and the plots were not necessarily derived from classical mythology and allowed for the comic elements, which Lully had excluded from the ''tragédie en musique'' after ''Thésée'' (1675). The ''opéra-ballet'' consisted of a prologue followed by a number of self-contained acts (also known as ''entrées''), often loosely grouped around a single theme. The individual acts could also be performed independently, in which case they were known as ''actes de ballet''. The first work in the genre is generally held to be Andr ...
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La Caravane Du Caire
''La Caravane du Caire'' is an opera or opéra-ballet in three acts by André Grétry, set to a libretto by Étienne Morel de Chédeville. Tradition has it that either the libretto was partially writtenCharlton. or the idea of it was allegedly suggestedPitou, p. 95. by the Count of Provence, who would go down in history as Louis XVIII of France. The opera was first performed at the Palace of Fontainebleau on 30 October 1783 and had its public premiere at the Théâtre de la Porte Saint-Martin, the period venue of the Paris Opera, on 15 January 1784. It was the most successful of Grétry's large-scale works that are lighter in tone: it received over 500 performances at the Paris Opera up to 1829, being billed every year between 1785 and 1791, and, except for 1818, between 1806 and 1828, besides enjoying further irregular stagings during the Revolutionary period. Roles Synopsis Act 1 A caravan is heading to Cairo. Among the travellers are the slave dealer Husca and his slaves Zà ...
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Jean-François Marmontel
Jean-François Marmontel (11 July 1723 – 31 December 1799) was a French historian, writer and a member of the Encyclopédistes movement. Biography He was born of poor parents at Bort, Limousin (today in Corrèze). After studying with the Jesuits at Mauriac, Cantal, he taught in their colleges at Clermont-Ferrand and Toulouse; and in 1745, acting on the advice of Voltaire, he set out for Paris to try for literary success. From 1748 to 1753 he wrote a succession of tragedies: ''Denys le Tyran'' (1748); ''Aristomene'' (1749); ''Cleopâtre'' (1750); ''Heraclides'' (1752); ''Egyptus'' (1753). These literary works, though only moderately successful on the stage, secured Marmontel's introduction into literary and fashionable circles. He wrote a series of articles for the ''Encyclopédie'' evincing considerable critical power and insight, which in their collected form, under the title ''Eléments de Littérature'', still rank among the French classics. He also wrote several c ...
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Jean-Baptiste Lourdet De Santerre
Jean-Baptiste is a male French name, originating with Saint John the Baptist, and sometimes shortened to Baptiste. The name may refer to any of the following: Persons * Charles XIV John of Sweden, born Jean-Baptiste Jules Bernadotte, was King of Sweden and King of Norway * Charles-Jean-Baptiste Bouc, businessman and political figure in Lower Canada * Felix-Jean-Baptiste-Joseph Nève, orientalist and philologist * Gui-Jean-Baptiste Target, French lawyer and politician * Hippolyte Jean-Baptiste Garneray, French painter * Jean-Baptiste (songwriter), American music record producer, singer-songwriter * Jean-Baptiste Alphonse Karr, French critic, journalist, and novelist * Jean-Baptiste Bagaza, chairman of Supreme Revolutionary Council in Burundi until 1976 and president of Burundi (1976-1987) * Jean-Baptiste Baudry, son of Guillaume Baudry, Canadian gunsmith bevear goldsmith * Jean-Baptiste Benoît Eyriès, French geographer, author and translator * Jean-Baptiste Bessières, duke ...
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