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Sewrin
Sewrin, real name Charles-Augustin Bassompierre, (9 October 1771 – 22 April 1853ÂParis», ''Journal de dĂ©bats'', 24 avril 1853, at Gallica) was a French playwright and goguettier. In addition to his writing of comedies, opĂ©ras-comiques, vaudevilles and songs, he also was a librettist for François Adrien Boieldieu, Ferdinand HĂ©rold and Luigi CherubiniNotice d'autoritĂ© sur le site de la BNF Biography Charles-Augustin Bassompierre was born 9 October 1771 in , a French fortress in the |
René De Chazet
René de Chazet, full name René André Polydore Balthazar Alissan de Chazet, (23 October 1774 – 23 August 1844) was a French playwright, poet and novelist. Short biography The son of an annuities controller, parent of Mackau, the ambassador of Naples, he accompanied him to Italy in 1792 and returned to France only in 1797. He collaborated with many newspapers and became known for his numerous play (theatre), plays, many of which written in collaboration with Sewrin, Charles-Augustin Sewrin. These plays were given in the most important Parisian stages of the first half of the XIXe century: Théâtre des Variétés, Comédie-Française, Théâtre du Palais-Royal, Théâtre du Vaudeville etc. He competed in 1808 at the Académie française and won the first runner with his ''Éloge de Pierre Corneille''. In 1814, he was pensioned by Louis XVIII of France, Louis XVIII, made a Ordre national de la Légion d'honneur, chevalier de la Légion d'honneur and appointed librarian of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Solié
Jean-Pierre Solié (also Soulier, Solier, Sollié; 1755 in Nîmes – 6 August 1812 in Paris) was a French cellist and operatic singer. He began as a tenor, but switched and became well known as a baritone. He sang most often at the Paris Opéra-Comique. He also became a prolific composer, writing primarily one-act comic operas.Letailleur, Paulette. "Solié olier, Sollié, Soulié, Soulier Jean-Pierre" in Sadie (1992) 4: 446. Career as a singer His father was a cellist with the orchestra at the theatre in Nîmes, and Solié likewise learned to play the cello. But he also learned to sing and play the guitar, and became a choirboy in the cathedral. As he got older he began traveling to nearby towns in southern France, where he played cello in local theatre orchestras and supplemented his income by giving lessons in guitar and singing. In 1778 in Avignon he was called upon to replace an ailing tenor in André Grétry's ''La Rosière de Salency'' and made such a good impression, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Marion Dumersan
Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale. Life The family's real surname was Marion but – to distinguish himself from his brothers – Théophile's brother altered his surname to "du Mersan", after the name of one of its lands. The young Théophile had already found a taste for the theatre by 1795 by learning to read Racine and Molière. In that year, aged 16, whilst his family was distressed by the Reign of Terror, Théophile found work under Aubin-Louis Millin de Grandmaison, curator of the Cabinet des médailles et antiques de la Bibliothèque royale. With his colleague Théodore-Edme Mionnet, future member of the Académie des inscriptions et belles-lettres, he perfected a new system for classifying medals into geogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Gaveaux
Pierre Gaveaux (9 October 1761 – 5 February 1825) was a French operatic tenor and composer, notable for creating the role of Jason in Cherubini's ''Médée'' and for composing '' Léonore, ou L’amour conjugal'', the first operatic version of the story that later found fame as ''Fidelio''. Early life Gaveaux was born in Béziers and sang in the cathedral choir there from the age of seven. Although intending to enter the priesthood, he also took lessons in composition. He next became first tenor at the Basilica of Saint-Seurin in Bordeaux, studying with Franz Ignaz Beck, and subsequently decided to follow a career in music, becoming a conductor at the Grand Théâtre de Bordeaux as well as continuing to sing. Career as a singer After a period in Montpellier, he moved to Paris where, on 26 January 1789, he took part in a performance of Giacomo Tritto's ''Le Avventure Amorose'', which marked the inauguration of the Théâtre de Monsieur company in the Salle des Machines a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel-François-Esprit Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germain Delavigne
Louis Marie Germain Delavigne (1 February 1790 – 3 November 1868) was a French playwright and librettist. Delavigne was born in Giverny to Louis-Augustin-Anselme Delavigne, a surveyor of the French royal forests, and his wife. He was the brother of Casimir Delavigne (1793–1843) who was also destined for a theatrical career. A frequent collaborator of Eugène Scribe, Delavigne was involved in the creation of the libretti of two of the earliest grand operas, Daniel Auber's ''La muette de Portici'' (1828) and Giacomo Meyerbeer's ''Robert le diable'' (1831). Amongst his later libretti were those for Fromental Halévy's '' Charles VI'' (1843) (co-authored with his brother Casimir) and Charles Gounod's ''La nonne sanglante'' (1854).Smith (n.d.). Delavigne died at Montmorency, Val-d'Oise Montmorency () is a commune in the northern suburbs of Paris, France. It is located from the center of Paris. Montmorency was the fief of the Montmorency family, one of the oldest and most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in the Salle des Tuileries, located in the north wing of the Tuileries Palace, then moved to the Salle des Variétés at the Foire Saint-Germain, and finally, beginning in 1791, settled into its own custom-built theatre, the Salle Feydeau located on the rue Feydeau. The company was renamed Feydeau after the royal family was arrested during the French Revolution.Johnson 1992. The company first presented Italian opera by composers such as Giovanni Battista Pergolesi, Giuseppe Sarti, and Giovanni Paisiello and later French plays, vaudevilles, and ''opéras comiques'', as well as symphonic concerts, and was especially famous for the quality of its orchestra and realistic stagings. The Italian Luigi Cherubini was the house composer,Willis 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Cité-Variétés
The Théâtre de la Cité-Variétés, also known simply as the Théâtre de la Cité, was an entertainment venue now demolished, located in the former rue Saint-Barthélemy, now the , on the Île de la Cité in the modern 4th arrondissement of Paris. The theatre had a capacity of 1,800–2,000 spectators. History Built by the architect (who also designed the Théâtre de la Porte Saint-Martin) on the site of the Église Saint-Barthélemy, which façade it retained, the hall was inaugurated on 20 October 1792.Wild 1989, pp. 86–89. From October 1792 to November 1793 it was named Théâtre du Palais-Variétés because of its proximity to the Palais de Justice. The venue was later renamed Théâtre de la Cité-Variétés. From October 1792 to May 1800 the theatre was managed by Nicolas Lenoir, also known as Lenoir du Romain, and his nephew, known as Lenoir de Saint-Edme. Thereafter, it had a number of different managers, including Nicolas Cammaille-Saint-Aubin (May 1800 – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Favart
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens. Background The Salle Favart is the third theatre with this name on this site. The first Salle Favart, built to the designs of Jean-François Heurtier, opened on 28 April 1783. Charles Simon Favart was the company's director at the time. It was destroyed by fire on the night of 14 or 15 January 1838. The second Salle Favart, built to the designs of , opened on 16 May 1840. It was destroyed by fire on 25 May 1887.Wild 1989, pp. 135–138. Competition After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ordre National De La LĂ©gion D'honneur
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' ( Commander), ' (Grand Officer) and ' (Grand Cross). History Consulate During the French Revolution, all of the French orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers. From this wish was instituted a , a body of men that was not an orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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