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Théophile Marion Dumersan
Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale. Life The family's real surname was Marion but – to distinguish himself from his brothers – Théophile's brother altered his surname to "du Mersan", after the name of one of its lands. The young Théophile had already found a taste for the theatre by 1795 by learning to read Racine and Molière. In that year, aged 16, whilst his family was distressed by the Reign of Terror, Théophile found work under Aubin-Louis Millin de Grandmaison, curator of the Cabinet des médailles et antiques de la Bibliothèque royale. With his colleague Théodore-Edme Mionnet, future member of the Académie des inscriptions et belles-lettres, he perfected a new system for classifying medals into geogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Marion Dumersan
Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale. Life The family's real surname was Marion but – to distinguish himself from his brothers – Théophile's brother altered his surname to "du Mersan", after the name of one of its lands. The young Théophile had already found a taste for the theatre by 1795 by learning to read Racine and Molière. In that year, aged 16, whilst his family was distressed by the Reign of Terror, Théophile found work under Aubin-Louis Millin de Grandmaison, curator of the Cabinet des médailles et antiques de la Bibliothèque royale. With his colleague Théodore-Edme Mionnet, future member of the Académie des inscriptions et belles-lettres, he perfected a new system for classifying medals into geogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraved Gems
An engraved gem, frequently referred to as an intaglio, is a small and usually semi-precious gemstone that has been carved, in the Western tradition normally with images or inscriptions only on one face. The engraving of gemstones was a major luxury art form in the Ancient world, and an important one in some later periods. Strictly speaking, ''engraving'' means carving ''in intaglio'' (with the design cut ''into'' the flat background of the stone), but relief carvings (with the design projecting ''out of'' the background as in nearly all cameos) are also covered by the term. This article uses ''cameo'' in its strict sense, to denote a carving exploiting layers of differently coloured stone. The activity is also called ''gem carving'' and the artists ''gem-cutters''. References to antique gems and intaglios in a jewellery context will almost always mean carved gems; when referring to monumental sculpture, counter-relief, meaning the same as ''intaglio'', is more likely to be used. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand D'Artois
Armand d'Artois (3 October 1788 – 28 March 1867) was a 19th-century French playwright and librettist, and also Achille d'Artois's brother. Biography Trained for the bar, he first worked as an attorney but the success of his play ''Les Finacés'', in 1808, caused him to devote himself entirely to literature. In 1814, he joined the guards of the king of Belgium, leaving military service after receiving the Legion of Honour in 1818. A very prolific author, he wrote under various collective pseudonyms such as Emmanuel, with Emmanuel Arago, M. Sapajou, with Francis baron d'Allarde and Gabriel de Lurieu. Managing director of the Théâtre des Variétés from 1830 to 1836, he also directed ''Le Nain couleur de rose'', a political, literary and moral newspaper from 15 September 1815 to 5 May 1816 and collaborated with ''La Foudre'' by Alphonse de Beauchamp. His plays were presented on some of the most important Parisian stages of the 19th century: Théâtre du Vaudeville, Thé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Numismatics
Numismatics is the study or collection of currency, including coins, tokens, paper money, medals and related objects. Specialists, known as numismatists, are often characterized as students or collectors of coins, but the discipline also includes the broader study of money and other means of payment used to resolve debts and exchange goods. The earliest forms of money used by people are categorised by collectors as "Odd and Curious", but the use of other goods in barter exchange is excluded, even where used as a circulating currency (e.g., cigarettes or instant noodles in prison). As an example, the Kyrgyz people used horses as the principal currency unit, and gave small change in lambskins; the lambskins may be suitable for numismatic study, but the horses are not. Many objects have been used for centuries, such as cowry shells, precious metals, cocoa beans, large stones, and gems. Etymology First attested in English 1829, the word ''numismatics'' comes from the adjective ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Varin
Charles Voirin, called Varin, (20 January 1798 (1er pluviôse an VI) – 24 April 1869) was a 19th-century French playwright. He also wrote under the pen names V. Warin and Victor. Biography Destined by his father to the profession of notary, Varin spent ten years at the bottom of a study, where he once came to Paris without money. Interested in writing plays, he spent a long time to break the circle of obstacles which opposed its inception. When the first success came, around 1825, he called himself Victor first, then took the pseudonym Varin, so that his father kept in ignorance of its gains, would not suppress his student pension. After he made his way to the stage, it provided very regularly plays, usually vaudevilles, full of gaiety and movement. He wrote mostly in company with various authors. To cite only a few: Bayard, Clairville, Desvergers, Paul de Kock, Duvert, Labiche, Auguste Lefranc, Henri Rochefort, Étienne and Jacques Arago. In August 1864 he was awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélesville
Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, Mélesville initially had success at the bar and as a magistrate. He left the legal profession in 1814 to dedicate himself to the theatre, though he had first gained praise in that area in 1811 for his comedy ''l'Oncle rival''. Out of consideration for his father's position, he wrote under the pseudonym Mélesville, by which he is still known. He wrote in all genres - dramas, melodramas, comedies, vaudevilles, opera librettos - and is the sole or collaborative author of more than 340 plays. His collaborators included Eugène Scribe and Delestre-Poirson, with the collective pseudonym of Amédée de Saint-Marc. He collaborated with the more famous authors Brazier, Carmouche, Bayard, Scribe, Léon Laya on over 500 plays, some of which enjoy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Désaugiers
Marc-Antoine Désaugiers (1742 – 10 September 1793) was a French composer of numerous operas as well as a cantata on the storming of the Bastille and several pieces of sacred music. He was born in Fréjus. He studied music there but was largely an autodidact. Désaugiers settled in Paris in 1774 where he first came to prominence with his French translation of Giovanni Battista Mancini's ''Pensieri e riflessioni pratiche sopra il canto figurato''. His translation, published in 1776 under the title ''L'Art du chant figuré'', was much admired by Gluck who became his close friend. Désaugiers died in Paris. His son, Marc-Antoine Madeleine Désaugiers Marc-Antoine Madeleine Désaugiers (17 November 1772 – 9 August 1827) was a French composer, dramatist, and songwriter. Désaugiers is easily confused in historical writings with his father, Marc-Antoine Désaugiers (b. Fréjus, 1742 – d. Pari ... was also a composer. References 1742 births 1793 deaths People from Fréjus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Carmouche
Pierre Carmouche (9 April 1797 - 9 December 1868) was a French playwright and chansonnier. He wrote more than 200 successful plays, comedies, comédies en vaudevilles and texts for opéras comiques, in collaboration with diverse authors - Brazier, Dumersan, Mélesville, de Courcy, etc. In 1824 he married the actress Jenny Vertpré. He also collected a rich library, bequeathed in part to marshal Canrobert. Theatre * ''Les Poissons d'avril, ou le Charivari'', comédie en vaudevilles, with Émile Cottenet, Théâtre de la Porte-Saint-Martin, 1 April 1816. * ''Le Bateau à vapeur'', comedy in one act, mingled with couplets, with Émile Cottenet, Philibert Rozet, Théâtre de la Porte Saint-Martin, 1816. * ''L'Heureuse Moisson, ou le Spéculateur en défaut'', comédie en vaudevilles in 1 act mingled with couplets, with Jean-Toussaint Merle and Frédéric de Courcy, Théâtre de la Porte-Saint-Martin, September 1817. * ''La Cloyère d'huitres, ou les Deux Briquebec'', co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Brazier
Nicolas Brazier (17 February 1783, Paris - 18 February 1838) was a French chansonnier and vaudevillist. Life Son of a boarding school master and author of school manuals, Brazier's education was however strongly neglected due to the French Revolution. At first a jeweller's apprentice, then employed in the "Droits réunis" (the French indirect taxes administration of the time), he showed a talent for verse and was encouraged and guided by Armand Gouffé. Following his first success at the Théâtre des Délassements-Comiques, in 1803, he left his job to devote himself to chansons and to the theatre, following courses at school to fill in the gaps in his education. His witty, spirited and lively chansons often proved popular, though the vulgarity of his style has led to them being forgotten. The Société du Caveau keeps their memory alive. Brazier collaborated on over 200 witty vaudeville pieces, above all on the couplets. His collaborators included Dumersan, Désaugiers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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