Charles Varin
Charles Voirin, called Varin, (20 January 1798 (1er pluviôse an VI) – 24 April 1869) was a 19th-century French playwright. He also wrote under the pen names V. Warin and Victor. Biography Destined by his father to the profession of notary, Varin spent ten years at the bottom of a study, where he once came to Paris without money. Interested in writing plays, he spent a long time to break the circle of obstacles which opposed its inception. When the first success came, around 1825, he called himself Victor first, then took the pseudonym Varin, so that his father kept in ignorance of its gains, would not suppress his student pension. After he made his way to the stage, it provided very regularly plays, usually vaudevilles, full of gaiety and movement. He wrote mostly in company with various authors. To cite only a few: Bayard, Clairville, Desvergers, Paul de Kock, Duvert, Labiche, Auguste Lefranc, Henri Rochefort, Étienne and Jacques Arago. In August 1864 he was awar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nancy, France
Nancy ; Lorraine Franconian: ''Nanzisch'' is the Prefectures in France, prefecture of the northeastern Departments of France, French department of Meurthe-et-Moselle. It was the capital of the Duchy of Lorraine, which was Lorraine and Barrois, annexed by France under King Louis XV in 1766 and replaced by a Provinces of France, province, with Nancy maintained as capital. Following its rise to prominence in the Age of Enlightenment, it was nicknamed the "capital of Eastern France" in the late 19th century. The metropolitan area of Nancy had a population of 511,257 inhabitants at the 2018 census, making it the 16th-largest functional area (France), functional urban area in France and Lorraine's largest. The population of the city of Nancy proper is 104,885. The motto of the city is , —a reference to the thistle, which is a symbol of Lorraine. Place Stanislas, a large square built between 1752 and 1756 by architect Emmanuel Héré under the direction of Stanislaus I of Poland to lin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eugène Nyon
Eugène Nyon (16 March 1812 – 29 January 1870 Archives numérisées de la Ville de Paris, état-civil du 18ème arrondissement, registre des décès de 1870, acte n° 281, vue 6/3) was a French Vaudeville, vaudevillist and writer, particularly known for his historical novels and educational stories for young people. His most famous story is ''Le Colon de Mettray'', set in the Mettray Penal Colony. Eugène Nyon also collaborated with several magazines, including ''Revue pour tous'', under the name Amédée Achard, and the '' Journal des dames et des modes'', which he contributed Parisian chronicles under the name "Countess of Sabran" and of which he was the director for a time. In the theater, his most famous collaborator was Eugène Labiche. He is buried at Montmartre Cemetery (26th division). Works *1842: ''Les Pérégrinations, escapades et aventures de Claude La Ramée et de son cousin Labiche'', 1842 *1843: ''Les Dots'', nouvelles *1844: ''Les Dévouements'' *1844: ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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L'Enfant De La Maison ''
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L'Enfant may refer to: * ''L'Enfant'' (film), a 2005 Belgian film * L'Enfant (poster), a noted 1987 photographic poster * Pierre Charles L'Enfant, architect and civil engineer credited with planning the city of Washington, D.C. * , a 1943 cargo ship * L'Enfant Plaza, a complex of office buildings, a hotel, and an underground shopping mall in Washington, D.C. ** L'Enfant Plaza Station, a transit station serving the plaza * "L'Enfant", a song by Vangelis from the 1979 album ''Opéra sauvage'' * "L'Enfant", a poem by Victor Hugo from the 1829 collection ''Les Orientales ''Les Orientales'' is a collection of poems by Victor Hugo, inspired by the Greek War of Independence. They were first published in January 1829. Of the forty-one poems, thirty-six were written during 1828. They offer a series of highly coloured ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tableau Vivant
A (; often shortened to ; plural: ), French language, French for "living picture", is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be Theatre, theatrically lit. It thus combines aspects of theatre and the visual arts. A tableau may either be 'performed' live, or depicted in painting, photography and sculpture, such as in many works of the Romanticism, Romantic, Aestheticism, Aesthetic, Symbolism (arts), Symbolist, Pre-Raphaelite, and Art Nouveau movements. In the late 19th and early 20th centuries, tableaux sometimes featured ('flexible poses') by virtually nude models, providing a form of Erotica, erotic entertainment, both on stage and in print. Tableaux continue to the present day in the form of living statues, street performers who busk by posing in costume. Origin Occasionally, a Mass (liturgy), Mass was punctuated with short dramatic scenes and paintin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laurencin (author) s and operettas, most of them in collaboration. ''Le 66'' and ''Monsieur et Madame Denis'' by Jacques Offenbach are among the pieces he collaborated to.
19th-century French dramatists and playwrights
French opera librettists
1806 births
1890 deaths
{{France-playwright-stub ...
Laurencin, born Paul-Aimé Chapelle, (10 January 1806 - 9 December 1890) was a French playwright and librettist. He authored numerous theatre plays, vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Théophile Marion Dumersan
Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale. Life The family's real surname was Marion but – to distinguish himself from his brothers – Théophile's brother altered his surname to "du Mersan", after the name of one of its lands. The young Théophile had already found a taste for the theatre by 1795 by learning to read Racine and Molière. In that year, aged 16, whilst his family was distressed by the Reign of Terror, Théophile found work under Aubin-Louis Millin de Grandmaison, curator of the Cabinet des médailles et antiques de la Bibliothèque royale. With his colleague Théodore-Edme Mionnet, future member of the Académie des inscriptions et belles-lettres, he perfected a new system for classifying medals into geogra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles-Edmond Duponchel
Charles-Edmond Duponchel (7 April 1804 – 13 February 1864) was a French military officer accountant, in which capacity he served in Spain and Algeria. In addition, he studied architecture. He has frequently been confused by later writers with his contemporary Henri Duponchel, at one time director of the Paris Opera, who also studied architecture and has often erroneously been referred to under Charles-Edmond Duponchel's name. Biography Charles-Edmond Duponchel was one of two sons of Marie-Joseph-Désirée Ravet and entomologist Philogène-Auguste Duponchel. In 1823 he entered the École des Beaux-Arts, where he studied with the architects Pierre-Théodore Bienaimé (1765–1826) and Léon Vaudoyer (1803–1872). He also joined the military in 1823 and served in the Spanish campaign that year. On 26 December 1855, he became a Knight of the Legion of Honour in recognition of his long career in military service. Charles-Edmond Duponchel authored a number of works which have been ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lubize
Lubize, real name Pierre-Michel Martin or Martin-Lubize (21 February 1798 (3 ventôse an VI) registre des naissances de l'an VI pour la ville de Bayonne, Archives départementales des Pyrénées-Atlantiques. – 28 January 1863 Acte n°125 () registre des décès de l'année 1863 pour le 9e arrondissement, Archives numérisées de la Ville de Paris.) was a 19th-century French [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Édouard Monnais
Désiré Guillaume Édouard Monnais (27 May 1798 – 25 February 1868) was a French journalist, theater director, playwright and librettist. Life and career Édouard Monnais was born in Paris and began his career as a journalist. In 1835, he became chief editor of the ''Revue et Gazette musicale de Paris''. In 1836 he took a position at the Interior Ministry and in 1838 became Commissioner of Opera and soon afterward, the Paris Conservatory. From 15 November 1839 to the end of May 1841, he co-directed the Paris Opera with Henri Duponchel. Monnais wrote as a critic for ''Revue et gazette musicale de Paris'' and '' Le Courrier français'', during which time he reviewed the work of artists including Balzac and Verdi. He was active in the support of music and opera, serving as Vice-chairman of the Association of Artists-Musicians, and also on juries, artistic committees and in support of competitions including the Prix de Rome. Monnais sometimes wrote under the pseudonym of Paul Sm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |