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Jean-Pierre Solié
Jean-Pierre Solié (also Soulier, Solier, Sollié; 1755 in Nîmes – 6 August 1812 in Paris) was a French cellist and operatic singer. He began as a tenor, but switched and became well known as a baritone. He sang most often at the Paris Opéra-Comique. He also became a prolific composer, writing primarily one-act comic operas.Letailleur, Paulette. "Solié olier, Sollié, Soulié, Soulier Jean-Pierre" in Sadie (1992) 4: 446. Career as a singer His father was a cellist with the orchestra at the theatre in Nîmes, and Solié likewise learned to play the cello. But he also learned to sing and play the guitar, and became a choirboy in the cathedral. As he got older he began traveling to nearby towns in southern France, where he played cello in local theatre orchestras and supplemented his income by giving lessons in guitar and singing. In 1778 in Avignon he was called upon to replace an ailing tenor in André Grétry's ''La Rosière de Salency'' and made such a good impression, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Pierre Solié After Henri-François Riesener
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stratonice (opera)
''Stratonice'' is a one-act '' opéra comique'' by Étienne Méhul to a libretto by François-Benoît Hoffman, first performed at the Théâtre Favart in Paris, on 3 May 1792. The plot is taken from ''De Dea Syria'' ("On the Syrian Goddess", attributed to Lucian) concerning an incident from the history of the Seleucid dynasty which ruled much of the Middle East during the Hellenistic era of the ancient world. Performance history ''Stratonice'' was a popular opera, receiving over 200 performances during Méhul's lifetime. On 6 June 1792 a parody, ''Nice'', by Jean-Baptiste Desprez and Alexandre de Ségur, appeared at the Théâtre du Vaudeville. In 1821 Méhul's nephew Joseph Daussoigne-Méhul wrote new recitatives for the opera's revival in Paris at the Académie Royale de Musique. Roles Synopsis Antiochus, the son of King Seleucus, is pining away yet he would rather die than name the cause of his disease to his father. The doctor, Erasistratus, suspects love is behind Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Historian
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Music of India, Indian music or the history of Rock music, rock). In practice, these research topics are often categorized as part of ethnomusicology or cultural studies, whether or not they are ethnography, ethnographically based. The terms "music history" and "historical musicology" usually refer to the history of the notated music of Western elites, sometimes called "art music" (by analogy to art history, which tends to focus on elite art). The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual criticism), style criticism, historiography (the choice of historical method), musical analysis, and iconography. The applicatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Favart
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens. Background The Salle Favart is the third theatre with this name on this site. The first Salle Favart, built to the designs of Jean-François Heurtier, opened on 28 April 1783. Charles Simon Favart was the company's director at the time. It was destroyed by fire on the night of 14 or 15 January 1838. The second Salle Favart, built to the designs of , opened on 16 May 1840. It was destroyed by fire on 25 May 1887.Wild 1989, pp. 135–138. Competition After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Committee Of Public Safety
The Committee of Public Safety (french: link=no, Comité de salut public) was a committee of the National Convention which formed the provisional government and war cabinet during the Reign of Terror, a violent phase of the French Revolution. Supplementing the Committee of General Defence created after the execution of King Louis XVI in January 1793, the Committee of Public Safety was created in April 1793 by the National Convention. It was charged with protecting the new republic against its foreign and domestic enemies, fighting the First Coalition and the Vendée revolt. As a wartime measure, the committee was given broad supervisory and administrative powers over the armed forces, judiciary and legislature, as well as the executive bodies and ministers of the Convention. As the committee, restructured in July, raised the defense ('' levée en masse'') against the monarchist coalition of European nations and counter-revolutionary forces within France, it became more and more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Congrès Des Rois
''Le congrès des rois'' (''The Congress of the Kings'') was a 3-act French Revolutionary opera of the genre ''comédie mêlée d'ariettes'' with a libretto by De Maillot, a stage name used by Antoine-François Ève early in his career, and music by a collaborative of twelve composers (see below). It was a satire directed against the "enemies of France". The libretto and most of the music (except for that by Henri Montan Berton) has been lost.Wild and Charlton (2005), pp. 56, 200. The composition of the opera was ordered by the ''Comité du Salut public'' (Committee of Public Safety) to be completed in two days. The opera was first performed on 26 February 1794 vent IIby the Opéra-Comique in the first Salle Favart and was presented a total of 2 times. At the premiere, "the length of the work and its couplets' lack of charm tired the audience, which took out its bad feelings on the ballet. Sharp whistles grew louder still, and the authors were not acknowledged." When the sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolphe Kreutzer
Rodolphe Kreutzer (15 November 1766 – 6 January 1831) was a French violinist, teacher, conductor, and composer of forty French operas, including ''La mort d'Abel'' (1810). He is probably best known as the dedicatee of Beethoven's Violin Sonata No. 9, Op. 47 (1803), known as the ''Kreutzer Sonata'', though he never played the work. Kreutzer made the acquaintance of Beethoven in 1798, when at Vienna in the service of the French ambassador, Jean-Baptiste Bernadotte (later King of Sweden and Norway). Beethoven originally dedicated the sonata to George Bridgetower, the violinist at its first performance, but after a quarrel he revised the dedication in favour of Kreutzer. Biography Kreutzer was born in Versailles, and was initially taught by his German father, who was a musician in the royal chapel, with later lessons from Anton Stamitz. He became one of the foremost violin virtuosos of his day, appearing as a soloist until 1810. He was a violin professor at the Conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Montan Berton
Henri-Montan Berton (17 September 1767 – 22 April 1844) was a French composer, teacher, and writer, mostly known as a composer of operas for the Opéra-Comique. Career Henri-Montan Berton was born the son of Pierre Montan Berton.Charlton 2001."Henri-Montan Berton" in Sadie 1992, vol. 1, pp. 453–455. He is principally remembered as a composer of operas, most of which were first performed at the Opéra-Comique. Riding a wave of anti-clericalism which arose at the time of the French Revolution, his first real success was with ''Les rigueurs du cloître'' (23 August 1790), "in which a young nun is saved from entombment at the hands of a corrupt mother superior." The work has been described as the first rescue opera. Later more notable operas include ''Montano et Stéphanie'' (15 April 1799), ''Le délire'' (7 December 1799), and ''La Romance'' (26 January 1804). One of his greatest early successes was ''Aline, reine de Golconde'' (3 September 1803), which was performed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Rencontre Imprévue
''La rencontre imprévue, ou Les pèlerins de la Mecque'' Wq. 32 (''The Unexpected Encounter, or The Pilgrims to Mecca'') is a three-act ''opéra comique'', composed in 1763 by Christoph Willibald Gluck to a libretto by Louis Dancourt after the 1726 '' comédie en vaudeville'' ''Les pèlerins de la Mecque'' by Alain-René Lesage and d'Orneval. The death of Isabella of Parma, the archduke's wife, occasioned a revision of the spoken text downplaying the feigned death by which princess Rezia tests her beloved. The work was first performed in this form as ''La rencontre imprévue'' at the Burgtheater, Vienna on 7 January 1764. Dancourt's original text, titled ''Les pèlerins de la Mecque'' and designated as a ''comédie mêlée d'ariettes'', was not premiered until 1990 (see Recordings). Performance history Gluck's longest ''opéra-comique'' and considered his finest, ''La rencontre imprévue'' was his most popular work in the genre in the 18th century. It was performed in Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
