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André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ...
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André Ernest Modeste Grétry
André — sometimes transliterated as Andre — is the French and Portuguese form of the name Andrew, and is now also used in the English-speaking world. It used in France, Quebec, Canada and other French-speaking countries. It is a variation of the Greek name ''Andreas'', a short form of any of various compound names derived from ''andr-'' 'man, warrior'. The name is popular in Norway and Sweden.Namesearch – Statistiska centralbyrån


Cognate names

Cognate names are: * : Andrei,

Aliberti Theatre
Aliberti is a surname. Notable people with the surname include: *Gian Carlo Aliberti (also Giancarlo and Giovanni Carlo; 1662–1740), Italian painter *Giuseppe Aliberti (1901–1956), Italian football manager and former player *Junior Aliberti (born 1977), Uruguayan footballer *Lucia Aliberti (born 1957), Sicilian opera singer *Sophia Aliberti (born 1963), Greek talk show host *Sotiria Aliberti Soteria Aliberty ( el, Σωτηρία Αλιμπέρτη; 1847–1929) was a Greek feminist and educator who founded the first Greek women's association, ''Ergani Athena'' ( el, Εργάνη Αθηνά). Aliberty founded a school for girls in Roma ... or Soteria Aliberty (1847–1929), Greek feminist and educator {{surname Italian-language surnames ...
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Thomas Carlyle
Thomas Carlyle (4 December 17955 February 1881) was a Scottish essayist, historian and philosopher. A leading writer of the Victorian era, he exerted a profound influence on 19th-century art, literature and philosophy. Born in Ecclefechan, Dumfriesshire, Carlyle attended the University of Edinburgh where he excelled in mathematics, inventing the Carlyle circle. After finishing the arts course, he prepared to become a minister in the Burgher Church while working as a schoolmaster. He quit these and several other endeavours before settling on literature, writing for the ''Edinburgh Encyclopædia'' and working as a translator. He found initial success as a disseminator of German literature, then little-known to English readers, through his translations, his ''Life of'' ''Friedrich Schiller'' (1825), and his review essays for various journals. His first major work was a novel entitled ''Sartor Resartus'' (1833–34). After relocating to London, he became famous with his ''French Rev ...
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Thyestes
In Greek mythology, Thyestes (pronounced , gr, Θυέστης, ) was a king of Olympia. Thyestes and his brother, Atreus, were exiled by their father for having murdered their half-brother, Chrysippus, in their desire for the throne of Olympia. They took refuge in Mycenae, where they ascended the throne upon the absence of King Eurystheus, who was fighting the Heracleidae. Eurystheus had meant for their lordship to be temporary; it became permanent because of his death in conflict. The most popular representation of Thyestes is that of the play ''Thyestes'' by Seneca in 62 AD. This play is one of the originals for the revenge tragedy genre. Although inspired by Greek mythology and legend, Seneca's version is different. __TOC__ Family Thyestes was the son of Pelops and Hippodamia, and father of Pelopia and Aegisthus. His three sons by a naiad, who were killed by Atreus, were named Aglaus, Orchomenus and Calaeus. Myth Pelops and Hippodamia are parents to Thyestes ...
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Richard Coeur-de-lion (opera)
''Richard Cœur-de-lion'' (''Richard the Lionheart'') is an opéra comique, described as a ''comédie mise en musique'', by the Belgian composer André Grétry. The French text was by Michel-Jean Sedaine. The work is generally recognised as Grétry's masterpiece and one of the most important French ''opéras comiques''. It is based on a legend about King Richard I of England's captivity in Austria and his rescue by the troubadour Blondel de Nesle. On his way home from the Third Crusade, King Richard has been imprisoned by Leopold, Archduke of Austria. The king's faithful squire Blondel seeks him out disguised as a blind troubadour. He arrives in Linz where he meets the English exile Sir Williams and his daughter Laurette, who tell him of an unknown prisoner in the nearby castle. Laurette is in love with the prison governor, Florestan. Countess Marguerite, who is in love with King Richard, arrives and offers Blondel her help. Blondel goes to the castle where he sings the song ''Une f ...
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Zémire Et Azor
' (''Zémire and Azor'') is an opéra comique, described as a ''comédie-ballet mêlée de chants et de danses'', in four acts by the Belgian composer André Grétry. The French text was by Jean-François Marmontel based on ''La Belle et la bête'' (''Beauty and the Beast'') by Jeanne-Marie Leprince de Beaumont, and ''Amour pour amour'' by Pierre-Claude Nivelle de La Chaussée. The opera includes the famous coloratura display piece ''La Fauvette'' in which the soprano imitates birdsong. Performance history It was first performed by the Comédie-Italienne at Fontainebleau on 9 November 1771 and at the Hôtel de Bourgogne in Paris on 16 December 1771. It stayed in the French repertory until at least 1821 and enjoyed worldwide success. It was staged at the court of Saint Petersburg, Russia, in 1774. It was performed at the Swedish court at the Drottningholm Palace Theatre in 1778, and in London at the King's Theatre in 1779. In modern times ''Zémire et Azor'' was performed at the ...
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Le Tableau Parlant
''Le tableau parlant'' (''The Talking Picture'') is an opéra comique, described as a ''comédie-parade'', in one act by André Grétry, The French libretto was by Louis Anseaume. Performance history It was first performed on 20 September 1769 by the Comédie-Italienne at the Hôtel de Bourgogne in Paris. Roles Synopsis In the absence of Isabelle's lover Léandre, Cassandre persuades Isabelle to marry him instead. Cassandre leaves and in the meantime Léandre returns and Isabelle changes her mind. She asks Cassandre's portrait for his agreement to the changed state of affairs, only to find that Cassandre himself is concealed behind the picture. References Further reading * "Tableau parlant, Le" by Michael Fend, in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Mu ...
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Lucile (opera)
''Lucile'' is an opéra comique, described as a ''comédie mêlée d'ariettes'', in one act by the composer André Grétry, It was first performed at the Comédie-Italienne, Paris on 5 January 1769. The French text is by Jean-François Marmontel, and the characters in the opera, though not the actual story, were derived from "L'école des pères", one of Marmontel's ''Contes moraux'' ("Moral Tales"). The melody from "Où peut-on être mieux qu'au sein de sa famille?" was later reused in Vieuxtemps' Violin Concerto No. 5, Op.37. Performance history ''Lucile'' was first performed at the Comédie-Italienne, Paris on 5 January 1769 and became Grétry's most popular opera during the following decade. By 1780 it had reached a total of 195 performances but it was less successful thereafter.Charlton, ''Grétry and the Growth of Opéra Comique'', p. 49 Roles Synopsis Lucile is enjoying a morning preparing for her wedding. She is joined by her fiancé young Dorval, her father Timante and ...
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Le Huron
''Le Huron'' (''The Huron'') is a French ''opéra comique'' in two acts by André Grétry. The libretto is by Jean-François Marmontel based on the story ''L'Ingénu'' (1767) by Voltaire. It was the composer's first big success with Parisian audiences. Performance history It was first performed on 20 August 1768 by the Comédie-Italienne at the Hôtel de Bourgogne in Paris. It was revived in 2010 and 2011: * 12 December 2010, Bourgueil Abbey (France), conductor: Julien Dubruque (concert version) * 1 November 2011, Theatre Adyar (Paris, France), conductor: Julien Dubruque; stage director: Henri Dalem Roles Synopsis The story is set in Brittany and concerns a love affair between a local girl and a man raised by the Huron Indians in America. Sources Further reading *''The Oxford Dictionary of Opera'', by John Warrack John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy ...
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Jean-François Marmontel
Jean-François Marmontel (11 July 1723 – 31 December 1799) was a French historian, writer and a member of the Encyclopédistes movement. Biography He was born of poor parents at Bort, Limousin (today in Corrèze). After studying with the Jesuits at Mauriac, Cantal, he taught in their colleges at Clermont-Ferrand and Toulouse; and in 1745, acting on the advice of Voltaire, he set out for Paris to try for literary success. From 1748 to 1753 he wrote a succession of tragedies: ''Denys le Tyran'' (1748); ''Aristomene'' (1749); ''Cleopâtre'' (1750); ''Heraclides'' (1752); ''Egyptus'' (1753). These literary works, though only moderately successful on the stage, secured Marmontel's introduction into literary and fashionable circles. He wrote a series of articles for the ''Encyclopédie'' evincing considerable critical power and insight, which in their collected form, under the title ''Eléments de Littérature'', still rank among the French classics. He also wrote several c ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Gustaf Philip Creutz
Count Gustaf Philip Creutz (; 1 May 1731 in Anjala, Finland – 30 October 1785 in Stockholm), was a Swedish statesman, diplomat and poet. Biography Creutz was born in Finland and after concluding his studies at the Royal Academy of Turku he received a post in the Privy Council Chancery at Stockholm in 1751. Here he met Count Gustaf Fredrik Gyllenborg, with whom his name is indissolubly connected. They were closely allied with Hedvig Charlotta Nordenflycht, and their works were published in common; to their own generation they seemed equal in fame, but posterity has given the palm of genius to Creutz. His greatest work is contained in the 1762 volume, the idyll of ''Atis och Camilla''; the exquisite little pastoral entitled ''Daphne'' was published at the same time, and Gyllenborg was the first to proclaim the supremacy of his friend. In 1763, Creutz practically closed his poetical career; he went to Spain as ambassador, and after three years to Paris in the same capacity unti ...
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