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Le Huron
''Le Huron'' (''The Huron'') is a French ''opéra comique'' in two acts by André Grétry. The libretto is by Jean-François Marmontel based on the story ''L'Ingénu'' (1767) by Voltaire. It was the composer's first big success with Parisian audiences. Performance history It was first performed on 20 August 1768 by the Comédie-Italienne at the Hôtel de Bourgogne in Paris. It was revived in 2010 and 2011: * 12 December 2010, Bourgueil Abbey (France), conductor: Julien Dubruque (concert version) * 1 November 2011, Theatre Adyar (Paris, France), conductor: Julien Dubruque; stage director: Henri Dalem Roles Synopsis The story is set in Brittany and concerns a love affair between a local girl and a man raised by the Huron Indians in America. Sources Further reading *''The Oxford Dictionary of Opera'', by John Warrack John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Ernest Modeste Grétry (cropped)
André — sometimes transliterated as Andre — is the French and Portuguese form of the name Andrew, and is now also used in the English-speaking world. It used in France, Quebec, Canada and other French-speaking countries. It is a variation of the Greek name ''Andreas'', a short form of any of various compound names derived from ''andr-'' 'man, warrior'. The name is popular in Norway and Sweden. Cognate names Cognate names are: * Bulgarian: Andrei, |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By André Grétry
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Warrack
John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College of Music (1949–52). In the early 1950s he was a freelance oboist, playing mostly with the Boyd Neel Orchestra and Sadler's Wells Orchestra. From 1954 until 1961 he was music critic for ''The Daily Telegraph'', and from 1961 until 1972 he was music critic for ''The Sunday Telegraph''. From 1978 until 1983 he served as the Artistic Director of the Leeds Festival. From 1984 until 1993 he taught on the music faculty at the University of Oxford. He is the author of ''Six Great Composers'' (1955); ''Carl Maria von Weber'' ( Hamish Hamilton, 1968, 2nd ed. Cambridge UP, 1976), the standard study of Weber in English; ''German Opera: From the Beginnings to Wagner'' (2001) and the co-author of ''The Concise Oxford Dictionary of Opera'' (1964, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huron Indians
The Wyandot people, or Wyandotte and Waⁿdát, are Indigenous peoples of the Northeastern Woodlands. The Wyandot are Iroquoian Indigenous peoples of North America who emerged as a confederacy of tribes around the north shore of Lake Ontario with their original homeland extending to Georgian Bay of Lake Huron and Lake Simcoe in Ontario, Canada and occupying some territory around the western part of the lake. The Wyandot, not to be mistaken for the Huron-Wendat, predominantly descend from the Tionontati tribe. The Tionontati (or Tobacco/Petun people) never belonged to the Huron (Wendat) Confederacy. However, the Wyandot(te) have connections to the Wendat-Huron through their lineage from the Attignawantan, the founding tribe of the Huron. The four Wyandot(te) Nations are descended from remnants of the Tionontati, Attignawantan and Wenrohronon (Wenro), that were "all unique independent tribes, who united in 1649-50 after being defeated by the Iroquois Confederacy." After their d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brittany
Brittany (; french: link=no, Bretagne ; br, Breizh, or ; Gallo language, Gallo: ''Bertaèyn'' ) is a peninsula, Historical region, historical country and cultural area in the west of modern France, covering the western part of what was known as Armorica during the period of Roman occupation. It became an Kingdom of Brittany, independent kingdom and then a Duchy of Brittany, duchy before being Union of Brittany and France, united with the Kingdom of France in 1532 as a provinces of France, province governed as a separate nation under the crown. Brittany has also been referred to as Little Britain (as opposed to Great Britain, with which it shares an etymology). It is bordered by the English Channel to the north, Normandy to the northeast, eastern Pays de la Loire to the southeast, the Bay of Biscay to the south, and the Celtic Sea and the Atlantic Ocean to the west. Its land area is 34,023 km2 . Brittany is the site of some of the world's oldest standing architecture, ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Thérèse Laruette
Marie-Thérèse Laruette (1744 –1837) was a French opera singer and playwright from Paris. She was a member of the troupe of the Comédie-Italienne, with which the Opéra-Comique was merged in 1762. Biography She was born Marie-Thérèse Vilette, the daughter of a master Parisian tailor who lived in Paris near the Opera and the Comédie-Italienne theaters. After noticing that his daughter was "addicted to the theater", her father took steps to make sure she acquired the education she would need to pursue an operatic career. At 14 years of age, Marie-Thérèse sang soprano for the first time at the Opéra-Comique. She made her professional debut at the Paris Opéra in 1758 before moving to the Comédie-Italienne in 1761. There she performed operas by Monsigny and Grétry, in particular '' Le déserteur'', in which she created the leading role of Louise, in 1767. At 17 years of age, she married, Jean-Louis Laruette (1731–1792), who was a singer and a composer in the Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clairval
Clairval, real name Jean-Baptiste Guignard, (27 April 1735, Étampes – 1795, Paris) was an 18th-century French operatic singer (tenor), comedian and librettist. He played with the same authority drama, comedy and opera, in a considerable number of roles. Among the most notable were: *1765: '' Tom Jones'' (part of Tom Jones) by Philidor *1765: '' La fée Urgèle'' (part of Robert, a knight) by Egidio Duni *1768: ''Le Huron'' (an officer), by Grétry *1769: ''Le tableau parlant'' (part of ''Pierrot''), by Grétry *1769: '' Le déserteur'' (part of Montauciel), by Monsigny *1771: ''Zémire et Azor'', (part of Azor), by Grétry :: This opéra comique was a version of ''Beauty and the Beast'' imagined by Marmontel, where Clairval had to become ugly; but he refused to don the first scheduled disguise: an animal fur. This role was one of his best success. *1776: '' Les mariages samnites'' (part of Agathis), by Grétry *1778: ''L'amant jaloux'', (part of Don Alonze), by Grétry *1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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