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Jean-Baptiste-Sauveur Gavaudan
Jean-Baptiste-Sauveur Gavaudan (8 August 1772 – 10 May 1840) was French opera singer who sang leading tenor roles, primarily with the Opéra Comique in Paris. He was particularly known for his skill as an actor and was sometimes referred to as "the Talma of the Opéra Comique". He also served as the director of the Théâtre Royal de la Monnaie in Brussels for the 1817–1818 season. Born in Salon-de-Provence, he made his stage debut in 1791 at the Théâtre Montansier. Gavaudan was married to the soprano Alexandrine Marie Agathe Gavaudan-Ducamel from 1798 until his death in Paris at the age of 67. Life and career Gavaudan was born in Salon-de-Provence and spent his early childhood in Nimes where his father was the music master at a religious institution. His three sisters were training to be opera singers in Paris where he also began his musical training at the age of five. The oldest two, , known as "Mlle Gavaudan l'aînée" (the elder), and Adélaïde Gavaudan, known as " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon-de-Provence
Salon-de-Provence (, ; oc, label= Provençal Occitan, Selon de Provença/Seloun de Provènço, ), commonly known as Salon, is a commune located about northwest of Marseille in the Bouches-du-Rhône department, region of Provence-Alpes-Côte d'Azur, Southern France. It is the home of an important French Air and Space Force (''Armée de l'Air et de l'Espace'') air base. In 2017, it had a population of 45,528. History Salon was a Gallo-Roman oppidum well positioned on the salt trade routes between Adriatic, Atlantic and Mediterranean seas, hence its name. This region was under the Phocaean influence since the sixth century BC, and stretches of the Via Aurelia can still be recognized just outside the town, but the earliest mention of the place under its familiar name is of the ninth century, as ''Villa Salone''. The archbishops of Arles controlled the site. Its principal claim to fame today is as the place where Nostradamus spent his last years and is buried. His dwelling is main ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Ship Saint-Esprit (1765)
The ''Saint-Esprit'' ("Holy Ghost") was an 80-gun ship of the line of the French Navy, lead ship of her class.Roche, p.394 She was funded by a don des vaisseaux donation from the Order of the Holy Spirit, and named in its honour. Career She took part in the Battle of Ushant under La Motte-Picquet, and to the Armada of 1779. In 1781, on 29 April, she took part in the Battle of Fort Royal under Chabert-Cogolin. She was renamed ''Scipion'' in April 1794, and took part in the Bataille du 13 prairial an 2 under Huguet, where she was totally dismasted. She was wrecked on 30 January 1795, during the Croisière du Grand Hiver The ''Croisière du Grand Hiver'' (French "Campaign of the Great Winter") was a French attempt to organise a winter naval campaign in the wake of the Glorious First of June. Context The Glorious First of June had ended on a strategic success f .... Most of her crew were rescued by ''Trente-et-un Mai''.Levot, p.207 Notes and references Notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel García (tenor)
Manuel del Pópulo Vicente Rodriguez García (also known as Manuel García the Senior; 21 January 1775 – 10 June 1832) was a Spanish opera singer, composer, impresario, and singing teacher. Biography García was born in Seville, Spain, on 21 January 1775. In 1808, he went to Paris, with previous experience as a tenor at Madrid and Cadiz. By that year, when he appeared in the opera '' Griselda'' in Paris, he was already a composer of light operas. He lived in Naples, Italy, performing in Gioachino Rossini's operas. These included the premières of ''Elisabetta, regina d'Inghilterra'', in which he portrayed The Duke of Norfolk and ''The Barber of Seville'', in which he portrayed the role of Count Almaviva. In 1816, he visited Paris and London, England. Between 1819 and 1823, he lived in Paris, and sang in operas such as ''The Barber of Seville'', ''Otello'', and ''Don Giovanni'', often appearing at London's King's Theatre too. In the same period he presented new French-style oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blida
Blida ( ar, البليدة; Berber languages, Tamazight: Leblida) is a city in Algeria. It is the capital of Blida Province, and it is located about 45 km south-west of Algiers, the national capital. The name ''Blida'', i.e. ''bulaydah'', is a diminutive of the Arabic word ''belda'', city. Geography and natural features Blida is known as the city of roses because of the large number of roses in its gardens. Blida lies surrounded with orchards and gardens, above the sea, at the base of the Tell Atlas, on the southern edge of the fertile Mitidja Plain, and the right bank of the Oued el kebir outflow from the Chiffa Canyon, gorge. The abundant water of this stream provides power for large corn mills and several factories, and also supplies the town with its numerous fountains and irrigated gardens. Within Blida is Chréa National Park, one of the largest national parks in the country and part of the Atlas Mountains. Blida is surrounded by a wall of considerable extent, pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Joseph Fétis
François-Joseph Fétis (; 25 March 1784 – 26 March 1871) was a Belgian musicologist, composer, teacher, and one of the most influential music critics of the 19th century. His enormous compilation of biographical data in the ''Biographie universelle des musiciens'' remains an important source of information today. Family Fétis was born in Mons, Hainaut, eldest son of Antoine-Joseph Fetis and Elisabeth Desprets, daughter of a famous chirurgical doctor. He had 9 brothers and sisters. His father was titular organist of the noble chapter of Saint-Waltrude. His grandfather was an organ manufacturer. He was trained as a musician by his father and played at young age on the Choir organ of Saint Waltrude. In October 1806 he married to Adélaïde-Louise-Catherine Robert, daughter of the French politician Pierre-François-Joseph Robert and Louise de Keralio, friend of Robespierre. They had 2 sons : most famous was Édouard Fétis, (1812-1909), his eldest son who helped his father with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Committee Of Public Safety
The Committee of Public Safety (french: link=no, Comité de salut public) was a committee of the National Convention which formed the provisional government and war cabinet during the Reign of Terror, a violent phase of the French Revolution. Supplementing the Committee of General Defence created after the execution of King Louis XVI in January 1793, the Committee of Public Safety was created in April 1793 by the National Convention. It was charged with protecting the new republic against its foreign and domestic enemies, fighting the First Coalition and the Vendée revolt. As a wartime measure, the committee was given broad supervisory and administrative powers over the armed forces, judiciary and legislature, as well as the executive bodies and ministers of the Convention. As the committee, restructured in July, raised the defense ('' levée en masse'') against the monarchist coalition of European nations and counter-revolutionary forces within France, it became more and more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Revolutionary Army
The French Revolutionary Army (french: Armée révolutionnaire française) was the French land force that fought the French Revolutionary Wars from 1792 to 1804. These armies were characterised by their revolutionary fervour, their poor equipment and their great numbers. Although they experienced early disastrous defeats, the revolutionary armies successfully expelled foreign forces from French soil and then overran many neighboring countries, establishing French client republic, client republics. Leading generals included Napoleon Bonaparte, Jean-Baptiste Jourdan, André Masséna and Jean Victor Marie Moreau. As a general description of French military forces during this period, it should not be confused with the "revolutionary armies" (''armées révolutionnaires'') which were paramilitary forces set up during the Reign of Terror, Terror. Formation As the ''Ancien Regime'' gave way to a constitutional monarchy, and then to a republic, 1789–92, the entire structure of France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Elleviou
Jean Elleviou (14 June 1769 in Rennes – 5 May 1842 in Paris) was a French operatic tenor, one of the most celebrated French singers of his time. Born Pierre-Jean-Baptiste-François Elleviou, he made his debut at the Comédie-Italienne in Paris in 1790, as a baritone in the role of Alexis in Monsigny's '' Le déserteur'', and the following year as a tenor in Dalayrac's ''Philippe et Georgette''. He went on creating some 40 roles during the next 20 years, in operas by Grétry, Dalayrac, Monsigny, Boieldieu, Méhul, Isouard, etc. His repertory also included Azor in '' Zémire et Azor'', Blondel in '' Richard Coeur-de-lion'', Almaviva in Paisiello's ''Il barbiere di Siviglia''. He sang extensively in Italy in 1795, and across France in 1795 to 1797, then returned to Paris, appearing at the newly renamed Opéra-Comique. He retired in 1813, after Napoléon I refused to increase his already huge salary. According to contemporaries, his voice was very sweet and flexible, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Devienne
François Devienne (; 31 January 1759 – 5 September 1803) was a French composer and professor for flute at the Paris Conservatory. Career Devienne was born in Joinville, as the youngest of fourteen children of a saddlemaker. After receiving his first musical training as a choirboy in his hometown, he played in various Parisian ensembles as soloist and orchestra player. He studied the flute with Félix Rault; in 1780 he joined the household of Cardinal de Rohan. He was active in Paris as a flutist, bassoonist and composer, and played bassoon at the Paris Opera. He wrote successful operas in the 1790s, including (1792) which brought him much success. He was also a member of the Military Band of the French Guard, where he was given the rank of sergeant with the duty of teaching the children of his colleagues in the military band in its Free School of Music. After the Revolutionary period, when the Free School became the National Institute of Music, later chartered as the Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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