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François-Joseph Fétis
François-Joseph Fétis (; 25 March 1784 – 26 March 1871) was a Belgian musicologist, composer, teacher, and one of the most influential music critics of the 19th century. His enormous compilation of biographical data in the ''Biographie universelle des musiciens'' remains an important source of information today. Family Fétis was born in Mons, Hainaut, eldest son of Antoine-Joseph Fetis and Elisabeth Desprets, daughter of a famous chirurgical doctor. He had 9 brothers and sisters. His father was titular organist of the noble chapter of Saint-Waltrude. His grandfather was an organ manufacturer. He was trained as a musician by his father and played at young age on the Choir organ of Saint Waltrude. In October 1806 he married to Adélaïde-Louise-Catherine Robert, daughter of the French politician Pierre-François-Joseph Robert and Louise de Keralio, friend of Robespierre. They had 2 sons : most famous was Édouard Fétis, (1812-1909), his eldest son who helped his father with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mons
Mons (; German and nl, Bergen, ; Walloon and pcd, Mont) is a city and municipality of Wallonia, and the capital of the province of Hainaut, Belgium. Mons was made into a fortified city by Count Baldwin IV of Hainaut in the 12th century. The population grew quickly, trade flourished, and several commercial buildings were erected near the ''Grand’Place''. In 1814, King William I of the Netherlands increased the fortifications, following the fall of the First French Empire. The Industrial Revolution and coal mining made Mons a centre of heavy industry. In 1830, Belgium gained its independence and the decision was made to dismantle the fortifications, allowing the creation of large boulevards and other urban projects. On 2324 August 1914, Mons was the location of the Battle of Mons. The British were forced to retreat and the town remained occupied by the Germans until its liberation by the Canadian Corps during the final days of the war. There are several memorial placard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Conservatory
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignaz Moscheles
Isaac Ignaz Moscheles (; 23 May 179410 March 1870) was a Bohemian piano virtuoso and composer. He was based initially in London and later at Leipzig, where he joined his friend and sometime pupil Felix Mendelssohn as professor of piano at the Conservatory. Life Early life and career Moscheles was born 1794 in Prague, Bohemia, the son of Klara Popper (Lieben) and Joachim Moises Moscheles. He was from an affluent German-speaking Jewish merchant family. His first name was originally Isaac. His father played the guitar and was keen for one of his children to become a musician. Initially his hopes fixed on Ignaz's sister, but when she demurred, her piano lessons were transferred to her brother. Ignaz developed an early passion for the (then revolutionary) piano music of Beethoven, which the Mozartean Bedřich Diviš Weber, his teacher at the Prague Conservatory, attempted to curb, urging him to focus on Bach, Mozart and Muzio Clementi. After his father's early death, Moscheles se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Tourte
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. Development of the modern bow Tourte spent 8 years as a watchmaker's apprentice before finally becoming an apprentice to his luthier father, Nicolas Pierre Tourte ''père'' (c.1700 - 1764). After his father's death, Tourte, in collaboration with the violin virtuoso G. B. Viotti, made important changes in the form of the bow in the Classical period between 1785 and 1790. They lengthened them slightly, to 74 – 75 centimetres, and used more wood in the tip and a heavier nut. Tourte's bows are made from pernambuco wood, the most usual form of wood used on professional bows today, bent by being exposed to heat. Tourte's bows tended to be heavier than prev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guarneri
The Guarneri (, , ), often referred to in the Latinized form Guarnerius, is the family name of a group of distinguished luthiers from Cremona in Italy in the 17th and 18th centuries, whose standing is considered comparable to those of the Amati and Stradivari families. Family members * Andrea Guarneri ( 1626 – 7 December 1698) was an apprentice in the workshop of Nicolò Amati from 1641 to 1646 and returned to make violins for Amati from 1650 to 1654. His early instruments are generally based on the "Grand Amati" pattern but struggled to achieve the sophistication of Amati's own instruments. Andrea Guarneri produced some fine violas. The ex-Primrose Viola, which was played by William Primrose, bears Andrea's label but may have been made by his son Giuseppe. Two of Andrea's sons continued the father's traditions: * Pietro Giovanni Guarneri (''Pietro da Mantova'') (18 February 1655 – 26 March 1720) worked in his father's workshop from around 1670 until his marriage in 1677. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Stradivari
Antonio Stradivari (, also , ; – 18 December 1737) was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, ''Stradivarius'', as well as the colloquial ''Strad'' are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items. Biography Family and early life Antonio Stradivari's birthdate, presumably between 1644 and 1649, has been debated amongst historians due to the numerous inconsistencies in the evidence of the latter. The 1668 and 1678 censuses report him actually growing younger, a fact explained by the probable loss of statistics from 1647 to 1649, when renewed belligerency between France's Modenese and Spain's Milanese proxies led ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Vuillaume
Jean-Baptiste Vuillaume (7 October 1798 – 19 March 1875) was a French luthier, businessman, inventor and winner of many awards. His workshop made over 3,000 instruments. Early life Vuillaume was born in Mirecourt, where his father and grandfather were luthiers. Career Vuillaume moved to Paris in 1818 to work for François Chanot. In 1821, he joined the workshop of Simon Lété, François-Louis Pique's son-in-law, at Rue Pavée St. Sauveur. He became his partner and in 1825 settled in the Rue Croix-des-Petits-Champs under the name of "Lété et Vuillaume". His first labels are dated 1823. In 1827, at the height of the Neo-Gothic period, he started to make imitations of old instruments, some copies were undetectable. In 1827, he won a silver medal at the Paris Universal Exhibition, and in 1828, he started his own business at 46 Rue Croix des Petits-Champs. His workshop became the most important in Paris and within twenty years, it led Europe. A major factor in his succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Sor
Fernando Sor (bapt. 14 Feb. 1778, died 10 July 1839) was a Spanish classical guitarist and composer of the Romantic music, Early Romantic era. Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: ''Cinderella'', which received over one hundred performances, and ''Hercule et Omphale''. Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular ''Introduction and Variations on Mozart's "Das klinget so herrlich"'' Op. 9, is fiend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoax
A hoax is a widely publicized falsehood so fashioned as to invite reflexive, unthinking acceptance by the greatest number of people of the most varied social identities and of the highest possible social pretensions to gull its victims into putting up the highest possible social currency in support of the hoax. Whereas the promoters of frauds, fakes, and scams devise them so that they will withstand the highest degree of scrutiny customary in the affair, hoaxers are confident, justifiably or not, that their representations will receive no scrutiny at all. They have such confidence because their representations belong to a world of notions fundamental to the victims' views of reality, but whose truth and importance they accept without argument or evidence, and so never question. Some hoaxers intend eventually to unmask their representations as in fact a hoax so as to expose their victims as fools; seeking some form of profit, other hoaxers hope to maintain the hoax indefini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, , french: chanson française, link=no, ; ) is generally any lyric-driven French song, though it most often refers to the secular polyphonic French songs of late medieval and Renaissance music. The genre had origins in the monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the '' ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word "chanson" literally means "song" in French and can thus less commonly refers to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ''bergerette'', ''brunette'', ''chanson pour boire'', ''pastourelle'', and vaudeville; art song of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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