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The Bookworm (painting)
''The Bookworm'' (german: Der Bücherwurm) is an oil-on-canvas painting by the German painter and poet Carl Spitzweg. The picture was made ''circa'' 1850 and is typical of Spitzweg's humorous, anecdotal style and it is characteristic of Biedermeier art in general. The painting is representative of the introspective and conservative mood in Europe during the period between the end of the Napoleonic Wars and the revolutions of 1848, but at the same time pokes fun at those attitudes by embodying them in the fusty old scholar unconcerned with the affairs of the mundane world. History Carl Spitzweg painted three variations of this piece. The first, painted ca. 1850, was listed under the title of ''The Librarian'' and sold in Vienna to Ignaz Kuranda in 1852 and now belongs to the collection of the Museum Georg Schäfer in Schweinfurt. An exemplar of the same dimensions was painted by Spitzweg a year later and sent for sale to his New York art dealer HW Schaus. This exemplar found its ...
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Carl Spitzweg
Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era. Life and career Spitzweg was born in Unterpfaffenhofen, near Munich, Bavaria, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg. His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich but, while recovering from an illness, he took up painting. Spitzweg was self-taught as an artist, starting out by copying the works of Flemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting. Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, and Belgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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1850 Paintings
Year 185 ( CLXXXV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Rome's treasury to put on gladiatorial spectacles and confiscates property to suppor ...
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Prestel Verlag
Prestel Publishing is an art book publisher, with books on art, architecture, photography, design, fashion, craft, culture, history and ethnography. Lists range from museum guides, to encyclopaedias, art and architecture monographs to facsimile volumes and books for children. Founded in 1924 by Hermann Loeb in Frankfurt, Germany, originally for the publication of old master prints, the company is named after Johann Gottlieb Prestel, the famous 18th-century German engraver. Prestel has been part of the Random House Publishing Group since 2008 with its head office in Munich, and a branch in London. History Inception and founding In 1774 German engraver and painter Johann Gottlieb Prestel founded an art dealership in Nuremberg, which developed into an art gallery and was relocated to Frankfurt in 1783. At the end of the 19th century, one of his heirs converted the business into an auction house, which the antiquarian Albert Voigtländer-Tetzner acquired in 1910. In the 1920s, Pr ...
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Quintet Publishing
A quintet is a group containing five members. It is commonly associated with musical groups, such as a string quintet, or a group of five singers, but can be applied to any situation where five similar or related objects are considered a single unit. Overview In classical instrumental music, any additional instrument (such as a piano, clarinet, oboe, etc.) joined to the usual string quartet (two violins, a viola, and a cello), gives the resulting ensemble its name, such as "piano quintet", "clarinet quintet", etc. A piece of music written for such a group is similarly named. The standard wind quintet consists of one player each on flute, oboe, clarinet, bassoon, and horn, while the standard brass quintet has two trumpets, horn, trombone, and tuba. Other combinations are sometimes found, however. In jazz music, a quintet is group of five players, usually consisting of two of any of the following instruments, guitar, trumpet, saxophone, clarinet, flute or trombone, in addit ...
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Greenwood Press
Greenwood Publishing Group, Inc. (GPG), also known as ABC-Clio/Greenwood (stylized ABC-CLIO/Greenwood), is an educational and academic publisher (middle school through university level) which is today part of ABC-Clio. Established in 1967 as Greenwood Press, Inc. and based in Westport, Connecticut, GPG publishes reference works under its Greenwood Press imprint, and scholarly, professional, and general interest books under its related imprint, Praeger Publishers (). Also part of GPG is Libraries Unlimited, which publishes professional works for librarians and teachers. History 1967–1999 The company was founded as Greenwood Press, Inc. in 1967 by Harold Mason, a librarian and antiquarian bookseller, and Harold Schwartz who had a background in trade publishing. Based in Greenwood, New York, the company initially focused on reprinting out-of-print works, particularly titles listed in the American Library Association's first edition of ''Books for College Libraries'' (1967), unde ...
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Bookworm (insect)
Bookworm is a general name for any insect that is said to bore through books. The damage to books that is commonly attributed to "bookworms" is often caused by the larvae of various types of insects including beetles, moths and cockroaches, which may bore or chew through books seeking food. The damage is not caused by any species of worm. Some such larvae exhibit a superficial resemblance to worms and are the likely inspiration for the term, though they are not true worms. In other cases, termites, carpenter ants, and woodboring beetles will first infest wooden bookshelves and later feed on books placed upon the shelves, attracted by the wood-pulp paper used in most commercial book production. True book-borers are uncommon. The primary food sources for many "bookworms" are the leather or cloth bindings of a book, the glue used in the binding process, or molds and fungi that grow on or inside books. When the pages themselves are attacked, a gradual encroachment across the surfa ...
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Bibliophile
Bibliophilia or bibliophilism is the love of books. A bibliophile or bookworm is an individual who loves and frequently reads and/or collects books. Profile The classic bibliophile is one who loves to read, admire and collect books, often amassing a large and specialized collection. Bibliophiles usually possess books they love or that hold special value as well as old editions with unusual bindings, autographed, or illustrated copies. "Bibliophile" is an appropriate term for a minority of those who are book collectors. Usage of the term Bibliophilia is not to be confused with bibliomania, a potential symptom of obsessive–compulsive disorder involving the collecting of books to the extent that interpersonal relations or health may be negatively affected, and in which the mere fact that a physical object is a book is sufficient for it to be collected or beloved. Some use the term "bibliomania" interchangeably with "bibliophily", and in fact, the Library of Congress does not u ...
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Marriage à-la-mode (Hogarth)
''Marriage A-la-Mode'' is a series of six pictures painted by William Hogarth between 1743 and 1745, intended as a pointed skewering of 18th-century society. They show the disastrous results of an ill-considered marriage for money or social status, and satirize patronage and aesthetics. The pictures are held in the National Gallery in London. This series was not received as well as his other moral tales, ''A Harlot's Progress'' (1732) and ''A Rake's Progress'' (1735), and when the paintings were finally sold in 1751, it was for a much lower sum than the artist had hoped for. Overview In ''Marriage A-la-Mode'' Hogarth challenges the traditional view that the nobility and the rich live virtuous lives, and satirises arranged marriages. In each piece, he shows the young couple and their family and acquaintances at their worst: engaging in affairs, drinking, gambling, and numerous other vices. This is regarded by some as his finest project, and the best example of his serially-plann ...
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Honoré Daumier
Honoré-Victorin Daumier (; February 26, 1808February 10, 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the second Napoleonic Empire in 1870. He earned a living throughout most of his life producing caricatures and cartoons of political figures and satirizing the behavior of his countrymen in newspapers and periodicals, for which he became well known in his lifetime and is still known today. He was a republican democrat who attacked the bourgeoisie, the church, lawyers and the judiciary, politicians, and the monarchy. He was jailed for several months in 1832 after the publication of ''Gargantua'', a particularly offensive and discourteous depiction of King Louis-Philippe. Daumier was also a serious painter, loosely associated with realism. Although he occasionally exhibited his paintings at the Parisian Salons, his work was largely overlooked and ignore ...
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William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ...
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Dutch Masters
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south. The upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art had to reinvent itself almost entirely, a task in which it was very largely successful. The painting of religious subjects declined very sharply, but a large new market for all kinds of secular subjects grew up. Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many o ...
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