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Sperone Speroni
Sperone Speroni degli Alvarotti (1500–1588) was an Italian Renaissance humanist, scholar and dramatist. He was one of the central members of Padua's literary academy ''Accademia degli Infiammati'' and wrote on both moral and literary matters. Biography Born April 12, 1500 in Padua, Sperone was the second child of Bernardino Speroni degli Alvarotti and Lucia Contarini. In 1518 he obtained the ''artibus'' degree from the University of Padua and joined the Guild (''Sacro Collegio'') of artists and physicians. He lectured on philosophy at Padua, under the Chair of Logic. He interrupted his teachings to study at Bologna under Pietro Pomponazzi but, after Pietro's death, returned to Padua where he obtained an Extraordinary Chair of Philosophy, a post he held for another three years. His literary career began with the publication of the ''Dialoghi'' ("Dialogues") at Venice (1542). Very famous and influential was his polemic with Giovan Battista Giraldi about the principles of thea ...
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Tiziano Vecellio, Ritratto Di Sperone Speroni, 1544, Treviso Museo Civico Luigi Baldin
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian ( Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian pri ...
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Annibal Caro
Fra' Annibale Caro, K.M., (6 June 150717 November 1566) was an Italian writer and poet. Biography Born in Civitanova Marche, then in the March of Ancona, Caro became tutor to the wealthy family of Lodovico Gaddi in Florence, and then secretary to Lodovico's brother Giovanni. At Gaddi's death, he entered the service of the Farnese family, and became confidential secretary to Pier Luigi Farnese, Duke of Parma, and to his sons, Duke Ottavio and Cardinals Ranuccio and Alexander. Caro's most important work were his translations (see below). He is also the author of poems, sonnets, and a comedy called ''Gli Straccioni''. His work additionally includes two clever ''jeux d'esprit'': ''La Fichelde'', in praise of figs, and a eulogy of the big nose of Leoni Ancona, a local figure. His poetry is noted for the freedom and grace of its versification, so that many claim that he brought ''verso sciolto'' to its highest form in Italy. Letters he wrote, both in his own name and on behal ...
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Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ...
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Aeneid
The ''Aeneid'' ( ; la, Aenē̆is or ) is a Latin Epic poetry, epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Troy, Trojan who fled the Trojan_War#Sack_of_Troy, fall of Troy and travelled to Italy, where he became the ancestor of the Ancient Rome, Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins (Italic tribe), Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed. The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the ''Iliad''. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Ancient Rome, Rome and his description as a personage of no fixed characteristics other than a scrupulous ''pietas'', and fashioned th ...
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Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ...
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Dante
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ...
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Apologia (Speroni)
An apologia (Latin for apology, from Greek ἀπολογία, "speaking in defense") is a formal defense of an opinion, position or action. The term's current use, often in the context of religion, theology and philosophy, derives from Justin Martyr's ''First Apology'' (AD 155–157) and was later employed by John Henry Newman's ''Apologia Pro Vita Sua'' (English: ''A Defense of One's Own Life'') of 1864, which presented a formal defense of the history of his Christian life, leading to his acceptance by the Catholic Church in 1845. In modern usage, ''apologia'' describes a formal defense and should not be confused with the sense of the word 'apology' as an expression of regret; however, apology may mean apologia, depending on the context of use. Etymology The etymology of ''apologia'' ( grc-gre, ἀπολογία) is derived from the root word ''apologos'' (), "a speech in defense", and the corresponding verb form ''apologeisthai'' () "to speak in one's defense". The Greek phi ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Canace (play)
''Canace'' is a verse tragedy by Italian playwright Sperone Speroni (1500-1588). It is based on the Greek legend of Canace, the daughter of Aeolus, who was forced by her father to commit suicide for having fallen in love with her brother, Macar. The play was composed for Padua's literary academy, the '' Accademia degli Infiammati'', and was printed at Firenze on 1546. The play was heavily modeled on Senecan tragedy. The work was highly polemical, and was performed only once. The public's reaction led Speroni to write an ''Apologia'' (1550), which he never finished. Still, the play circulated widely, and, with Giovanni Battista Giraldi's ''Orbecche'', led to literary debates on tragedy and theatrical morals and decorum through to the next century. Elio Brancaforte's translation is the first translation of the play to English and it has just been published by the Centre for Renaissance and Reformation Studies, Toronto, 2013. References See also *Giovanni Battista Giraldi G ...
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Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Vernacular
A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, normally spoken informally rather than written, and seen as of lower status than more codified forms. It may vary from more prestigious speech varieties in different ways, in that the vernacular can be a distinct stylistic register, a regional dialect, a sociolect, or an independent language. Vernacular is a term for a type of speech variety, generally used to refer to a local language or dialect, as distinct from what is seen as a standard language. The vernacular is contrasted with higher-prestige forms of language, such as national, literary, liturgical or scientific idiom, or a ''lingua franca'', used to facilitate communication across a large area. According to another definition, a vernacular is a language that has not develope ...
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Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style ...
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