|
Santa Felicita Di Firenze
Santa Felicita (Church of St Felicity) is a Roman Catholic church in Florence, region of Tuscany, Italy, probably the oldest in the city after San Lorenzo. In the 2nd century, Syrian Greek merchants settled in the area south of the Arno and are thought to have brought Christianity to the region. The first church on the site was probably built in the late 4th century or early 5th century and was dedicated to Saint Felicity of Rome. A new church was built in the 11th century and the current church largely dates from 1736–1739, under design by Ferdinando Ruggieri, who turned it into a one nave edifice. The monastery was suppressed under the Napoleonic occupation of 1808–1810. The Vasari Corridor passes through the façade of this church and on the inside there is large window, covered by a thick gate, where the Grand Dukes of the Medici family used to listen to the mass without being seen by the people staying at ground level. Description In the piazza in front of the façade, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbadori Chapel
The Barbadori Chapel, later Capponi Chapel, is a chapel in the church of Santa Felicita in Florence, central Italy. It was designed by Filippo Brunelleschi, and was later decorated by a cycle of works by the Mannerist painter Pontormo. History Bartolomeo Barbadori commissioned the construction of a family chapel in the church around 1420. After the destruction of the Ridolfi chapel in San Jacopo sopr'Arno, this chapel is the oldest existing among those designed by Brunelleschi. Dedicated to the Virgin, it was most likely built to honor a fresco of the Annunciation, painted on the counter-façade. In the same point Pontormo frescoed the same subject. In 1487 the chapel was acquired by Antonio Paganelli, whose heir, Bernardo Paganelli, sold it to the Capponi family in 1525. The latter had it restored and decorated by Jacopo Pontormo, with help from a young Agnolo Bronzino. In 1722 Ferrante Capponi had the chapel restored again, adding a new altar with polychrome marble and closing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Brina
Francesco Brina or Del Brina or Brini (1540 – 1586) was an Italian painter of the Mannerist period, active mainly in Florence. S. J. Freedberg ascribes his training to either Ridolfo Ghirlandaio or more likely his son, Michele di Ridolfo. He holds him to have followed the "most conservative adaptation of the Vasarian maniera". He appeared to limit his output to mostly devotional ''Madonna and Child'' paintings (''madonneri''), and in this endeavor, paraphrasing the compositions and expressions of Andrea del Sarto. His brother Giovanni Brina (died 1599) helped Francesco in his work and copied his style . Freedberg, Sydney J. ''Painting in Italy, 1500–1600'', 3rd edn., page 620, 1993, Yale, He painted an ''Adoration'' at Santa Felicita, Florence. He painted an ''Annunciation with Saints'' for a chapel in the church of San Gaggio, Florence The Church of San Gaggio ( it, Chiesa di San Gaggio) is a Roman Catholic church located on via Senese in Florence, Italy. It was once a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Guicciardini
Francesco Guicciardini (; 6 March 1483 – 22 May 1540) was an Italian historian and statesman. A friend and critic of Niccolò Machiavelli, he is considered one of the major political writers of the Italian Renaissance. In his masterpiece, ''The History of Italy'', Guicciardini paved the way for a new style in historiography with his use of government sources to support arguments and the realistic analysis of the people and events of his time. Biography Early life Francesco Guicciardini was born on 6 March 1483 in the Italian city of Florence, which was part of the Florentine Republic. He was the third of 11 children of Piero di Iacopo Guicciardini and Simona di Bongianni Gianfigliazzi. The Guicciardini were well-established members of the Florentine oligarchy as well as supporters of the Medici family. Influential in Florentine politics, Guicciardini's ancestors had held the highest posts of honour in the state for many generations, as may be seen in his own genealogical ''Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigoli
Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza Della Signoria
Piazza della Signoria () is a w-shaped square in front of the Palazzo Vecchio in Florence, Italy. It was named after the Palazzo della Signoria, also called Palazzo Vecchio. It is the main point of the origin and history of the Florentine Republic and still maintains its reputation as the political focus of the city. It is the meeting place of Florentines as well as the numerous tourists, located near Palazzo Vecchio and Piazza del Duomo and gateway to Uffizi Gallery. Buildings The impressive 14th-century Palazzo Vecchio is still preeminent with its crenellated tower. The square is also shared with the Loggia della Signoria, the Uffizi Gallery, the Palace of the Tribunale della Mercanzia (1359) (now the Bureau of Agriculture), and the Palazzo Uguccioni (1550, with a facade attributed to Raphael, who however died thirty years before its construction). Located in front of the Palazzo Vecchio is the Palace of the Assicurazioni Generali (1871, built in Renaissance style). Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo I De' Medici
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second Duke of Florence from 1537 until 1569, when he became the first Grand Duke of Tuscany, a title he held until his death. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo came to power in 1537 at age 17, just after the 26-year-old Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from Giovanni il Popolano, the great-grandson of Giovanni di Bicci de' Medici, founder of the Medici Bank. It was necessary to search for a successor outside of the "senior" branch of the Medici family descended from Cosimo di Giovanni de' Medici, since the only male child of Alessandro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Poccetti
Bernardino Poccetti (26 August 1548 – 10 October 1612), also known as Barbatelli, was an Italian Mannerist painter and printmaker of etchings. Biography Born in Florence, he was initially trained as a decorator of facades and ceilings, enrolling in 1570 in the Florentine painters guild for such work, the Accademia delle Arti del Disegno, (''Academy of the Arts of Drawing''). He is also referred to as: ''Bernardino Barbatelli'' or ''Bernardino delle Grottesche'', ''delle Facciate'', or ''delle Muse''. He initially worked in the shop of Michele Tosini, and he participated in the broadly shared decoration of the Chiostro Grande of Santa Maria Novella in the 1580s. In 1583–85, he helped decorate panegyric frescoes for the Palazzo Capponi. He also completed frescoes in San Pier Maggiore in San Pierino. In 1592–93, he worked on frescoes in the Certosa di Galluzzo relating to '' Life and Death of San Bruno''. He painted scenes from the life of founder of the Convent of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guglielmo Da Marcillat
Guglielmo da Marsiglia (1475–1537) was an Italian painter of stained glass of the 16th century. He is also known as Guglielmo da Marcillat, and was a native of Dt. Michiel near Meuse, France. He created 3 windows in 1519 for the Cathedral of Arezzo for a fee of 180 ducats. He completed two windows in the church of Santa Maria del Popolo composed of 12 scenes from the lives of Christ and The Virgin Mary (1509). He also painted in frescos. One of his pupils was the painter, architect and biographer Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt .... References * 1475 births 1537 deaths 15th-century Italian painters Italian male painters 16th-century Italian painters Italian Renaissance painters {{Glass-art-stub de:Guglielmo de Marcillat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deposition From The Cross (Pontormo)
The ''Deposition from the Cross'' is an altarpiece, completed in 1528, depicting the Deposition of Christ by the Italian Renaissance painter Jacopo Pontormo. It is broadly considered to be the artist's surviving masterpiece. Painted in oil on canvas, the painting is located above the altar of the Capponi Chapel of the church of Santa Felicita in Florence. Interpretation This painting suggests a whirling dance of the grief-stricken. They inhabit a flattened space, comprising a sculptural congregation of brightly demarcated colors. The vortex of the composition droops down towards the limp body of Jesus off center in the left. Those lowering Christ appear to demand our help in sustaining both the weight of his body (and the burden of sin Christ took on) and their grief. No Cross is visible; the natural world itself also appears to have nearly vanished: a lonely cloud and a shadowed patch of ground with a crumpled sheet provide sky and stratum for the mourners. If the sky and eart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Cosimo I De' Medici")
