Barbadori Chapel
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Barbadori Chapel
The Barbadori Chapel, later Capponi Chapel, is a chapel in the church of Santa Felicita in Florence, central Italy. It was designed by Filippo Brunelleschi, and was later decorated by a cycle of works by the Mannerist painter Pontormo. History Bartolomeo Barbadori commissioned the construction of a family chapel in the church around 1420. After the destruction of the Ridolfi chapel in San Jacopo sopr'Arno, this chapel is the oldest existing among those designed by Brunelleschi. Dedicated to the Virgin, it was most likely built to honor a fresco of the Annunciation, painted on the counter-façade. In the same point Pontormo frescoed the same subject. In 1487 the chapel was acquired by Antonio Paganelli, whose heir, Bernardo Paganelli, sold it to the Capponi family in 1525. The latter had it restored and decorated by Jacopo Pontormo, with help from a young Agnolo Bronzino. In 1722 Ferrante Capponi had the chapel restored again, adding a new altar with polychrome marble and closing ...
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Santa Felicita, Chapel
Santa Claus, also known as Father Christmas, Saint Nicholas, Saint Nick, Kris Kringle, or simply Santa, is a legendary figure originating in Western Christian culture who is said to bring children gifts during the late evening and overnight hours on Christmas Eve of toys and candy or coal or nothing, depending on whether they are "naughty or nice". In the legend, he accomplishes this with the aid of Christmas elves, who make the toys in his workshop, often said to be at the North Pole, and flying reindeer who pull his sleigh through the air. The modern figure of Santa is based on folklore traditions surrounding Saint Nicholas, the English figure of Father Christmas and the Dutch figure of ''Sinterklaas''. Santa is generally depicted as a portly, jolly, white-bearded man, often with spectacles, wearing a red coat with white fur collar and cuffs, white-fur-cuffed red trousers, red hat with white fur, and black leather belt and boots, carrying a bag full of gifts for child ...
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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ...
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Paintings By Bronzino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Renaissance Architecture In Florence
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ...
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Filippo Brunelleschi Church Buildings
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: *Filippo I Colonna (1611–1639), Italian nobleman * Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter * Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician *Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer *Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist *Filippo Grandi (born 1957), Italian diplomat * Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Milita ...
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Chapels In Florence
A chapel is a Christian place of prayer and worship that is usually relatively small. The term has several meanings. Firstly, smaller spaces inside a church that have their own altar are often called chapels; the Lady chapel is a common type of these. Secondly, a chapel is a place of worship, sometimes non-denominational, that is part of a building or complex with some other main purpose, such as a school, college, hospital, palace or large aristocratic house, castle, barracks, prison, funeral home, cemetery, airport, or a military or commercial ship. Thirdly, chapels are small places of worship, built as satellite sites by a church or monastery, for example in remote areas; these are often called a chapel of ease. A feature of all these types is that often no clergy were permanently resident or specifically attached to the chapel. Finally, for historical reasons, ''chapel'' is also often the term used by independent or nonconformist denominations for their places of worsh ...
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Palazzo Capponi Alle Rovinate
Palazzo Capponi alle Rovinate is a late-Gothic architecture, Gothic and early Renaissance architecture, Renaissance-style residential palace located on Via de' Bardi in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: *Palazzo Capponi, Florence, Palazzo Capponi. *Palazzo Capponi-Vettori. *Palazzo Capponi-Covoni, Florence, Palazzo Capponi-Covoni. Description The palace was built perhaps by Lorenzo di Bicci (although other scholars have attributed it to Filippo Brunelleschi) for Niccolò da Uzzano. It was finished around 1426. After his death a few years later, it was acquired by the Capponi family It has a 15th-century late-Gothic façade with a sober Rustication (architecture), rustication at the lower floor, surmounted by irregular rows of mullioned windows (some closed and replaced by rectangular openings). The plan is nearly square, with a central courtyard in Renaissance style. This has porticoes on each sid ...
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Antependium
An ''antependium'' (from Latin ''ante-'' and ''pendēre'' "to hang before"; pl: ''antependia''), also known as a ''parament'' or ''hanging'', or, when speaking specifically of the hanging for the altar, an altar frontal (Latin: ''pallium altaris''), is a decorative piece, usually of textile, but also metalwork, stone or other material that can adorn a Christian altar. Specifically, and as the etymology of the word suggests, an antependium hangs down in front of whatever it covers, and is to be distinguished from the altar linens which are used in the service of the Eucharist, and an altar cloth which covers the top of the altar table (''mensa''). Types of antependia Western Christianity "Antependium" is the word used for elaborate fixed altar frontals, which, in large churches and especially in the Ottonian art of the Early Medieval period, were sometimes of gold studded with gems, enamels and ivories, and in other periods and churches often carved stone, painted wood panel, ...
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Jacopo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Sebastiano Serlio, Serlio and Andrea Palladio, Palladio. He is often considered the most important architect in Rome in the Mannerism, Mannerist era. Biography Giacomo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as architect in Bologna, supporting himself by painting and making perspective Patterns, templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then Francis I of France, François I called him to Fontainebleau, where he spent the years 1541–1543. Here he pro ...
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Church Tabernacle
A tabernacle or sacrament house is a fixed, locked box in which the Eucharist (consecrated communion hosts) is stored as part of the "reserved sacrament" rite. A container for the same purpose, which is set directly into a wall, is called an ''aumbry''. Within Catholicism, Eastern Orthodoxy, and in some traditions of Anglicanism and Lutheranism, the tabernacle is a box-like or dome-like vessel for the exclusive reservation of the consecrated Eucharist. It is normally made from precious metals, stone or wood, and is lockable and secured to the altar or adjacent wall to prevent the consecrated elements within from being removed without authorization. These denominations believe that the Eucharist contains the real presence of Jesus, and thus use the term ''tabernacle'', a word referring to the Old Testament tabernacle, which was the locus of God's presence among the Jewish people. The "reserved Eucharist" is secured in the tabernacle for distribution at services, for use when ...
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Annunciation (Pontormo)
The ''Annunciation'' is a wall painting by the Italian mannerist artist Jacopo Pontormo, executed in 1527–1528 as part of his commission to decorate the Capponi Chapel in the church of Santa Felicita, Florence. It is frescoed around the window on the wall adjacent to Pontormo's masterpiece, the famous ''Deposition from the Cross''. Pontormo depicts the Annunciation, the revelation to Mary by the Archangel Gabriel that she would conceive a child to be born the Son of God, in a lively composition, with both figures in an elastic contrapposto. Sources * 1528 paintings Pontormo Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound st ... Fresco paintings in Florence Paintings by Pontormo {{16C-painting-stub ...
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Deposition From The Cross (Pontormo)
The ''Deposition from the Cross'' is an altarpiece, completed in 1528, depicting the Deposition of Christ by the Italian Renaissance painter Jacopo Pontormo. It is broadly considered to be the artist's surviving masterpiece. Painted in oil on canvas, the painting is located above the altar of the Capponi Chapel of the church of Santa Felicita in Florence. Interpretation This painting suggests a whirling dance of the grief-stricken. They inhabit a flattened space, comprising a sculptural congregation of brightly demarcated colors. The vortex of the composition droops down towards the limp body of Jesus off center in the left. Those lowering Christ appear to demand our help in sustaining both the weight of his body (and the burden of sin Christ took on) and their grief. No Cross is visible; the natural world itself also appears to have nearly vanished: a lonely cloud and a shadowed patch of ground with a crumpled sheet provide sky and stratum for the mourners. If the sky and eart ...
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