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Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronzino - Eleonora Di Toledo Col Figlio Giovanni - Google Art Project
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus, Cupid, Folly And Time
''Venus, Cupid, Folly and Time'' (also called ''An Allegory of Venus and Cupid'' and ''A Triumph of Venus'') is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. Scholars do not know for certain what the painting depicts. The painting has come to be known as ''Venus, Cupid, Folly and Time'', and it is generally agreed that these are the principal figures (with "Folly" representing this or the personification of a similar concept). Cupid and Venus kiss in the foreground, while the putto Folly prepares to shower them with rose petals. The bald Time, at the top, looks on and holds a cloth. The meaning of the other three figures and the interactions between them all is much less certain. The painting displays the ambivalence, eroticism, and obscure imagery that are characteristic of the Mannerist period, and of Bronzino's master Pontormo. Painting The painting may have been commissioned by Cosimo I de' Medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontormo
Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerism, Mannerist painter and portraitist from the Florentine School. His work represents a profound Painting style, stylistic shift from the calm Perspective (graphical), perspectival regularity that characterized the art of the Italian Renaissance, Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme, near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Giorgio Vasari, Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by House of Medici, Medici patronage. A for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleonora Di Toledo
Eleanor of Toledo (Italian: ''Eleonora di Toledo'', 11 January 1522 – 17 December 1562), born Doña Leonor Álvarez de Toledo y Osorio, was a Spanish noblewoman and Duchess of Florence as the first wife of Cosimo I de' Medici. A keen businesswoman, she financed many of her husband's political campaigns and important buildings like the Pitti Palace. She ruled as regent of Florence during his frequent absences: Eleanor ruled during Cosimo's military campaigns in Genoa in 1541 and 1543, his illness from 1544 to 1545, and again at times when the war for the conquest of Siena (1551–1554). She founded many Jesuit churches. She is credited with being the first modern first lady or consort. Childhood Eleanor was born in Alba de Tormes, Salamanca, Spain, on 11 January 1522. She was the second daughter of Pedro Álvarez de Toledo, Viceroy of Naples, and Maria Osorio, 2nd Marquise of Villafranca. Her father was the lieutenant-governor of Emperor Charles V and the uncle of the Duke of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo I De' Medici, Grand Duke Of Tuscany
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second Duke of Florence from 1537 until 1569, when he became the first Grand Duke of Tuscany, a title he held until his death. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo came to power in 1537 at age 17, just after the 26-year-old Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from Giovanni il Popolano, the great-grandson of Giovanni di Bicci de' Medici, founder of the Medici Bank. It was necessary to search for a successor outside of the "senior" branch of the Medici family descended from Cosimo di Giovanni de' Medici, since the only male child of Alessandro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capponi Chapel
The Barbadori Chapel, later Capponi Chapel, is a chapel in the church of Santa Felicita in Florence, central Italy. It was designed by Filippo Brunelleschi, and was later decorated by a cycle of works by the Mannerist painter Pontormo. History Bartolomeo Barbadori commissioned the construction of a family chapel in the church around 1420. After the destruction of the Ridolfi chapel in San Jacopo sopr'Arno, this chapel is the oldest existing among those designed by Brunelleschi. Dedicated to the Virgin, it was most likely built to honor a fresco of the Annunciation, painted on the counter-façade. In the same point Pontormo frescoed the same subject. In 1487 the chapel was acquired by Antonio Paganelli, whose heir, Bernardo Paganelli, sold it to the Capponi family in 1525. The latter had it restored and decorated by Jacopo Pontormo, with help from a young Agnolo Bronzino. In 1722 Ferrante Capponi had the chapel restored again, adding a new altar with polychrome marble and closing i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Allori
Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 153522 September 1607) was an Italian painter of the late Mannerist Florentine school. Biography In 1540, after the death of his father, Allori was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. Allori supplemented this training with a study trip to Rome, between 1554 and 1560, and with anatomical research which included the dissection of human corpses, provided by the Hospital of Santa Maria Nuova. In the prime of his career, Allori headed one of the "two most important workshops in Florence in the second half of the 16th century" (the other being headed by Santi di Tito). He served as First Consul of the Accademia del Disegno in 1573, and was made head of the ''Arazzeria Medicea'', Florence's state-owned tapestry workshop, in 1581. Allori also worked, under the guidance of Giorg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Delle Arti Del Disegno
The Accademia delle Arti del Disegno ("Academy of the Arts of Drawing") is an academy of artists in Florence, Italy. Founded as Accademia e Compagnia delle Arti del Disegno ("Academy and Company of the Arts of Drawing") on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari, it was made up of two parts: the Company was a kind of guild for all working artists, while the Academy was for more eminent artistic personalities of Cosimo's court, and supervised artistic production in Tuscany. Artists including Michelangelo Buonarroti, Lazzaro Donati, Francesco da Sangallo, Agnolo Bronzino, Benvenuto Cellini, Giorgio Vasari, Bartolomeo Ammannati, and Giambologna were members. Most members of the Accademia were male; Artemisia Gentileschi was the first woman to be admitted. Its declared purposes are the promotion and diffusion of the arts, and the protection and conservation of cultural heritage worldwide. It organises conferences, concerts, book presenta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Bronzino - Portrait Of A Young Man
Angelo is an Italian masculine given name and surname meaning "angel", or "messenger". People People with the given name *Angelo Accattino (born 1966), Italian prelate of the Catholic Church *Angelo Acciaioli (bishop) (1298–1357), Italian Roman Catholic bishop from Florence * Angelo Achini or Angiolo Achini (1850–1930), Italian painter *Angelo Agostini (1843–1910), illustrator, journalist and founder of several publications, and although born in Italy, is considered the first Brazilian cartoonist *Angelo Aimo (born 1964), Italian footballer * Angelo Albanesi (late 1765–1784), Italian engraver *Angelo Alistar (born 1975), Romanian footballer * Angelo Ambrogini Poliziano (1454–1494), Florentine classical scholar and poet *Angelo Andres (1851–1934), Italian zoologist *Angelo Anelli (1761–1820), Italian *Angelo Angeli (1864–1931), Italian chemist *Angelo Anquilletti (1943–2015), Italian football defender *Angelo Antonino Pipitone (born 1943), member of the Sicilian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristofano Allori
Cristofano Allori (17 October 1577 – 1 April 1621) was an Italian painter of the late Florentine Mannerist school, painting mostly portraits and religious subjects. Allori was born at Florence and received his first lessons in painting from his father, Alessandro Allori, but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter, he entered the studio of Gregorio Pagani, who was one of the leaders of the late Florentine school, which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing.Whitaker and Clayton 2007, p. 270 Allori also appears to have worked under Cigoli. When still young he became a court portraitist for the Medicis, though many of his commissions were replicas of portraits by his predecessor Bronzino, or had participation by others. His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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