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Deposition From The Cross (Pontormo)
The ''Deposition from the Cross'' is an altarpiece, completed in 1528, depicting the Deposition of Christ by the Italian Renaissance painter Jacopo Pontormo. It is broadly considered to be the artist's surviving masterpiece. Painted in oil on canvas, the painting is located above the altar of the Capponi Chapel of the church of Santa Felicita in Florence. Interpretation This painting suggests a whirling dance of the grief-stricken. They inhabit a flattened space, comprising a sculptural congregation of brightly demarcated colors. The vortex of the composition droops down towards the limp body of Jesus off center in the left. Those lowering Christ appear to demand our help in sustaining both the weight of his body (and the burden of sin Christ took on) and their grief. No Cross is visible; the natural world itself also appears to have nearly vanished: a lonely cloud and a shadowed patch of ground with a crumpled sheet provide sky and stratum for the mourners. If the sky and eart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Pontormo
Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme, near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later style. Haunted faces and elongate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apostolic Palace
The Apostolic Palace ( la, Palatium Apostolicum; it, Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace. The building contains the papal apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia (Vatican), Sala Regia (Regal Room) and Cappella Paolina, had long been closed to tourists, though the Sala Regia allowed occasional tourism by 2019. The Scala Regia (Vatican), Scala Regia (Regal Staircase) can be viewed from one end and used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner to Khan Academy for art history. Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, video, photographs, and links to additional resources for each of the 250 works of art and architecture that comprised the 2017 AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleolithic era to the 21st century that include the art of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annunciation (Pontormo)
The ''Annunciation'' is a wall painting by the Italian mannerist artist Jacopo Pontormo, executed in 1527–1528 as part of his commission to decorate the Capponi Chapel in the church of Santa Felicita, Florence. It is frescoed around the window on the wall adjacent to Pontormo's masterpiece, the famous ''Deposition from the Cross''. Pontormo depicts the Annunciation, the revelation to Mary by the Archangel Gabriel that she would conceive a child to be born the Son of God, in a lively composition, with both figures in an elastic contrapposto. Sources * 1528 paintings Pontormo Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as ''Jacopo da Pontormo'', ''Jacopo Pontormo'', or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound st ... Fresco paintings in Florence Paintings by Pontormo {{16C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapposto
''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of contrapposto. Definition Contrapposto was historically an important sculptural development, for its appearance marks the first time in Western art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmignano
Carmignano is a ''comune'' (municipality) in the province of Prato, part of the Italian region Tuscany. It is located about west of Florence and about southwest of Prato. It is the centre of the wine region of the same name. Geography Carmignano borders the following municipalities: Capraia e Limite, Lastra a Signa, Montelupo Fiorentino, Poggio a Caiano, Prato, Quarrata, Signa, Vinci. Main sights The most important attraction of the town is the church of San Michele e San Francesco (12th century), which houses a ''Visitation'' by the Renaissance master Pontormo. The 10th century ''Rocca'' (Castle), in the upper part of the town, is well preserved. The ''frazione'' of Comeana is home to several Etruscan tombs (such as the Tumulus of Montefortini), while at Artimino is a Medicean villa. Churches *Abbey of San Martino *Chapel at Villa Le Falene *Chapel at Villa le Farnete *Little church in Castelvecchio *Little church of Toia in Bacchereto *Chapel at the Institute of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronzino
Agnolo di Cosimo (; 17 November 150323 November 1572), usually known as Bronzino ( it, Il Bronzino ) or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, ''Bronzino'', may refer to his relatively dark skin or reddish hair. He lived all his life in Florence, and from his late 30s was kept busy as the court painter of Cosimo I de' Medici, Grand Duke of Tuscany. He was mainly a portraitist but also painted many religious subjects, and a few allegorical subjects, which include what is probably his best-known work, ''Venus, Cupid, Folly and Time'', c. 1544–45, now in London. Many portraits of the Medicis exist in several versions with varying degrees of participation by Bronzino himself, as Cosimo was a pioneer of the copied portrait sent as a diplomatic gift. He trained with Pontormo, the leading Florentine painter of the first generation of Mannerism, and his style was greatly influenced by him, but his elegant and somewhat elongated figures always a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apprentice
Apprenticeship is a system for training a new generation of practitioners of a trade or profession with on-the-job training and often some accompanying study (classroom work and reading). Apprenticeships can also enable practitioners to gain a license to practice in a regulated occupation. Most of their training is done while working for an employer who helps the apprentices learn their trade or profession, in exchange for their continued labor for an agreed period after they have achieved measurable competencies. Apprenticeship lengths vary significantly across sectors, professions, roles and cultures. In some cases, people who successfully complete an apprenticeship can reach the "journeyman" or professional certification level of competence. In other cases, they can be offered a permanent job at the company that provided the placement. Although the formal boundaries and terminology of the apprentice/journeyman/master system often do not extend outside guilds and trade unions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendentives
In architecture, a pendentive is a constructional device permitting the placing of a circular dome over a square room or of an elliptical dome over a rectangular room. The pendentives, which are triangular segments of a sphere, taper to points at the bottom and spread at the top to establish the continuous circular or elliptical base needed for a dome. In masonry the pendentives thus receive the weight of the dome, concentrating it at the four corners where it can be received by the piers beneath. Prior to the pendentive's development, builders used the device of corbelling or squinches in the corners of a room. Pendentives commonly occurred in Orthodox, Renaissance, and Baroque churches, with a drum with windows often inserted between the pendentives and the dome. The first experimentation with pendentives began with Roman dome construction in the 2nd–3rd century AD, while full development of the form came in the 6th-century Eastern Roman Hagia Sophia at Constantinople. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roundel
A roundel is a circular disc used as a symbol. The term is used in heraldry, but also commonly used to refer to a type of national insignia used on military aircraft, generally circular in shape and usually comprising concentric rings of different colours. Other symbols also often use round shapes. Heraldry In heraldry, a ''roundel'' is a circular charge. ''Roundels'' are among the oldest charges used in coats of arms, dating from at least the twelfth century. Roundels in British heraldry have different names depending on their tincture. Thus, while a roundel may be blazoned by its tincture, e.g., ''a roundel vert'' (literally "a roundel green"), it is more often described by a single word, in this case ''pomme'' (literally "apple", from the French) or, from the same origins, ''pomeis''—as in "Vert; on a cross Or five pomeis". One special example of a named roundel is the fountain, depicted as ''a roundel barry wavy argent and azure'', that is, containing alternating horizo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Borghese
The Galleria Borghese () is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Scipione Borghese, Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a ''Villa, villa suburbana'', a country villa at the edge of Rome. Scipione Borghese was an early patron of Gian Lorenzo Bernini, Bernini and an avid collector of works by Michelangelo Merisi da Caravaggio, Caravaggio, who is well represented in the collection by his ''Boy with a Basket of Fruit'', ''Saint Jerome Writing, St Jerome Writing'', ''Young Sick Bacchus, Sick Bacchus'' and oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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