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Shanta Rasa
Śāntarasa (Sanskrit: , occasionally spelled ''shantarasa'', ''santarasa''; ) is considered as a ninth rasa, a concept of aesthetic flavour in Sanskrit literature. According to translation of '' Abhinavabhārati'', Abhinavagupta's commentary on '' Nāṭyaśāstra'' by some experts, may be defined as: "that which brings happiness and welfare to all beings and which is accompanied by the stabilization () in the Self". It has as its stable emotion ( sthāyibhāva) as impassivity () which culminates in detachment (Vairāgya) arising from knowledge of truth and purity of mind. According to J L Masson and M V Patwardhan, who have collected the original manuscripts and translated Abhinavagupta's work, observe: the audience undergoes transcendental experience, which is basic to all aesthetic experience in a play based on . It was not included in the list of rasas mentioned by Bharata in his epic Nāṭyaśāstra. The inclusion of this rasa as a prominent one in Sanskrit poetry and dra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain
Jainism ( ), also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third ''tirthankara'' Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth ''tirthankara'' Mahavira, around 600 BCE. Jainism is considered to be an eternal ''dharma'' with the ''tirthankaras'' guiding every time cycle of the cosmology. The three main pillars of Jainism are ''ahiṃsā'' (non-violence), ''anekāntavāda'' (non-absolutism), and '' aparigraha'' (asceticism). Jain monks, after positioning themselves in the sublime state of soul consciousness, take five main vows: ''ahiṃsā'' (non-violence), '' satya'' (truth), '' asteya'' (not stealing), ''brahmacharya'' (chastity), and '' aparigraha'' (non-possessiveness). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concepts In Aesthetics
The following outline is provided as an overview of and topical guide to aesthetics: Aesthetics – branch of philosophy and axiology concerned with the nature of beauty. What ''type'' of thing is an aesthetic? Aesthetics can be described as all of the following: * Branch of philosophy – ** Branch of axiology – Related academic areas * Aesthetics of music * Applied aesthetics * Architecture * Art * Arts criticism * Gastronomy * History of aesthetics (pre-20th-century) * History of painting * Painting * Philosophy of film * Philosophy of music * Poetry * Sculpture * Theory of painting History of aesthetics * History of aesthetics **History of aesthetics before the 20th century Concepts in aesthetics * Aesthetic emotions * Art manifesto * Art object * Avant-garde * Beauty * Boring * Comedy * Camp * Creativity * Cute * Disgusting * Ecstasy * Elegance * Entertainment * Ephemerality * Eroticism * Fun * Gaze * Harmony * Humour * Interpretation * Judgement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mammata Bhatta
Mammata Bhatta (मम्मट भट्ट) () was a Kashmiri Sanskrit rhetorician noted for his text on poetics, the ''kâvya-prakâsha'' (light on poetics). Published works Poetry in ‘The Bloomsbury Bloomsbury is a district in the West End of London. It is considered a fashionable residential area, and is the location of numerous cultural, intellectual, and educational institutions. Bloomsbury is home of the British Museum, the largest mus ... Book of Great Indian Love Poems' References {{Poetry-stub Year of birth missing Year of death missing 11th-century Indian scholars Indian Sanskrit scholars Indian rhetoricians Kashmiri writers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sringara
Sringara ( sa, शृङ्गार, ) is one of the nine rasas, usually translated as erotic love, romantic love, or as attraction or beauty. ''Rasa'' means "flavour", and the theory of rasa is the primary concept behind classical Indian arts including theatre, music, dance, poetry, and sculpture. Much of the content of traditional Indian arts revolves around the relationship between a man and a woman. The primary emotion thus generated is Sringara. The romantic relationship between lover and beloved is a metaphor for the relationship between the individual and the divine. Classical theater/dancers (i.e. Bharatanatyam, Odissi, Mohiniyattam) refer to Sringara as 'the Mother of all rasas.' Sringara gives scope for a myriad of other emotions including jealousy, fear, anger, compassion, and of course for the expression of physical intimacy. No other Rasa has such a vast scope. The treatment and performance of Sringara varies on a large scale from the grotesque (as in Koodiyattam) to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalhana
Kalhana ( sa, कल्हण, translit=kalhaṇa) was the author of ''Rajatarangini'' (''River of Kings''), an account of the history of Kashmir. He wrote the work in Sanskrit between 1148 and 1149. All information regarding his life has to be deduced from his own writing, a major scholar of which is Mark Aurel Stein. Robin Donkin has argued that with the exception of Kalhana, "there are no ative Indianliterary works with a developed sense of chronology, or indeed much sense of place, before the thirteenth century". Life Kalhana was born in a Hindu Brahmin family to a Kashmiri minister, Chanpaka, who probably served king Harsha of the Lohara dynasty. It is possible that his birthplace was Parihaspore and his birth would have been very early in the 12th century. The introductory verses to each of the eight Books in his ''Rajatarangini'' are prefaced with prayers to Shiva, a Hindu deity. In common with many Hindus in Kashmir at that time, he was also sympathetic to Buddhism, and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajatarangini
''Rajatarangini'' ("The River of Kings") is a metrical legendary and historical chronicle of the north-western part of India, particularly the kings of Kashmir. It was written in Sanskrit by Kashmiri historian Kalhana in the 12th century CE. The work consists of 7826 verses, which are divided between eight books called ''tarangas'' ("waves"). The ''Rajataringini'' provides the earliest source on Kashmir that can be labeled as a "historical" text on this region. Although inaccurate in its chronology, the book still provides an invaluable source of information about early Kashmir and its neighbors in the north western parts of the Indian subcontinent, and has been widely referenced by later historians and ethnographers. Context Little is known about the author Kalhana (c. 12th century CE), apart from what is written in the book. His father Champaka was the minister (Lord of the Gate) in the court of Harsha of Kashmir. In the first ''Taranga'' (book) of ''Rajatarangini'', Kalhan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sita
Sita (; ) also called as Janaki and Vaidehi is a Hindu goddess and the female protagonist of the Hindu epic, ''Ramayana''. She is the consort of Rama, the avatar of the god Vishnu, and is regarded as a form of Vishnu's consort, Lakshmi. She is also the chief goddess of Rama-centric Hindu traditions. Sita is known for her dedication, self-sacrifice, courage, and purity. She is one of the seventeen national heroes (r''astriya bibhuti'') of Nepal. Described as the daughter of Bhūmi (the earth), Sita is brought up as the adopted daughter of King Janaka of Videha. Sita, in her youth, chooses Rama, the prince of Ayodhya as her husband in a swayamvara. After the swayamvara, she accompanies her husband to his kingdom, but later chooses to accompany her husband, along with her brother-in-law Lakshmana, in his exile. While in exile, the trio settles in the Dandaka forest from where she is abducted by Ravana, the Rakshasa king of Lanka. She is imprisoned in the garden of Ashoka Vatik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama
Rama (; ), Ram, Raman or Ramar, also known as Ramachandra (; , ), is a major deity in Hinduism. He is the seventh and one of the most popular '' avatars'' of Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. Rama is said to have been born to Kaushalya and Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social responsibil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akhyana
Akhyana was a traditional musical theatre as well as medieval genre of Gujarati poetry and Rajasthani poetry. It was primarily practiced in Gujarat and Rajasthan states of India. Etymology and definition ''Akhyana'' literally means ''to tell'' or ''narrate'' in Sanskrit. The 12th century polymath Hemchandra defined Akhyana in his ''Kavyanusashana'' as a side story from religious texts narrated by Granthika (professional storyteller) to instruct audience accompanied by singing and acting. This definition does not include the narration of other non-mythological stories like that of Narsinh Mehta. In general, Akhyana can be defined as the stories narrated by story teller for religious instructions to audience accompanied by singing and acting. Dolarrai Mankad defined it as a form of poetry with musical components and scope of acting. Akhyana Performers The narrator or professional storytellers who recited Akhyanas were called Manabhatt or Gagaria-bhatt. They set poetry to musical tune ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shastra
''Shastra'' (, IAST: , ) is a Sanskrit word that means "precept, rules, manual, compendium, book or treatise" in a general sense.Monier Williams, Monier Williams' Sanskrit-English Dictionary, Oxford University Press, Article on 'zAstra'' The word is generally used as a suffix in the Indian literature context, for technical or specialized knowledge in a defined area of practice. ''Shastra'' has a similar meaning to English ''-logy'', e.g. ecology, psychology, meaning scientific and basic knowledge on a particular subject. Examples in terms of modern neologisms include # 'physics', # 'chemistry', # 'biology', # 'architectural science', # 'science of mechanical arts and sculpture', # 'science of politics and economics', and # 'compendium of ethics or right policy'. In Western literature, ''Shastra'' is sometimes spelled as Sastra, reflecting a misunderstanding of the IAST symbol 'ś', which corresponds to the English 'sh'. Etymology The word ''Śāstra'' literally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
