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Sattriya Dance
''Sattriya'' ( as, সত্ৰীয়া), or ''Sattriya Nritya'', is a major Indian classical dance. This dance was initially created as part of Bhaona which are performances of ''Ankiya Nat'', one-act plays, originally created by Sankardev, the 15th-16th century polymath from Assam.Ankiya Nat UNESCO: Asia-Pacific Database on Intangible Cultural Heritage (ICH), Japan These dances are part of the living traditions today of s, which are communities of live-in devotees belonging to the , the religion established by Sankardev. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhinaya Darpana
Nandikeshvara ( sa, नन्दिकेश्वर) (5th century-4th century BC) was a major theatrologist of ancient India. He was the author of the . Influence on Bharata Nandikeshvara seems to have preceded Bharata, according to Ramakrishna Kavi. Some consider him to be Bharata's master. The most concrete example of Nandikeshvara's teachings have survived thanks to Bharata Muni, Bharata. The poet and playwright Bharata who wrote in Sanskrit, scrupulously executed "in his stage direction a good number of theoretical instructions received from Nandikeshvara, overtly disregarding the strict injunctions formulated by Bharata as it is manifest in the spectacle of kutiyattam." Bharata’s plays had seemed, indeed, to ignore major inhibitions imposed by Bharata : for instance, that of fighting or inflicting capital punishment on the stage, etc. Even if it cannot be proved that the Kutiyattam is as old as Bharata's texts, nobody can disregard the considerable influence of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assam Silk
Assam silk denotes the three major types of indigenous wild silks produced in Assam—golden muga, white pat and warm eri silk. The Assam silk industry, now centered in Sualkuchi, is a labor-intensive industry. History Assam was well known for the production of high quality silk since ancient times. The craft of weaving goes along with the production of silk. It grew to such sophistication in Assam that it was known all over India and abroad. In the ''Kishkindha Kanda'' of ''Ramayana'', it is stated that one travelling towards the east has to first pass through Magadha, Anga, Pundra and then the ''Kosha-karanam-bhumi'' ("the country of cocoon rearers"). Kautilya’s ''Arthashastra'', a political literature of the 3rd century BC, makes references to the highly sophisticated silk clothing from Assam. Kautilya mentions the production of ''Suvarnakudyaka'' (from Kamrupa) along with ''Vangika'' (from Vanga/southern Bengal), ''Magadhika'' (from Magadha) and ''Paundrika'' (from Pundr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manipuri Dance
, image = , alt = , caption = An illustration of the ''Manipuri Raas Leela'' dance, being depicted in a stamp from Armenia; transliterations of "Jagoi Raas" and "Manipuri Raas Leela", the terms in Meitei language (officially called Manipuri) and Sanskrit respectively, for the Manipuri classical dance, in Meitei script (Manipuri script) of medieval era , native_name = mni, Jagoi Raas, Raas Jagoi , etymology = ''" Raas Leela of the Manipuris"'' , genre = Indian classical dance , signature = , instruments = , inventor = Rajarshi Bhagyachandra ( mni, Ching-Thang Khomba) , year = , origin = * Manipur kingdom (historical) * (current) The '' Manipuri Dance'', also referred to as the ''Manipuri'' ''Raas Leela'' ( mni, Jagoi Raas, Raas Jagoi), is one of the eight major Indian classical dance forms, originating from the state of Manipur. The dance form is imbued with the devotional themes of Madhura Raas of Radha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi
Odissi (), also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi ''Encyclopædia Britannica'' (2013) Odissi, in its history, was performed predominantly by women, and expressed religious stories and spirital ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu Gods Shiva and Surya, as well as Hindu Goddesses (Shaktism)., Quote: "There are other temples too in Odisha where the ''maharis'' used to dance. Besides the temple of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuchipudi
Kuchipudi () ( Telugu: ) is one of the eight major Indian classical dances. It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India. Evidence of Kuchipudi's existence in an older version are found in copper inscriptions of the 10th century, and by the 15th century in texts such as the ''Machupalli Kaifat''. Kuchipudi tradition holds that Tirtha Narayana Yati – a sanyassin of Advaita Vedanta persuasion,Krishna Chaitanya (1987), "Arts of India.", pages.74 and his disciple, an orphan named Siddhendra Yogi, founded and systematized the modern version of Kuchipudi in the 17th century. Kuchipudi largely developed as a Krishna-oriented Vaishnavism tradition, and it is known by the name of Bhagavata Mela in Thanjavu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satya
''Satya'' (Sanskrit: सत्य; IAST: ''satya)'' is a Sanskrit word loosely translated as truth, essence. A. A. Macdonell, ''Sanskrit English Dictionary'', Asian Educational Services, , pp. 330–331 It also refers to a virtue in Indian religions, referring to being truthful in one's thought, speech and action. In Yoga, ''satya'' is one of five yamas, the virtuous restraint from falsehood and distortion of reality in one's expressions and actions.GR Garg, ''Encyclopaedia of the Hindu World'', Volume 3, , p. 733 Etymology and meaning In the Vedas and later sutras, the meaning of the word satya () evolves into an ethical concept about truthfulness and is considered an important virtue.KN Tiwari (1998), ''Classical Indian Ethical Thought'', Motilal Banarsidass, , p. 87 It means being true and consistent with reality in one's thought, speech, and action. Satya is said to have cognates in a number of diverse Indo-European languages, including the word "sooth" and "sin" in Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahimsa
Ahimsa (, IAST: ''ahiṃsā'', ) is the ancient Indian principle of nonviolence which applies to all living beings. It is a key virtue in most Indian religions: Jainism, Buddhism, and Hinduism.Bajpai, Shiva (2011). The History of India – From Ancient to Modern Times', Himalayan Academy Publications (Hawaii, USA), ; see pages 8, 98 Ahimsa is one of the cardinal virtues of Jainism, where it is the first of the Pancha Mahavrata. It is also the first of the five precepts of Buddhism. ''Ahimsa'' is a multidimensional concept,John Arapura in K. R. Sundararajan and Bithika Mukerji Ed. (1997), Hindu spirituality: Postclassical and modern, ; see Chapter 20, pages 392–417 inspired by the premise that all living beings have the spark of the divine spiritual energy; therefore, to hurt another being is to hurt oneself. ''Ahimsa'' is also related to the notion that all acts of violence has karmic consequences. While ancient scholars of Brahmanism already investigated and refined th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanta
''Vedanta'' (; sa, वेदान्त, ), also ''Uttara Mīmāṃsā'', is one of the six (''āstika'') schools of Hindu philosophy. Literally meaning "end of the Vedas", Vedanta reflects ideas that emerged from, or were aligned with, the speculations and philosophies contained in the Upanishads, specifically, knowledge and liberation. Vedanta contains many sub-traditions, all of which are based on a common group of texts called the "Three Sources" ('' prasthānatrayī''): ''the Upanishads'', the ''Brahma Sutras'' and the '' Bhagavad Gita''. All Vedanta traditions contain extensive discussions on ontology, soteriology and epistemology, though there is much disagreement among the various schools. The main traditions of Vedanta are: ''Advaita'' (non-dualism), ''Bhedabheda'' (difference and non-difference), '' Suddhadvaita'' (pure non-dualism), ''Tattvavada ( Dvaita)'' (dualism), and ''Vishishtadvaita'' (qualified non-dualism). Modern developments in Vedanta include Neo-V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoga
Yoga (; sa, योग, lit=yoke' or 'union ) is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciousness untouched by the mind ('' Chitta'') and mundane suffering (''Duḥkha''). There is a wide variety of schools of yoga, practices, and goals in Hinduism, Buddhism, and Jainism,Stuart Ray Sarbacker, ''Samādhi: The Numinous and Cessative in Indo-Tibetan Yoga''. SUNY Press, 2005, pp. 1–2.Tattvarthasutra .1 see Manu Doshi (2007) Translation of Tattvarthasutra, Ahmedabad: Shrut Ratnakar p. 102. and traditional and modern yoga is practiced worldwide. Two general theories exist on the origins of yoga. The linear model holds that yoga originated in the Vedic period, as reflected in the Vedic textual corpus, and influenced Buddhism; according to author Edward Fitzpatrick Crangle, this model is mainly supported by Hindu scholars. According ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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