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La Colombe
''La Colombe'' (''The Dove'') is an ''opéra comique'' in two acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré based on the poem ''Le Faucon'' by Jean de la Fontaine. It premiered in a one-act version at the Theater der Stadt in Baden-Baden on 3 August 1860, where it was well received and performed four times. It was revived on 7 June 1866 by the Opéra-Comique at the Salle Favart in Paris in an expanded two-act version with additional music by Gounod. Performance history Gounod's previous opera, ''Philémon et Baucis'', also with a text by Barbier and Carré based on a story by La Fontaine, had originally been commissioned for the summer season of 1859 by Édouard Bénazet, the director of the theatre and casino at Baden-Baden. When the political situation between France and Germany deteriorated in June, Gounod's opera was preemptively withdrawn to avoid potential negative reaction from German audiences, and it ended up being premiered in an expanded fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Cico
Marie Cico (1843, in Paris – 11 September 1875, in Neuilly-sur-Seine), was a French singer of opéra-comique and operetta.Soubies A, Malherbe C. ''Histoire de l'opéra comique — La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. She made her debut at the Théâtre du Palais-Royal, where she was noticed by Jacques Offenbach, who took her into his company. At the Bouffes-Parisiens she created the roles of Minerve in ''Orphée aux enfers'' (1858), Lahire and Clé-de-Sol in ''Geneviève de Brabant'' (1859) and Calisto in ''Daphnis et Chloé'' (1860). After winning prizes at the Paris Conservatoire, she made her debut at the Opéra-Comique on 30 September 1861 in ''Les mousquetaires de la reine''. Cico then created the title role in ''Lalla-Roukh'' by Félicien David (1862), ''Le voyage en Chine'' (1865) by François Bazin, ''Robinson Crusoé'' (1867), ''La pénitent'' (1868) and ''Vert-Vert'' (1869). In 1874 Cico was engaged at the Théâtre de la Gaîté in prepar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Miolan-Carvalho
Marie Caroline Miolan-Carvalho (31 December 1827 in Marseille – 10 July 1895 in Château-Puys, near Dieppe) was a famed French operatic soprano, particularly associated with light lyric and coloratura roles. Biography Born Marie Caroline Félix-Miolan, she studied first with her father, François Félix-Miolan, an oboist, and later at the Conservatoire of Paris with Gilbert Duprez. After winning the first prize at the Conservatorie, she began touring throughout France, making her stage debut in Brest, as Isabelle in ''Robert le Diable'', in 1849. Upon returning to Paris the following year, Marie Miolan made her debut in the title role in ''Lucia di Lammermoor'' at the Grand Opera on December 14, 1849. She went on to sing in ''Le Pré aux clercs'', ''Les Huguenots'', ''Der Freischütz'', ''Hamlet'', etc. From 1849-55 and 1868–85, Miolan-Carvalho sang in Paris at the Opéra-Comique as Caroline Carvalho. In 1853, she married Léon Carvalho, a French impresario and dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Théophile Tilmant
Théophile (Joseph Alexandre) Tilmant, (''Tilmant aîné'') was a French violinist and conductor born on 9 July 1799 in Valenciennes France, and died on 7 May 1878, Asnières.Tilmant was a founding Sociétaire of the Société des Concerts in 1828, becoming a Chef and Vice-President on 5 May 1860, retiring from the Société on 17 November 1863. Bibliography Tilmant was a founding Sociétaire of the Société des Concerts in 1828, becoming a Chef and Vice-President on 5 May 1860, retiring from the Société on 17 November 1863. At the Conservatoire national supérieur de musique et de danse de Paris, he was a student of Kreutzer and played in the orchestra of the Opéra-Comique and the orchestra of the Opéra (viola from 1824 and violin from 1826–38). He also led the orchestra at the Théâtre-Italien and the Concerts du Gymnase. He was principal conductor of the Opéra-Comique from 1849-68. Tilmant received the Légion d'Honneur in 1861. Tilmant conducted the premier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''Travesti (theatre), travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later cross-dressing in film and television, in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto.Julian Budden, Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise-Rosalie Lefebvre
Louise-Rosalie Lefebvre (18 June 1755 – 22 September 1821), also known as Madame Dugazon, was a French operatic mezzo-soprano, actress and dancer. Born in Berlin as the daughter of a dancing master at the court of Frederick II of Prussia, she returned to Paris with her parents in 1765. She made her stage debut at the age of twelve as a dancer, but it was as an actress "with songs" that she made her debut at the Comédie Italienne in 1774 in Grétry's ''Sylvain''. She was at once admitted ''pensionnaire'' and in 1775 ''sociétaire''. She became a star of the Comédie Italienne (which became the Opéra-Comique), where she created over 60 roles. She was married to the actor Jean-Henri Gourgaud, who went by the stage name Dugazon. Together they had a child, Gustave Dugazon. The couple soon divorced, but continued to perform at the Comédie Italienne for more than twenty years. The two kinds of parts with which she was especially identified—young mothers and women past thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buxton
Buxton is a spa town in the Borough of High Peak, Derbyshire, England. It is England's highest market town, sited at some above sea level."Buxton – in pictures" , BBC Radio Derby, March 2008, accessed 3 June 2013. also claims this, but lacks a regular market. It lies close to to the west and to the south, on the edge of the |
Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
