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Marie Cico
Marie Cico (1843, in Paris – 11 September 1875, in Neuilly-sur-Seine), was a French singer of opéra-comique and operetta.Soubies A, Malherbe C. ''Histoire de l'opéra comique — La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. She made her debut at the Théâtre du Palais-Royal, where she was noticed by Jacques Offenbach, who took her into his company. At the Bouffes-Parisiens she created the roles of Minerve in ''Orphée aux enfers'' (1858), Lahire and Clé-de-Sol in ''Geneviève de Brabant'' (1859) and Calisto in ''Daphnis et Chloé'' (1860). After winning prizes at the Paris Conservatoire, she made her debut at the Opéra-Comique on 30 September 1861 in ''Les mousquetaires de la reine''. Cico then created the title role in ''Lalla-Roukh'' by Félicien David (1862), ''Le voyage en Chine'' (1865) by François Bazin, ''Robinson Crusoé'' (1867), ''La pénitent'' (1868) and ''Vert-Vert'' (1869). In 1874 Cico was engaged at the Théâtre de la Gaîté in prepar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Cico
Marie Cico (1843, in Paris – 11 September 1875, in Neuilly-sur-Seine), was a French singer of opéra-comique and operetta.Soubies A, Malherbe C. ''Histoire de l'opéra comique — La seconde salle Favart 1840–1887.'' Flammarion, Paris, 1893. She made her debut at the Théâtre du Palais-Royal, where she was noticed by Jacques Offenbach, who took her into his company. At the Bouffes-Parisiens she created the roles of Minerve in ''Orphée aux enfers'' (1858), Lahire and Clé-de-Sol in ''Geneviève de Brabant'' (1859) and Calisto in ''Daphnis et Chloé'' (1860). After winning prizes at the Paris Conservatoire, she made her debut at the Opéra-Comique on 30 September 1861 in ''Les mousquetaires de la reine''. Cico then created the title role in ''Lalla-Roukh'' by Félicien David (1862), ''Le voyage en Chine'' (1865) by François Bazin, ''Robinson Crusoé'' (1867), ''La pénitent'' (1868) and ''Vert-Vert'' (1869). In 1874 Cico was engaged at the Théâtre de la Gaîté in prepar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Bazin (composer)
François Emmanuel Joseph Bazin () (4 September 1816 – 2 July 1878) was a well-known French opera composer during the nineteenth century. Biography Born in Marseille, Bazin was a student of Daniel Auber at the Conservatoire de Paris. After completing his education there and returning from his trip to Italy in 1844, Bazin later taught harmony at the Conservatoire. He was succeeded by his own student Émile Durand. At age 23, Bazin's cantata ''Loyse de Monfort'' won the 1840 Prix de Rome. ''Le Voyage en Chine'', which premiered at the Opéra-Comique in Paris, is his best-known composition, and continued to be staged well into the 20th century. Although his many light operas were popular during his lifetime, they are rarely staged today. A handful of arias are still occasionally performed, including "Je pense à vous" from ''Maître Pathelin'', recorded by Roberto Alagna. Bazin died at age 61 in Paris. Works Opéra-comique *''Le Trompette de Monsieur le Prince'' (Joubert and Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1875 Deaths
Events January–March * January 1 – The Midland Railway of England abolishes the Second Class passenger category, leaving First Class and Third Class. Other British railway companies follow Midland's lead during the rest of the year (Third Class is renamed Second Class in 1956). * January 5 – The Palais Garnier, one of the most famous opera houses in the world, is inaugurated in Paris. * January 12 – Guangxu becomes the 11th Qing Dynasty Emperor of China at the age of 3, in succession to his cousin. * January 14 – The newly proclaimed King Alfonso XII of Spain (Queen Isabella II's son) arrives in Spain to restore the monarchy during the Third Carlist War. * February 3 – Third Carlist War – Battle of Lácar: Carlist commander Torcuato Mendíri secures a brilliant victory, when he surprises and routs a Government force under General Enrique Bargés at Lácar, east of Estella, nearly capturing newly crowned King Alfonso XII. The C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1843 Births
Events January–March * January ** Serial publication of Charles Dickens's novel ''Martin Chuzzlewit'' begins in London; in the July chapters, he lands his hero in the United States. ** Edgar Allan Poe's short story "The Tell-Tale Heart" is published in a Boston magazine. ** The Quaker magazine '' The Friend'' is first published in London. * January 3 – The ''Illustrated Treatise on the Maritime Kingdoms'' (海國圖志, ''Hǎiguó Túzhì'') compiled by Wei Yuan and others, the first significant Chinese work on the West, is published in China. * January 6 – Antarctic explorer James Clark Ross discovers Snow Hill Island. * January 20 – Honório Hermeto Carneiro Leão, Marquis of Paraná, becomes ''de facto'' first prime minister of the Empire of Brazil. * February – Shaikh Ali bin Khalifa Al-Khalifa captures the fort and town of Riffa after the rival branch of the family fails to gain control of the Riffa Fort and flees to Manama. Shaikh Mohamed bin Ahmed is kille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pré Aux Clercs
''Le pré aux clercs'' (''The Clerks' Meadow'') is an opéra comique in three acts by Ferdinand Hérold with a libretto by François-Antoine-Eugène de Planard based on Prosper Mérimée's ''Chronique du temps de Charles IX'' of 1829.Pougin A. Hérold, biographie critique illustrée', Henri Laurens, Paris, 1906, p. 122 Performance history ''Le pré aux clercs'' was premiered in Paris by the Opéra-Comique company at the Salle de la Bourse on 15 December 1832. After the first performance the leading lady, Madame Casimir, refused – after unsuccessfully demanding more money – to sing in the subsequent performances, and Mlle Dorus of the Opéra was coached by Hérold over five days to take over the role of Isabelle. According to Hérold's biographer Arthur Pougin, this incident exacerbated the composer's ill-health, leading to his death five weeks after the premiere. The opera, Hérold's last completed one, was very successful, inaugurating the new Salle Favart in 1840, and enj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Domino Noir
''Le domino noir'' (''The Black Domino'') is an ''opéra comique'' by the French composer Daniel Auber, first performed on 2 December 1837 by the Opéra-Comique at the Salle de la Bourse in Paris.Wild and Charlton (2005), p. 226. The libretto to the three-act piece is by Auber's usual collaborator, Eugène Scribe. It was one of Auber's most successful works, clocking up 1,207 performances by 1909. It received its UK premiere in 1838 and appeared in the USA the following year. Some of Auber's music has a Spanish flavour to reflect its setting. In 1869, Pyotr Ilyich Tchaikovsky provided recitatives to replace the spoken dialogue for a proposed production of ''Le domino noir'' by an Italian opera company visiting Russia. No performances are believed to have taken place, but four of Tchaikovsky's recitatives were included in Richard Bonynge's recording of the opera. Performance history There was a production of the opera by Pierre Jourdan at the Théâtre Imperial at Compièg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zampa
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Gaîté (rue Papin)
In 1862 during Haussmann's modernization of Paris, the Théâtre de la Gaîté of the boulevard du Temple was relocated to the rue Papin across from the Square des Arts et Métiers."History: The Venue, 150 Years in the Core of Paris" at the La Gaîté-Lyrique website. Retrieved 11 August 2011. The new theatre, built in an Italian style to designs of the architects Jacques-Ignace Hittorff and Alphonse Cusin, opened on 3 September. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vert-Vert
''Vert-Vert'' is an opéra comique in three acts by Jacques Offenbach, with a libretto by Henri Meilhac and Charles Nuitter, first performed on the 10th of March 1869 at the Paris Opéra-Comique. Based on the 1734 poem « Vert-Vert ou les voyages du perroquet de la visitation de Nevers » by Jean-Baptiste Gresset, the opera found little success and has only been occasionally revived, although a complete studio recording was released in 2010. Background The Art-Lyrique website offers two other French operatic works with the same name: an opéra-comique in one act by Nicolas Dalayrac with libretto by Desfontaines created at the Opéra-Comique (Salle Favart) on 11 October 1790, and ''Vert-Vert ou le Perroquet de Nevers'', also an opéra-comique in one act, by Gauthier, with words by Bernard-Valville, first seen at the Théâtre des Jeunes-Artistes on 2 December 1800. In 1832 a comédie-vaudeville was mounted by Virginie Déjazet at the Théâtre du Palais-Royal with some success a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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