![An-actress-at-her-toilet-or-miss-brazen-just-breecht-john-colley](https://upload.wikimedia.org/wikipedia/commons/8/82/An-actress-at-her-toilet-or-miss-brazen-just-breecht-john-colley.jpg)
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing.
Breeches
Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each human leg, leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Weste ...
, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''
travesti
Travesti may refer to:
* Travesti (gender identity), a transgender identity in South America
* Travesti (theatre), a performance while wearing clothes of the opposite sex
* "Travesti", a section of Arca's 2020 single "@@@@@"
See also
* Tr ...
'' covers both this sort of
cross-dressing
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself.
Cross-dressing has play ...
and also that of male actors dressing as female characters. Both are part of the long history of
cross-dressing in music and opera and later
in film and television.
In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a
mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
or
contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type.
The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically b ...
.
[ Budden J., "Breeches part" in: '']The New Grove Dictionary of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with ...
'' or Gilda in Act III of ''
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had cont ...
'') are not considered breeches roles. The most frequently performed breeches roles are Cherubino (''
The Marriage of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
''), Octavian (''
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' ...
)'', Hansel (''
Hansel und Gretel'') and Orpheus (''
Orpheus and Euridice''), though the latter was originally written for a male singer, first a
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
and later, in the revised French version, an
haute-contre
The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century.
History
This voice ...
.
Because non-musical stage plays generally have no requirements for vocal range, they do not usually contain breeches roles in the same sense as opera. Some plays do have male roles that were written for adult female actors, and (for other practical reasons) are usually played by women (e.g., ''
Peter Pan
Peter Pan is a fictional character created by List of Scottish novelists, Scottish novelist and playwright J. M. Barrie. A free-spirited and mischievous young boy who can fly and Puer aeternus, never grows up, Peter Pan spends his never-ending ...
''); these could be considered modern-era breeches roles. However, in most cases, the choice of a female actor to play a male character is made at the production level;
Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts ...
is not a breeches role, but
Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including '' La Dame Aux Camel ...
once played Hamlet ''as'' a breeches role. When a play is spoken of as "containing" a breeches role, this ''does'' mean a role where a female character pretends to be a man and uses male clothing as a disguise.
History
When the London theatres re-opened in 1660, the first professional actresses appeared on the public stage, replacing the boys in dresses of the
Shakespeare
William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
era. To see real women speak the risqué dialogue of
Restoration comedy and show off their bodies on stage was a great novelty, and soon the even greater sensation was introduced of women wearing male clothes on stage. Out of some 375 plays produced on the London stage between 1660 and 1700, it has been calculated that 89, nearly a quarter, contained one or more roles for actresses in male clothes (see Howe). Practically every Restoration actress appeared in trousers at some time, and breeches roles would even be inserted gratuitously in revivals of older plays.
Some critics, such as Jacqueline Pearson, have argued that these
cross-dressing
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself.
Cross-dressing has play ...
roles subvert conventional
gender roles
A gender role, also known as a sex role, is a social role encompassing a range of behaviors and attitudes that are generally considered acceptable, appropriate, or desirable for a person based on that person's sex. Gender roles are usually cent ...
by allowing women to imitate the roistering and sexually aggressive behaviour of male Restoration
rakes, but Elizabeth Howe has objected in a detailed study that the male disguise was "little more than yet another means of displaying the actress as a sexual object". The epilogue to
Thomas Southerne
Thomas Southerne (12 February 166026 May 1746) was an Irish dramatist.
Biography
Thomas Southerne, born on 12 February 1660, in Oxmantown, near Dublin, was an Irish dramatist. He was the son of Francis Southerne (a Dublin brewer) and Margaret ...
's ''
Sir Anthony Love
''Sir Anthony Love; Or, The Rambling Lady'' is a 1690 comedy play by the Irish writer Thomas Southerne. It was originally staged by the United Company at the Theatre Royal, Drury Lane with a cast that included Susanna Mountfort in a breeches rol ...
'' (1690) suggests that it does not much matter if the play is dull, as long as the audience can glimpse the legs of the famous "breeches" actress
Susanna Mountfort (also known as Susanna Verbruggen):
:You'll hear with Patience a dull Scene, to see,
:In a contented lazy waggery,
:The Female Mountford bare above the knee.
Katharine Eisaman Maus also argues that as well as revealing the female legs and buttocks, the breeches role frequently contained a revelation scene where the character not only unpins her hair but as often reveals a breast as well. This is evidenced in the portraits of many of these actresses of the Restoration.
Breeches roles remained an attraction on the British stage for centuries, but their fascination gradually declined as the difference in real-life male and female clothing became less extreme. They played a part in
Victorian burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parod ...
and are traditional for the
principal boy
In pantomime, a principal boy role is the young male protagonist of the play, traditionally played by a young actress in boy's clothes.
The earliest example is Miss Ellington who in 1852 appeared in ''The Good Woman in the Wood'' by James Planch ...
in
pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking ...
.
Opera
Historically, the list of roles that are considered to be breeches roles is constantly changing, depending on the tastes of the opera-going public. In early Italian opera, many leading operatic roles were assigned to a
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
, a male castrated before puberty with a very strong and high voice. As the practice of castrating boy singers faded, composers created heroic male roles in the mezzo-soprano range, where singers such as
Marietta Alboni
Maria Anna Marzia (called Marietta) Alboni (6 March 1826 – 23 June 1894) was a renowned Italian contralto opera singer. She is considered "one of the greatest contraltos in operatic history".
Biography
Alboni was born at Città di Castello, i ...
and Rosamunda Pisaroni specialised in such roles.
(See ''
Xerxes'' below.)
Currently, all castrato roles are being reclaimed by men. As the training and use of
countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a s ...
s becomes more common, there are more men with these very high voices to sing these roles.
Casting directors are left with choices such as whether to cast the young Prince Orlofsky in
Johann Strauss II's ''
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874.
Background
The original ...
'' for a woman or man; both commonly sing the role. When played by a mezzo, the prince looks like a woman, but sounds like a boy. When played by a counter-tenor, he looks like a man, but sings like a woman. This disparity is made even clearer if, as in this case, there is also spoken dialogue.
The term ''travesty'' (from the Italian ''
travesti
Travesti may refer to:
* Travesti (gender identity), a transgender identity in South America
* Travesti (theatre), a performance while wearing clothes of the opposite sex
* "Travesti", a section of Arca's 2020 single "@@@@@"
See also
* Tr ...
'', disguised) applies to any roles sung by the opposite sex.
A closely related term is a ''skirt role'', a female character to be played by a male singer, usually for comic or visual effect. These roles are often ugly stepsisters or very old women, and are not as common as trouser roles. As women were not allowed to sing on stage in the
Papal States
The Papal States ( ; it, Stato Pontificio, ), officially the State of the Church ( it, Stato della Chiesa, ; la, Status Ecclesiasticus;), were a series of territories in the Italian Peninsula under the direct sovereign rule of the pope fro ...
until the end of the 18th century,
[The ban on women performing on stage was imposed by ]Pope Sixtus V
Pope Sixtus V ( it, Sisto V; 13 December 1521 – 27 August 1590), born Felice Piergentile, was head of the Catholic Church and ruler of the Papal States from 24 April 1585 to his death in August 1590. As a youth, he joined the Franciscan order ...
in 1588. It was never legally enforceable in the Legations (Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...
, Ferrara
Ferrara (, ; egl, Fràra ) is a city and ''comune'' in Emilia-Romagna, northern Italy, capital of the Province of Ferrara. it had 132,009 inhabitants. It is situated northeast of Bologna, on the Po di Volano, a branch channel of the main stream ...
and the Romagna
Romagna ( rgn, Rumâgna) is an Italian historical region that approximately corresponds to the south-eastern portion of present-day Emilia-Romagna, North Italy. Traditionally, it is limited by the Apennines to the south-west, the Adriatic to t ...
) and was occasionally disapplied in Rome too, in particular from 1669 (during the papacy of erstwhile librettist Clement IX
Pope Clement IX ( la, Clemens IX; it, Clemente IX; 28 January 1600 – 9 December 1669), born Giulio Rospigliosi, was head of the Catholic Church and ruler of the Papal States from 20 June 1667 to his death in December 1669.
Biography
Ear ...
) to 1676, at the instigation of Queen Christina of Sweden
Christina ( sv, Kristina, 18 December (New Style) 1626 – 19 April 1689), a member of the House of Vasa, was Queen of Sweden in her own right from 1632 until her abdication in 1654. She succeeded her father Gustavus Adolphus upon his death ...
, who was a fan of opera ( Celletti, Rodolfo (2000). ''La grana della voce. Opere, direttori e cantanti'' (2nd edition). Rome: Baldini & Castoldi; chapter: "Nella Roma del Seicento", p by. 37 ff ). The ban remained in force until 1798 when the French invaded Rome and a Roman Republic
The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman Kin ...
was proclaimed (Kantner, Leopold M, and Pachovsky, Angela (1998). ''6: La Cappella musicale Pontificia nell'Ottocento''. Rome: Hortus Musicus; p. 24 ). although not elsewhere in Europe, many female operatic roles which premiered in those areas were originally written as skirt roles for
castrati
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
(e.g. ''Mandane'' and ''Semira'' in
Leonardo Vinci
Leonardo Vinci (1690 – 27 May 1730) was an Italian composer known chiefly for his 40 or so operas; comparatively little of his work in other genres survives. A central proponent of the Neapolitan School of opera, his influence on subseque ...
's
Artaserse
' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia.
There are over 90 known settings of Metastasio's text. The libretto was originally written for, ...
). Britten's Madwoman in ''
Curlew River
''Curlew River – A Parable for Church Performance'' (Op. 71) is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. The first of Britten's three 'Parables for Church Performance', the work is based on the ...
'' and the Cook in Prokofiev's ''
The Love for Three Oranges
''The Love for Three Oranges'', Op. 33, also known by its French language title ' (russian: Любовь к трём апельсинам, links=no, ''Lyubov' k tryom apel'sinam''), is a satirical opera by Sergei Prokofiev. Its French libretto ...
'' are later examples. The role of the witch in Humperdinck's ''
Hänsel und Gretel'', although written for a mezzo-soprano is now more regularly sung by a tenor, who sings the part an octave lower. In the same opera the "male" roles of Hänsel, the Sandman, and the Dewman are however meant to be sung by women.
Operas with breeches roles include:
*
Adès's ''
The Tempest'': "Ariel" is sung by a soprano
*
Arne
Arne may refer to:
Places
* Arne, Dorset, England, a village
** Arne RSPB reserve, a nature reserve adjacent to the village
* Arné, Hautes-Pyrénées, Midi-Pyrénées, France
* Arne (Boeotia), an ancient city in Boeotia, Greece
* Arne (Thessa ...
's ''
Artaxerxes'': "Arbaces" is sung by a mezzo-soprano
*
Bellini's ''
Bianca e Fernando
''Bianca e Fernando'' (''Bianca and Fernando'') is an opera in two acts by Vincenzo Bellini.
The original version of this opera was presented as ''Bianca e Gernando'' and was set to a libretto by Domenico Gilardoni, based on ''Bianca e Fernando a ...
'': "Viscardo" is sung by a mezzo-soprano
* Bellini's ''
Zaira'': "Nerestano" is sung by a mezzo-soprano
* Bellini's ''
I Capuleti e i Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicol ...
'': "Romeo" is sung by a mezzo-soprano
*
Berg Berg may refer to:
People
*Berg (surname), a surname (including a list of people with the name)
*Berg Ng (born 1960), Hong Kong actor
* Berg (footballer) (born 1989), Brazilian footballer
Former states
*Berg (state), county and duchy of the Holy ...
's ''
Lulu
Lulu may refer to:
Companies
* LuLu, an early automobile manufacturer
* Lulu.com, an online e-books and print self-publishing platform, distributor, and retailer
* Lulu Hypermarket, a retail chain in Asia
* Lululemon Athletica or simply Lulu, a C ...
'': "Der Gymnasiast" (a Schoolboy) is sung by a contralto
*
Berlioz's ''
Benvenuto Cellini
Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiography ...
'': "Ascanio" is sung by a mezzo-soprano
* Berlioz's ''
Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Tro ...
'': "Ascanio" is sung by a soprano
*
Catalani's ''
La Wally
''La Wally'' is an opera in four acts by composer Alfredo Catalani, to a libretto by Luigi Illica, first performed at La Scala, Milan, on 20 January 1892.
The libretto is based on a hugely successful ' by Wilhelmine von Hillern (1836–1916), ' ...
'': "Walter" is sung by a soprano
*
Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked ...
's ''
L'étoile'': "Lazuli" the peddler is sung by a soprano
* Chabrier's ''
Une éducation manquée
(''An Incomplete Education'') is an in one act and nine scenes by Emmanuel Chabrier. The French libretto is by Eugène Leterrier and Albert Vanloo. Composed in 1878–79, the work, which is set in the 18th century, is in a lively, light oper ...
'': "Gontran de Boismassif" is sung by a soprano
*
Charpentier
Charpentier () is the French language, French word for "carpenter", and it is also a French surname; a variant spelling is Carpentier. In English, the equivalent word and name is "Carpenter (surname), Carpenter"; in German, "Zimmermann (disambigua ...
's ''
David et Jonathas
''David et Jonathas'' (''David and Jonathan''), H. 490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by ...
'': "Jonathas" is sung by a soprano;
La Pythonisse is sung by an
haute-contre
The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century.
History
This voice ...
, which is a high-pitched male voice, similar to a Countertenor.
*
Corigliano's ''
The Ghosts of Versailles
''The Ghosts of Versailles'' is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, w ...
'': "Cherubino" (a recreation of the same character from ''
Le nozze di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
'') is sung by a mezzo-soprano
*
Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
's ''
Alahor in Granata
''Alahor in Granata'' is an opera in two acts by Gaetano Donizetti to an anonymous Italian libretto (indicated only with the initials "M.A.") after Jean-Pierre Claris de Florian's text ''Gonzalve de Cordoue, ou Granade reconquise'' (1793). Howeve ...
'': "Muley-Hassem" is sung by a contralto
* Donizetti's ''
Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both ...
'': "Smeton" is sung by a mezzo-soprano
* Donizetti's ''
Lucrezia Borgia
Lucrezia Borgia (; ca-valencia, Lucrècia Borja, links=no ; 18 April 1480 – 24 June 1519) was a Spanish-Italian noblewoman of the House of Borgia who was the daughter of Pope Alexander VI and Vannozza dei Cattanei. She reigned as the Govern ...
'': "Maffio Orsini" is sung by a contralto
*
Dvořák's ''
Rusalka
In Slavic folklore, the rusalka (plural: rusalky/rusalki; ; pl, rusałka}) is a typically feminine entity, often malicious toward mankind and frequently associated with water, with counterparts in other parts of Europe, such as the French Melus ...
'': "The Kitchen Boy" is sung by a soprano
*
Glinka's ''
A Life for the Tsar
''A Life for the Tsar'' ( rus, "Жизнь за царя", italic=yes, Zhizn za tsarya ) is a "patriotic-heroic tragic opera" in four acts with an epilogue by Mikhail Glinka. During the Soviet era the opera was known under the name ''Ivan Susanin' ...
'': "Vanya" is sung by a contralto
* Glinka's ''
Ruslan and Lyudmila Ruslan may refer to:
* ''Ruslan'' (film), a 2009 film starring Steven Segal
* Ruslan (given name), male name used mainly in Slavic countries, with list of people
* Antonov An-124 ''Ruslan'', large Soviet cargo aircraft, later built in Ukraine and ...
'': "Ratmir" is sung by a contralto
*
Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period (music), classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the ...
's ''
Orfeo ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', mea ...
'': Originally written for a castrato, "Orfeo" is sung by a mezzo-soprano, contralto or counter-tenor
* Gluck's ''
Paride ed Elena
' (; ''Paris and Helen'') is an opera by Christoph Willibald Gluck. It is the third of Gluck's so-called reform operas for Vienna, following '' Orfeo ed Euridice'' and '' Alceste'', and the least often performed of the three. Like its predecess ...
'': Originally written for a castrato, "Paride" is sung by a soprano
*
Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (18 ...
's ''
Faust
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540).
The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads ...
'': "Siebel" is sung by a contralto, a mezzo-soprano or a soprano
* Gounod's ''
Romeo and Juliet
''Romeo and Juliet'' is a Shakespearean tragedy, tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetim ...
'': "Stefano" is sung by a soprano
*
Hahn's ''
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
'': The title is sung by a soprano
*
Händel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training i ...
's ''
Alcina
''Alcina'' ( HWV 34) is a 1735 opera seria by George Frideric Handel. Handel used the libretto of ''L'isola di Alcina'', an opera that was set in 1728 in Rome by Riccardo Broschi, which he acquired the year after during his travels in Italy. P ...
'': "Ruggiero" is sung by a mezzo-soprano
* Händel's ''
Ariodante
''Ariodante'' ( HWV 33) is an opera seria in three acts by George Frideric Handel. The anonymous Italian libretto was based on a work by Antonio Salvi, which in turn was adapted from Canti 4, 5 and 6 of Ludovico Ariosto's ''Orlando Furioso''. Ea ...
'': The role of "Ariodante" was premiered by a soprano-castrato and is performed today by a mezzo-soprano; "Lurcanio" was originally written for contralto, but later rewritten by Handel for tenor.
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also ...
, Kassel (BA 4079a) notes In modern performances it is generally left to the director to decide whether to use contralto (or countertenor) or a lyric tenor.
* Händel's ''
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nic ...
'': "Julius Caesar" was originally written for an alto-castrato and is today sung by a mezzo-soprano or countertenor; "Sesto" is sung by a soprano
* Händel's ''
Rinaldo
Rinaldo may refer to:
*Renaud de Montauban (also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalbaen, German: Reinhold von Montalban), a legendary knight in the medieval Matter of France
* Rinaldo (''Jerusalem Lib ...
'': the title role "Rinaldo", sung at its premiere by a castrato, is currently sung by a mezzo-soprano or a countertenor
* Händel's ''
Xerxes'': the title role "Xerxes", sung at its premiere by a
castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
, is currently sung by a mezzo-soprano or a countertenor
*
Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led ...
's ''
La canterina
''La canterina'' (''The Songstress'' or ''The Diva''), Hob. XXVIII/2, is a short, two-act opera buffa by Joseph Haydn, the first one he wrote for Prince Esterhazy. Based on the intermezzo from the third act of Niccolò Piccinni's opera ''L'Origi ...
'': The role of "Don Ettore" is sung by a soprano and the role of "Apollonia" is sung by a tenor
* Haydn's ''
Lo speziale
''Lo speziale'' (''The Apothecary''), Hob. 28/3, is a three-act opera buffa by Joseph Haydn, with a libretto by Carlo Goldoni.
A love triangle between the poor apprentice Mengone, the rich and assured dandy Volpino, and the local apothecary's ...
'': The role of "Volpino" is sung by a soprano
*
Lecocq's ''
Le petit duc
''Le petit duc'' (''The little duke'') is an opéra comique in three acts by Charles Lecocq. The French language, French libretto was by Henri Meilhac and Ludovic Halévy.
Performance history
The opera was first presented at the Théâtre de la R ...
'': the title role is sung by a soprano
*
Humperdinck's ''
Hänsel und Gretel'': "Hänsel" is sung by a mezzo-soprano; The Sand-Man and The Dew-Man sung by sopranos; The Witch often sung by a tenor
*
Janáček's ''
From the House of the Dead
''From the House of the Dead'' () is an opera in three acts by Leoš Janáček. The libretto was translated and adapted by the composer from the 1862 novel by Fyodor Dostoevsky. It was the composer's last opera, premiered on 12 April 1930 at ...
'': Aljeja, a young Tartar is sung by a mezzo-soprano
*
Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' ...
's ''
Cendrillon
''Cendrillon'' (''Cinderella'') is an opera—described as a "fairy tale"—in four acts by Jules Massenet to a French libretto by Henri Caïn based on Perrault's 1698 version of the Cinderella fairy tale.
It had its premiere performance on 24 ...
'': the role of "Le Prince Charmant" was written for a soprano (in some performances the role is taken by a tenor)
* Massenet's ''
Chérubin
''Chérubin'' is an opera (''comédie chantée'') in three acts by Jules Massenet to a French libretto by Francis de Croisset and Henri Cain after de Croisset's play of the same name. It was first performed at the Opéra de Monte-Carlo on 14 F ...
'': The title role is sung by a soprano
*
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le di ...
's ''
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work suc ...
'': "Urbain" the page is sung by a mezzo-soprano
*
Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ...
's ''
L'incoronazione di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni ...
'': "Nero" is sung by a soprano (today the role is often sung by a male tenor or contratenor)
*
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
's ''
Le nozze di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premie ...
'': "Cherubino" is sung by a mezzo-soprano
* Mozart's ''
La clemenza di Tito
' (''The Clemency of Titus''), K. 621, is an '' opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of ...
'': "Sesto" and "Annio" are sung by sopranos
* Mozart's ''
Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French ...
'': "Idamante" is sung by a mezzo-soprano
* Mozart's ''
Il re pastore
' (''The Shepherd King'') is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg in the Ritte ...
'': "Aminta" was originally written for soprano-castrato, and in modern performances is sung by a lyric soprano
* Mozart's ''
Lucio Silla
''Lucio Silla'' (), K. 135, is an Italian opera seria in three acts composed by Wolfgang Amadeus Mozart at the age of 16. The libretto was written by Giovanni de Gamerra, revised by Pietro Metastasio.
It was first performed on 26 December 1772 a ...
'': "Cecilio" and "Lucio Cinna" are sung by sopranos
* Mozart's ''
Ascanio in Alba
''Ascanio in Alba'', K. 111, is a pastoral opera in two parts (') by Wolfgang Amadeus Mozart to an Italian libretto by Giuseppe Parini. It was commissioned by the Empress Maria Theresa for the wedding of her son, Archduke Ferdinand Karl, to Mari ...
'': "Ascanio" and "Fauno" are sung by sopranos
* Mozart's ''
Mitridate, re di Ponto
''Mitridate, re di Ponto'' ('' Mithridates, King of Pontus''), K. 87 (74a), is an opera seria in three acts by the young Wolfgang Amadeus Mozart. The libretto is by , after Giuseppe Parini's Italian translation of Jean Racine's play ''Mithridate ...
'': "Farnace" is sung by a mezzo-soprano or contralto, and "Sifare" and "Arbate" are sung by sopranos. However, "Farnace" is commonly done by a countertenor.
* Mozart's ''
La finta giardiniera
' ("The Pretend Garden-Girl"), K. 196, is an Italian-language opera by Wolfgang Amadeus Mozart. Mozart wrote it in Munich in January 1775 when he was 18 years old and it received its first performance on 13 January at the in Munich. There is deb ...
'': "Ramiro" is sung by a mezzo-soprano
*
Offenbach's ''
Mesdames de la Halle
''Mesdames de la Halle'' is an opérette bouffe in one act by Jacques Offenbach, with a libretto by Armand Lapointe. It was first performed at the Théâtre des Bouffes Parisiens, Paris on 3 March 1858. and was the first work of Offenbach's at t ...
'': ''Croûte-au-pot'' (the kitchen boy) is sung by a soprano; ''Madame Poiretapée, Madame Madou, and Madame Beurrefondu'' are sung by a tenor and two baritones
* Offenbach's ''
Geneviève de Brabant
''Geneviève de Brabant'' is an opéra bouffe, or operetta, by Jacques Offenbach, first performed in Paris in 1859. The plot is based on the medieval legend of Genevieve of Brabant.
For the 1867 version two additional characters, men-at-arms, w ...
'': "Drogan" the young baker is sung by a soprano
* Offenbach's ''
Daphnis et Chloé
''Daphnis et Chloé'' is a 1912 ''symphonie chorégraphique'', or choreographic symphony, for orchestra and wordless chorus by Maurice Ravel. It is in three main sections, or ''parties'', and a dozen scenes, most of them dances, and lasts just u ...
'': "Daphnis" is sung by a mezzo-soprano
* Offenbach's ''
Le pont des soupirs
''Le pont des soupirs '' ("The Bridge of Sighs") is an opéra bouffe (or operetta) set in Venice, by Jacques Offenbach, first performed in Paris in 1861. The French libretto was written by Hector Crémieux and Ludovic Halévy. Plays, including ...
'': The page "Amoroso" is sung by a mezzo-soprano
* Offenbach's ''
Les bavards
'' Les bavards'' (English: ''The Chatterboxes'') is an opéra bouffe, or operetta, by Jacques Offenbach, with a French libretto by Charles-Louis-Étienne Nuitter based on "Los dos habladores", a story by Miguel de Cervantes.Lamb A. Jacques Offenb ...
'': The young poet "Roland" is sung by a contralto
* Offenbach's ''
La belle Hélène
''La belle Hélène'' (, ''The Beautiful Helen'') is an opéra bouffe in three acts, with music by Jacques Offenbach and words by Henri Meilhac and Ludovic Halévy. The piece parodies the story of Helen of Troy, Helen's elopement with Paris (myt ...
'': "Oreste" is sung by a mezzo-soprano
* Offenbach's ''
Robinson Crusoé
''Robinson Crusoé '' is an opéra comique with music by Jacques Offenbach and words by Eugène Cormon and Hector-Jonathan Crémieux. It premiered in Paris on 23 November 1867.
The writers took the theme from the 1719 novel ''Robinson Crusoe'' b ...
'': "Friday" is sung by a mezzo-soprano
* Offenbach's ''
Les brigands
''Les brigands'' (''The Bandits'') is an opéra bouffe, or operetta, by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic Halévy. Meilhac and Halévy's libretto lampoons both serious drama (Schiller's play ''The Robbers'') an ...
'': The farmer "Fragoletto" is sung by a mezzo-soprano
* Offenbach's ''
La jolie parfumeuse
''La jolie parfumeuse'' is an opéra comique in three acts of 1873 with music by Jacques Offenbach. The French language, French libretto was by Hector Crémieux and Ernest Blum.
Performance history
The opera was premiered at the Théâtre de la R ...
'': The young clerk "Bavolet" is sung by a soprano
* Offenbach's ''
Madame l'archiduc'': "Fortunato, captain of the archduke's dragoons" is sung by a mezzo-soprano
* Offenbach's ''
Le voyage dans la lune
''A Trip to the Moon'' (french: Le Voyage dans la Lune) is a 1902 French adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel ''From the Earth to the Moon'' and its 1870 ...
'': "Prince Caprice" is sung by a mezzo-soprano
* Offenbach's ''
The Tales of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died ...
'': "Nicklausse" is sung by a mezzo-soprano
* Offenbach's ''
Orphée aux enfers
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théât ...
'': "Cupidon" (Cupid) is sung by a soprano
*
Pfitzner's ''
Palestrina
Palestrina (ancient ''Praeneste''; grc, Πραίνεστος, ''Prainestos'') is a modern Italian city and ''comune'' (municipality) with a population of about 22,000, in Lazio, about east of Rome. It is connected to the latter by the Via Pren ...
'': Ighino is sung by a soprano; Silla by a mezzo-soprano
*
Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ...
's ''
L'enfant et les sortilèges
''L'enfant et les sortilèges: Fantaisie lyrique en deux parties'' (''The Child and the Spells: A Lyric Fantasy in Two Parts'') is an opera in one act, with music by Maurice Ravel to a libretto by Colette. It is Ravel's second opera, his first be ...
'': the title role of The Boy is written for a mezzo-soprano; The Shepherd is sung by a mezzo-soprano
*
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsk ...
's ''
The Snow Maiden
''The Snow Maiden'' (subtitle: A Spring Fairy Tale) ( rus, Снегурочка–весенняя сказка, Snegúrochka–vesénnyaya skázka, italic=yes ) is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed ...
'': Lel is sung by contralto
*
Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
's ''
Tancredi
''Tancredi'' is a ''melodramma eroico'' ('' opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write ''Semiramide'' ten years later), based on Voltaire's play ''Tancrède'' (176 ...
'': "Tancredi" and "Roggiero" are sung by mezzo-sopranos or contraltos
* Rossini's ''
Bianca e Falliero
''Bianca e Falliero, ossia Il consiglio dei tre'' (English: ''Bianca and Falliero, or The Counsel of Three'') is a two-act operatic ''melodramma'' by Gioachino Rossini to an Italian libretto by Felice Romani. The libretto was based on Antoine- ...
'': "Falliero" is sung by a mezzo-soprano
* Rossini's ''
La donna del lago
''La donna del lago'' (English: ''The Lady of the Lake'') is an opera composed by Gioachino Rossini with a libretto by Andrea Leone Tottola (whose verses are described as "limpid" by one critic) based on the French translationOsborne, Charles 19 ...
'': "Malcolm" is sung by a contralto
* Rossini's ''
Le comte Ory
''Le comte Ory'' (''Count Ory'') is a comic opera written by Gioachino Rossini in 1828. Some of the music originates from his opera ''Il viaggio a Reims'' written three years earlier for the coronation of Charles X of France, Charles X. The French ...
'': "Isolier" is sung by a mezzo-soprano
* Rossini's ''
Semiramide
''Semiramide'' () is an opera in two acts by Gioachino Rossini.
The libretto by Gaetano Rossi is based on Voltaire's tragedy ''Semiramis'', which in turn was based on the legend of Semiramis of Assyria. The opera was first performed at La Fenice ...
'': "Arsace" is sung by a mezzo-soprano
* Rossini's ''
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887.
Th ...
'': the title role was written for a tenor, but also was sung by mezzo-soprano
Maria Malibran
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality ...
* Rossini's ''
Guillaume Tell
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Sch ...
'': Tell's son Jemmy is sung by a soprano
*
Gil Shohat
Gil Shohat ( he, גיל שוחט, born 7 September 1973) is an Israeli classical music composer, Conducting, conductor, pianist and lecturer.
Biography
Gil Shohat was born in Tel Aviv. His mother is ''Ha'aretz'' theatre critic Tzipora (Tzipi) Shoh ...
's ''
The Child Dreams'': "The Child" is sung by a soprano; "The Crippled Youth" (i.e. The Poet) by a mezzo-soprano
*
Kaija Saariaho
Kaija Anneli Saariaho (; ; born 14 October 1952) is a Finnish composer based in Paris, France. During the course of her career, Saariaho has received commissions from the Lincoln Center for the Kronos Quartet and from IRCAM for the Ensemble Inter ...
's ''
L'Amour de loin
' (''Love from Afar'') is an opera in five acts with music by Kaija Saariaho and a French-language libretto by Amin Maalouf. The opera received its world premiere performance on 15 August 2000 at the Salzburg Festival.
Saariaho, living in Paris si ...
'': "The Pilgrim" is sung by a mezzo-soprano
*
Johann Strauss II
Johann Baptist Strauss II (25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (german: links=no, Sohn), was an Austrian composer of light music, particularly dance music and operettas. He composed ov ...
's ''
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874.
Background
The original ...
'': "Prince Orlofsky" is sung by a mezzo-soprano (almost always)
*
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wag ...
's ''
Salome
Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, an ...
'': "The Page of Herodias" is sung by a contralto
* Richard Strauss's ''
Ariadne auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work' ...
'': "The Composer" is sung by a mezzo-soprano
* Richard Strauss's ''
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' ...
'': "Octavian" is sung by a mezzo-soprano
*
Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...
's
The Queen of Spades: Milovzor is sung by contralto
*
Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
's ''
Un ballo in maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''.
The ...
'': "Oscar", Gustavus III's page, is sung by a soprano
* Verdi's ''
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedri ...
'': The page Thibault (Tebaldo) is sung by a soprano
*
Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
's ''
Rienzi
' (''Rienzi, the last of the tribunes''; WWV 49) is an early opera by Richard Wagner in five acts, with the libretto written by the composer after Edward Bulwer-Lytton's novel of the same name (1835). The title is commonly shortened to ''Rienzi ...
'': "Adriano" is sung by a mezzo-soprano
* Wagner's ''
Tannhäuser
Tannhäuser (; gmh, Tanhûser), often stylized, "The Tannhäuser," was a German Minnesinger and traveling poet. Historically, his biography, including the dates he lived, is obscure beyond the poetry, which suggests he lived between 1245 and 1 ...
'': The Young Shepherd is sung by a soprano
* Wagner's ''
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' ...
'': Two novices in the all-male society of Knights of the Grail are sung by sopranos
* Wagner's ''
Die Meistersinger von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditio ...
'': Several
apprentices
Apprenticeship is a system for training a new generation of practitioners of a trade or profession with on-the-job training and often some accompanying study (classroom work and reading). Apprenticeships can also enable practitioners to gain a ...
are sung by women
*
Weber
Weber (, or ; German: ) is a surname of German origin, derived from the noun meaning " weaver". In some cases, following migration to English-speaking countries, it has been anglicised to the English surname 'Webber' or even 'Weaver'.
Notable pe ...
's ''
Oberon
Oberon () is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare's play ''A Midsummer Night's Dream'', in which he is King of the Fairies and spouse of Titania, Queen of the Fair ...
'': "Puck" is sung by a mezzo-soprano
See also
*
Breeching (boys)
Breeching was the occasion when a small boy was first dressed in breeches or trousers. From the mid-16th century until the late 19th or early 20th century, young boys in the Western world were unbreeched and wore gowns or dresses until an age t ...
*
Principal boy
In pantomime, a principal boy role is the young male protagonist of the play, traditionally played by a young actress in boy's clothes.
The earliest example is Miss Ellington who in 1852 appeared in ''The Good Woman in the Wood'' by James Planch ...
*
Travesti (theatre)
''Travesti'' is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex.
For social reasons, female roles were played by boys or men in many early forms of theatre, and ''trave ...
*
Takarazuka Revue
The is a Japanese all-female musical theatre troupe based in Takarazuka, Hyōgo Prefecture, Japan. Women play all roles in lavish, Broadway-style productions of Western-style musicals and stories adapted from films, novels, manga, and Japane ...
*
History of cross-dressing
This article details the history of cross-dressing, the act of wearing the clothes of the sex or gender one does not identify with.
Background
Patriarchy is a social system in which men hold the primary power over women and their families in ...
Footnotes
Further reading
* Howe, Elizabeth (1992). ''The First English Actresses: Women and Drama 1660–1700''. Cambridge: Cambridge University Press.
* Maus, Katharine Eisaman (1979). "'Playhouse Flesh and Blood': Sexual Ideology and the Restoration Actress". New York: Harcourt Brace Anthology of Drama (1996).
* Pearson, Jacqueline (1988). ''The Prostituted Muse: Images of Women and Women Dramatists 1642–1737''. New York: St. Martin's Press.
{{DEFAULTSORT:Breeches Role
Cross-dressing culture
Drama
History of theatre
Opera terminology
Stock characters