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Artaxerxes (opera)
''Artaxerxes'' is an opera in three acts composed by Thomas Arne set to an English adaptation (probably by Arne himself) of Metastasio's 1729 libretto ''Artaserse''. The first English ''opera seria'', ''Artaxerxes'' premiered on 2 February 1762 at the Theatre Royal, Covent Garden, and continued to be regularly performed until the late 1830s. Its plot is loosely based on the historical figure, Artaxerxes I who succeeded his father Xerxes I after his assassination by Artabanus. Performance history The opening night of ''Artaxerxes'' (2 February 1762) at the Theatre Royal, Covent Garden, proved very successful. The work was revived at the theatre the following year, although this second run was marred by a riot. On 24 February 1763 a mob protesting the abolition of half-price admissions stormed the theatre in the middle of the performance. According to a contemporary account in ''The Gentleman's Magazine'': The mischief done was the greatest ever known on any occasion of the like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Braham (tenor)
John Braham ( – 17 February 1856) was an English tenor opera singer born in London. His long career led him to become one of Europe's leading opera stars. He also wrote a number of songs, of minor importance, although " The Death of Nelson" is still remembered. His success, and that of his offspring in marrying into the British aristocracy, are also notable examples of Jewish social mobility in the early 19th century. Origins Braham's precise origins are uncertain. The favoured (but specious) present account in contemporary sources of reference is that he was possibly a son of John Abraham or Abrahams, who was possibly an operative at the Drury Lane Theatre who died in 1779 and his wife, who may have been Esther, who may have been a sister of the hazzan at the Great Synagogue of London, Myer Lyon. Braham has also been held to be related to various other London musicians with the surname of Abrahams. There is however no documentary evidence for any of these supposed connections. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counter-tenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giusto Fernando Tenducci
Giusto Fernando Tenducci, sometimes called "il Senesino" (c. 1735 – 25 January 1790), was a soprano (castrato) opera singer and composer, who passed his career partly in Italy but chiefly in Britain. Biography Born in Siena in about 1735, Tenducci became a castrato, and he was trained at the Naples Conservatory. Castration was illegal in both Church and civil law, but the Roman Church employed castrati in many churches and in the Vatican until about 1902; and throughout the 17th and 18th centuries the public paid large sums of money to listen to the spectacular voices of castrati in the opera houses. In 1753, when he was about seventeen, Tenducci made his professional opera appearance in Venice, as Gasparo in Ferdinando Bertoni's ''Ginevra''. In 1757 and 1758 he was active at the Teatro di San Carlo in Naples. From 1758 he was in London, where he was first heard at the King's Theatre. He sang an aria by the castrato Caffarelli in Baldassare Galuppi's ''Attalo''. and the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Ann Paton As Mandane In Thomas Arne's 1762 Opera "Artaxerxes"
Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blessed Virgin Mary * Mary Magdalene, devoted follower of Jesus * Mary of Bethany, follower of Jesus, considered by Western medieval tradition to be the same person as Mary Magdalene * Mary, mother of James * Mary of Clopas, follower of Jesus * Mary, mother of John Mark * Mary of Egypt, patron saint of penitents * Mary of Rome, a New Testament woman * Mary, mother of Zechariah and sister of Moses and Aaron; mostly known by the Hebrew name: Miriam * Mary the Jewess one of the reputed founders of alchemy, referred to by Zosimus. * Mary 2.0, Roman Catholic women's movement * Maryam (surah) "Mary", 19th surah (chapter) of the Qur'an Royalty * Mary, Countess of Blois (1200–1241), daughter of Walter of Avesnes and Margaret of Blois ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St John's, Smith Square
St John's Smith Square is a redundant church in the centre of Smith Square, Westminster, London. Sold to a charitable trust as a ruin following firebombing in the Second World War, it was restored as a concert hall. This Grade I listed church was designed by Thomas Archer and was completed in 1728 as one of the so-called Fifty New Churches. It is regarded as one of the finest works of English Baroque architecture, and features four corner towers and monumental broken pediments. It is often referred to as ' Queen Anne's Footstool' because as legend has it, when Archer was designing the church he asked the Queen what she wanted it to look like. She kicked over her footstool and said 'Like that!', giving rise to the building's four corner towers. History In 1710, the long period of Whig domination of British politics ended as the Tories swept to power under the rallying cry of "The Church in Danger". Under the Tories' plan to strengthen the position of the Anglican Church an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camden Festival
Camden Festival was an annual spring festival founded in 1954 and held in London, England. Originally, it was named the St Pancras Festival until 1965. It continued until 1987. The festival specialised in the revival of long-forgotten operas, some of which subsequently made their way back into the repertory. Performances were given at St Pancras Town Hall until 1969, and thereafter at the Bloomsbury Theatre (formerly Collegiate Theatre). Among now well-known singers who appeared in the Festival was the young Kiri Te Kanawa who sang Elena in Rossini's '' La donna del lago'' in 1969 prior to joining the Covent Garden Opera in 1970. The Camden Festival was superseded by the Bloomsbury Festival Camden Festival was an annual spring festival founded in 1954 and held in London, England. Originally, it was named the St Pancras Festival until 1965. It continued until 1987. The festival specialised in the revival of long-forgotten operas, some ... in 1988. Today, the festival consists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Bishop (composer)
Sir Henry Rowley Bishop (18 November 178730 April 1855) was an English composer from the early Romantic era. He is most famous for the songs "Home! Sweet Home!" and "Lo! Hear the Gentle Lark." He was the composer or arranger of some 120 dramatic works, including 80 operas, light operas, cantatas, and ballets. Bishop was Knighted in 1842. Bishop worked for all the major theatres of London in his era – including the Royal Opera House at Covent Garden, the Theatre Royal, Drury Lane, Vauxhall Gardens and the Haymarket Theatre, and was Professor of Music at the universities of Edinburgh and Oxford. His second wife was the noted soprano Anna Bishop, who scandalised British society by leaving him and conducting an open liaison with the harpist Nicolas-Charles Bochsa until the latter's death in Sydney. Life Bishop was born in London, where his father was a watchmaker and haberdasher. At the age of 13, Bishop left full-time education and worked as a music-publisher with his cousin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
