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Lucrezia Borgia (opera)
''Lucrezia Borgia'' is a melodramatic opera in a prologue and two acts by Gaetano Donizetti. Felice Romani wrote the Italian libretto after the play ''Lucrezia Borgia'' by Victor Hugo, in its turn after the legend of Lucrezia Borgia. ''Lucrezia Borgia'' was first performed on 26 December 1833 at La Scala, Milan. Performance history 19th century The first London production was at Her Majesty's Theatre on 6 June 1839 with Giulia Grisi and Mario.Ashbrook and Hibberd, p. 234 When the opera was staged in Paris (Théâtre des Italiens) in 1840, Victor Hugo obtained an injunction against further productions within the domain of French copyright law. The libretto was then rewritten and retitled ''La rinegata'', with the Italian characters changed to Turks, and the performances were resumed. The first English-language production was in London on 30 December 1843. The English tenor Sims Reeves was a noted Gennaro. ''Lucrezia'' was first presented in New Orleans on 27 April 1843 and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia Academy Of Music
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at 240 S. Broad Street in Philadelphia, Pennsylvania. Its location is between Locust and Manning Streets in the Avenue of the Arts area of Center City. The hall was built in 1855–57 and is the oldest opera house in the United States that is still used for its original purpose. Known as the "Grand Old Lady of Locust Street," the venue is the home of the Philadelphia Ballet and Opera Philadelphia. It was also home to the Philadelphia Orchestra from its inception in 1900 until 2001, when the orchestra moved to the new Kimmel Center for the Performing Arts. The Philadelphia Orchestra still retains ownership of the Academy. The hall was designated a National Historic Landmark in 1962.Charles E. Shedd Jr., et al. (December 1979) , National Park Service and History The Academy of Music held an inaugural ball on January 26, 1857. At the time ''The New York Times'' described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverly Sills
Beverly Sills (May 25, 1929July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's ''Lucia di Lammermoor'', the title role in Massenet's ''Manon'', Marie in Donizetti's ''La fille du régiment'', the three heroines in Offenbach's ''Les contes d'Hoffmann'', Rosina in Rossini's ''The Barber of Seville'', Violetta in Verdi's ''La traviata'', and most notably Elisabetta in Donizetti's ''Roberto Devereux''. ''The New York Times'' noted, In her prime her technique was exemplary. She could dispatch coloratura roulades and embellishments, capped by radiant high Ds and E-flats, with seemin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariella Devia
Mariella Devia (born 12 April 1948) is an Italian operatic soprano. After beginning her career as a lyric coloratura soprano, in the finale part of it she also enjoyed considerable success with some of the most dramatic roles in the bel canto repertoire. Biography Born in Chiusavecchia, Devia began her studies at the Milan Conservatory with Iolanda Magnoni, but she later followed her teacher to the Santa Cecilia Conservatory in Rome where she graduated. She made her stage debut at the Teatro Comunale in Treviso in the title role of ''Lucia di Lammermoor'' in 1973''Biography''. and quickly sang throughout Italy, making her debut at La Scala in Milan in 1987, as Giulietta in '' I Capuleti e i Montecchi''. On the international scene, she appeared at the Metropolitan Opera from 1979 to 1994 as Lucia, Gilda, Nannetta, Despina and Konstanze, and at Carnegie Hall as Lakmé, in 1979, and later as Teresa in '' Benvenuto Cellini'', Giulietta, Elvira in ''I puritani'' and '' Adel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leyla Gencer
Ayşe Leyla Gencer (, née Çeyrekgil; 10 October 192810 May 2008) was a Turkish operatic soprano. Gencer was a notable ''bel canto'' soprano who spent most of her career in Italy, from the early 1950s through the mid-1980s, and had a repertoire encompassing more than seventy roles. She made very few commercial recordings; however, numerous bootleg recordings of her performances exist. She was particularly associated with the heroines of Donizetti. Early life Leyla Gencer was born in Polonezköy (near Istanbul) to a Turkish father and a Polish mother. Her father, Hasanzade İbrahim Bey (who took the surname ''Çeyrekgil'' under the Surname Law of 1934), was a wealthy businessman, whose family was from the city of Safranbolu. Her mother, Lexanda Angela Minakovska, was from a Roman Catholic family of the Lithuanian aristocracy (she later converted to Islam and chose the name ''Atiye'' after her husband's death.) Gencer's father died when she was very young. She grew up in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonel Perlea
Ionel Perlea (13 December 190029 July 1970) was a Romanian conductor particularly associated with the Italian and German opera repertories. Biography Born Ionel Perlea to a Romanian father, Victor Perlea, and a German mother, Margarethe Haberlein, in Ograda, Romania, he moved to Germany with his mother and his brothers after his father died. Perlea was five years old, or according to some sources, ten years old. He studied in Munich, then in Leipzig. He made his debut at a concert at the Romanian Athenaeum in Bucharest in 1919, then worked as répétiteur in Leipzig (1922–23) and Rostock (1923–25). His operatic debut as conductor occurred in Cluj in 1927, when he directed ''Aida''. The following year he made his first appearance at the Bucharest Opera, and was music director of that theatre from 1934 until 1944. He conducted several Romanian premieres of notable foreign masterpieces, such as ''Die Meistersinger von Nürnberg'' and ''Der Rosenkavalier''. Now and then he made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio Flagello
Ezio Domenico Flagello (January 28, 1931 – March 19, 2009) was born in New York City to Italian Americans. He sang at the Metropolitan Opera from 1957 to 1984; a bass particularly associated with the Italian repertory. Career Flagello first studied at the Manhattan School of Musicwhere he was a pupil of Friedrich Schorr and John Brownleeand then at the Santa Cecilia Conservatory, Rome, with Luigi Ricci. Flagello made his professional debut at the Empire State Festival, in Ellenville, New York in 1955, as Dulcamara in '' L'elisir d'amore''. He made his Metropolitan Opera debut on November 9, 1957, as the Jailer in ''Tosca''. Four days later, as a last minute replacement, he sang Leporello in Don Giovanni. He quickly became a favorite with the audience in comic roles, such as Bartolo in ''The Barber of Seville'' and Dulcamara in ''Elisir d'amore'', though he also excelled in more lyrical and dramatic repertory. In his 27 seasons with the company, he sang, notably, Rodolfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfredo Kraus
Alfredo Kraus Trujillo (; 24 November 192710 September 1999) was a distinguished Spanish tenor from the Canary islands (known professionally as Alfredo Kraus), particularly known for the artistry he brought to opera's bel canto roles. He was also considered an outstanding interpreter of the title role in Massenet's opera ''Werther'', and especially of its famous aria, "Pourquoi me réveiller?" Early years Kraus was born in Las Palmas de Gran Canaria. His father was Austrian and his mother was Spanish. He began his musical career with piano lessons at the age of four, and he sang in the school choir by age eight. His older brother, Francisco Kraus Trujillo, a baritone, studied music and opera alongside him. Career After refining his technique singing Spanish zarzuela on stage in Madrid and Barcelona, Kraus made his professional opera debut in Cairo during 1956 as the Duke in ''Rigoletto'', which became one of his signature roles. In 1958, he sang Alfredo at the Teatro Nac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Verrett
Shirley Verrett (May 31, 1931 – November 5, 2010) was an American operatic mezzo-soprano who successfully transitioned into soprano roles, i.e. soprano sfogato. Verrett enjoyed great fame from the late 1960s through the 1990s, particularly well known for singing the works of Verdi and Donizetti. Early life and education Born into an African-American family of devout Seventh-day Adventists in New Orleans, Louisiana, Verrett was raised in Los Angeles, California. She sang in church and showed early musical abilities, but initially a singing career was frowned upon by her family. Later Verrett went on to study with Anna Fitziu and with Marion Szekely Freschl at the Juilliard School in New York. In 1961 she won the Metropolitan Opera National Council Auditions. International career In 1957, Verrett made her operatic debut in Britten's ''The Rape of Lucretia'' under her then-married name of Shirley Carter. She later used the name Shirley Verrett-Carter, and ultimately just Shirle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montserrat Caballé
Montserrat Caballé i Folch or Folc (full name: María de Montserrat Bibiana Concepción Caballé i Folch (, , ; (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé, was a Catalan Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's ''Lucrezia Borgia'' at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo. Caballé became popular to non-classical music audiences in 1987, when she recorded, at the request of the International Olympic Committee, "Barcelona", a duet with Freddie Mercury, which became an official theme song for the 1992 Olympic Games. She received several international awards and also Grammy A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhattan), 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
