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I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called '' Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Malibran
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Life and career Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felicita Vestvali
Felicita Vestvali (born Anna Marie Stegemann, also known as Felicità von Vestvali; 23 February 1831 – 3 April 1880) was an opera singer and actress famous in Europe and the United States. She was known in North America as "Vestvali the Magnificent" or "Magnificent Vestvali" and was praised by Abraham Lincoln and Napoleon III. Vestali was admired for her beauty and her contralto voice and for her independence from the norms of femininity at the time. She was a self-described "man-hater" ("Männerfeindin") and widely described as Uranian (sexology), Uranian, with links to the feminist movement, the nascent movement for gay and lesbian rights, and to the movements for racial and religious emancipation.Rosa von Braunschweig: Felicita von Vestvali. In: Magnus Hirschfeld (Hrsg.): Jahrbuch für sexuelle Zwischenstufen. 1903. Life Her family background is unclear. According to Ludwig Eisenberg (writer), Ludwig Eisenberg, Vestvali came from an old noble family. Despite her Italian sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Louis-Étienne Nuitter
Charles-Louis-Étienne Nuitter was a French librettist, translator, writer and librarian born in Paris, France, on 24 April 1828. He died there on 23 February 1899 after suffering a stroke a few days before.Cooper J: Nuitter, Charles-Louis-Étienne. In ''New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. Librettist and translator Nuitter studied law and practised in Paris from 1849. He was a keen theatre-goer, and in the 1850s he started writing librettos, mainly vaudevilles, later opéras comique, operas bouffes, operettas and ballets. It is estimated that he wrote or co-authored around 500 theatrical pieces, including libretti for several works by Offenbach, the scenario for Léo Delibes's ballet ''Coppélia'' (Nuitter had wanted the piece to be called ''La poupée de Nuremberg'') and pieces by Hervé, Guiraud, Lalo, Lecocq and others, of which 100 or so were staged.Gressel V. ''Charles Nuitter : des scènes parisiennes à la bibliothèque de l'Opéra.'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amalia Schütz Oldosi
Amalie Schütz (22 January 1803 – 21 September 1852) known under the stage name Amalia Schütz Oldosi, was an early 19th-century Austrian soprano who performed in Austria, France, England and Italy. Biography Born in Baden bei Wien near Vienna, the daughter of the Viennese painter Joseph Holdhaus, Schütz received her training in Vienna from Antonio Salieri and Giuseppe Tomaselli. She made her debut in 1821 at the ''Theater an der Wien'', where she sang roles by Rossini as soprano or mezzo-soprano. In 1820 she married the baritone , also hired by this theatre. In 1822–1823, she sang at the '' Wiener Hofoper'', and replaced Schröder-Devrient in the title role in Conradin Kreutzer's ', a role she will take over as part of her international career at the Amsterdamer '. In 1825, she performed in Paris, where she forged her stage name "Schütz-Oldosi", composing her husband's name and an Italianized form of her maiden name. She quickly became one of the first female singers of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Brullov 31
Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austrian Emperor * Karl (footballer) (born 1993), Karl Cachoeira Della Vedova Júnior, Brazilian footballer In myth * Karl (mythology), in Norse mythology, a son of Rig and considered the progenitor of peasants (churl) * ''Karl'', giant in Icelandic myth, associated with Drangey island Vehicles * Opel Karl, a car * ST ''Karl'', Swedish tugboat requisitioned during the Second World War as ST ''Empire Henchman'' Other uses * Karl, Germany, municipality in Rhineland-Palatinate, Germany * ''Karl-Gerät'', AKA Mörser Karl, 600mm German mortar used in the Second World War * KARL project, an open source knowledge management system * Korean Amateur Radio League, a national non-profit organization for amateur radio enthusiasts in South Korea * KA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelmine Schroeder-devrient
The Wilhelmine Period () comprises the period of German history between 1890 and 1918, embracing the reign of Kaiser Wilhelm II in the German Empire from the resignation of Chancellor Otto von Bismarck until the end of World War I and Wilhelm's abdication during the November Revolution. It affected the society, politics, culture, art and architecture of Germany and roughly coincided with the Belle Époque era of Western Europe. Overview The term "Wilhelminism" (''Wilhelminismus'') is not meant as a conception of society associated with the name Wilhelm and traceable to an intellectual initiative of the German Emperor. Rather, it relates to the image presented by Wilhelm II and his demeanour, as manifested by the public presentation of grandiose military parades and self-aggrandisement on his part. The latter tendency had already been noticed by his grandfather, Emperor Wilhelm I, while the latter's father, later Frederick III, was Crown Prince. Wilhelminism also characterizes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuditta Pasta(cadrée)
Giuditta Angiola Maria Costanza Pasta (née Negri; 26 October 1797 – 1 April 1865) was an Italian soprano opera singer. She has been compared to the 20th-century soprano Maria Callas. Career Early career Pasta was born Giuditta Angiola Maria Costanza Negri in Saronno, near Milan, on 26 October 1797.Stern (n.d.) She was born of the Negri family, who came from Lomazzo, where the family practiced medical art. Her father, Carlo Antonio Negri or Schwarz, was Jewish and a soldier in the Napoleonic Army. She studied in Milan with Giuseppe Scappa and Davide Banderali, and later with Girolamo Crescentini and Ferdinando Paer among others. In 1816, she married fellow singer, Giuseppe Pasta and took his surname as her own. She made her professional opera début in the world première of Scappa's ''Le tre Eleonore'' in Milan that same year. Later that year she performed at the Théâtre Italien in Paris as Donna Elvira in ''Don Giovanni'', Giulietta in Niccolò Antonio Zingarelli's ''Giuliet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Caterina Rosalbina Caradori-Allan
Maria Caterina Rosalbina Caradori-Allan (née de Munck; 1800–1865) was a French operatic soprano. Life Caradori-Allan was born at the Casa Palatina, Milan, in 1800. Her father, Baron de Munck, was an Alsatian, who served in the French army, while her mother, whose maiden name was Caradori, was a native of Saint Petersburg. According to the ''New American Cyclopedia'', and Moore's ''Complete Encyclopaedia of Music'', her father died when she was 20, leaving the family short of funds, and obliging her to employ professionally her musical talents, which had previously been under the direction of her mother, as "an elegant accomplishment". She must have had a good education as she developed into a versatile polyglot, proficient in English, French, German and Italian. After a tour in France and part of Germany, the influence and support of Count St. Antonio resulted in her engagement at King's Theatre in London, where she made her first appearance as Cherubino in ''Le nozze di Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Malibran As Bellini's Romeo-1832
Maria may refer to: People * Mary, mother of Jesus * Maria (given name), a popular given name in many languages Place names Extraterrestrial *170 Maria, a Main belt S-type asteroid discovered in 1877 *Lunar maria (plural of ''mare''), large, dark basaltic plains on Earth's Moon Terrestrial *Maria, Maevatanana, Madagascar *Maria, Quebec, Canada *Maria, Siquijor, the Philippines *María, Spain, in Andalusia *Îles Maria, French Polynesia *María de Huerva, Aragon, Spain *Villa Maria (other) Arts, entertainment, and media Films * ''Maria'' (1947 film), Swedish film * ''Maria'' (1975 film), Swedish film * ''Maria'' (2003 film), Romanian film * ''Maria'' (2019 film), Filipino film * ''Maria'' (2021 film), Canadian film directed by Alec Pronovost * ''Maria'' (Sinhala film), Sri Lankan upcoming film Literature * ''María'' (novel), an 1867 novel by Jorge Isaacs * ''Maria'' (Ukrainian novel), a 1934 novel by the Ukrainian writer Ulas Samchuk * ''Maria'' (play), a 1935 play b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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